Tag Archives: Barista

Restaurant Review: Firefly Café in Camps Bay is no longer flying, shocking service!

 

When Firefly Café opened in Camps Bay just over a year ago, I was apprehensive about the future of the coffee shop, its service levels being variable, it taking me more than three months to write a review, feeling more confident about its future.

When co-owner Herman Bezuidenhout, who was often in the Café and with whom I enjoyed chatting, left Firefly Café and sold his shares to his business partner Luzaane Spoelstra, my confidence dropped to rock bottom and I did not return for at least four months, until a week ago! What a bad mistake it was! Continue reading →

Corona Virus: Lockdown Journey Journal, Day 42 of Level 1, 11 November 2021

 

Thursday 11 November 2021, Day 42 of Level 1 😷

Corona Gratitude 🙏

#grateful for a lovely day, with great weather at 23C and good energy; for Loadshedding from 8h00 this morning turning my day upside down, but what fun to meet the irreverent Lin Sampson at Firefly Café for an interview for Daily Maverick Food, and being able to get tea using gas-cooked boiled water; for a quick catch up hello with Charlene Shapiro who drove past; for getting my client work for today completed without panic, for Henry doing a fabulous job in obtaining or chasing quotes for maintenance/repair jobs at our Ebbtide apartments, a list of ten which I compiled Continue reading →

Cuban cigar-rolling comes to Cape Town, paired with Bisquit Cognac, at Luvey ‘n Rose!

Luvey n Rose Roque Perez Rodriguez Havanas cigar roller Whale CottageWhat a lovely evening it was yesterday, to take me away from what had been a challenging pre-Full Moon day, and forget about the world out there, at the Habanos cigar-rolling demonstration held at Luvey ‘n Rose.  It made me realise how fortunate we are to have so much to experience in our beautiful city.

Luvey ‘n Rose was opened by Ignatius Claassen on Rose Street last year as an Art and Antique Lounge, and one of its attractions, in addition to its collection of art work and antique furniture offered for sale, is its good cappuccino, friendly barista, and nostalgic Buena Vista Social Club, which music is perfectly paired with the cigars they offer for sale.  My fatherLuvey n Rose Paintings 1 Whale Cottage was a passionate cigar smoker, and it was worth going to Luvey ‘n Rose’s new home on Loop Street just to enjoy nostalgic sniffs of the cigar smoke-filled venue.  Interestingly the attendees were predominantly men, but the women that were attended were passionate cigar smokers. I spoke to one lady, who confirmed that she smokes cigars regularly, but would never touch a cigarette.

Roque Perez Rodriguez has worked for Habanos S.A. in Cuba for the past 30 years, the company being a state-owned cigar monopoly in that country, controlling the promotion, distribution, and international Continue reading →

WhaleTales Tourism, Food, and Wine news headlines: 25 June

WhaleTalesTourism, Food, and Wine news headlines

*  Locals as well as tourists may find it interesting to explore Cape Town underground as opposed to looking at its beautiful oceans and mountains!  Tours of Cape Town’s underground water canals are offered for small groups of up to fifteen persons, commencing at the Castle of Good Hope, with a one hour tour of the Castle, and another one hour section of the tour showing one the fresh running water coming from Table Mountain and running into the sea.  The canals were built by the Dutch in the 17th century, and were called ‘Little Amsterdam‘ at one stage.

*   After ten years of participating in his Kitchen Nightmare TV series, Chef Gordon Ramsay has closed the door to this popular program which advised struggling restaurant owners in the UK and USA in how to save their businesses.  More than 120 episodes were filmed over 12 seasons, and were sold to 150 countries, to have been seen by tens of millions of viewers.

*   Actor Sean Penn was seen having lunch at Truth on Buitenkant Street yesterday, being in pre-production for his new movie ‘The Last Face’, which will star Charlize Theron.

*   2011 MasterChef Australia contestant Hayden Quinn, and cook, writer, and presenter,  is coming to South Africa to film ‘Hayden Quinn South Africa, a 13-episode series which will be broadcast on Continue reading →

Café Puerto Cabo adds Spanish touch to Cape Town, combines Coffee and Couture!

Puerto Cabo exterior Whale Cottage PortfolioCape Town is a city of surprises, and a walk yesterday along Loop Street led me past Café Puerto Cabo, its bright blue awning and patrons sitting at a pavement table attracting attention.  I went to have a look, and discovered a small chic Café that thrives on design not only of its interior but also by offering a men’s clothing couture range branded Issa Leo, and also serves quality coffee by Deluxe Coffeeworks in thirteen styles.

The Manager Zacharias Lopez recognised me as a regular customer of Haas, as he had worked there for about three months as their barista. His brother Issa is the owner of the business, having come to Cape Town from Spain in 2009, and having slowly built up his Issa Leo Puerto Cabo Clothing poster Whale Cottage Portfolioclothing brand, made in Cape Town, over time.  He started at the Biscuit Mill, selling the clothing as well as leather bags there.  A business partner has enabled him to open his clothing and leather bag store within Café Puerto Cabo, the name meaning Port of the Cape.

Using the services of interior designer Zaayan Rasdien, they focused on the colours of the Spanish flag, the wooden table tops being set in yellow or red metal frames. The tables were especially designed for the Café, Issa finding little to please him in Cape Town.  Continue reading →

Restaurant Review: Kitima full of spirit, Elsa’s Table has pride of place!

I was invited by Katie and Jonny Friedman to dinner at Kitima in Hout Bay, an icon of Asian cuisine in Cape Town, and winner of the Best Asian restaurant in South Africa in the Eat Out Restaurant Awards in November. It was a most interesting evening, not only experiencing the good value food, but also hearing the story about Elsa’s Table, named in honour of one of Hout Bay’s longest standing ‘residents’!

The Friedmans own Orphanage on Bree Street, and we got to know each other at their cocktail emporium when it opened earlier this year. They have done so well with Orphanage that they are linking it to a double story behind the existing building, with an entrance on Orphan Street, adding another bar downstairs, and creating the Orphanage Club upstairs in which 1920’s style jazz, blues, and other music will be performed live. Reservations must be made, and it is planned to serve canapés with the drinks, served by the bottle in this venue. The Friedmans live in Llandudno, and love Kitima, usually eating there once a week.  They were surprised that I had never been, and wanted to share one of their favourite restaurants with me.

Kitima is close to the Imizamo Yethu township in Hout Bay, but one feels very secure, as one is guided into the parking by their security staff, and shown the entrance to the building.  The old Cape Dutch building, originating from 1670 when it was a manor house on the first farm in Hout Bay, and having been a National Monument for more than 50 years, is called The Kronendal, and is a tasteful marriage of its untouched historic Dutch origin with Thai decor touches added. The building relives the history of the Cape via the Dutch East India Company, which connected Europe, the Cape, and Siam (now Thailand).  There are two generous bars, with lounge seating at one, and bar seating at the other, serving fresh ‘Thai and Western cocktails’ , which are prepared by mixologists.  I had a taste of Katie’s Strawberry Rose Martini, a delicious cocktail with a minute rose, and it was actress Halle Berry’s favourite when she ate there while filming in Cape Town two years ago. It was amusing that my simple request for a medium cream sherry appeared a more exotic order than the martinis which Katie and Jonny ordered.  There are three rooms (Bangkok, Boat, Temple) and the VIP Room, in which the restaurant patrons sit, up to 160 in winter and about 220 in summer, when they can expand outside.  Tables are placed quite close to each other, yet one does not hear the other patrons. Tables have white tablecloths, and the chairs are upholstered in a black and grey/silver fabric.

Waiting for the Friedmans to arrive, I was shown around the restaurant by host Stian, and our first stop was at Elsa’s Table in the entrance hall, the only table in this large space, and which attracted my attention with its plates of food on the table, with a glass each of red and white wine, and a vase with red roses.  It looked like a table at which a very special event was about to be celebrated, one assuming that the couple had temporarily vacated the table to go to the bar.  It was quickly explained that this is Elsa’s Table, Elsa having been the daughter of one of the first Dutch owners of the building, Sir Abraham Josias Cloete, who lived there with his family between 1835 – 1849. Elsa fell in love with a British soldier. Their union was not sanctioned by her parents, so he committed suicide at the oak tree outside the restaurant building. It is said that Elsa died of a broken heart.  Since then her ghost has regularly been seen in the building on moonlit nights, and her existence felt inside the building.  In accordance with Thai culture, the table laid for Elsa and her soldier is a blessing, and has been prepared in honour of the spirits.  Since Kitima has opened and dedicated the table to her, there has been minimal activity and no more sightings of her ghost, I was told. Our waiter was kind enough to check which dishes were served at Elsa’s Table that evening, and his list was Pad Pak Rum (seasonal vegetables wok-fried with a garlic and oyster sauce), Pla Neng Ma Nao (steamed kingklip), steamed rice, and Crêpe Suzette. The dishes served at Elsa’s Table are changed daily. The red wine was a Barista Pinotage, but the white wine was an artificial liquid, he said, and the roses plastic.  I was reprimanded for putting my handbag on one of the chairs to make a note about a piece of information, reflecting how serious the restaurant is in honouring its previous resident.

The restaurant is named after its owner Kitima Sukonpongpao, who arrived in Cape Town from Thailand ten years ago. She opened Kitima five years ago, specialising in Asian cuisine, including Japanese, Chinese, and Thai.  Ten ‘5-star Thai chefs’ run the kitchen. Chef Kent came to the table, telling us that he had just returned from Thailand, but that he was teaching students at the University of Thailand about restaurant service and food preparation, an honour to do this for the King of Thailand, only seeing his mother for two days, and barely having a break. Thai cooking is characterised by its use of herbs, and lemongrass in particular, I was told, but its true recipe to success is its service, making it unique, and therefore better than Nobu and Haiku, said the restaurant host. The restaurant is so popular that one must book ahead.  The website introduces the philosophy of the restaurant: ‘Only passions, great passions, elevate the soul to great things’.

The brown covered menu is the largest I have seen, even more extensive than that of Haiku.  It is neatly organised into Appetisers, Soups, Salads, Sushi and Sashimi, Dim Sum, Soup, Salads, Seafood, Duck and Chicken, Beef, Pork and Ostrich, Curries, Vegetables, Rice, and Noodles, each section offering a large selection of options.  The first observation was how inexpensive Kitima is, when compared to Haiku, Nobu, and Willoughby’s, for example.  The waiter told us immediately that most of the Dim Sum was not yet available, needing a few days to be prepared after the restaurant re-opened from its winter break.  When Katie wanted to order the tuna, she was told that it was out of stock too.  One is served a spoon and fork, and chopsticks, and I asked for a knife for both the starter and main course. I ordered Ebi (R40), which is a prawn, avocado and Japanese mayonnaise handroll, as a starter, beautifully presented on a stand. Appetisers include oysters (R15 each), a number of spring roll options, including duck, cheese, vegetable, and prawn, and prawn cakes cost R45 for three. The sushi selection is extensive, tuna and salmon sashimi, and prawn, tuna and salmon Nigiri costing about R15 each. Platters of eight pieces of sushi range from R38 – R55, a number of handroll and fashion sandwiches are offered, and salmon roses cost R52 for four.  Dum Sum is defined as ‘little treasures’, and include a number of ingredient combinations, including prawns, pork, shiitake mushrooms, chicken, ginger, and chives, at a price range of R33 – R40.  The well-known Thai Tom Yum Goong prawn soup with mushrooms, galangal, lemongrass and coconut milk, topped with fresh coriander (R39), and traditional Japanese Miso soup with tofu and spring onion (R25), are included in the soup list.  Numerous salad options are available, including beef, prawn, chicken, duck, fish, seared tuna, and vermicilli, costing between R50 – R70.

For the main course I tried my Haiku favourite, being Duck à L’Orange. Katie told me that the duck comes from Thailand, as they were not happy with the quality that they source locally.  The duck dishes cost R105 – R125, while the chicken dishes cost around R65.  Seafood main course options are dominated by prawns, including a prawn basket, and sweet and sour prawn.  Kingklip, salmon, and Bluenose (not on the SASSI list) can be ordered, steamed, fried with batter, or wok-fried.  All the beef, pork, and ostrich dishes are wok-fried, and cost about R75, with the exception of the ostrich, which is a little more expensive.  Red and green chicken and seafood curries, chicken and beef peanut curries, and lychee duck curry are some of the curry options. For vegetarians there are a selection of choices, including a green or red vegetable curry, costing about R55. Steamed rice costs R12, but one can also order egg fried, vegetable fried, or prawn fried (R49) rice.  Noodle dishes are served with chicken, prawns or vegetables.

For dessert Katie and I shared Crepe Suzette, which was served with ice cream (R45), and I had a cappuccino (R18) with it. The other dessert options are more Western, including Crème Brûlée, Bread and Butter pudding, deep fried bananas, chocolate or fruit spring rolls, lychees, sorbets, and ice creams, inexpensive at R28 – R45.

The Waterford Kevin Arnold Shiraz (R270) was decanted, and was a good choice for our meal.  The winelist recommends the pairing of Riesling for medium-spiced and steamed dishes; Sauvignon Blanc for chicken, fish, and seafood; Chardonnay for milder dishes and sushi; Cabernet Sauvignon and Merlot for pork, duck, and spicy beef dishes; and Pinot Noir for more subtle-flavoured beef dishes.  The rules are quite strict, with corkage costing R35 for local wines and R50 for champagne.  However, one may not bring any brands that are on the restaurant’s winelist.  Disappointing is that no vintage information is provided, and that there are typing errors, unforgivable for a restaurant that has invested in an extensive wine, spirit, and liqueur offering. A list of 13 champagnes is offered, ranging from R110/R660 per glass/bottle of Guy Charbaut Selection Brut to R3200 for Taittinger Comtes de Champagne Blanc de Blancs 1998.  Other champagne brands include Bollinger, Ayala, Veuve Clicquot, Dom Pérignon, and Billecart Salmon.  Only seven MCCs are available, starting at R35/R140 per glass/bottle of Beyerskloof Pinotage Brut Rosé, peaking at R 490 for Steenberg 1682 Pinot Noir Brut.  A wide selection of varieties is offered.  The Shiraz prices start at R33/R90 for Arabella by glass/bottle, and include the excellent Andreas, as well as Holden Manz.

For a first time visitor Kitima feels overwhelming, both in terms of its size, and its extensive winelist and menu.  One could go back week after week, as the Friedmans do, and try something different each time, the variety offered being so extensive.  The prices are unbelievably good for having received the Eat Out accolade of the best Asian restaurant in South Africa.  Service is very attentive, polite and correct, starting when one parks on the property, and one is guided by attendants. A nice touch was the chef’s visit to the table.  I will certainly be back, to try more of the menu.  I loved the story of Elsa’s Table, and the respect that is paid to this spirit.

Kitima, 140 Main Road,  Hout Bay. Tel (021) 790-8004.  www.kitima.co.za. Twitter:@_Kitima. Tuesday to Saturday dinner, Sunday buffet lunch. Booking recommended.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

The Mussel Bar: ‘musseling’ in on Camps Bay’s Platinum Mile!

My colleague Charmaine and I were invited by The Bay Hotel’s Sarah Martin to try the newly opened Mussel Bar in Camps Bay on Friday, and we did so in the interest of being able to inform our Whale Cottage Camps Bay guests about it, even though we both do not eat mussels.  While the small menu is very focused on mussels, there is enough to enjoy if one does not eat them, and more non-mussel items will be added to the menu over time.

The Mussel Bar space has been a street bar over the years, and attempts to be a ‘tourism bureau’ too, but it does not have any official accreditation.  The Bay Hotel belongs to Maree Brink, who also owns the large network of Village & Life properties in Camps Bay, the V&A Waterfront, Mouille Point, and De Waterkant, and therefore The Mussel Bar is one way of attracting new business.  In its favour counts the bus stop directly across the road for the Hop On Hop Off bus, and therefore we saw mainly tourists sitting there.  Bicycles are available for rent, and the operators of the cycle rentals sit at a table, hoping for business.

A water wall adds to the summery feel of the restaurant, and there are white tables and grey plastic chairs. Each table has an interesting magazine, including TIME, art magazines, etc.  A surprise was the disposable cutlery with a paper serviette.  The music was the only aspect of The Mussel Bar that we did not like, being very loud and heavy rock, not matching the light summery feel of the restaurant.

Despite not eating mussels anymore, I liked the focus of the menu on mussels, and the simple but fun menu with a large mussel, printed in black on thick brown board.  Quite simply, one can order snacks (biltong, nuts, olives and vegetable chips), at R15 – R18, and 500 gram (R75) or 1 kg (R150) of mussels.  The mussels are served with a beer sauce, hand cut fries, rosemary salt and aioli, on beautiful circular wood platters. Chef Laetitia Essau has been at the Bay Hotel for eleven years, and bakes the most delicious herb bread daily, and this costs R16, the idea being to dip the bread into the sauce.  Not listed on the menu is a daily cake and other sweet treats, which were Hertzoggies jam-packed with apricot jam and coconut, still warm as they came fresh out of the oven.

Cocktails cost R40 – R50, and we enjoyed a ‘virgin’ Strawberry Daiquiri, making it feel that we were on holiday.  Castle Lite, Windhoek and Heineken are sold for around R18, Darling Slow Beer costs R38, and five &Union Beers cost R32 – R38.  Sterhuis sparkling wine costs R40/R170.  White wines range from R30/R95 for Lands End Sauvignon Blanc – R 40/R170 for Teddy Hall Chenin Blanc; the red wine choice is Sgt Pepper Red Blend (R33/R100) and Hidden Valley Pinotage (R35/R120).  Coffee is by Origin, and The Mussel Bar staff have been for barista training.

It is becoming trendy for chefs to become consultants (Chef Reuben Riffel is a past master at this), and Chef Bertus Basson, a friend of Brink, was a consultant to the development of the Mussel Bar.  Chef Brian Smit, who started at Tides Restaurant a month ago and helped set up the Noisy Oyster in Paternoster five years ago, came to say hello, and brought us sample menus of the restaurant, which he changes daily. The Manager Carolyn was very efficient, coming to the tables all the time, checking that all is well.  She has worked at numerous restaurants, including the Sand Bar and La Vie.

The Mussel Bar, Bay Hotel, 69 Victoria Road, Camps Bay, Cape Town.  Tel (021) 438-4612. www.themusselbar.co.za Twitter: @MusselBar  Monday  – Sunday, 11h00 – 23h00

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Toffie Food Festival: No toffees, über-design, über-promise, under-delivery!

When writing our blogpost about the Toffie Food Festival, we wrote about a number of aspects about the organisation of the Toffie Food Festival and Conference that left much to be desired, the organisers making a number of promises which they did not deliver on.  I expressed my scepticism in the blogpost, but it was the talk by ex-blogger Julie Powell, theme of the movie ‘Julie & Julia’, that made me book, despite the high price tag.  Despite enjoying the morning sessions on Saturday, it was the organisers reneging on the confirmed booked secret dinner venue for Saturday evening that was the final straw, and therefore I decided to leave, with my money refunded, when the organisers failed to fix their acknowledged booking error.

The Toffie (no explanation was given by the organisers for this odd name, and there was no toffee, except at the SA Breweries food and beer pairing) Food Festival was not explained, and probably referred to the City Hall room with a number of stalls, creating a mini market, including stands for Woolworth’s coffee, the Queen of Tarts, Oded’s Kitchen, and a few more.  Another room had a number of beer brands for sale.  A further room sold pies from Jason’s, and here mini-croissants were available, being the over-promised ‘breakfast’!   A further room had a colourful Mexican Piñatas design (the organisers seemed to get their countries mixed up, as a link to Argentina was intended, with a speaker from this country).  The problem with all the extra features was that nothing was explained on arrival, or at the start of the Conference.   The registration desk staff, acknowledging our booking, said nothing about the bookings for the workshops running alongside the Festival, nor about the Secret Dinners, which took place in the homes of a number of hosts on Saturday evening.  One had to find out everything oneself.

The Toffie Food Conference was a one and a half day presentation of a random collection of speakers, some having nothing to do with food at all (these were last minute replacements for initially advertised international speakers, the programme having been amended as late as two weeks before its start, Wolfgang Koedel of Paulaner  Brauhaus and perfumer Tammy Fraser being added). The only common element some speakers had was that they had published books, but there was no theme commonality for the Conference overall.  The venue was a tacky dark room in the City Hall, on a noisy corner with taxi-hooting disturbance from outside, and not in the downstairs main City Hall auditorium, as one had expected.  We sat on uncomfortable cheap plastic chairs which had been wrapped in brown paper (this was the ‘creative’ decoration used throughout), which meant that there was a lot of rustling in the venue when one moved on one’s chair. The organisers clearly struggled to fill the venue, it not being full, and ‘gave away’ tickets on Groupon(unfair to those who paid for the weekend in full), as well as offered seats as give-aways on M-Net.   Even on late Saturday afternoon, free Secret Dinner seats were offered via Twitter!

The organisers of the Toffie Food Festival and Conference were artist Peet Pienaar (a grumpy looking ex-rugby player with a Paul Kruger look, and who has a bizarre CV on Wikipedia, which I should have read before booking) and Hannerie Visser (ex-publisher of VISI and TASTE at New Media Publishing), both of never-heard-of-before The President design agency, with what must be the sparsest website ever seen, with design work done for Babylonstoren, BOS, TriBeCa, Navigator Films, and Bruce Lee magazines!  Neither have any food experience, nor have they organised a Conference before.  Copied from Argentina, they organise secret CHOP dinners in their offices, with Pienaar cooking bizarre meals (e.g. veal brain ravioli, the dinner and drinks costing R350) on a weekly basis.   This concept was built into the Toffie Food Festival, each delegate being allocated to a host, at whose home one would have dinner. Hosts were mainly from the decor design field.  While it was meant to be a random match of delegates with host venues, I liked the sound of GreyLamp, being a pop-up restaurant, and therefore I wrote to Visser, requesting this as my dinner venue.  She agreed by e-mail a few days before the event.  When I found the desk dealing with the dinners, I was given details of a completely different host, an editor of an art magazine, who had nothing to do with food at all!  There was no explanation for the error, and one of The President staff promised to sort it out, promising to find me to confirm the correction.  As I had experienced during the booking process, this promise was not met, and I had to return to the desk again. Lying on the table was a (brown paper wrapped) ‘present’ for me, with the news that I could not attend the GreyLamp dinner, as it was fully booked!  I went looking for Visser, but saw Pienaar first, and he rudely told me that it was tough that they had made an error in promising the venue.  This was echoed by Visser, when I finally found her.  It was the way in which she spoke to me, in that it was her right to take a promise away by making a mistake, that annoyed me.  When she offered to refund the money I had paid in full, I accepted it, as their error was a major let-down.  So while I missed out on Julie Powell’s talk after all of that, I was happy to leave this badly organised space, and was able to follow her speech on Twitter.  I couldn’t help but smile when I saw a number of disparaging Tweets about the poor Braai that closed off the Festival yesterday, the promised Argentinian Asado barbeque having fallen away, and the R150 Braai package (for those that brought partners) consisted of only a chop, a sausage and a roll, once again a false over-promise.

The speakers at the Toffie Conference tried their best to make up for the poor organisation and behind-the-scenes dramas happening outside the presentation venue:

*  Kobus van der Merwe, of the cutest Paternoster eatery Oep ve Eet, which I discovered a year ago, spoke about his love for foraging for West Coast foods in the preparation of his meals, including soutslaai, dune spinach, veldkool, seevygies, waterblommetjies, wild sage, and wild rosemary.    He grows some of his own vegetables and herbs, and has access to free-range farm eggs, Khoisan salt, bokkoms, cow’s milk, and flour close by.  Not only do Kobus’ dishes look beautiful from the colourful wild plants he adds, but he is also inspired by shapes from nature, having developed a breadstick in the shape of a branch, and uses streussel to create the look of soil.  Bobotie made with calamari, meat or vegetables are a staple at his restaurant, as are gemsbok sosaties, he said.  The books by Louis Leipoldt and Renata Coetzee are his food inspiration. Kobus calls his focus at Oep ve Eet ‘Earth-to-plate’, or ‘Terroir food’ His food ideas and creativity in its presentation are well worth a book, but can already be seen on his blog Sardine Toast.

*   Eloise Alemany is a small-print-run publisher of her own books, written in Spanish, and which she described as combination food journal, cultural diary, story book and cook book.  She has French parents, grew up in Japan, ran ID magazine in the USA for a while, before moving to Buenos Aires.  Her passion is photography and publishing, she said.  The choice as speaker was unusual, as many a local cook book writer and publisher could have probably been more useful to food writers wishing to have guidelines about how to get their work published.  Ms Alemany’s books were available for sale, but are not available in English.  The covers of the books ‘Libro de Cocino’ and ‘Cuaderno Dulce’ are beautiful, but have no food in them.  She launched secret dinners in unique venues, such as an art gallery and a shoe shop, each with a theme, first for friends, and then expanded these when the unusual dinners received coverage in the Buenos Aires media.  Ms Alemany described herself as an ‘accumalator’ of beautiful things, which come in useful for the styling for shoots.  Buenos Aires experienced a ‘restaurant food revolution’ after the country’s financial crisis five years ago, and it led to interesting small neighbourhood restaurants opening. She encouraged delegates to stick to their vision, and to take risks in doing so.  Food styling must tempt the reader, it must inspire the reader in giving ideas of how to serve a dish, and it must be a memorable composition, she advised.  She varies her styling, some being busy, and others neutral.  She publishes a print run of 1000 books, distributing her books via small design shops in the main.  She concluded with the advice that one should do what one enjoys, and not that which one is good at.

*   Anna Trapido was a lively and informative speaker about the foods that have shaped Nelson Mandela’s life, being the author of ‘Hunger for Freedom’, and was the theme for the unusual lunch we were served on Saturday.  We received so much information that I have written a separate blogpost about it, to be published later this week.

*   I was very surprised when I saw a Taiwanese Barista featured on the programme, and even more so when I heard him speak his language, having an interpreter with him on the stage.  Once again, I wondered why an international speaker had to be brought in for this talk, when Cape Town has some excellent coffee specialists.  From Twitter, highlights of this talk by World Barista champion Tung-Yuan Lin were his development of Latte Art, going beyond the usual heart and leaf designs. He opened his first coffee shop GaBee six years ago, serving 100 different types of drinks.  After winning the barista competition, he pushed himself to develop new ideas, by using local Taiwanese ingredients such as sweet potato and melon; coffee, soda water and ginger; coffee and grapes to create a ‘red wine’; sweet corn soup coffee; creating ‘drinkable desserts’.  He advised delegates to push themselves to try unique combinations of ingredients to create as drinks.

*   Tammy Frazer’s talk on ‘Gourmand fragrances’ seemed completely out of place at a Food Conference.  Her talk generated few Tweets.

*  Wolfgang Koedel of Paulaner Brauhaus talked about beer, describing it as ‘liquid bread’.  Draught beer is ‘cool and trendy’ again, he said. During the World Cup 72000 pints of Paulaner were drunk.

*   Renata Coetzee wrote ‘Koekemakranka: Khoi-Khoin Kultuurgoed en Kom-kuier-Kos’, a Gourmand World Cookbook Award winner.  Her interest in food culture goes back 60 years, incorporating etiquette and folklore too.  She was particularly interested in African food culture, which had not been written about previously. Early civilisations would have eaten a lot of shellfish, bulbs and wild animals, she said.  The Khoi prepared food in claypots, and through mixing foods, stews were born.  Fat from sheeps’ tails was the most common ingredient of Khoi dishes.  Ms Coetzee has reworked the traditional Khoi recipes to make them palatable for Westerners.

Julie Powell’s success as a blogger, and subsequent author, in documenting her cooking of Julia Child’s recipe book in one year, and leading to the making of the movie ‘Julie & Julia’, cost her her marriage, which became the theme of her second book, called ‘Cleaving: A Story of Marriage, Meat, and Obsession’. With her marriage on the rocks, Ms Powell decided to do a butcher’s course, a good escape for her, and she enjoyed ‘hacking up meat’.  It is very ‘hip’ to be a butcher these days, she said. She is concerned about the origin of her meat, and it must be organic, sustainable, and hormone-free.   For her, food has good, joyous, generous and loving memories, as well as nasty and divise memories.  She turns to food in times of crisis. She said that she was judged for being a blogger, and stopped blogging when her first book was published.  She does not follow blogs now, she told Elle Decor.  She watches a lot of TV, but does not watch food programmes, finding them boring. In New York pop-up restaurants and food trucks are a new trend.  ‘Technology and blogging have woven us together and made the food conversation more cacophonous than ever before’, she said.  An increasing number of people want to know where their food comes from ethically and environmentally.  Ms Powell is working on her third book, not specifically about food.

It was interesting that Cape Town Tourism did not sponsor the Toffie Food Festival and Conference, as it did the ‘100 Women 100 Wines’ event a week ago, and they only wrote two Tweets about this event.  One would have thought that the tourism body would offer equal attention to all events taking place in Cape Town, and that it would have wanted to demonstrate its tourism leadership by having a visible presence at the event, given its stated focus on Food tourism.  One wonders what the policy is of Cape Town Tourism in its sponsorship of events, and how it decides which events will receive monetary support.

The Toffie Food Festival and Conference was poorly organised, and their over-promised benefits and poor communication are unprofessional.  They have a lot to learn before they attempt to host another such event next year.

POSTSCRIPT 5/9: Sonia Cabano has written in support of our observation about the lack of value for money of the event, as follows:  “Yes, so ToffieFood was expensive and underdelivered. We all know that, and we are all discussing it”.

POSTSCRIPT 6/9: We copied the above sentence by Sonia Cabano from a comment she wrote to this blogpost.  As the rest of the comment was untruthful, disparaging and defamatory, we deleted it, and posted one sentence from it in the blogpost.  She Tweeted a number of times that she felt that the cost of the Toffie Food Festival was too high, but appears to have subsequently deleted these Tweets.

POSTSCRIPT 7/9: Sonia Cobana has Tweeted her Comment that she sent to this blogpost, which we have not allowed.  She is blatantly dishonest in claiming that she was with me when I talked to the organisers Hannerie Visser and Peet Pienaar.   She walked past us while I spoke to Peet Pienaar, gave him her new recipe book ‘Relish’ launched earlier that day, and walked off.  She was not party to any of the discussions I had with the organisers.  I left the event with a staff member of The President (organisers of the Toffie Food Festival), and not a security person, so that he could collect the delegate badge from me, walking me to my car in an area that is not particularly safe.   It appears that she is Tweeting this disparagement in retaliation to our blogposts about Cape Town Tourism, having hounded me on Friday evening, calling seven times to beg me to not write about Ms Grove anymore, being her friend.  I explained that nothing is written about Ms Grove or Mrs Helmbold in their personal capacity, but in that of their work for Cape Town Tourism.

POSTSCRIPT 10/9:  One of the Surprise Dinner hosts told me today that they had been very disappointed with the organisation, only having 13 of the 30 booked Toffie Food Festival delegates arrive, and many of these were ‘freebies’, who had received the dinner place for free, in a last minute desperate attempt by the organisers on Twitter. Hosts were given a budget of R150 per head for a three course meal, and were paid in Woolworths vouchers by the organisers.  Spier sponsored the wine. One wonders why Woolworths backed an unknown ad agency in putting on a first-time food festival and conference that clearly is not their field of expertise, was not well-organised, and was controversial, sullying their own brand.

POSTSCRIPT 11/9:  In her (libelous) report on the Toffie Food Festival, which she did not attend in full, given that the launch of her new book ‘Relish’ co-incided with Saturday morning of the Festival, for the BY supplement to Beeld, Die Burger, and other News24 titles, Sonia Cabano confirmed the complaints about the expense of attendance.  She gets the Festival cost wrong at R1800 (it was R1710), and writes about the near give-away of tickets on Groupon to fill the Festival.  She also mentions that no speakers of colour were included in the Festival programme, and the disappointing food market, which offered nothing new, most of the stallholders selling their wares at weekly markets too.  She also writes about the complaints about the poor Sunday lunch braai, and that Julie Powell, the keynote speaker, was a disappointment, being ‘babelaas’ from the Secret Dinner the night before (‘…dat haar aanbieding die dag daarna belemmer is deur haar selferkende hewige babelaas’) !  Her report confirms that I made the right decision to leave the Toffie Food Festival on Saturday afternoon, after the Secret Dinner booking mismanagement, which was admitted to by the organisers, and therefore they refunded my fee.

POSTSCRIPT 14/9:  Today we received an e-mail from the Toffie Food Festival organisers, advertising their Toffie Food Festival food tour to Buenos Aires from 23 – 30 October, in conjunction with TASTE magazine, at a cost of R 28426 for a single and R23327 for a double, inclusive of the flight, accommodation and meals.

POSTSCRIPT 20/9:  Dax Villanueva, of Relax with Dax Blog, is also rather critical of his experience of the Toffie Food Festival.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Dear Me is green and blooming impressive!

I was not sure what to expect from Dear Me restaurant, which opened about three weeks ago in the city centre, from its name.  When it got a thumbs up from Michael McKenzie, whose judgement I value, we decided to have lunch there last week. 

From outside on Longmarket Street one cannot appreciate what creativity is inside the three storey building, having a demure canopy with the Dear Me branding on the outside, and that is it.  One enters a spacious open plan restaurant, which leads to a small deli space as well as the counter on which the coffees are made by barista Nash.  The overall colour scheme is green, with green plastic moulded chairs, and a fun green flower pattern running from the bottom of the wall, even painted over mirror tiles.  Magazine and newspaper holders have been erected onto the columns, a clever use of space.   Even more interesting are the herb holders attached to the ceiling, each holder with a different herb, which can be pulled down, and watered every 10 days or so, the holders being cleverly designed in that they have their own irrigation system.  Similarly chef Vanessa Marx can cut some herbs for her dishes from these holders.  This clearly is a ‘green’ restaurant in more ways than one.  The wall alongside the staircase is a rough brick one, the unplastered effect adding an unusual dimension to the restaurant.

Dear Me and its upstairs bar Tjing Tjing belong to ex-accountant Ilze Koekemoer, very humble about her ownership of this beautifully restored 181 year-old building, which is predominantly painted in grey.  Ilse utilised South Africa’s übermaster interior decorator Francois du Plessis (he does all Newmark Hotel properties, for example, the Queen Victoria Hotel being his latest project).  Ilze says she always wanted to have a restaurant.  She said that she can cook, but that Vanessa does it better.   On the second floor is a little seating area with couches, as well as a boardroom table, with chairs as well as a couch around it for seating, over which a collection of plates has been hung. A large function room in white, including the flooring, the curtaining and walls, leads off the landing.  It is used for Thursday evening dinners, and for events such as wine tastings and art exhibitions.  I loved the crispness of the green chairs, the same as in the restaurant, in contrast to the white.  On this level is a most impressive large painting by Matthew Hindley, which one sees as one comes up the staircase.  Hindley is a graduate of the Michaelis School of Fine Art, and spends time in Berlin regularly.  He has been a disciple of ‘Gesamtkunst’, combining painting, sculpture and drawing, writes Wikipedia.   I was particularly impressed by a smaller painting by the same artist, which was hung in an alcove which was unpainted and looked unfinished, but so by design, and brought out the best of the painting.  On the third level is the Chinese-inspired Tjing Tjing bar, which opens at 16h00, and at which tapas dishes are served when the roller doors of Dear Me have closed after the lunch service.  Clients access the bar from the restaurant entrance, by going upstairs.  The Tokyo wall in this room attracts attention, filled with photographs of a recent visit to Tokyo by Ilze and her husband, and over a part of which the designer has placed a logo.  This loft room is open plan, and has an interesting wood ceiling.  It opens to an outside balcony, with pizza oven, and here one can sit on warm evenings.  The name Tjing Tjing is a ‘South Africanised’ version of the words one uses to toast one’s friends when having a drink, Ilse explained.

There is a strong presence of ex-staff from Caveau in Newlands: Chef Vanessa’s ex-link to this restaurant is a surprise, given the poor image Caveau has, and her wonderful creativity at Dear Me.  She worked for Pete Goffe-Wood previously at his PGW Eat and Kitchen Cowboys, and then worked in Europe as well as in London.  Returning to Cape Town, she worked at Cassia on Nitida wine estate, before joining Caveau.  What is interesting is that Vanessa is a diabetic too, and is working closely with the Netcare Christiaan Barnard Memorial Hospital just up the road in the setting up of a Diabetes Unit.  What was impressive is that the menu offers Dear Me guests vegan, lactose-free, gluten-free and starch-free options, and diabetics can be catered for as well, if Vanessa is informed.   The very efficient waitress Rumby, and the very knowledgeable wine hostess Ronel, are from Caveau Newlands too.  The waitress wore a grey overall with yellow piping and pockets, a refreshing break from the black and white waitress dress one normally sees.  I liked Ilze’s pants, fitting into the decor theme both in terms of design and colour.

The menu feels crisp and new, and this is because the menu is changed daily, with the date identified.  It has a full page introduction of its ethos: “Our aim is to provide you with high quality food reflecting our core values of integrity, respect and diversity in an informal and accessible environment”.  Recognising that not all patrons have the same requirements in what they eat, Dear Me states that “our menu is designed to be flexible enough to always provide options for individual dietary requirements and our kitchen has a can-do flexible attitude”, which we experienced on our visit.  Only fresh and seasonal produce is used, and they follow “artisanal principles and will prepare all our food naturally to ensure maximum benefit to our customers”, preserving nutrients and ensuring goodness of the food that is served.   Dear Me has chosen smaller suppliers who share the commitment of Ilse and Vanessa to ‘sustainable and ethical food production practices’.  The sustainability extends to another ‘green’ side of the restaurant, and it is conscious of its carbon footprint and impact it may have on the environment, and “wherever and whenever we can, we reduce, reuse and recycle our waste”.

The last sentence in the introduction explains the origin of the unusual name of the restaurant: “You should be able to eat with us every day and never feel guilty about compromising your personal food value and beliefs – the ideal was the inspiration for our name, Dear Me”.

The wooden tables have no table cloths, but quality material serviettes.  The cutlery is by Pintino from Italy.  I loved the presentation of the wholewheat and sourdough bread, wrapped in a napkin and held together with an old-fashioned wooden peg, presented on a beautiful green lotus-shaped plate. Nine main courses were offered, and six of these could be ordered as starter portions too.  Each item on the menu, bar the soup, had a wine suggestion, with a bottle and wine-by-the-glass price. Six of the dishes were indicated as having a health alternative.  Michael ordered the roast sweet potato, caramelised onion and goats chevre tart (R45) as a starter portion, very creamy, and the salad served with it had a good dressing, while I had organic Elgin tomato soup, basil and pecerino croute (R35) to start, perfect for a rainy day. 

For his main course Michael had grilled spatchcock quail (R110), and proclaimed it to be delicious, to be full of flavour, and none of the flavours jarred, he said.  I had slow roasted free-range pork loin served with butternut fritters, wilted greens, crispy sage and cooked apples (R98), the pork being somewhat chewy.  It was served with a very serious looking knife.   Other menu options were organic baby fig and shaved bresoula salad (R58/R78); home-cured trout gravadlax (R65/R85); grilled aubergine, curried split pea vinaigrette and feta salad (R46/R66); seared Lourensford trout (R105); and Chalmar beef sirloin (R125).

I could not resist trying the desserts, even though they are relatively expensive compared to the good value starter/main course prices.  I managed to encourage Michael to share a quince and apple crumble topped with shaved almonds, with almond milk ice cream and walnut praline (R50).  We were surprised to be generously served a dessert each, but to be charged for one only, mine coming with diabetes-friendly ice cream, proactively organised by Chef Vanessa, without us having asked for it.  I found the crumble to be a little dry, but liked the quince and apple combination to which raisins had been added, and the ice cream tasted as good as that which Michael would have been served.  Other dessert options were a chocolate torte (R60), lemon posset (R45), rhubarb soft-serve (R35), a selection of local cheeses (R65), and chocolate truffles can be ordered at R10 each.  Nash came to our table once I received my cappuccino (R16), and he spontaneously talked to us about the coffee, which comes from the Espresso Lab at the Old Biscuit Mill, where he did his barista training.  My cappuccino was made from a blend of organic coffee beans from Ethiopia, Brazil and Panama.   He said that the blend makes a full-bodied, distinctive tasting coffee, as the beans are not over-roasted, comparing it to food that should not be overcooked.  There are no additives or pesticides used in the production of the coffee beans, Nash assured us.

The two-page Breakfast menu looks wonderful, and is presented on a pay-for-what-you-choose basis, which is innovative and rarely offered.  Different muesli options, including the wonderful Bircher muesli, cost R 30, and one can add fruit (R18), and/or lactose-free or low lactose yoghurts at R8 each.  A fruit plate costs R35.  Porridge costs R18, to which can be added seeds or nuts (R8), or fruit (R18). French Toast comes in three options, ranging from R35 – R50. Boiled eggs and soldiers cost R22, to which can be added bacon and vegetables, costing R18 each.  Poached eggs cost R45, to which can be added hollandaise sauce (R8). Eggs Benedict, Eggs Florentine and truffled scrambled eggs are also available, the latter costing R70.  Plain scrambled/boiled/poached/fried eggs cost R10 only, while a basic omelette costs R15, to which one can add bacon, charcuterie, smoked trout, anchovies, mushrooms, spinach, capers, avocado and more, the cost of each specified.

Dear Me offers its patrons free filtered tap water.  I liked the wine storage area underneath the staircase, and the attractive impactful storage containers. The wine prices range from R20/R77 for Cape Atlantic Sauvignon Blanc 2010, to R68/R270 for Glen Carlou Pinot Noir 2009 on the menu.  The winelist is bound in a leather holder, and looks impressive.  Each page has the Dear Me logo on it.  There are eight MCC’s, ranging from R43/R170 for Simonsig Kaapse Vonkel to R455 for the Cederberg Blanc de Blanc.  Graham Beck Brut Rosé (R49/R195) and Colmant Brut Reserve (R65/R260) are also served by the glass. There are five Shiraz choices, Rickety Bridge costing R42/R165 and Migliarina R300.  Tamboerskloof Shiraz is also available by the glass, at R49/R195.

Dear Me is one of a number of new exciting restaurants to open, where the focus is strongly on the interior, making a strong visual impression, and allowing one to escape from a busy and stressful outside world.   There was nothing to fault at Dear Me at all, and one could not believe that the restaurant had only been open for two weeks when we ate there.  While it is the type of brasserie at which one would want to pop in regularly, parking (or lack of) during the week is a deterrent, but one is advised to park in the Netcare hospital parking garage on Loop Street.  Dear Me is refreshingly different, admirably green, admirably health-conscious, good value for money, and very friendly and welcoming.

POSTSCRIPT 4/4: I returned to Dear Me today, to finalise the winelist and Breakfast write-up, which I had missed last week, probably in talking too much!   I have added it above.  I had Chef Vanessa’s refreshing Caprese Salad starter portion, with Buffalo Mozzarella and fresh basil (R55).

POSTSCRIPT 14/4: I returned for Thursday dinner, with my colleague Marianna, so that she can recommend it to our guests.  Interior designer Francois du Plessis was having dinenr there, and came for a chat. He told me that Gregor Jenkins made the dining table upstairs, and he also crafted the tables at Dash restaurant at the Queen Victoria Hotel.  One pays R 240 for three courses, which is excellent value, as an amuse bouche and a palate cleanser are brought to the table as well, making it a five-course meal in fact.  If wine is added per course, it costs R 350.  Five courses cost R 350, and R 480 paired with wine.  Ronel looked after us most of the time, the first time that I had met her. Four choices of starter and main course are offered, and three desserts.  For her starter Marianna had the Tataki of yellow-fin tuna with pickled cucumber and ginger, oshi toshi and soy, while I chose the Wild mushroom risotto with parmesan and truffle oil, both outstanding.  The palate cleanser was a thick and creamy ginger and fig sorbet.  Marianna’s main course was Asian broth, kob, shitake mushrooms, noodles, lemongrass, ginger and chilli, a colourful and tasty dish.  I was most impressed with my Chalmar beef fillet, tender to cut, loved the crisp green beans and sand-less spinach with the most unusual glühwein-poached pears.  I didn’t like the gorgonzola cream on the steak, finding it too overpowering and rich.  Marianna had Buttermilk panna cotta with roasted rhubarb compote for dessert, while I chose the cheese platter, which I was less happy with, mainly due to the very dry and hard Melba toast.  I enjoyed a glass of Rickety Bridge’s Shiraz 2008 for R42, and had a small taste of port with the cheese, with the compliments of the restaurant.   The service was attentive and informative. A surprise was the noisiness of the downstairs restaurant, which Francois said he is working on to contain.

POSTSCRIPT 16/2: I have received an e-mail, announcing a new Pantry addition to Dear Me, with home-made breads, also available in wheat-free and gluten free variations, diabetic-friendly treats, relishes, cookies, buttermilk rusks, muffins, almond torte, and macaroons

Dear Me restaurant, 165 Longmarket Street, Cape Town.  Tel (021)  422- 4920. www.dearme.co.za (The website reflects the green interior design theme, and contains the most current menu.  There is no Image Gallery to reflect Chef Vanessa’s lovely food.  The winelist is not on the website.  There is no information about the Tjing Tjing Bar).   Twitter: @DearMeFoodWorld.  Monday – Friday 7h00 – 15h00, dinner on Thursday evenings.  Tjing Tjing opens at 16h00, until late.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.comTwitter: @WhaleCottage