Tag Archives: Eetrite

Restaurant Review: Don Armando first ‘Argentinian’ steak restaurant in Cape Town!

Don Armando Logo and Chef Dan Whale CottageMy friend Whitney and I had not met for dinner for a while, after a very busy summer season, and chose the newish ‘Argentinian’ restaurant Don Armando.  It belongs to Il Leone Chef and owner Daniel Toledo, who named the new steak restaurant after his Argentinian father.  It opened in December, and is a ‘boutique restaurant’ seating about 50 patrons..

We had never heard of Cobern Street in Green Point, and had to call the restaurant for some landmarks to find it, as a Google Map let us down.  It is two buildings up a side road on which Il Leone is on the corner, the building once having been a night club.

We were shown to the small terrace right on top of the two storey building, withDon Armando interior uptairs Whale Cottage
space only for 2 small tables and a six seater, and we enjoyed the privacy and fresh air, despite hearing and smelling the extractor fan throughout the evening, and smelling burning fat at one stage.  Lighting is very low key, making it hard to photograph the dishes and interior, Whitney using her Torch App to light up the dishes for me. I went back the following day to photograph the decor, and found the daylight streaming into the rooms very bright.

The deck is clad in wooden slats, so that one cannot see the less glamorous Continue reading →

Restaurant Review: Emily’s lost without Chef Peter Veldsman, has sold its soul to Coca Cola!

Emily's Interior 2 Whale Cottage Portfolio (2)Emily’s restaurant is 21 years old, and has recently opened at its third home on Kloof Street, having spent ten years each in Woodstock and in the V&A Waterfront.  The restaurant has lost all of its previous charm, and its main attraction (Chef Peter Veldsman) is nowhere to be seen.  It has sold its soul to Coca Cola, its branding seen throughout the restaurant, not befitting an establishment of the stature of Chef Peter and his partner Chef Johan Odendaal.

Chef Peter once was the most high profile food editor of Sarie magazine, and was known and loved by all, the doyen of food writers in his heyday. He has written eleven cookery books, and has contributed to many others too. He has won numerous food awards. He started the Culinary Arts Institute of Africa Restaurant School at the same time as opening Emily’s restaurant in Woodstock in 1994, long before the suburb became trendy, and it was extremely popular for a decade.  I remember its quirky decor, inside an attractive building, and being particularly popular amongst Afrikaans Capetonians, it being their first real Afrikaans restaurant.  Chef Johan ran the cookery school, and his students were the servers.

Surprisingly Emily’s moved to the V&A Waterfront, badly Continue reading →

Restaurant Review: Four & Twenty Café & Pantry cute character Cape Town Café!

Four and Twenty Interior Whale Cottage PortfolioWe had heard good things about the Four & Twenty Café & Pantry, which opened in Wynberg’s trendy Wolfe Street two months ago, and popped in for a cappuccino and pastries three weeks ago.  From outside, the Café & Pantry looks impressive, a large space which has the Café in the front section, and the Pantry as well as coffee shop seating in the back section.  It is a cute Café and Pantry with character and energy.

The origin of the Café & Pantry is an interesting story. Tracy-Leigh Genricks studied at Silwood School of Cookery, and stayed on as a lecturer when she had completed her course.  One of her students was Marijke Duminy (right), who had previously studied law at UCT.  They became firm friends, which they could not reveal whilst in the student/lecturer relationship, but decided to open a restaurant, Marijke having done her internship at La Colombe as part of her studies.  To prepare for this, the two 24 years old Cordon Bleu trained chefs went on a one month ‘eating fest’ in France. When getting to the Eiffel Tower, with a handful of macaroons, they knew that the restaurant had to have a French theme, as they loved the French obsession with food.  They do not only serve French style food, serving Asian and Spanish foods too.  Returning to Cape Town they had to wait for the right spot to make their dream come true.  The name for the Café & Deli came from their age at the time of making the decision to open the restaurant, from 24 hours in a day, and from a line in their favourite childhood rhyme ‘Sing a Song of Sixpence’: ‘Four and twenty blackbirds baked in a pie‘. Continue reading →

What a dish Dish Restaurant has become at Le Franschhoek hotel!

I became a fan of Chef Oliver Cattermole when he was at Dash restaurant at the Queen Victoria hotel last year.  The opportunity to try some of the dishes on his new menu at Dish restaurant at the Le Franschhoek hotel reflected the creative cuisine skills of the Michelin two-star La Gavroche trained chef.

Seeking clarification on a winter menu special, I Tweeted Chef Oliver, and he invited me to try his new winter menu last month, the first menu containing only his dishes since he started at the hotel nine months ago. I had not been impressed with the restaurant on previous visits, but a number of changes, including the menu, made the meal one of my highlights in Franschhoek this year.

When I arrived, I saw a special table with new high back chairs and a tall silver candelabra prepared for me. I was happy to see that the Eetrite cutlery had been set out for a number of courses, eliminating the problem of stretching.  On the table was a vase with the most beautiful Blushing Brides, and coarse Atlantic sea salt and pepper grinders.  The beautiful table setting alone made me feel like a queen. The table was closest to the pass, which is open to the restaurant, so I could chat to Chef Oliver and ask him questions about his delicious dishes.  I was delighted to see that the piano had been moved to the side of the dining room, and was not played, as I have experienced before. Despite it being a freezing cold evening, it was cosy and warm inside, with a modern mobile gas heater in the centre of the room.

Chef Oliver started his career on a part-time basis whilst still at school, cutting his teeth with Chef George Jardine, then at the Cellars Hohenhort hotel. After school he started at Haute Cabriere, working for Chef Matthew Gordon, before leaving for London, where he worked in Chef Michel Roux Jnr’s La Gavroche kitchen in London for a year, describing ‘him as generally a nice guy’. The kitchen had a staff complement of about 20, all French speaking. He learnt the discipline of cooking at La Gavroche.  Chef Michel Jnr did a Masterclass on MasterChef SA, and impressed with his way of dealing with the Finalists, firm but friendly. Chef Oliver also did a two day stage in Alain Ducasse’s kitchen at the Dorchester Hotel, just for the opportunity to learn from this esteemed chef. He also worked at top London restaurants The Ivy and Cannizaro House, before missing sunny South Africa, and returning to Cape Town.

Phillip is a Zimbabwean Hospitality Management intern from the International Hotel School, doing his training at the Le Franschhoek hotel, and he was very proactive in looking after me in serving the food as well as pouring the wine.  He told me that he is studying in South Africa, due to the better quality hospitality training offered locally, and the excellent wine estates in the Cape, having visited almost all of those in Franschhoek already. The dishes were served paired with wines especially selected by Chef Oliver from the special wine collection of the hotel.

The first dish was a Forest mushroom soup served with a semi-dried tomato and mushroom soil, which came to the table with home-made brown bread, and was paired with Hoopenburg Pinot Noir 2008.  It was one of the highlights of the meal, being thick and creamy, and a perfect antidote to the cold outside. The mushrooms are foraged by a supplier in Stellenbosch.  On the starter menu the dish costs R 65.

One of the most beautiful Autumn-inspired dishes was the vegetarian ‘A Taste and Textures from the garden’, costing R100 on the main course section of the menu, and consists of a purée of beetroot, parsnip, sheets of beetroot, dried red onion, cavioli (cauliflower), baby marrow, a beetroot crisp, butternut purée, spinach purée, baby turnips, served with beetroot soil, and red and green caviar drops. This dish was paired with a Mont Rochelle Unwooded Chardonnay 2010.  Chef Oliver told me that he sources his vegetables and herbs from Daniel Kruger, who grows special produce to chefs’ specification outside Franschhoek. He brings seeds for unusual sized and coloured vegetables (e.g. purple potatoes, black radishes, yellow and green-striped aubergines the size of golf balls) from the USA and Holland.

The Duck Bon-Bon starter with parsley root pureé and hot pickled vegetables costs R65, and was paired with a Terra del Capo Sangiovese 2008 from Antonij Rupert Wines in Franschhoek.  The duck is shredded, parsley is added, and rolled in Japanese breadcrumbs, served with spinach purée, and a piccalilli relish made from courgette, cauliflower, peppers, onions and vinegar.  The parsley root comes from the hotel’s own garden. The fourth course was a starter of pan-seared scallops served with a celeriac triangle and Ras El Hanout (honey-infused Moroccan spice mix, which has 21 spices such as hibiscus, rose petals, cardamom, cumin, fennel, ginger, chilli peppers, nutmeg, tumeric, pepper, cinnamon, pollen, curry powder, and coriander), as well as a golden cauliflower, coloured with tea and saffron, at R75.  This dish was served with a French wine, which Oliver had found in the hotel cellar, a Louis Satour Ardèche 2008 Chardonnay.  Chef Oliver sources the scallops from French importer Socomaf.

Compressed pork was served with a medley of apple pureé, toffee apple, and apple caviar, a fruit mustard, as well as a haricot bean purée, a dish which is also on their starter menu, and costs R60.  This dish was paired with Thelema Rhine Riesling 2008.  Other starters on the Dish menu are oak-smoked salmon (R75), and roasted beetroot with whipped goats’ cheese (R60).

The Roast rump of Karoo lamb with minted mash and young white and orange and red carrots was a filling main course, with three slices of lamb served, at R160.  This course was paired with Haut Espoir Cabernet Sauvignon 2004. Other main courses include Chicken Bourguignon, line fish of the day, dry-aged beef fillet, and thyme-roasted venison, ranging in price from R125 – R160.

To complete the more than generous dinner Chef Oliver served Carrot Cake as a dessert, with a medley of carrot pureé, mousse, jelly, and paper, to which he had added walnut candy and raisin pureé, costing R60.  Other desserts have a similar cost, and include apple and sultana crumble, goats’ milk pannacotta, barrel-smoked chocolate fondant, and brioche treacle tart pain.

Every one of Chef Oliver’s dishes is a work of art, created by his team of thirteen, who not only prepare these lovely dinner dishes, but also look after the breakfast requirements of the hotel guests, prepare lunch and dinners at their Le Verger restaurant in the glass ‘hothouse’, and banqueting requirements for conferences, weddings, and other events. Chef Oliver is in the right place in Franschhoek, in the village which positions itself as the gourmet centre of the country, to present his creative cuisine.

Dish Restaurant, Le Franschhoek Hotel, Franschhoek.  Tel ()21) 876-8900.  www.lefranschhoek.co.za Monday – Sunday dinner, Sunday buffet.  Twitter @Le_Franschhoek

Chris von Ulmenstein, Whale Cottage Portfolio:  www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: La Belle Café and Bakery at Alphen Hotel serves beautiful pastries!

It was a shock to the hospitality industry to hear last year that the Alphen Hotel had closed down in Constantia, one of Cape Town’s oldest hotels, and even more so that restaurateur Paul Kovensky had taken over the property and had created a magical transformation of a historical building, re-opening the hotel in December with two new restaurants. La Belle Café and Bakery serves a beautiful selection of pastries, and has become a popular meeting place for breakfast, lunch, and drinks in the Southern Suburbs.

One can see the popularity of the rejuvenated Alphen Hotel from the mass of cars on the grounds, something one never saw before.  The original entrance has been closed, to create more parking.  I asked a staff member where La Belle was, as there is no branding visible for the restaurants, and he pointed me to ‘La Bella’, not knowing its correct name.  The staff are all new, and have no knowledge of the history of the building, and what the La Belle room was used for before.   It is a large room seating 60 inside, with an open thatched roof giving it the look and feel of a barn, dominated by a display counter almost the length of the room, containing the most beautiful selection of pastries, the breads being less easy to see in the shelving behind the counter.  There are individual tables inside, and one long shared table, which appeared to become the waiting table, with everyone wanting to sit outside on the beautiful day yesterday. There are few decor touches inside, with two large mirrors on one wall, and a beautifully written blackboard, with the bread range (R15 – R25), milkshakes (R30), and hot chocolates (R20 – R30).  There are delectable looking cheese cakes, chocolate tortes, coconut layer cakes, orange vanilla sponge cakes, carrot cakes, and smaller summer fruit tarts, passion fruit meringue tarts, blueberry pies, macaroons, chocolate cupcakes, berry frangipane, red velvet cupcakes, and nut tarts, displayed with potted herbs.  The small tarts are larger than one normally sees, and cost about R30. One cannot buy a cake without pre-ordering.  Pastry Chef Inge le Roux studied at the SA Chef’s Academy, and has worked at the Table Bay Hotel, Singita, 15 on Orange, and The Round House. Charl Coetzee is the La Belle chef. Cappuccino is by LavAzza.

Despite the many staff, wearing a white T-shirt and La Belle branded apron, service was slow in bringing the menu when I arrived, and bringing out the main course I had ordered.  Different persons came to check about ordering, so there is no ownership of a table or customer.  I moved to an outside table, and the tables and chairs look more old-fashioned outside, with a blue-white striped fabric for the chair cushions, possibly more suited in colour to one of Kovensky’s seaside restaurants in Camps Bay, given the dominant green and white of the hotel.  Seating is provided for 80 outside.  The tables have Himalayan Rock Salt and Mixed Pepepr grinders on the table, and a glass vase with a pin cushion protea in it.  There are no table cloths, but a material serviette and cutlery by Eetrite.

The menu looks like that of The Grand, an A5 tabloid size printed on newsprint, in green, with its positioning of ‘Light, Fresh & Tasty’ on the opening page.  The menu is clearly divided into sections, with a small selection of items for each.  Breakfast is served until 11h45, but the menu does not state this.   The Breakfast section offers the largest variety, ranging from a simple croissant with cheese and preserves (R35) to the ‘Five Star Breakfast with a Glass of Champagne’, consisting of poached eggs, Scottish salmon, buckwheat blinis, a tomato coriander salsa, and a glass of Veuve Clicquot, at a whopping R250, easily Cape Town’s most expensive Breakfast!  I was told by the PR and Marketing Manager Heidi Prinsloo that the Eggs Benedict are really good, served with ham or salmon, and a toasted English muffin (R70).  One can also order Churros, flapjacks, ‘Ricotta hotcakes’, French Toast, a fruit platter, and ‘The Alphen Breakfast’ (R130), consisting of pastries, blueberry pancakes, fruit, yoghurt, and a cooked breakfast.

Salads range from R70 – R90, and the more unusual ones are Spring Pea & Plum, and Chermoula Tuna.  On a choice of ‘artisan breads’ (baguette, ciabatta, sourdough, rye), sandwiches are served, including pastrami and mustard, chicken & Brie, ‘Smokey Sirloin’, and roast chicken with mustard and mayonnaise, costing R 60 – R90. The Light Meals section offers a charcuterie platter for two at R130, a cheese board with preserves for R80; six oysters served with an apple, beetroot and ‘Champagne Salsa’ for R80; braised lamb pie; fish cakes; and grilled asparagus with poached egg (R85).  Main courses include the La Belle Beef Burger, with avocado, and a Porcini Sauce, at R80; a chickpea burger; a very tasty mustard and herb roast chicken (R85) served with olive oil mash and a green bean salad – the salad was misleadingly named, being mainly rocket decorating the edge of the plate and about 4 green beans, but the chicken was a generous portion, the mustard adding an interesting taste to it; tuna steak (R110); beer battered kingklip (R120), fillet steak (R140); Sirloin Forester (R115), and Meatballs & Tagliatelle (R85).  Extra sides can be ordered at R20. No desserts are listed on the menu, but one is probably encouraged to order a pastry.  The names of the large range of pastry items are not listed. Interesting sounding Raw Juices (about R30) and Smoothies (R40) are offered.  Nine teas cost R20. A selection of cocktails is served. Veuve Clicquot costs R170 per glass and R850 per bottle, while Graham Beck Brut is offered at R220 and their Rosé at R490, not being available by the glass.  Pongrácz Brut costs R40/R200 and its Rosé R50/R240.  A small selection of Constantia wines is offered, as is a Red and a White wine section, without vintages mentioned.  Kevin Arnold Shiraz costs R85/R320, and Haute Cabrière Chardonnay/Pinot Noir R45/R170.

Heidi showed me the new sister evening dining restaurant, rather oddly named but literally 5 Rooms Restaurant, connected with a bar room, seating 100 guests inside, and a further 80 outside.  It is beautifully decorated with red and blue velvet chairs, and all the original paintings of the hotel.   I was assured by Heidi that despite its beautiful decor, that it is not a fine dining restaurant.  Fernando Roman is the chef.

The Alphen Hotel has been beautifully transformed by Antoni Associates design interiors, and each space has a unique design, giving it modernity within an historic framework.  La Belle has clearly made its mark in Constantia already, judging by how full it was yesterday. Prices are reasonable, with a good variety of items and prices to choose from.   La Belle is Simone Kovensky’s project, and she has done a great job in getting the restaurant running smoothly since its opening two months ago.  A kitchen staff shortage appears to be a problem, however, given the slow arrival of the food.  The waiters were very friendly, as was Amber, the hostess.

La Belle Café and Bakery, Alphen Hotel, Alphen Drive, Constantia.   Tel (021) 795-6336.  www.alphen.co.za Monday – Sunday 7h00 – 18h30. Opening until 22h00 from 12 March onwards, with a dinner menu.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Restaurant Review: The Greenhouse is an oasis in The Cellars-Hohenhort Hotel!

I cannot remember when last I had been to the Cellars-Hohenhort Hotel, it was so long ago, for a dinner at their Cape Malay restaurant, which was previously located in the manor house, where The Greenhouse is now.  I found The Greenhouse to be an oasis of freshness and modernity relative to the very dated and old-fashioned Cellars-Hohenhort Hotel, a total contradiction.

The Greenhouse has been operating in the current building for a year or so, having previously been in the space now called The Conservatory restaurant. It appears that the venue change sparked the creativity of Executive Chef Peter Tempelhoff, having moved there two years ago.  It was seeing photographs of his work on Twitter earlier this year, Chef Peter being awarded Relais & Chateaux Grand Chef status (one of only two in South Africa), and the restaurant winning number one Eat Out Top 10 restaurant in November that led me to book a table for my birthday dinner last week, with very high expectations. Disappointing therefore was that booking a table was a problem, as the restaurant phone appeared to be ringing non-stop post 20 November, and so the hotel switchboard person asked me to wait longer or to call back, with arrogance.  When I asked for GM Tony Romer-Lee, to see if he could assist with the booking, my booking was quickly made.  I only gave my first name and cell number, yet Tony had worked out who the booking was for, and wrote an e-mail a few days ahead of the booking, apologising for his absence from the hotel on the evening of our booking.  Despite this confirmation e-mail by Tony, an assistant called on the day of our dinner, to confirm the booking.  I was surprised to receive the call, and was called by my surname, not pronounced correctly, and with the wrong title, so I invited her to call me Chris, which she clearly found difficult to do.  She spoke a very high-level formal English, saying ‘we shall see you tonight’, and once again I felt a degree of arrogance in her exchange with me.  I was therefore very nervous about the actual dinner, given these two annoying interactions.

It is difficult to find the hotel, and we came from the Hout Bay side, knowing we had to turn off somewhere on the road leading to Kirstenbosch. The hotel does not offer to send directions.  None of its literature contains an address.  It is hard to see the signage when it gets dark, and there are a number of turns to take to find it.  The boom was closed and the very old security guard took his time to come to the car, seeming surprised about our arrival, and asking what we wanted!  He let us in immediately when we said we had come for dinner, but had no name list to check, and we did not have to complete any form, so one wonders why there is security.  We were not told by him where The Greenhouse is located, and we had to check the signage on the building.  There was no staff in the parking area to guide one, surprisingly not alerted by the security guard. Inside the building a faux fire warmed up two staff who showed us the way to The Greenhouse.  It was going to the bathroom later that alerted me to the contrast in modernity of the restaurant relative to the very old-fashioned English-style drapes and furnishings of the Hohenhort Manor House, forming part of the 53-room five star Relais & Chateaux The Cellars-Hohenhort hotel. Previously part of Klaasenbosch Farm, awarded to Hendrik Ten Damme by Simon van der Stel in 1693, the farm house was transformed by its owner Arnold Spilhaus into a manor house after buying the farm in 1906.  Liz McGrath bought The Cellars in 1991, and turned the country guest house into the Relais & Chateaux hotel twenty years ago.  Two years later she bought The Hohenhort Hotel, and united the two properties.  Although one does not see it at night, the property is endowed with different gardens, the Herb Garden benefiting the kitchens. Four varieties of table grapes are also grown.

The restaurant space is relatively small, only seating about 45, and divided into two with mirrored pillars. As one enters the restaurant there is a lounge section, but we did not see anyone use it at all, feeling like a wasted space.  An interesting decor touch is many ceramic rabbits on the windowsills, with the odd watering can, and small trees in pot plants, no doubt to create the greenhouse look, but the rabbits do not quite fit the theme. Walls are painted in a light grey inside the restaurant, with green fern wallpaper in the lounge, which pattern is replicated on the back of the comfortable grey upholstered chairs. The table has no salt or pepper, but there was a vase with a beautiful orange rose and greenery.  The Greenhouse clearly is in part an addition to the manor house, with a glass roof, which does not add value for dining at night, and must be a nightmare to keep clean.  It also adds heat to the restaurant during the day, and I had to ask for a window to be opened. The design of the addition has become the logo for the restaurant.  A lamp stands at each table, a little American touch. A thick tablecloth is covered with a white one, and the table is laid with Eetrite cutlery. Tables are very close together, meaning that the restaurant has a cosy atmosphere, but one can overhear everyone else’s conversations in one’s section. The Relais & Chateaux affiliation dominates the restaurant, in that the staff name badges have the logo and they wear a pin too, the home-made butter has the logo, as do coasters and the menus.

Waiter Lwazi (who was quick to correct the spelling of his name which he saw in my notes!) brought us a complimentary glass of Constantia Brut 2009, a nice touch.  I found him difficult to understand, and he had to repeat what he said a number of times.  He tried to explain the three menus to us, contained in a cover with the Relais & Chateaux logo and the following introduction: “A beautiful plate of food is eaten with the eyes first”. I chose the 7-course Chef’s Tasting Menu at R575 (with R275 for ‘complimenting’ wines), and my son the 4-course Summer Menu at R450.  One can also order a 6-course Sustainable Seafood Tasting Menu at R495 (with an additional R230 for ‘complimenting’ wines).  I did not see the rule, but it must have been in the menu, that one may not order two different menus at one table, but the rule  was waived on the understanding that my son would have to wait for his courses.  The staff wear a tie with ducks, The Cellars-Hohenhort tie design, which they wear with black pants and a grey waistcoat, creating a smart impression. Lwazi was efficient in taking our order, but became relaxed during the evening, stretching in front of me to lay cutlery on two occasions towards the end of the meal, even though there was more than enough space to do so from the other side. I asked for a jug of water for the table, but this was removed after the first glassful was poured.  Empty glasses at other tables were not replenished or removed. A delight was the Maitre’d Joshua Crowe, who shared interesting information about working at Reuben’s Franschhoek and at Beluga with me.  He is a young gentleman with a bright future, exuding professionalism.  He came to check on our table regularly, and seemed very at home in the restaurant, having only worked there for two months.  Canapés were brought to the table, consisting of sesame seed crusted prawn toast served with goat’s cheese lollipops on a stick, presented in a glass dish with wheatgrass, the most colourful dish of the evening, as well as chicken and mushroom ballantine, pear chutney, truffle mayonnaise, and an Asian dipping sauce.  A selection of breads (cheese rolls, lavosh, baguette, wheat, rye, and crostini) was served in a wooden bowl, with a nasturtium dip and edible soil in a terracotta flower pot, with carrots, pea shoots and mange tout, a further reinforcement of the greenhouse theme, and there it ended.

The Chef’s Tasting Menu started with pan-fried duck foie gras, melt in the mouth deliciousness, and the stand-out course for me, served with raspberry gel, onion marmalade, crispy Asian mushrooms and puy lentils.  My son was spoilt with an amuse bouche of crayfish custard and warm celeriac mousse and chives, which was served in an egg shell, a creative presentation, while I had the first course. The second course was Madagascan prawn roulade, served on a beautiful glass plate with cling peach, fermented black bean dressing (too salty for my taste), rice paper tuile, and ponzu snow, a Chef Richard Carstens-like study in liquid nitrogen!  I was not keen on the fynbos smoked ostrich tartar for the third course, and was allowed to choose a dish from the other two menus. The oven-roasted rare duck breast, and duck cherry jelly canneloni, was served with cherries poached in Pinot Noir, mash, savoy cabbage, and bergamot-lime jus (salty too).   The fourth course was petit poussin served with langoustine, a bacon crisp, sautéed gem lettuce, Vin de Constance gel, enoki mushrooms, and mint pea pureé.  The free-range Karoo lamb dish had the Sweet Breads excluded for me, and was served with wild mushroom agnolottio, brown beech mushrooms, pea shoots, broad beans, parmesan velouté, and a (salty) lamb juice.

By far the cleverest dish, and perhaps too clever for some, was the inverted Brûlée, served in the base of a glass filled with strawberry granité, Earl Grey espuma, with salt and green tea on the rim of the glass. One was not told to turn the glass around for the vanilla brûlée.  As if this was not enough to chew on already, the seventh course was a ‘camembert’ shaped cheese cake, served on a wooden board with roast pineapple ice cream, pine nut biscotti melba, parmesan, maple crumble, lemon marmalade, and extra virgin olive oil.  A final end to the evening was a cutely presented collection of friandise, including truffles, macaroons, and home-made nougat.

Chef Peter came to the table, a nice touch, and told us that he has a Canadian mother and an Afrikaans father, and he speaks with a Canadian accent. He is a gentle and more reserved person. He studied at the Institute of Culinary Arts in Cape Town, and started his career at the Grande Roche Hotel. He has also worked at Quo Vadis and Automat in London, and at Michelin-starred Hambleton Hall and Zafferano. It was at Grande Provence that he earned his first Eat Out Top 10 Restaurant Award, leaving for the McGrath Collection a month after winning the accolade.  Chef Peter is proud of the garden on the property from which he can source his seasonal requirements, mainly being rhubarb and herbs.  He sources his duck and Karoo lamb from Wild Peacock.  He only has a staff of six, with trainees being a welcome addition, he said. He told us that he likes to travel overseas, to find food inspiration there.  He also is responsible for Sand at The Plettenberg, and for the two restaurants at The Marine Hotel, and admitted that he has not paid as much attention to them as they deserve, focusing on getting The Greenhouse into the top league, work which clearly has paid off. Chef Peter is justifiably proud of his two achievements, both career highlights for him.  One cannot help but feel that Chef Peter and The Greenhouse was short-changed by Eat Out, in winning Top Restaurant, but not Top Chef (the honour went to Luke Dale-Roberts of The Test Kitchen) and not Top Service (the honour went to The Roundhouse).  More coverage of the Eat Out awards, in TASTE magazine as a start, also a New Media Publishing magazine, has gone to Chef Luke than to The Greenhouse.  The Eat Out awards signal that The Greenhouse may be the best restaurant in the country, but does not have the best chef nor the best service, a contradiction, and the first time that the Top Restaurant has not also received recognition for Service and its Chef.  Interesting is that Chef Luke came to dine at the restaurant a week after the Eat Out Awards, probably highlighting the competition between the two chefs.

I had ordered a glass of Groot Constantia Shiraz 2009 (R75), and it appeared fine on tasting it, but I had to return it when I tasted it after it had been poured. I chose The Yardstick instead, the only other red wine by the glass, a limited choice I felt.  The Pinot Noir is a joint venture between Chef Peter and ex-Klein Constantia winemaker Adam Mason, we were told, and is a four-star Platter 2010 vintage, at R55 per glass.

I left with a feeling of contradiction about The Greenhouse, a relatively modern space within a terribly old and old-fashioned hotel, that does nothing for the restaurant, that has arrogant hotel staff taking calls and the bookings (this is due to change, Joshua told me, in that he and another restaurant staff member will be the only one staff taking The Greenhouse bookings), that has a waiter who is near-arrogant too and not well-trained, that has typing errors in its menu, that has a terribly old-fashioned bathroom, that does not have an exceptional interior design, and that is only open five nights a week.  The food was excellent, except for the over-salted sauces, and the playfulness of the canapé and bread collection dishes lived up to the theme of The Greenhouse, but all other dishes could have been served at any other fine-dining restaurant.

The Greenhouse, The Cellars-Hohenhort, Constantia.  Tel (021) 794-2137.  www.collectionmcgrath.com www.petertempelhoff.com Twitter: @GreenhouseCT   @PeterTempelhoff  Tuesday – Saturday dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Hotel Review: Rijk’s Country House is country kitsch, tries too hard!

I am very fond of Rijk’s Shiraz, having drunk it for the first time just after maze at the One&Only Cape Town  opened two years ago.  When I saw the name of Rijk’s Country House as the only five-star accommodation option for a wedding weekend in Tulbagh, I booked, given my positive association with the wine.  But I should have known that a five-star “Boutique Hotel”, charging R 3000 per room per night in Tulbagh, was too good to be true, even though I was offered a hospitality industry rate reduction of 50%.   The Hotel is not five star, in my evaluation, and tries too hard to please, and thereby fails.  It has a very kitsch taste in some aspects.

The reservation ran relatively smoothly with Rijk’s directly, but I did not receive a confirmation of my booking after transferring the 50 % deposit, and no response to my e-mail request for the confirmation.  I therefore called Rijk’s, but only saw the number of a central reservations line, being that of African Pride Hotels, the luxury arm of Protea Hotels, who do the marketing of and bookings for Rijk’s.  The African Pride Hotels link to Rijk’s gave me confidence in its calibre.  I was put through to the sales department, and spoke to an unfriendly ‘machine’, who was speaking too fast, and he must have got annoyed when I told him that I could not understand him, and requested that he slow down.  He responded by putting down the phone. I then found the Tulbagh number of Rijk’s lower down on the website, and called them directly.  Here too the telephonic communication was a struggle, until I was put through to Andretti, who did confirm telephonically that all was in order, and he did so by e-mail as well.

Louisa Colquhoun, the General Manager of the 15-bedroom Rijk’s Country House, called a few days before our arrival, and apologised for the problems with the interaction with African Pride Hotels, and requested more details about the person I had spoken to there.  She told me that she had been sent a link to this blog by her boss, and that her boss is a regular reader. 

Our journey was beset with delays, and we only arrived at 8.30 pm on Friday.  We had to call en route, to find the best way to drive to Tulbagh from Franschhoek, not having been sent any directions.  Here too we had communication problems, in getting clear guidelines as to how to drive to Tulbagh from Wellington.  There is no signage in Tulbagh to direct one to the town centre, or to Rijk’s  from there, so we had to call again.  When we arrived, Louisa came out to the car, to greet us, and walked us inside. Two staff members almost ‘sang’ a welcome to ‘Chris and Alex’, even before we were introduced to them, and we were ‘Chris and Alexed’ by all staff throughout our stay, a little too familiar, I felt, quite a contrast to the ‘Ms von Ulmenstein’ treatment experienced at the 5-star Taj Hotel recently.  One of the staff had a tray of welcome Rijk’s Shiraz 2004 for us, very generous in its pouring.  The other tray had towel cloths for us to use, but we did not have enough hands to take the glass and the cloth plus what we were holding already, so we could not partake of this service.  Louisa showed us the lounge, the Polo Wine Bar, where they do winetastings too, and the Que Sera dining room, where they serve breakfasts and dinner, and we stayed to have dinner immediately, without first seeing the room.  Louisa gave me the Guest Registration Form to complete, and most of its clauses would not pass the new Consumer Protection Act  with its ‘legalese’, and the waivers and indemnities.

Dinner at the 32-seater Que Sera was a hit and miss affair, mainly because we were left with a junior waitress Chantel, who was generally unknowledgeable.  We were the only guests dining.  I asked Chantel who the chef was, and she said her name is Joan.  She knew nothing more about her, other than that she had worked at Rijk’s for 21 years.  I did not realise that it had been open for so long.  She said the owners of the Rijk’s Country House are Stuart and Mason Cranswick, who lease the buildings from Neville Dorrington, the owner of the Rijk’s wine farm and Private Cellar. The staff wear a turquoise shirt and black pants and black apron. Chantel said that she has been at Rijk’s for three years already, and worked at Paddagang restaurant previously.  The lighting was very low, until we asked for it to be turned up a little.  The room walls are bare, except for two pictures over the fireplace, but did not seem to be original works of art.  The white table cloth had a runner over it, and the beige chairs were comfortable.  A vase with a carnation and a candle were on the table.  Eetrite cutlery was modern in design and functional.  A wooden board arrived with a tasty seed-topped mini-bread, olive tapenade, olive oil and balsamic vinegar.  When my son asked if the tapenade contains anchovies, the waitress confirmed this, so she found us some anchovy-less tapenade.  The menu is in a brown plastic cover, and refers to “Rijk’s Boutique Hotel”, showing some confusion as to its identity and positioning.  Each page of the menu is dominated by the blown-up Rijk’s  Country House logo, over which the menu items are printed, making it hard to read them all, especially in the low light.  My heart sank when I saw that three of the starters were served with sweet chilli sauce. 

We were warned that the Beef Wellington (served with a choice of starches, my mash topped with fresh coriander) would take 20 minutes to make, which we said was fine, given that I had ordered a nicely presented Avocado Ritz starter.  I enjoyed both dishes, except that the Beef Wellington (R120) only contained mushrooms and no chicken liver paté.  The fillet was perfectly cooked medium rare, as requested. My son was not happy with the Wild Mushroom and Thyme Risotto (R80), being completely overcooked, too salty, not containing any identifiable thyme, and tasting of a spice which made it inedible.  We sent it back, but were still charged for it, until I asked Chantel to take it off the bill, which she did.  Starter options range from R37 for calamari steak strips. Tempura prawns, peri peri chicken livers, gazpacho and a soup of the day are some other starter options. Main course prices start at R80 for the risotto, and Pan-fried Citrus Salmon Trout costs R155, expensive for Tulbagh, I felt.  Steak is served three ways, and costs R100 – R140, and one can order a 150g or 200g portion.    The menu states that one can order a salad or seasonal vegetables as part of the main course, but this option was not presented to us, and I did not see it on the menu when we were ordering.  We did not order any desserts, costing about R30, but could have had desserts from a trolley, a cheese platter (R66), fruit salad or sorbet. When I ordered a cappuccino, it took a good half an hour to get one.   The very noisy industrial-looking coffee machine is in the dining room, so we could observe the process.  It took three attempts to get a cappuccino served in a cup, and not a latte in a glass, despite our clear request to Chantel.   We were told that the coffee comes from ‘Beans for Africa’ and was called ‘Peru Organic’.  Just after the starter was served, Louisa came to check on us, and we did not see her again during the dinner, and she did not ask us later for feedback about the dinner.

The wine list also has a brown plastic cover, and no vintages are indicated.  House wines by the glass cost R28 for an unspecified white and R31 for a red wine.   Organic white and Rosé wine by the glass can be ordered at R22, but the origin of it is not identified.  Moet et Chandon costs R750, Billecart Brut R690, and Billecart Salmon Rosé R1088. Cap “Classic” sparkling wines include Krone Borealis Brut, at R120, and the Nicolas Charles Krone Marque 1 is the most expensive at R420. The winelist offers a Rijk’s wine in each variety, and is not always the cheapest one offered – in fact it was the most expensive option in most cases.  There is a heavy 50 % mark-up on the Rijk’s’ wines relative to the next-door cellar prices, the Shiraz costing R205.  A page in the winelist provided prices of wines one could buy from the Rijk’s Gift Shop, at R128 for the Rijk’s Shiraz, and even the three champagnes on the winelist can be bought at about 50 % less!

The welcome letter from Louisa introduced Tulbagh, described Rijk’s Country House as “country living at its best”, and stated that “the hotel makes use of the farms water supply and is being treated”, which I did not read on arrival, and the bottled water drinking recommendation was not explained to us verbally.  I was impressed that the letter was personalised, in referring to the wedding we were attending.  Surprising too was the invitation to enjoy a winetasting in the Rijk’s Polo Wine Bar in the Rijk’s Country House, rather than in the Rijk’s Private Cellar  tasting room.

The rooms are actually cottages away from the core reception building, so we had to drive to the cottage that we were allocated.  It is an open plan lounge and bedroom, with a large bathroom, and a separate loo.   My heart sank as soon as I saw the rug, a cheap floor decoration, and not a Persian carpet, which would have been befitting of a five star room.  Also, the windows have cheap plastic blinds with a net curtain, shouting ‘cheap and nasty’.  The end result of such ‘curtaining’ is that it let in the light at 6h00, not exactly what one wants on a precious weekend away.  The beds were requested to be twin, but the beds had been separated, so each of us had to sleep on a  precarious single bed, something I have not done in more than 30 years (in our guest houses we keep the beds together, but use single bed linen to make up the beds).  There was a nice selection of magazines, but I was surprised to find a ‘Franschhoek Style’ amongst them, marketing Franschhoek, competition to Tulbagh, especially when it comes to weddings!  Worst of all about the cottage was a sickly sweet smell in the room, probably coming from a heavy dose of Charlotte Rhys room spray that had been sprayed at turn-down, prior to our arrival!  I had to open all the windows to get the smell out of the room, and almost froze to death, not being able to sleep as a result. Spread out on the bed was a dressing gown, which may be the highlight of other visitors’ stay, but certainly is not a requirement, in my book.  On top of this was presented the turn-down ‘treat’, the most bizarre and kitschy I have ever experienced – a pink wrapped mini ‘Christmas cracker’, with silver ribbon, containing … a pink and a white marshmallow!  There is a Belgian chocolatier (Moniki) in Tulbagh, and it would have been more fitting to use their products.  I got up to write when I could not sleep for most of the night, and heard the loud staff arrival just after 6h00.   The crowning glory was that there was no water coming out of the taps the next morning, something Louisa had mentioned the night before could be a possibility.  Whilst we had bottled water for brushing our teeth, we could not have a shower or bath in the musty smelling bathroom – to open its window one has to step into the bath to get to the latch!  Water clearly is a problem at Rijk’s, as a letter from Louisa, which must have been in the room, but which I only read on our return, explained about “water shortages and other difficulties”, urging us to use the bottled water supplied for drinking and in the kettle.

When we came for breakfast, Louisa came to apologise for the water situation.  She also said that she felt that Rijk’s could not meet our requirements, and offered to refund our deposit payment. I told her that we had already booked alternative accommodation for the second night.  Whilst the water situation was inconvenient, but out of her control, I suggested to Louisa that she waive the restaurant bill of the night before as a make-good, which she accepted.  However, she wrote the following day: I spoke with my Shareholders on your departure and relayed the details of your stay.  I explained that you had declined a full refund but requested the dinner be complimentary.  They requested I get in touch with you and request your bank details as they would like to ensure the return of your deposit.  I would be grateful if you would allow us to facilitate this.  Once again we apologise that your stay did not meet your expectations and look forward to hearing from you.” 

The Breakfast was served outside on the vine-covered Iceberg Terrace, with a lovely view onto iceberg roses, the vineyards, and the Wintershoek mountains.  The colour scheme for the table runners and outdoor chair cushions is grass green and turquoise, quite ‘loud’.  The vase of fresh roses on each table was a nice touch. No breakfast buffet was laid out, but a collection of breakfast items was brought on a tray and put onto a stand next to our table, consisting of two yoghurt flavours, two cereals, a cold meat and cheese platter, fresh fruit served on a chipped plate, and a basket of muffins, scones and croissants.  I was served a perfectly made cappuccino, but was initially told that it was not possible to make one due to the water problem.  I suggested to Chantel that she use some bottled water.  As we were the only guests having breakfast, it was surprising that the service was so slow.  Chantel waited until we had finished our cereals before she asked for the egg order, and this took a good 20 minutes to be brought to the table, the eggs arriving quite some time before the toast, which I had to remind Chantel about.  The orange juice was not freshly squeezed, and came out of a bottle.   The estate handyman came to our table to also apologise for the burst water pipe, and explained that they were working on it.  The music at Rijk’s made one very nostalgic, and included ‘House of the Rising Sun’ and a ‘Whiter Shade of Pale’.   As happened  at dinner, Louisa was barely present at breakfast, and did not check on how we enjoyed it, and if there were any problems.  Understandably, she was stressed about the water situation. Her deputy did not come to our table during our breakfast.

So what can I praise: the free easy wireless (but slow) internet connection, even reaching to the cottage.  The lovely roses.  The generosity of the welcome drink.  Louisa’s apologies for things going wrong.  The good breakfast scones.  The setting and the view.  However, so many other aspects appeared amateurish and the staff poorly managed, that they spoilt the enjoyment of our stay.

Rijk’s Country House, Tulbagh.  Tel (023) 230-1006. www.rijkscountryhouse.co.za (The website refers to ‘Fine Dining’, but there is no menu nor winelist.  The Image Gallery does not contain a single food photograph.  The breakfast description includes reference to a daily newspaper, but we did not see one).

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage