Tag Archives: Chef Reuben Riffel

Chef Reuben Riffel: 2014 was a very busy year! More MasterChef to come!

Reuben Riffel Whale CottageYesterday I met Chef Reuben Riffel for a Day of Reconciliation coffee at Crisp in Franschhoek, around the corner from his Reuben’s restaurant, a follow-up from our reconnection at the Mercedes-Benz Eat Out Restaurant Awards.

As he sat down, Chef Reuben apologised for not feeling 100%, starting a cold, and expressing that he is exhausted after a very busy year, but seems to have enjoyed every minute of it. Ironically he and his wife Maryke had planned 2014 last year, wanting it to be a less busy year than 2013, but looking back, he said it was even busier. In the past year he has done the following:

*   filmed MasterChef SA Celebrity Edition, a series we are yet to see, in January 2015, in which he cut his MasterChef judging teeth, apologising that he was still new at being a TV cooking show judge.  Food24 reports that the 10 celebrities, cooking for a prize to be donated to  charity, are Singer Patricia Lewis, Comedian Chris Forrest, Comedian TolAss­Mo, Continue reading →

MasterChef SA Season 1 top prize restaurant Aarya under fire…from a MasterChef!

The most bizarre restaurant review I have ever read (other than the weird ones by IntertwEAT) is the one for Aarya at Montecasino, the restaurant which MasterChef SA Season 1 winner Deena Naidoo ‘co-owns’ with Tsogo Sun, which was part of his R8 million prize package last year.  It was not a good review at all.

When Chef Deena was announced as the winner at the end of MasterChef SA Season 1, he was reported to have complained to a City Press reporter about the deceitful prize, in that he would not be receiving the R 7 million restaurant to keep, as was intimated in all the MasterChef SA publicity throughout the Season 1 screening, the restaurant portion having made this the largest prize ever for a South African reality show, M-Net boasted at the time.  Chef Deena, with the help of M-Net’s PR department, quickly issued a media statement, denied Chef Deena’s criticism of Tsogo Sun, and he gushed with delight about his prize.  Embarrassingly for the hotel group, Chef Deena declared that he had no intention of resigning from his job at Nedbank in Durban, or moving to Johannesburg.  Tsogo Sun allowed Chef Deena to take on the restaurant prize on his terms – he would remain working at Nedbank, visiting the restaurant five days a month. He was also allowed to rename the restaurant Aarya, after his daughter (left), and was involved in its interior decor, mainly featuring posters of the Season 1 Finalists.  On Twitter we have seen both praise and criticism of the restaurant since it opened in November. Continue reading →

MasterChef SA Season2 episode 1: A blend of Familiar Faces, Fresh Faces!

Last night the first episode of MasterChef SA Season 2 was flighted, to what seemed liked a smaller audience, if the Twitter reaction (or lack of) is anything to judge it by.  The first episode built a bridge between MasterChef Season 1 last year and the new Season 2, with some familiar faces, and many new hopefuls, some successful in making the bootcamp of 50 contestant amateur cooks, and many not. There are some interesting characters one can expect to go through to Nederburg, given the amount of airtime they received last night.

To demonstrate how far some of the MasterChef Season 1 Finalists have come since their participation in the show, there was a quick overview of some of the more successful Finalists: Deena Naidoo now has a part-ownership in Aayra at Montecasino, part of his so-called R8 million prize package from Tsogo Sun. Sue-Ann Allen, the runner-up, is described as the ‘head chef’ at the Market on the Wharf at the V&A Waterfront in The Times. Lungile Nhlanhla is Drum‘s junior food editor.  Ilse Fourie has a cooking show ‘Ilse Kook‘ on KykNET. Berdina Schurink has opened Bella Sophia Culinary Café in Pretoria. Manisha Naidu and Jade de Waal have participated in cook books.  Some Finalists missing from the Season 1 recap were Sarel Loots, who was a contestant on Kokkedoor, dessert specialist Thys Hattingh who now is Project Manager at the Compass Group, Guy Clark, who has an amazing chef’s job in Mumbai, and Brandon Law, who is Chef Deena’s right hand at Aayra.  It was wonderful to see judges Andrew Atkinson, Benny Masekwameng, and Pete Goffe-Wood again, feeling like old friends, and barely having changed in the year since we first got to know them in Season 1.

To a MasterChef SA newcomer viewer the action may have been too fast, and therefore confusing.  No background information was provided about the start of the process, namely the audition to have one’s cold dish tasted, brought along from home.  The episode started with the hot auditions, in which some of the 100 contestants received lots of airtime, while the others that received little coverage in the episode or were not even mentioned by name were predictably the ones that fell out.  Each participant had 45 minutes to prepare their dish, and 5 minutes to impress the judges whilst plating their dish, and the standard of the dishes presented to the judges generally was high at this very early stage.

Given the amount of time spent on them in the first episode, one can speculate that the following will be seen in the group of 16 contestants at Nederburg (today’s episode will focus on the rest of the hot audition):

*   By far the most airtime was devoted to the first contestant featured, being Zahir Mohamed, who owns Baked Bistro in Bakoven.  He already had a dream to open his own restaurant, and shared that he would open his own bistro after participating in MasterChef SA.  His father is the chef cooking for Manchester United and its fans in the UK. He would ‘cook my heart out’ on MasterChef, and wanted to make them happy, he promised the judges.  He was the first of many contestants to cry, the pressure bringing on the tears, and he explained that he had given up his job (at Brandhouse marketing Heineken) to participate in the reality TV show (as Sue-Ann Allen had in season 1). Zahir made a home-smoked rack of lamb with roasted garlic and a port jus, which Chef Andrew rejected for not having a smoked taste and the spices not coming to the fore. Chefs Benny and Pete disagreed with him, tasting the smokiness, and praising the sweetness in the beetroot and a rack of lamb prepared properly. Twitter: @BakedBistro @Foodie4CapeTown

*   Mohamed (also known as Ozzy) Osman is a student from Johannesburg whose English pronunciation was dreadful.  His pan-fried lemon sole served with a phyllo pastry basket filled with spinach was a hit amongst the judges. Chef Pete promised him 10 years in boarding school if his fish was raw inside, having introduced that his love for cooking stemmed from the dreadful food he had to eat at boarding school. He shared that he comes from a family of dedicated cooks. Chef Pete probably understated his praise of the sole as being ‘pretty well done’. Twitter: @Oh_so_Ozzy

*   Sisters Leandri and Seline van der Wat from Mahikeng (previously Mafikeng) both received their white aprons, but were kept on tenterhooks by the judges, calling them in one after the other.  They were the most gorgeous sisters, both in appearance, and also in attitude, each wishing the other one success in the show.  They lost their mother at an early age, and have enjoyed cooking together.  Selina made a Doublet of prawns served with Rooibos and thyme salt. Leandri prepared a Smoked snoek ravioli.Twitter:  @This_is_Leandri  @SelineVW

*   Neil Lowe was an interesting character, looking studious with his specs, and clearly trying to impress the judges with his terminology of ‘sous vide’, and ‘Modernist cuisine‘, by far the most sophisticated sounding home chef.  If anything, the judges were more critical of him showing off his food science terminology, and said that the proof lay in his understanding of food. His Mauritian sea bass prepared with a lemongrass and coconut velouté received the judges’ praise that earned him a white apron. Twitter: @NeilLowe

*   Kamini Pather is a food blogger from Cape Town that we know from our Food & Wine Bloggers’ Club meetings, and appears to work at The Test Kitchen now. She spoke about wishing to use MasterChef SA as a launchpad to prepare a food portal for the Southern Hemisphere.  Her Indian lamb shoulder served with a smear of cauliflower pureé and mustard vinaigrette was highly praised by Chef Andrew, who loved its flavours coming together, and the taste of its spices.  She received her white apron. Twitter: @KaminiPather

*  The character that created the biggest impact was Sanet from Boksburg, with partly purple hair and a BIG personality, hugging Chef Andrew heartily when she received her white apron for her Port and Porcini risotto and chicken. When asked if she had dyed her hair for the programme, she said that purple is her colour, and that of her birthstone, her colour of luck.  She was not shy to praise herself in being kind and lovable!  She also cried, filled with emotion at having got so far.

Advertisements featured included those for sponsors Nederburg, Tsogo Sun, Woolworths (with beautiful food shots), new sponsor VW (with a tenuous food link), and Robertsons (many ads, but only one with Chef Reuben Riffel).  Other advertisers included Nespresso, Standard Bank, Spree.co.za, Dr Oetker Pizza Ristorante, and (oddly) Plascon paint.

For an overview of what is lying ahead for Season 2 read here. For behind the scenes information on the filming of Season 2 in January read here.   We want to clarify that M-Net has a strict procedure for interviewing contestants, all writers having to obtain permission from their PR Manager Ingrid Engelbrecht upfront.  The condition is that all writers have to submit their story to Ms Engelbrecht for approval and sometimes minimal editing before being allowed to publish it. We have agreed to follow this rule, so that we have the opportunity to write stories about the contestants during the course of season 2.  This appears to be an unusual procedure relative to other food reality TV shows, especially as we signed a confidentiality agreement before attending the Media Day.  This rule only applies to contestant interviews, and in no way affects writing a summary of each episode such as this one.

So how did the viewers judge the first episode?  The men were noticeably negative, using 4-letter words to describe how much they disliked the program.  Contestants Kamini and the two Van der Wat sisters received positive comments from them however.  Some power outages raised the question about repeat broadcasts. Some complaints were received about the loud music in the broadcast, overpowering the judges’ feedback. It is still early days for Season 2 of MasterChef SA!

POSTSCRIPT 12/6: Deena Naidoo, winner of MasterChef Season 1, Tweeted the following compliment about this blogpost today: As always a Great summary of Episode1 MasterChefSA season2 . You don’t miss much’.

MasterChef SA Season 2. Tuesdays and Wednesdays 19h30 – 20h30.  www.masterchefsa.dstv.co Twitter: @MasterChef_SA

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Cape Restaurants booming, The Pot Luck Club re-opens, new openings Latitude33, The Dining Room, Baked Bistro!

There have been a number of restaurant openings, and no restaurant closures have been reported this year to date, a good sign of recovery.  A very strong tourism February as well as many weddings and general Valentine’s celebrations mean business is booming for restaurants. This list of restaurant openings and closings is updated continuously, as we receive new information:

Restaurant Openings

*   The Pot Luck Club has re-opened in its new venue at the top of the Old Biscuit Mill.

*   Café Blanc de Noir has opened on Brenaissance wine estate in Stellenbosch

*    Latitude33 has opened on Bree Street

*   Baked Bistro has opened in Bakoven, where Marika’s and Saboroso used to be

*   Orphanage Cocktail Emporium has expanded into an adjoining property, opening on Orphan Street, creating The Dining Room downstairs.  It is opening Orphanage Club upstairs, with 1920’s style music by live performers, later this year.

*   Antipasto Bar has opened at the new Anthonij Rupert Wines tasting room, where Graham Beck used to be, outside Franschhoek

*   Kloof Street House has opened where Opal Lounge used to be.

*    Honest Chocolate has opened a second outlet, with a ‘production kitchen’, in the Woodstock Industrial Centre

*   Cavalli restaurant is said to open on the stud farm on R44, between Stellenbosch and Somerset West, this year or next

*   Camphors at Vergelegen has opened, with Chef PJ Vadas.

*   Cousins has opened in the Parliament Hotel, where Il Cappero used to be.

*   Thai Café has opened on Plein Street, Stellenbosch

*   It’s a House has opened on Jarvis Street, as a bar, coffee shop, and design art space.

*   Lion’s Head Bar opened on Bree Street, selling craft beer and food

*   Shake your Honey Mumbai is to open in the original Madame Zingara building on Loop Street, in August.

*   Chef Nic van Wyk, previously with Terroir, has opened The Eatery at Diemersdal in Durbanville.

*   Jimmy Jimanos sports bar is opening on Long Street

*   Burger King will open its first South African branch in Cape Town later this year!

*  A coffee shop, chocolaterie, bar, and fashion boutique will open in a 3-storey building on Long Street, as yet unnamed.

*   Wilderer Distillery and La Grapperia at Spice Route restaurant have opened at Spice Route wine estate, in addition to their existing location

*   TriBakery has opened near Moyo in the V&A Waterfront

*   Luke Dale Roberts appears to be continuing his expansion trail, and is said to be opening on Long Street.

*   Mischu: The Coffee Showroom has opened on Regent Road in in Sea Point.

*   Deluxe Urban Café has opened in the old Cape Quarter.

*   Gourmet Cakes has opened on Kloof Street

*   A new restaurant and micro brewery is to open next door to The Bromwell in Woodstock (name not yet known).

*   Le Venue has opened at The House of JC le Roux

*   The Harbour House group is opening a new restaurant at 107 Loop Street.

*   Goloso Pizzeria has opened in Regent Road Sea Point.

*   Frères Bistro has opened next door to Col’Cacchio on Hans Strydom Avenue in the city centre.

*   De Dorf Krug has opened in Hermanus as a Bavarian/Austrian restaurant.

*   La Parada has opened in Kalk Bay.

*   The Crypt at St George’s Cathedral has opened as a jazz restaurant.

*   Cheyne’s has opened in Hout Bay.

*   Chef Reuben Riffel is to open an artisanal beer bar.

Restaurant Closures

*   Wale Rose Lifestyle has closed down in Bo-Kaap.

*   Café Sofia in Camps Bay has closed down.  None of the other branches are answering their phones, so they may have closed down too.

*   Rhapsody’s in Green Point has closed down.

*   Cape Town Fish Market has closed down in Somerset West

*   Café Le Chocolatier has closed down in Franschhoek.  The owner has taken over Apprentice in Stellenbosch.

* Pepperclub on the Beach has closed down in Camps Bay, to make way for a luxury boutique hotel.

*   Eastern Palace has closed down.

*   Urban Garden has closed down

*   The Reserve nightclub and Brasserie have closed down.

*   St Yves in Camps Bay is closing down on 4 May, to make way for the new Boutique Hotel in The Promenade.

*   Bar1 in Camps Bay, which was planned as a summer ‘pop-up’ bar and restaurant, has closed down.

Restaurant staff/venue changes

*   Fyndraai Restaurant will move to another building on the wine estate, and will offer fine dining.  The current restaurant will serve light lunches and picnics.

*   De Oude Bank Bakkerij is expanding, and will open a retail section selling charcuterie, fresh meats, home-made ice cream, and wines, collectively called De Companje.

*   Taste Restaurant has moved to Bilton Wines

*   Bar1 has opened where Sunbird Bistro was in Camps Bay.

*   Chef Reuben Riffel and his colleague Maritz Jacobs have been contracted to design the menus and prepare the food for weddings and events at Allée Bleue.

*   Thai Café is to open where the coffee shop was at the entrance to Piazza St John in Sea Point

*   Sensei Deon de Jongh has left Okamai at Glenwood wine estate in Franschhoek.

*   The Urban Garden Restaurant has opened where Bistro on Rose was.

*   Isabella Immenkamp, the excellent service-orientated hostess at Burrata, is leaving for Jordan Restaurant at the end of February.

*   Chef Alessandra Masciadri and her husband Chris Kennedy from Milan have taken over Goloso Deli and Restaurant on Regent Road, Sea Point.

* Bukhara is said to be opening in the V&A Waterfront, where Passage to India was

*   Jewel of India has opened upstairs in the ex Wale Rose Lifestyle building in Bo-Kaap.

*   Josephine’s Cookhouse has closed down in Newlands (ex Caveau), and Toad & Josphine has opened in its space.

*   Awestruck is said to open in the ex-Caveau space on Bree Street.

*   Sinn’s Ice Cream Emporium has re-opened in the Camps Bay Promenade, with a reduced space, and much cleaner interior and new furniture.

*   Wild Peacock Emporium has named its restaurant The Larder for dinners.

*   Patty September (ex-Boschendal) has taken over as the Manager of Haute Cabriere Restaurant from Lasse Presting.

*   Bayside Café has closed down in Camps Bay after 24½ years, and has moved to Portico Building, corner Marine Drive and Athens Road, Blouberg.

*   Flatteur is to open where Gesellig was, on the corner of Regent Road and Church Street in Sea Point.

*   Sage Restaurant has moved to Chabivin Champagne and MCC Farm on the Blaauwklippen Road.

*   Massimo’s in Hout Bay is changing its name to Amici di Massimo’s for 10 – 12 months, to be run by Johan, while Massimo undergoes medical treatment in Italy. It will revert back to Massimo’s when they return.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Okamai Japanese Restaurant: Umami in the Japanese food and GlenWood wines!

One of the most unique restaurant experiences was the opening of the new Okamai (meaning ‘home-brewed hospitality’) Japanese Restaurant at GlenWood wine estate in Franschhoek on Thursday evening.  It is a unique marriage of the Umami in the delectable Japanese food created by Sensei (meaning teacher) Deon de Jongh, and the special GlenWood wines created by winemaker DP Burger.

PR consultant Erica Liebenberg and DP welcomed us at the GlenWood reception with a glass of Morena Rose Brut.  The Japanese touch was immediately evident, with Sensei Deon’s wife Rayne wearing a kimono.  We moved through to the tasting room with a welcome fireplace on a still chilly Spring evening, from which we only saw the branding on the ‘noren’ , or hanging cloth, which was the first lesson we learnt in Japanese culture, in that there are no closed doors, denoting the sacred space between the different sections of the restaurant and kitchen. The writing on the entrance noren, replicated on the serviette, was the greeting: ‘We bid you welcome’. Between the kitchen and the scullery and pantry there is another noren, visible in the photograph of Sensei Deon. I slipped into the restaurant while the others were still tasting the wines, and noticed the bonsai on a side table, a collection of ornamental swords, a decorative holder for the swords, and a picture of a Samurai ‘Grand Master long passed’, with decorative lettering written by the Emperor’s calligrapher, with wording ‘The fighting spirit through harmony and respect’, Sensei explained.  He was dressed in a black chef’s outfit, but with Japanese touches.  He has the most charming smile, looking at peace and in harmony, and reminded me of Chef Reuben Riffel. The word ‘humility’ was used a number of times at our table to describe the Sensei.

Sensei Deon studied 16th century samurai swordmanship in Japan, and lived in that country for 27 years.  Once one has passed the highest level of swordmanship, ‘they entrust you to cook’. Sensei studied the Japanese and western style of sushi creation for 15 years.  Erica told me that the Sensei has written Japanese novellas, being collections of stories related to him while he lived there.  He has also founded and run a school of martial arts in New York, is a motivational speaker and life coach, and was awarded a Nelson Mandela Momento for his contribution to social upliftment and better relations, the website states.

Alistair Wood is the owner of GlenWood, which he bought 28 years ago, and DP has been his winemaker and General Manager for 22 years. They share the same long term vision and focus.  Alistair told us that DP is a fourth generation Franschhoeker, and his great-grandfather saw the last elephant leave the Franschhoek valley in 1856. Alistair and his partner Nikki de Havilland were regular customers of the Japanese restaurant which Sensei had opened on the Franschhoek main road, and invited Sensei Deon to open his restaurant on their wine estate when he closed the village restaurant.  They were excited about the good pairing between Sensei Deon’s food and their wines, a good marriage of the umami in both, and ‘between Japanese boutique cuisine on a boutique winery‘, said Nikki.  The word ‘umami’ was mentioned a number of times, and it is the fifth sense, with sweet, sour, salty, and bitter, an element discovered by a Chinese scientist 1200 years ago, we were told.  Umami was found to be an ‘indescribable’ taste in seaweed, and described as being ‘addictive’.

The restaurant can only seat 16 customers at a time, because the Sensei prepares everything fresh, and therefore booking is recommended. However, the kitchen is open from 12h00 until closing time, so one is not restricted to only eating there at traditional lunch and dinner times.  While GlenWood wines are served, one can also order Japanese beer and sake.  ‘Oshibori’ is ‘to clean the hands for the meal one is about to receive’, and a cloth was brought to each guest, and after we returned it to a hostess, we were told that the correct way of doing so would be to roll it up as we had received it: ‘By the way it is received you will return it’, we were told.  Nikki invited us to be ‘adventurous’ in our eating.

Before the meal, Sensei spoke an appreciation ‘of the journey of the food before me’, and ‘I honour your journey and my journey for being here’, acknowledging the uniqueness of the Sensei and customer connecting at that time and space.  He also told us that the Japanese customer would meet the chef before committing to the table, to ‘get a feel of his intentions’ which could harm one if the chef has negative energy or is in a bad space. Should the customers pick up negativity in the chef, they would leave.

We started with a Miso soup (R20), and Sensei Deon taught us how to hold the bowl on the tips of our fingers, and drink from it by slurping, this being how soup is drunk by the Japanese. The Miso soup is a traditional start to the meal, keeping the Japanese healthy, and is made with Dashi stock and has chunks of tofu, and was paired with the GlenWood Sauvignon Blanc 2011.  Miso soup is a good preparation for the meal to come, and an excellent way to counter a hangover, we were told. Thereafter we were served a black Bento Box (meaning ‘lunch box’ ) with a red edging, looking very smart, and with compartments inside for the different foods.  The Bento Box contained the following:

*   ‘Edo Unadon‘, eel meal, paired with the GlenWood Unwooded Chardonnay 2011 – there is no such thing as a ‘California Roll’, Sensei said. This dish costs R62.

*   Sashimi, cut and seared salmon, which was paired with GlenWood’s flagship wooded Vigneron’s Selection Chardonnay 2011

*   The Tempura prawn was described as being high in umami, and was paired with the GlenWood Semillon 2010 (4 prawns cost R34)

*   Chicken dumplings were paired with the GlenWood Merlot 2009 (4 chicken dumplings cost R32)

*   Salmon Roses were paired with the GlenWood Shiraz 2009 – this should be made from the tail of the salmon, which contains the sweetest part, Sensei said.

Rice should be prepared a day in advance, we were told. Wasabi only has a three hour life span, and should never be bought in a tube, we were advised.  Wasabi should never be mixed with soy sauce, as it loses its health benefits.  A leaf of ginger should be eaten in-between courses to clear the palate.  Kewpie mayonnaise should be Japanese and not Chinese, being more healthy.  Sushi means ‘finger food’. The meal as we had it, with the Miso soup and Bento Box, costs R170. One can also order Temaki handrolls at R38 – R53; 6-piece Makimono at R33 – R47; 8-piece Uramaki ‘inside-out rolls’ at R55 – R68; 2-piece Nigiri at R31 – R43; 2-piece Inari R 33 – R45; salads from R40 – R48; 4-piece sashimi R50; two salmon roses at R45; and 4-piece fashion sandwiches at R43 – R55.

The dinner was concluded with a Japanese crepe containing thinly sliced strawberry and banana, and cream. We were told to close the Bento Box when we finished eating, and return it to the hostess, to prevent her from having to lean over the guest to clear the table. Traditionally, hostesses were used to ‘eavesdrop’, to obtain secrets from guests eating by overhearing their conversation, information which was used competitively in warfare.  The best time to eat Japanese food is from 13h00 – 17h00, when the digestion and metabolism are at their optimum, Sensei said.  We were advised to eat only 80% of the meal, and then take a breather before finishing the meal.

Alistair and I talked about the new wine range that will be launched, and without giving away any secrets, he shared that he is excited about an idea which came to him while travelling through France for three months in our winter, being that Franschhoek is well-suited to make a Sauternes noble rot ‘sweet wine’ in the style of Chateau d’Yquem.  Watch this GlenWood space!

Okamai is an educational experience.  It serves ‘cuisine based on ‘Wakon-yosai, an ideal of adopting and applying western learning and knowledge in confirming the native cultural traditions, creating a familiar & authentic blend of known and traditional dishes’, the Okamai website relates.  Sensei Deon is most charming, and he makes eating at Okamai a fascinating experience, given the personal attention that he can pay to his 16 guests at a time.

Disclosure: We received a bottle of GlenWood Merlot 2009 with the media kit.

POSTSCRIPT 25/1: Sensei Deon sent an e-mail this evening, announcing that he left Okamai at Glenwood on 20 January: “I trust you all are doing well and had a good festive season. I am emailing to let you know I am no longer at Okamai…I resigned January 1st 2013…and Sunday January 20th was my last day…for many reasons not known to many..and such It need remain to preserve the integrity of others and the code of samurai conduct that mandate my discreetness and reasons :-). The Very Best Regards & Care. Whereto from here?…I do not know…but shall keep you posted..at GlenWood it is business as usual as they have indicated with the employ of a new sushi cook. Thank you Deeply for your past association and support. Kiyomasu Deon Sensei. 076.997.3786”

Okamai Japanese Restaurant, GlenWood wine estate, Robertsvlei Road, Franschhoek.  Tel (021) 876-2044. www.glenwoodvineyards.co.za www.okamaijapan.com Tuesday – Sunday, from 12h00 – 21h00.  Booking advisable.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

MasterChef South Africa: has Season 1 been a success?

It is interesting to analyse how successful MasterChef South Africa has been, its final 19th episode being broadcast this evening, the winner of the first season being announced in the special 90 minute Grande Finale.  It would appear that the reality TV cooking program has been enjoyed by many South Africans, yet some aspects about it were disliked.

To judge the success of MasterChef SA we looked at quantitative information:

1.  Audience Ratings (ARs) are used by the South African advertising industry to quantify the success of a TV program.  ARs = Reach x Frequency, or the % of the Target Market reached.  It was explained by a media strategist that the AR statistics do not reflect viewership of M-Net repeats, and therefore they do not reflect the full number of viewers.  The AR of 0,8 achieved for MasterChef SA exceeds the expectation of 0,5 on an ‘All Adults’ target market filter, she said, and described the program as ‘world class’, ‘professional’, and with good production values.  A food TV producer felt the opposite, saying that M-Net must be very disappointed with the viewership achieved, its ultimate goal having been to sell more decoders.

2.  On Twitter the @MasterChef_SA account has grown to 11253 Followers.  One may have expected more Followers, for the stature of the programme.  When one reads the Timeline after an episode, the mix of South African Tweeters is evident, attracting commentary from male and female viewers, and from different language groups.  @RobertsonsSpice has only achieved 733 Followers, a very poor performance.  @Woolworths has 33 466 Followers, an exceptional number, but had embraced Twitter prior to its MasterChef SA sponsorship.  @Nederburg only has 1265 Followers, also disappointing for this sponsor.

3.  On Facebook the MasterChef SA page has 8511 likes, Robertsons Herbs and Spice has 1373, Nederburg 7544, and Woolworths an amazing 193676 likes!

4.  The YouTube videos of the Robertsons’ Masterclasses by Chef Reuben Riffel show the viewership, and it is understandable that some of the earlier videos would have the highest viewership.  The first Masterclass in week 1 (16 March) was for a ‘Cheesy Garlic Bread’, and has achieved 4154 views in the past four months.  ‘Stuffed Chicken Breast’ (30 April) has 3335 views to date. ‘Crepes’ (20 March) achieved 3201 views. ‘Pepper Sauce’ (19 March) was seen by 2882 viewers. ‘Chocolate Braaied Bananas’ (16 March) has achieved 2864 views. ‘Milktart’ (2 May) has 2732 views to date, and ‘Roast Chicken’ (15 May) has 2252.  The other videos have had lower viewership, some extremely low.  The viewership figures must be disappointing for Robertsons, and we could see a sharp drop-off in viewership growth two months ago, midway through the series. The dishes demonstrated by Chef Reuben were hardly of a ‘Masterclass’ stature!

5.  Arnold Tanzer was the leader of the MasterChef SA culinary team of eleven, which included Chef Vanie Padayachee from Le Quartier Français too, working behind the scenes in testing every recipe that the Finalists had to prepare, often more than once, checking the preparation times, and making sure that the challenges were ‘doable’.   Interesting was the article in the Sunday Times, detailing the quantities of food and liquid that the 19-series programme went through, supplied by Woolworths in the main: 62 kg mussels, 300 kg fish, 500 kg beef, 400 kg lamb, 165 kg chicken, 2592 free-range eggs, 250 kg of cheese, 215 kg of fresh herbs (mainly mint, thyme, and dill – there is no mention of Robertsons’ herbs and spices, which are not stocked by Woolworths), 100 kg mushrooms, 100 kg butter, 600 l Ayrshire milk, 200 kg onions, 240 l sunflower oil, 144 l olive oil, and many more ingredients.  These quantities used benefited the suppliers of these products.

6.  Twitter was a new social medium to most MasterChef SA Finalists, and they were encouraged to open Twitter accounts.  Deena Naidoo has by far the largest number of Followers at 1986, followed by Sarel Loots (1331), Jade de Waal (1254), Ilse Fourie (1019), and Lwazi Mngoma (1018). The other Finalists have very much lower Follower numbers.

Qualitatively, it was interesting to observe:

1.  Initially, no one went out on Tuesday evenings, being glued to their TV screens.  From Twitter one could see that after the first four weeks life started getting back to normal, and event organisers were not afraid to schedule functions on Tuesday evenings any longer.  The hype about MasterChef SA never reached that of the Australian series when flighted locally.

2.  Many TV viewers, especially men, were initially not interested in watching the program, but the talk on Twitter and in social circles enticed them eventually to watch the program. Towards the end of the series we saw fewer proactive Tweets about MasterChef SA, and fewer people talking about the reality series socially.

3.  Most restaurant staff were unable to watch, as they were working at the time of the program.  If they had access to a PVR, they watched a recording afterwards. Most of them do not seem to own a M-Net decoder, and seemed surprisingly uninformed about the reality TV series, or were not interested in it, most chefs seeing it as ‘amateurish’.

4.  Viewers expressed their extreme dissatisfaction with the judges’ decision to eliminate Guy Clark and not Jade de Waal in episode 9.  There was talk on Twitter about the elimination choice being a ‘production decision’, and many said that they would no longer watch the program due to the perceived rigged choices made.

5.  The program sponsorship will have benefited Woolworths and Nederburg, but the impact on Robertsons’ sales is not expected to be significant:

*   Woolworths has run superb food advertising during the MasterChef SA episodes, well matched to the theme of each episode, and creating amazing appetite appeal. In the episodes too the Woolworths Pantry was well-branded when the Finalists had to source their ingredients. Significant discounts offered to Woolworths card holders must have brought more feet into their stores. The sponsorship is said to have taken attention away from the embarrassing Frankies beverages debacle. Surprisingly the in-store branding of their sponsorship of the reality TV series was low key, with small banners at the tills.  The initial uproar caused by two recipes of the Woolworths Pantry guest food bloggers appeared to have blown over quickly.  The Woolworths sustainable seafood commercial linked to the seafood episode shot at Paternoster caused controversy, because the content of the advertisement was not reflected in its stores.

*   A media strategist interviewed for this blogpost fed back how she had started buying Nederburg wines again, now finding it trendy to do so, as a result of watching MasterChef SA. Despite the show being filmed at the wine estate, there was little Nederburg branding in the episodes.  Its commercials were less impactful than those of Woolworths, and many say that the ‘ingredient’ composition of the Nederburg wines shown in its commersials, to demonstrate the flavours of the wines, may have been taken literally, if viewers did not know better. Surprising was the low key product placement of Nederburg wines, given that the MasterChef SA kitchen was built for the show on the wine estate. A bottle of Amarula received prominence in a Mystery Box for a dessert, one episode focused on food and Nederburg wine pairing, which highlighted that Deena had little wine knowledge, and one episode featured the celebration of the harvest at Nederburg. Disappointing for Nederburg would be Deena Naidoo winning MasterChef SA tonight, as he does not appear to be a wine drinker, given that the prize includes a sommeliers’ course, and a year’s supply of their Winemasters Reserve range wines.

*   Robertsons went through the Social Media wars since MasterChef SA started in March, its endorsement by Chef Reuben Riffel having raised credibility and advertising honesty questions, and its Social Media Manager Sonia Cabano having been dismissed soon after she took on the job.  The end result is that Chef Reuben’s Robertsons’ endorsement has cost him credibility as a chef, and he appears to now be written out of the Robertsons’ advertising, only one of the five or six spice brand TV commercials featuring him in each of the last few episodes. A further blow to Chef Reuben’s credibility is his very recent endorsement of Rama margarine, also a Unilever brand. Robertsons did not manage its sponsorship well, in that registered ‘members’ of their Masterclass page were sent recipes unrelated to the previous day’s MasterChef SA episode, a marketing failure. In general, Robertsons went through a torrid time, and ‘MasterChef SA‘ must be a swearword inside its hallowed halls!  Its attempt at Social Media was a miserable failure in many respects, and appeared poorly managed, despite its use of the Liquorice social media marketing agency.

6.  The MasterChef SA series benefited sponsors Woolworths and Nederburg, jointly creating two wine brands specifically for the series (Grenache 2010, and a Sauvignon Blanc/Chardonnay blend). It also opened the door for Nederburg to sell its Winemasters Reserve range in Woolworths stores over the four month MasterChef SA broadcast period.  There was no cross-benefit between Woolworths and Robertsons, the retailer having to publicly admit on Twitter that it does not stock Robertsons spices and herbs.

7.  Initially the response to our competitions to predict the overall winner of MasterChef SA and the weekly Finalist leaving the show was surprisingly low, but increased the closer it got to the Finale, and the fewer the options for elimination and winning the grand prize became. The readership of our weekly MasterChef SA episode summary the day after the show saw an increase week by week. Restaurant staff working on Tuesday evenings, international readers, and local non-subscribers who cannot view M-Net, and surprisingly even viewers of the program, fed back that they read our MasterChef SA weekly write-ups. We got hooked onto MasterChef SA, loving writing up each episode, and will miss the Tuesday evening programmes.

8.  MasterChef SA dislikes focused strongly on the judges, particularly the expression on Chef Andrew Atkinson’s face, his dress, and his stare at the Finalists when judging their dishes. Chefs who have met him, however, say that this is not him at all, and praise his culinary skills.  Chef Pete Goffe-Wood attracted negative criticism from the second half of the series onwards. Chef Benny Masekwameng was the most loved judge by far, always kind and supportive to the Finalists. In general chefs felt that the chef judges should have worn chef outfits, and not worn earrings and piercings, to set a good example to young chefs.  Interesting is that every guest chef wore a chef’s outfit in the series.   Initial feedback at the start of the series was critical of all the chef judges being male. After Chef Margot Janse’s appearance, she was judged by Twitterers to have been an ideal judge.

9.  The program series has been criticised for the poor quality food that the Finalists prepared for many weeks, although this criticism subsided in the last few programs, when the Finalists had to replicate dishes made by top chefs Michel Roux Jnr of La Gavroche, Peter Tempelhoff of The Greenhouse, and Margot Janse of Le Quartier Français.  Linked to this is the chefs’ criticism about the prize of a year-long (now extended to two years) contract at MondeVino restaurant at Montecasino, saying it is irresponsible, as none of the Finalists could step into the shoes of a restaurant chef, who has had years of training and experience, and said that it is demeaning to their career to imply that little or no training is required.

10.   There is no doubt that MasterChef SA has stimulated an interest in cooking, and in trying out more complicated dishes.  It probably has stimulated interest in eating out at restaurants such as Terroir, The Greenhouse, Biesmiellah, Sel et Poivre, and The Tasting Room, all featured in the series.

11.  The most gratifying end result of MasterChef SA has been the growth in the Finalists’ cooking skills, in what they learnt from the judges, and the Masterclasses held by the visiting chefs. They also grew vastly in confidence. Chef Arnold Tanzer fed back in the Sunday Times that ‘you could see the change in people as the series went on, particularly how their perception of food changed‘.  He added that he was surprised that even the film crew members were excited about what they had filmed, and wanted advice on how to make some of the dishes. A number of the Finalists have made the best of their MasterChef SA participation:  Berdina Schurink has opened Bella Sophia Culinary Café in Pretoria; Thys Hattingh has changed jobs, now working at the Compass Group as a staff restaurant consultant; Guy Clark changed careers, and now is a chef for the Madame Zingara group, at Café Mozart and at Bombay Bicycle Club; Charles Canning and Samantha Nolan have a stand at the Old Biscuit Mill market on Saturdays, following in the footsteps of Chef Pete; and Lungi Nhlanhla is now deputy food editor at Drum magazine. There is not one Finalist that has not benefited from his or her participation in MasterChef SA, being a springboard to living their passion for cooking.  Tonight it will be Sue-Ann Allen or Deena Naidoo who will walk off with the MasterChef SA 2012 crown, and one of their lives will change forever!  We wish them both the best of luck.

POSTSCRIPT 28/7: A furore has been created by The Citizen, reporting yesterday that MasterChef SA winner Deena Naidoo was unhappy about the misrepresentation of his Tsogo Sun MondoVino restaurant prize, damaging the image of the reality TV series, M-Net, its sponsors, Finalists, and chef judges.

POSTSCRIPT 28/7:  Times Live has published audience figures, to highlight the success of MasterChef SA TV series: MasterChef SA had the 5th highest viewership on M-Net between its start in March and 24 July, beaten by ‘Carte Blanche’ (265939 viewers), ‘Lincoln Lawyer’ movie with Matthew McConaughey (221411), ‘CSI Miami’ (202102), and ‘Idols’ (196698).  The reality cooking show beat ‘Desperate Housewives’ and ‘Grey’s Anatomy’ on viewership.  M-Net had capitalised on the trend to viewership of cooking programs in producing the local MasterChef SA TV series.  No decision has been made about producing a Season 2 of MasterChef SA next year.

POSTSCRIPT 29/8: If the article from Channel 24 is correct (it is part of the same media group that owns M-Net), there will be a season 2 of MasterChef SA, another measure of the success of the reality TV series. M-Net has not confirmed this.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

MasterChef SA episode 17: Finalists judged by their family, Sarel Loots ducks out!

It was a nail-biting episode 17 of MasterChef South Africa last night, with a dessert challenge, which sent Sue-Ann Allen and Sarel Loots into the Pressure Test, having to replicate a duck dish of Chef Peter Tempelhoff of number one South African Eat Out Top 10 restaurant The Greenhouse in Constantia. Sarel Loots was sent home, for forgetting to make the hazelnut gel for the complicated dish.

Not knowing why they were asked, the remaining four Finalists were asked what sacrifices they had made to be at MasterChef SA. Manisha Naidu said it was her husband playing second fiddle to the programme, and that she had to cut short her honeymoon in India to participate in the programme.  For Deena Naidoo it was staying away from his family.  Sue-Ann said it was giving up everything, including her job, to be at MasterChef SA. After this introduction, the Finalists were sent to their work stations, where a Mystery Box awaited them, the bottle of Amarula being the most visible.  To date the episodes have had very little Distell and Nederburg product placements, and this was one of the most branded episodes, in that the Amarula had to play a central role in the dessert. Other ingredients in the box were sweet potatoes, pears, risotto, oranges, cocoa powder, and coconut milk. They were told that a panel of secret judges would evaluate their dishes in a ‘blind tasting’, and they were promised ‘a reward to uplift you‘, being (then still unknown to them) the partners of Sarel (wife Lieze), Deena (wife Kathy), Manisha (husband Thoneshan), and Sue-Ann’s mother Gail.  They were given 60 minutes in which to create a dessert worthy of MasterChef SA.  Chef Andrew Atkinson reminded the Finalists that baking is about precision in the ingredient amounts, with Chef Pete Goffe-Wood saying that it would make the difference of a ‘sweet victory‘ or going ‘pear-shaped‘.

The four Finalists were sent to a viewing room, watching via a TV monitor how the dishes were evaluated anonymously by the four mystery guests, being their family members. Not having seen them for a number of weeks, it was the men especially that showed their emotions by crying in seeing their partners on the screen.  The ‘guest judges’ said that each of the four desserts were very different, and that the Finalists had done a ‘wonderful job’, it being impossible to judge which of their partners had made the desserts.  Sue-Ann said that ‘the judges were tough critics, but it was harder being judged by our loved ones‘.

Deena wanted to prepare a chocolate fondant, but there was no chocolate in the box.  He made use of his winning bell from episode 16, having won that episode featuring Chef Michel Roux Jnr from La Gavroche in London.  He used the lifeline bell to call on Chef Andrew, being ‘the maestro of chocolate’, asking him how he could make the chocolate fondant without the chocolate.  He was advised to use the cocoa, butter, vanilla paste, and sugar. Deena said that his wife Kathy is his harshest critic, and that he had ‘drawn from her positive spirit’ throughout MasterChef SA. She praised his dish as ‘delicious‘, without knowing that it was made by him, the custard served with it too, and said that the sugar work ‘had more craft in it’ compared to that which Sarel presented with his cupcake.

Sue-Ann made poached pear tart with Chantilly cream, and an Amarula reduction. Her fruit was too hot, and she had some problems with her pastry. Her dessert was said to ‘lack a bit of colour’, and her mother said it looked good enough for her to ‘order in a restaurant’. The sauce and the pears were liked, but the pastry not as much. Sarel made an Amarula cupcake, which he served with sweet potato crisps and spun sugar. Chef Benny Masekwameng was concerned that Sarel may have chosen too complicated a dish.  His dessert was described as ‘delicately balanced’, with ‘crispy sugar work‘, and not being ‘sickly sweet’.  Manisha cooked an interesting looking liquid, poaching her pears in the cocoa and orange liquid mix, serving it with Amarula custard and chocolate sauce. It was described as a ‘good dish’.

Three of the four family judges voted Deena’s Chocolate Fondant with Amarula Crème Anglaise and caramelised pears as being the best, and his prize was to take his wife Kathy on a picnic at Plaisir de Merle outside Franschhoek, test-driving the Hyundai Elantra which the MasterChef SA winner will win.  She proudly said to her husband of 18 years: ‘You are a Master Chef’!

Sue-Ann and Sarel were sent into the Pressure Test, and were introduced to Chef Peter Tempelhoff, who had made one of The Greenhouse’s dishes, for them to replicate, being Roast duck with hazelnut milk gel, confit duck pastilla, and honey roasted figs, served with an hibiscus duck sauce.  Chef Peter was described by Chef Benny as being at the cutting edge of culinary trends, being in charge of five restaurants at the Relais & Chateaux McGrath hotel group in Constantia, Hermanus, and Plettenberg Bay. They had 2 hours and 45 minutes to make the dish of six recipe pages, the most complicated to date, they were told.

Sarel said that on ‘this elimination day I will fight with everything I have’.  He recalled that he had ‘pulled through each time’, and that timing was important, and keeping his head together.  He confidently said that ‘timing was on my way’, and observed that he was ahead of Sue-Ann on time. However, Deena observed him from above, and cautioned him to slow down and to be gentle. Chef Benny told the other judges that Sarel’s spring roll did not look like one at all, and that it was not sealed at the ends, which would make the duck confit shoot out when fried. Sarel’s downfall was that he forgot to make the hazelnut gel, realising this in the last 15 minutes of the preparation time he had. He put as much on his plate as he could during the timing countdown. Sarel said that making the dish had been ‘like running a marathon’, and said that he was worried that it was this plate that would send him home.  The spring roll was judged to not be as crisp as it should have been. Chef Andrew said that while the thickness of the fat on the duck breast and the oil on the dish could put one off, the sauce had made it come together. Chef Andrew said that the hazelnut gel would have finished off and lifted the dish.

Sue-Ann placated herself by saying that she had made it through other Pressure Tests. She started with her stock first, something she had learnt in the reality show series. She said she would work ‘at the right pace to complete this task’. Discussing the springroll with Chef Pete, he said that it needed ‘a perfect coil around the spring roll’. She wasn’t happy with her first pastry attempt, and remade it. Chef Andrew was concerned that she was spending too much time on the spring roll.  She was confident of her dish, saying that she ‘did a damn good job of it’. Chef Benny said that it was a ‘good attempt’, and that she had done a lot of work on the spring roll. Chef Andrew said that the breast was a little overcooked, but that its fat was ‘nice and crispy’, and the hazelnut gel ‘superb‘, rounding off the dish. Chef Pete echoed the overcooking feedback, as well as the success of the gel, as the most important element, in bringing all the elements of the dish together.

It was the missing hazelnut gel that sent Sarel on his way, and he said that the MasterChef SA experience had been ‘amazing‘, and that he was ‘proud of what I have achieved’.  He added that he is a ‘soft guy’, but not given to tears.  He was told that his journey is only just beginning, and that he has a big heart.  It was announced that Chef Margot Janse of the Tasting Room at Le Quartier Français will be in the MasterChef SA kitchen next week.

Once again, it was noticeable that Chef Reuben Riffel appears to be increasingly cut out of the Robertsons TV commercials, only appearing in one of their six commercials broadcast during MasterChef SA last night!  It has been written with shock on Twitter, and this blog as a comment, that Chef Reuben is now endorsing Rama margarine, another Unilever brand!

POSTSCRIPT 25/8: It was very sad to see the news that Sarel Loots passed away from a heart attack this morning.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Reuben’s Franschhoek 7-year marriage comes to a ‘wipping’ end!

Reuben’s Franschhoek and our Whale Cottage Franschhoek both opened seven years ago, and I fell in love with Reuben’s when I first stumbled upon it in 2004.   It was fresh and different, with a unique menu, the service was outstanding with Maryke Riffel heading front of house, a young French sommelier was charming, and Chef Reuben Riffel cooking and often coming out of the kitchen to chat to his guests.  Despite the last visits having been disappointing, we kept supporting his restaurant, well positioned for our guests to walk to in Franschhoek.  We have reached the end of our tolerance of poor service and mediocre food at Reuben’s Franschhoek.

Reuben Riffel had opened a restaurant in Cambridge for friends when Boekenhoutskloof directors Tim Rands and Marc Kent invited him to come back to his home town to open a signature restaurant on the main road.  Reuben had started working as a barman at Chamonix in Franschhoek, and started cheffing when a chef did not come to work.  He loved it so much that he developed himself without any formal chef training. Reuben’s fame in Franschhoek was instant, with an Eat Out Top 10 award in 2004 for Best Restaurant and Best Chef, a mere 6 months after opening, something that had never occurred before.  Reuben’s opened a branch at the Robertson Small Hotel, owned by Rands, about three years ago, and last year it was a huge honour for him to have been invited by Sol Kerzner to open a branch at the One&Only Cape Town.  It was obvious that the food and service quality would suffer as Reuben tried to stretch himself across his three restaurants, and it is in Franschhoek that we have heard other locals complain, and other guest houses too no longer send business there.  Chef Reuben tried to get help, having chefs Richard Carstens and Camil Haas working with him in Franschhoek, but both left him at short notice.

The main restaurant interior is large, with a separate room for functions or more guests, and an unpopular passage close to the noisy kitchen.  The bar has an interesting counter made from a plane wing.  Reuben’s has a large fireplace, making it warm and cosy, but it was smoky at times, due to the heavy wind on my last visit.  Tables are wooden, with the Reuben’s name engraved into the top, with white leather chairs, and a bench against the wall.  The managers sit behind a counter, in front of a Reuben’s branded wall, and it looked rather untidy from my angle, with a silver handbag on the floor, and boxes visible.   A bowl of fruit was on the counter, looking more like a hotel dining room reception than that of a restaurant,  with no flowers at all, as they used to have.  Each table has a little ceramic jar of coarse salt.  No pepper grinder is on the table, nor is it offered for any dish. Cutlery is by Maxwell Williams. Staff wear white shirts, and black pants and aprons.  There are no tablecloths on the tables.

When I popped in at Reuben’s, just wanting something warm but light, after a long two and a half hour concert in the church, a table was available, after a five minute set-up, in a still busy restaurant.   I was handed the standard menu, and saw with a shock that it has changed: individual prices have been removed, and the prices are listed as R220 for 2 courses, R268 for 3 courses, and R315 for 4 courses, which was not what I was looking for.  I asked about the winter special, but the Manager Carmen, Chef Reuben’s sister, looked at me as if I had lost it.  The Winter Special (3-courses for R150) is no longer available, she said. She then fetched the Street Smart special menu, which ran until the end of last week in honour of all the Street Smart restaurants collecting monies to help street children rebuild their lives, with a voluntary R5 donation at 57 participating restaurants, which offered four courses for R195.  This is also not what I had in mind.  I was then told by Carmen that locals are allowed to order individual items off the menu, at R65 per starter, R 120 for a main course, and R65 for a dessert.  Somehow the maths did not add up, in that a starter/dessert and main would only cost R185, instead of the quoted R220.  I also want my guest house guests to enjoy a meal without the pressure of having to order for a minimum of R220 per person, given the tight financial times.  As guest house owners we were not informed by Reuben’s that this had changed.

In the confusion of the two menus presented and the price issue, I chose the Street Smart option, and Carmen kindly allowed me to replace the oxtail main course with a steak.  It was the worst ever dining experience at Reuben’s Franschhoek (our previous dinner on 24 April coming a close second, with the fireplace not lit on a chilly night, two wines on the list being out of stock, no vintages specified for the wines by the glass, the lunch menu still on the blackboard at dinner, very expensive wine by the glass, messy pouring of the wine, kingklip served for the ‘tuna pickle’ and blamed on a typing error, no cheese on the French Onion soup, and very slow service in a long wait for the main course).

Reuben’s brother Jevon was the waiter, and brought two slices of dry-looking wholewheat bread, the nice bread tray with a choice of breads baked by Chef Reuben’s mother clearly no longer being offered.  Jevon ‘wipped’ when I asked him to remove the bottled water he brought to the table without checking with me.  I only drink fresh Franschhoek water!  After bringing a jug of water, and pouring a glassful, he did not top it up again.  Chef Reuben was not on duty, and it was Chef William Carolissen doing the honours in the kitchen.

The only Shiraz by the glass available was a Reuben’s house wine made by Goose wines, at R45, which I declined.  It surprised me that Reuben is not Proudly-Franschhoek in his choice of branded wine. The ‘pre-starter’ was a French Onion soup, with epoise toast and gruyere, nothing special at all.   Of the four courses, I enjoyed the Warm duck salad the most, a rather busy collection of shredded duck, toasted cashews, avocado slivers, papaya, orange, sprouts, radishes, cucumber, served with a cinnamon soya dressing and miso honey.  Listing the ingredients, only two or three items of each, seemed an overpromise, and perhaps more of fewer ingredients would have been better.  The biggest disappointment was the grilled Chalmar beef sirloin, served with what was called ‘glazed vegetables’, but were steamed mange tout and green beans, ‘swimming’ in a port and mushroom ‘jus’!  In a separate bowl came the worst ever chips, thick cut, over-dosed with salt and pepper, and raw inside.  I asked Carmen if it is customary to bring chips, as the menu did not state it, and she said it was.  I suggested that she check with clients about the choice of starch, as I am not a chip eater and would have preferred something healthier and saltless.  She ‘wipped’ and did not respond to my feedback, nor to my returned bowl of chips!  The steak was more medium than the ordered medium-rare, and the very heavily salted and liquid ‘jus’ spoilt it completely.   Things looked up with the attractive dessert, being Apple tarte tatin (delicious), apple panna cotta (nice green colour but bland and tasteless), and a most odd-tasting green vanilla Calvados sorbet, the description sounding better than the actual dessert.

Wishing to understand why Reuben’s had changed the menu to a non-price one (not seen in seven years), and how I could still bring my guests to the restaurant with responsible pricing, I spoke to Carmen once more.  She showed her irritation, stating that no one else had complained about it (neither had I – I was just trying to understand it), and that if guest house guests arrived, they would offer them the local price choice as well.  What she did not know was that the Pohl family of four staying with us over the same weekend had reserved a table directly on the same evening, on our recommendation.  They were not offered any special pricing on the a la carte menu, nor the Street Smart menu.  Carmen became more and more defensive about the menu, and said that I should question Reuben about it, as he had designed it.  She could not explain the rationale for such an expensive winter menu, but she did tell me that individual prices will be added to the menu in summer again, which confused me even further! I was struggling to pick up 3G for Twitter inside the restaurant, and when checking this with Martell Smith, the Deli Manager who doubles up as a hostess in the restaurant at night, she assured me that the internet was switched on.  When I stepped outside, the internet worked perfectly, as it did when I returned inside the restaurant.  Martell seemed to ‘wip’ about this.  Martell had come to the table to check on my satisfaction with the steak (no other course was checked), and it was so bad that I just shook my head, not wanting to have anyone else ‘wipping’ around me if I were to express what I was feeling!

Reuben’s brother Jevon had worked for us a good six years ago, and had run off in a huff and a puff without giving notice when he was reprimanded for making a costly error.  He has never served me at Reuben’s previously.   He did not speak a word to me, just being a ‘fetcher and carrier’, except at the end, when he demanded that I sign the credit card slip.  When I questioned his lack of communication, he walked off while I was speaking to him, throwing a ‘wip’ with his colleague.  When he walked past my table, I asked him why he had walked away, and I received a rude torrent of abuse from him, which was completely uncalled for. I told Carmen about Jevon’s rudeness, and she then lashed out at me, saying that I should speak to Reuben, as Martell had called Reuben, complaining to him about our interaction about the internet, and then she walked off while I was speaking to her!

The menu has shrunk in size to A4, with many more menu items that on the previous A3 menu we had.  I was surprised to see advertising on the menu for Reuben’s recycled ‘stemware’, as well as for Moniki chocolates from Tulbagh, when Franschhoek has the excellent Cafe Le Chocolatier and Huguenot Fine Chocolates!  The menu no longer lists the who’s who of the kitchen.   The menu is changed daily, Carmen told me.  On the evening that I was there, the soup choices were French Onion, mushroom, and rich cauliflower.  Eleven starters included the signature squid, blue cheese and onion tart, salmon sashimi, chicken liver parfait, mussels, oysters, and a butternut salad.  There were 10 main courses, including chicken and prawn curry, pork belly, sole, gnocchi, oxtail, springbok steak, calf’s liver (always been my favourite), and beef tartar.  Ten dessert options included lime creme brûlee, Valrhona chocolate pave, carrot cake pudding, poached pears, and a cheese platter.   Sides of vegetables can be ordered at R35.

For the seven years of daily business sent to Reuben’s in the summer months, with regular problems tolerated over the years in making bookings with Reuben’s staff telephonically, the last dinner was a sad one, as it appears that Reuben’s staff feel that they can lash out at customers.  The service standard is inconsistent, as I have had nothing but excellent service from another Manager Raymond, and from Jessica, a long-standing waitress.  It is sad that Chef Reuben’s family members should have been the rudest of all the staff on Saturday, and disappointing was his nepotistic “my staff are perfect” response to an e-mail I sent after the dinner, informing him that I no longer felt comfortable in sending guests to the restaurant after the rudeness I had experienced.  There was no apology nor thanks for all the business that we had sent there over the years, nor acknowledgement of our almost evangelical promotion of what was a favourite restaurant for a long time.

It would appear that Reuben realises that he has grown too big, and he has bought a building up the road from Place Vendome, to which he will move his restaurant in November, being a smaller sized 50-seater, with space for an extra venue at which he can do cooking demonstrations, to keep business going in winter, and ensuring a big saving in rent, he told me at the Mandela birthday meal media conference at the Drakenstein Prison a few weeks ago.  His Manager Raymond told me that both Franschhoek restaurants will run concurrently until the lease of the current restaurant expires, meaning that Reuben will have four restaurants for at least another year, which can only mean further service problems. Talk about Reuben trying to get out of his contract at the One&Only Cape Town continues to circulate in Franschhoek, despite his denial, but then he blatantly denied that he was opening at the One&Only Cape Town a year ago!

Reuben’s Franschhoek is not worthy of an Eat Out Top 10 Restaurant nomination any more.  If one dares to pass on any feedback to the staff, one might be reported to ‘headmaster’ Chef Reuben, and be abused by the staff!  Reuben has lost the passion for his business, and the Franschhoek restaurant needs a professional full-time Manager who can go beyond the Groendal-syndrome.  Reuben has to be at the One&Only Cape Town restaurant three times a week, appears in Robertson’s spice advertising, does cooking demo’s, and increasingly appears to be ‘commercialising’ himself, losing touch with what is going on in his restaurants as a result!  The current pricing policy is cheeky, and communicates that Reuben’s does not seek the support of locals.  We wish Reuben well in balancing all his balls!

POSTSCRIPT 8/8:  We are delighted to hear from our guests who went to Reuben’s on Saturday evening that the 2-, 3-, and 4-course price option has been dropped, and that each item on the menu is back to being individually priced!  They found the food excellent, especially the bean soup, but were disppointed that the waitress had no knowledge about the wines on the board at all.

POSTSCRIPT 7/9: We have heard that the sale of the building that Reuben’s was buying in Franschhoek fell through.  They may be considering another option close by.

Reuben’s Franschhoek, 19 Huguenot Road, Franschhoek. Tel (0-21) 876-3772.  www.reubens.co.za (The website contains an Image Gallery, but one must click onto thumbnails to view them.  The menu is an out of date one for 11 August of last year.  A Winter 2011 Special menu, looking very similar to the Street Smart one, is listed!).  Monday – Sunday Lunch and Dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage