Episode 5 of Season 2 of Koekedoor on Thursday evening focused on the theme of Market Day, and focused on home-made pies, citrus and lemon tarts, and gourmet doughnuts. Continue reading →
The focus of the Eat Out Top 19 Finalist Restaurants is in line with international trends, and our chefs are experimenting in creating new dishes, and are sharpening their ethics, in cooking what is in season, and in limiting their sourcing to a limited geographic distance from their kitchens, reported Eat Out in evaluating ‘trends’ in our top restaurant kitchens. Imported gourmet delicacies are taking a back seat.
Chef Christiaan Campbell of Delaire Graff is known for his ethical focus, sourcing what he can from Spier’s Farmer Angus. He builds his menus around the honestly-produced ingredients that are seasonally available. Chef Rudi Liebenberg from Planet Restaurant at the Mount Nelson hotel is also sourcing his produce from Spier, and having guinea fowl and turkey specially bred for his restaurant.
Vegetables and fruit gardens are all the trend, and none can beat the beauty and abundance of Babylonstoren. In terms of unique vegetables and herbs, La Motte’s new vegetable and herb garden developed by Daniel Kruger is leading the pack, with vegetables in unusual sizes, colours, and shapes. A new form of admirable chef collegiality has come to the fore amongst what in reality are competitors, with La Motte also supplying Grande Provence, Reuben’s, Le Franschhoek Hotel, The Tasting Room, Haute Cabriere, and some Stellenbosch restaurants, with specific produce, usually kept secret by Kruger from the other chefs. Smaller vegetable and herb gardens have been developed at Delaire Graff, The Cellars-Hohenhort Hotel for The Greenhouse, and at Majeka House for its Makaron restaurant.
‘Local is lekker’, not only in terms of produce sourced from close by, but also in going back to traditional South African recipes, is another trend. At the forefront is Pierneef à La Motte, which has published ‘Cape Winelands Cuisine’, a collection of recipes from our Dutch, British, French Huguenot, and German foremothers, giving them a modern twist. At the House of Mosaic Chef Chantel Dartnall is digging into her gran’s cookery books. Hartford House too is discovering unique ingredients from its region in KwaZulu-Natal. Springbok and other game is popular amongst tourists, and is served at The Greenhouse and Planet Restaurant, amongst others. The Tasting Room is using local as well as quirky ingredients too.
Chef Eric Bulpitt of The Roundhouse and Chef Chris Erasmus from Pierneef à La Motte have both worked stages at Noma, the world’s number one restaurant on the World’s 50 Best Restaurants list, coming back with a foraging trend, and focusing on ‘lacto-fermentation’, or pickling, a Nordic preservation technique to allow restaurants in Scandinavia to have a food supply in their winter months. Chef George Jardine is pickling too, especially flowers. Chef Bertus Basson is smoking produce in his new smoker at Overture.
Chef Richard Carstens of Tokara has been experimenting for years, studying the techniques of the world’s best ‘cooking masters’, and is experimenting with Komaboko, a Japanese cured processed beautifully-shaped fish dish. Chef Luke Dale-Roberts of The Test Kitchen has created his own laboratory close to his restaurants, very much in trend with the world’s top restaurant (Noma, ex-El Bulli). La Colombe has created a 5-course tasting menu with elements of earth, wind, water, love, and fire.
Exposure to top international restaurants, as well as visits by international chefs to Cape Town and the Winelands, is upping the local gourmet bar, meaning an exciting summer lying ahead for restaurant diners, as well as a possibly different-looking Eat Out Top 10 Restaurants list this year, given the focus on ethical, local, and seasonal sourcing in particular by the finalist restaurants not previously on the Top 10 list!
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @Whale Cottage
Franschhoek is upping its gourmet game, with two local chefs having spent some weeks at Noma in Copenhagen, the number one restaurant on the World’s 50 Best Restaurants list and bearing a 2-Michelin star rating since 2008, in the past three months. Both Chef Shaun Schoeman from Fyndraai Restaurant at Solms-Delta and Chef Chris Erasmus from Pierneef à La Motte returned inspired and have fine-tuned their menus and cooking to incorporate Nordic cuisine into their local gourmet offering.
The restaurant’s philosophy is on the homepage of its website:
“In an effort to shape our way of cooking, we look to our landscape and delve into our ingredients and culture,
hoping to rediscover our history and shape our future.”
Chef Chris Erasmus, Pierneef à La Motte
Yesterday I met with Chef Chris Erasmus, a week after his return from Noma, at which he had spent close to a month. I asked him why he had taken the time to leave his post as Executive Chef, and start from scratch at Noma. Chef Chris said he wanted to study how Chef René Redzepi had taken a restaurant which had been laughed at initially for focusing on Nordic cooking, initially not very exciting and then synonymous with ‘whale blubber and fish eyes’ (like Bobotie would be for South African cuisine, he said), and taking it to the number one restaurant in the world, and having kept it there for three years running. What Chef Chris does at Pierneef à La Motte, in foraging from nature, and in cooking what one has, is reflected at Noma too. Chef Chris has Daniel Kruger growing a range of unusual herbs, vegetables, and edible flowers for him at La Motte, with only one of 13 items in the salad farm grown, and the balance foraged, while Noma is supplied by specialist producers.
Chef Chris was impressed by the systems of the restaurants, each person working for the restaurant knowing what is going on. A meeting is called by the Restaurant Manager prior to service, in which they discuss any specific dietary requirements of guests, so that the chefs are prepared for this upfront, and not told about them when the guests arrive. The Restaurant Manager, from Australia, is in the running for a Restaurant Manager of the Year Award in Denmark. Chris said that his knowledge is amazing, having spent so much time with the chefs to get to know the dishes that he can cook them himself. There are 45 kitchen chefs, with another 25 volunteers unpaid and just there to learn more from this leading restaurant. Only two of the chefs are Danish, the others coming from the USA, Australia, Germany, and Mexico in the main. The rules are strict, and one is expected to follow them 100%. A mistake made a second time will lead one to be told to leave. Staff are treated politely, even though Chef René can lose his cool on occasion. No dishes are allowed to be photographed or distributed via Social Media by staff or volunteers.
There are three kitchen sections that the volunteers go through, starting with the Preparation Kitchen, foraging produce, and getting them ready. Chef Chris spent less than a week here. The second level was the Hot Kitchen, dealing with the restaurant service, and here Chef Chris gave more than expected, already coming to work at 5h00 in the morning (instead of 9h00), and usually getting home to the hostel he was staying at at 2h00 instead of the usual 23h00. This allowed him to work with the other chefs and learn from them, and to show them how eager he was to learn, so that he could move through the three kitchens. The third kitchen is the experimental Test Kitchen, which has two scientists and a chef, creating new dishes. Lactic acid fermentation is the foundation of many of the new dishes, a natural process bringing out the Umami in food, eradicating the need to add salt or sugar to food. There is no salt on the restaurant tables, nor is it added to food. The maximum sugar content of any dish is 12%. They make their own Miso paste too, taking a few months, ant purée, fermented crickets, and more. Chef Chris shared that he tasted bee larva, having a very rich creamy wax taste.
Chef René greets each guest as they arrive at his restaurant. He works seven days a week, even though the restaurant is closed on Sundays and Mondays. Chef Chris came to work on Mondays, again to learn as much as possible. Noma has an excellent Head Chef and Sous Chefs, on whom Chef René can rely while he is busy with the guests, and spends time in the Test Kitchen. The chefs serve the guests. Waiters cannot work at Noma if they have not studied to be a waiter for three years at a local college. The role of the waiters is to explain the dishes to the guests. Guests are served 16 ‘snacks’ as a start to the Tasting Menu in rapid succession over 12 minutes, literally a mouthful each. This is followed by four courses, the size of our starters, being a vegetable dish, a meat dish, a fish dish, and a dessert, at a cost of about R2250. The restaurant is flexible in what they serve, to allow for dietary requirements. The Test Kitchen’s role is to add new dishes to the menu, and Chef Chris saw five new dishes being developed in the time that he was there. One of the dishes developed while Chef Chris was in the Test Kitchen was ‘Lacto Plum and Forever Beets’, served with lemon verbena and fennel soup, the beetroot being roasted for three hours, and its leathery skin then peeled off, the inside tasting like liquorice.
To learn from each other, especially the visiting chefs, they have Saturday night ‘Projects’ after service, in the early Sunday morning hours, presenting their own dishes, which are evaluated by the fellow chefs and the scientists. Chef Chris missed the opportunity to present a dish.
Chef Chris has been inspired by his experience at Noma, and changes are already being made to his current menu. He has added Lacto-fermented Porcini broth to his menu, inspired by Noma, made by adding salt to the mushrooms and vacuum-packing them, until they ferment at ambient room temperature. This creates enzymes which break down the bad bacteria, bringing out the natural savoury flavour. The summer menu will be much lighter, with far more foraged herbs and flowers, and some unique vegetables grown for him by Daniel. Artichokes, peas, and broadbeans are at their best right now, and Chef Chris showed me the some of his vegetables and herbs, which had been picked for him at 10h00 yesterday morning. They are only using Raspberry Vinegar now, instead of vinaigrettes. He will focus on only using vegetables and herbs from the La Motte garden.
Chef Chris has invited Chef René to visit (he was in Cape Town for what seemed literally a flying visit in February when he addressed the ‘Design Indaba’). He was inspired by his experience, and it is visible in his big smile, and new passion for his craft. While others may not have had such a good time, he said that ‘you get out what you put in’. He lost 15 kg in the time, just working and sleeping for a short while. He can’t wait to go back in a winter time, to see how they use all the preserved foods they prepare in the summer months, such as pickled rosebuds, and fermented plums. Having had to start at the bottom at Noma, he has a better understanding of his staff, yet expects ‘150%’ of them, Chef Chris said. One of his American co-volunteers at Noma started at The Test Kitchen in Cape Town this week.
Chef Chris’ Noma experience, coupled with the fantastic vegetable and herb garden on the farm, are sure to earn Pierneef à La Motte an Eat Out Top 10 Restaurant Award in November!
Chef Shaun Schoeman, Fyndraai, Solms-Delta
In June, Chef Shaun Schoeman of Solms-Delta’s Fyndraai Restaurant spent two weeks working in one of the kitchens at Noma. Chef Shaun’s feedback was that the simplicity of Noma’s menu, which lists items like ‘pike perch and cabbage’, ‘cooked fava beans and beach herbs’ and ‘the hen and the egg,’ belies its sophisticated appeal, as evidenced by the backlog of keen diners waiting for bookings. Noma is known for its contemporary reinterpretation of Nordic cuisine. This includes a return to the traditional methods of pickling, curing, smoking, and fermenting as well as the integration of many indigenous herbs and plants. Redzepi himself has worked with the world’s best, having spent time at both El Bulli in Spain (when it was the world’s number one restaurant), and the French Laundry in California’s Napa Valley.
“There are many similarities between the kinds of indigenous elements we use here at Fyndraai and what chef Redzepi has become known for in his cuisine,” said Shaun, who felt that he could only benefit from doing a stint at the world-famous Noma. After his acceptance as a stagier, he packed his bags and flew to Copenhagen, where he joined a production kitchen staffed by over 50 chefs from around the world, all there to learn the philosophy and techniques of this influential chef. “Everyone who works at Noma, no matter what their experience, starts in the production kitchen,” explained Shaun, where the standards for preparation and hygiene are exacting and the hours extremely long, with shifts of up to 14 hours. Only after three months will Chef Redzepi consider moving a stagier into the main service kitchen. Every morning, a group of the production kitchen chefs go out to the nearby seaside to forage for fresh wild herbs and leaves, like nettles, wild rocket, sea coral, and wild garlic. Upon their return, they set to work on their pickings, cutting leaves into uniform sizes, all done on a tray kept over ice. “Temperature is extremely important as the herbs must be kept cold, but never below the temperature of the fridge.”
For a Franschhoek-born and bred native, it was an amazing experience for Shaun. He was overwhelmed by the incredible fresh fish and seafood that came through the production kitchen daily, including live crabs and luscious sea scallops still in their shells. All vegetables were organic and specially grown for the restaurant. A great example of Noma’s high standards was the daily sorting of fresh green peas into varying sizes! But aside from the differences in product and handling, when it came to the indigenous plants themselves, Shaun found that they were not dramatically different from the plants he relies on at Fyndraai, which are grown in the estate’s Dik Delta Garden. “We have many versions of the same plants, the major difference being that the Scandinavian herbs have more subtlety. South African indigenous herbs are sharper, which means that you really need the knowledge and training to harness their flavour without overpowering dishes.” Shaun returned from Copenhagen infused with energy and appreciation for the wide variety of herbs he has at his discretion, which collectively he refers to as “my baby.” He uses only indigenous herbs grown on site, so management of ingredients is crucial. That said, he feels he has a great deal of flexibility – one of the perks of a kitchen garden – and is always able to find a pleasing substitute if one herb is temporarily depleted. The ingredient he’s most crazy about is citrus buchu, which he says is the most fantastic herb he’s ever worked with. “It’s got a sexy, citrus flavour that really lifts everything it touches. It works equally well with savoury dishes or desserts, and can be used in anything from infusions to a flavouring in bread rolls.”
He’s also extremely partial to spekboom, a small-leaved succulent also known as ‘elephant bush’, which is very versatile. At Fyndraai, it receives various treatments, from a quick stir-fry to lightly-dressed salad greens, and from pickling to its use as an ingredient in a cold cucumber soup. In its pickled form, it’s one in a range of signature Dik Delta products Shaun has recently started producing and selling on the farm. Some of the others are lemon and wild rosemary chutney, lemon and gemoedsrus (fortified Shiraz) marmalade, and wild herb rubs. Customers love taking these products, which they cannot find elsewhere, home to their own kitchens to experiment with. “The indigenous herbs play sometimes starring, and more often supporting roles in the food we create at Fyndraai, depending on the nature and flavour of the plants themselves,” Shaun said. The key is quantity, and knowing how much to add to a dish, and when to add it. Sometimes they are added directly to dishes, at other times infused into sauces, used to create syrups which provide complementary flavours to a dish and even as flavourings in ice cream! The plants are propagated at Dik Delta, the large ‘kitchen garden’ on the wine estate. The two-hectare veld garden is overseen by a team of trained Solms-Delta residents. It yields crops of dynamic herbs, many of which were on the verge of extinction before the birth of this valuable culinary-bio project.
Today, the garden is the restaurant’s source for everything from wild asparagus to spekboom to makatan, an indigenous melon which Shaun cooks into one of the Dik Delta preserves. The garden is in full spring flower, with sunny yellow patches of honeybush, which flowers will be picked and dried for honeybush tea, and the dark mauve flowers of the Bobbejaantjies (little baboons) or Babiana. While this striking flower is most often used as an ornamental plant, it has a highly nutritious bulb or corm that can be eaten raw or cooked; it tastes a little like a potato and can be used as a vegetable in stews or in salads. Since Fyndraai opened four years ago, cooking with these plants has been an ongoing learning process for Shaun as well as his staff, all of whom were initially kitchen novices. This had many advantages, because they had no preconceived notions or bad habits to break. He is extremely proud of his kitchen crew, who handle the complex menu and its preparations with confidence and expertise.
Pierneef à La Motte, La Motte, R45, Franschhoek. Tel (021) 876-8000. www.la-motte.com Twitter: @Pierneeflamotte
Fyndraai, Solms-Delta, Delta Road, off R45, Franschhoek. Tel (021) 874-3937. www.solms-delta.co.za Twitter: @Solms_Delta
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage
I became a fan of Chef Oliver Cattermole when he was at Dash restaurant at the Queen Victoria hotel last year. The opportunity to try some of the dishes on his new menu at Dish restaurant at the Le Franschhoek hotel reflected the creative cuisine skills of the Michelin two-star La Gavroche trained chef.
Seeking clarification on a winter menu special, I Tweeted Chef Oliver, and he invited me to try his new winter menu last month, the first menu containing only his dishes since he started at the hotel nine months ago. I had not been impressed with the restaurant on previous visits, but a number of changes, including the menu, made the meal one of my highlights in Franschhoek this year.
When I arrived, I saw a special table with new high back chairs and a tall silver candelabra prepared for me. I was happy to see that the Eetrite cutlery had been set out for a number of courses, eliminating the problem of stretching. On the table was a vase with the most beautiful Blushing Brides, and coarse Atlantic sea salt and pepper grinders. The beautiful table setting alone made me feel like a queen. The table was closest to the pass, which is open to the restaurant, so I could chat to Chef Oliver and ask him questions about his delicious dishes. I was delighted to see that the piano had been moved to the side of the dining room, and was not played, as I have experienced before. Despite it being a freezing cold evening, it was cosy and warm inside, with a modern mobile gas heater in the centre of the room.
Chef Oliver started his career on a part-time basis whilst still at school, cutting his teeth with Chef George Jardine, then at the Cellars Hohenhort hotel. After school he started at Haute Cabriere, working for Chef Matthew Gordon, before leaving for London, where he worked in Chef Michel Roux Jnr’s La Gavroche kitchen in London for a year, describing ‘him as generally a nice guy’. The kitchen had a staff complement of about 20, all French speaking. He learnt the discipline of cooking at La Gavroche. Chef Michel Jnr did a Masterclass on MasterChef SA, and impressed with his way of dealing with the Finalists, firm but friendly. Chef Oliver also did a two day stage in Alain Ducasse’s kitchen at the Dorchester Hotel, just for the opportunity to learn from this esteemed chef. He also worked at top London restaurants The Ivy and Cannizaro House, before missing sunny South Africa, and returning to Cape Town.
Phillip is a Zimbabwean Hospitality Management intern from the International Hotel School, doing his training at the Le Franschhoek hotel, and he was very proactive in looking after me in serving the food as well as pouring the wine. He told me that he is studying in South Africa, due to the better quality hospitality training offered locally, and the excellent wine estates in the Cape, having visited almost all of those in Franschhoek already. The dishes were served paired with wines especially selected by Chef Oliver from the special wine collection of the hotel.
The first dish was a Forest mushroom soup served with a semi-dried tomato and mushroom soil, which came to the table with home-made brown bread, and was paired with Hoopenburg Pinot Noir 2008. It was one of the highlights of the meal, being thick and creamy, and a perfect antidote to the cold outside. The mushrooms are foraged by a supplier in Stellenbosch. On the starter menu the dish costs R 65.
One of the most beautiful Autumn-inspired dishes was the vegetarian ‘A Taste and Textures from the garden’, costing R100 on the main course section of the menu, and consists of a purée of beetroot, parsnip, sheets of beetroot, dried red onion, cavioli (cauliflower), baby marrow, a beetroot crisp, butternut purée, spinach purée, baby turnips, served with beetroot soil, and red and green caviar drops. This dish was paired with a Mont Rochelle Unwooded Chardonnay 2010. Chef Oliver told me that he sources his vegetables and herbs from Daniel Kruger, who grows special produce to chefs’ specification outside Franschhoek. He brings seeds for unusual sized and coloured vegetables (e.g. purple potatoes, black radishes, yellow and green-striped aubergines the size of golf balls) from the USA and Holland.
The Duck Bon-Bon starter with parsley root pureé and hot pickled vegetables costs R65, and was paired with a Terra del Capo Sangiovese 2008 from Antonij Rupert Wines in Franschhoek. The duck is shredded, parsley is added, and rolled in Japanese breadcrumbs, served with spinach purée, and a piccalilli relish made from courgette, cauliflower, peppers, onions and vinegar. The parsley root comes from the hotel’s own garden. The fourth course was a starter of pan-seared scallops served with a celeriac triangle and Ras El Hanout (honey-infused Moroccan spice mix, which has 21 spices such as hibiscus, rose petals, cardamom, cumin, fennel, ginger, chilli peppers, nutmeg, tumeric, pepper, cinnamon, pollen, curry powder, and coriander), as well as a golden cauliflower, coloured with tea and saffron, at R75. This dish was served with a French wine, which Oliver had found in the hotel cellar, a Louis Satour Ardèche 2008 Chardonnay. Chef Oliver sources the scallops from French importer Socomaf.
Compressed pork was served with a medley of apple pureé, toffee apple, and apple caviar, a fruit mustard, as well as a haricot bean purée, a dish which is also on their starter menu, and costs R60. This dish was paired with Thelema Rhine Riesling 2008. Other starters on the Dish menu are oak-smoked salmon (R75), and roasted beetroot with whipped goats’ cheese (R60).
The Roast rump of Karoo lamb with minted mash and young white and orange and red carrots was a filling main course, with three slices of lamb served, at R160. This course was paired with Haut Espoir Cabernet Sauvignon 2004. Other main courses include Chicken Bourguignon, line fish of the day, dry-aged beef fillet, and thyme-roasted venison, ranging in price from R125 – R160.
To complete the more than generous dinner Chef Oliver served Carrot Cake as a dessert, with a medley of carrot pureé, mousse, jelly, and paper, to which he had added walnut candy and raisin pureé, costing R60. Other desserts have a similar cost, and include apple and sultana crumble, goats’ milk pannacotta, barrel-smoked chocolate fondant, and brioche treacle tart pain.
Every one of Chef Oliver’s dishes is a work of art, created by his team of thirteen, who not only prepare these lovely dinner dishes, but also look after the breakfast requirements of the hotel guests, prepare lunch and dinners at their Le Verger restaurant in the glass ‘hothouse’, and banqueting requirements for conferences, weddings, and other events. Chef Oliver is in the right place in Franschhoek, in the village which positions itself as the gourmet centre of the country, to present his creative cuisine.
Dish Restaurant, Le Franschhoek Hotel, Franschhoek. Tel ()21) 876-8900. www.lefranschhoek.co.za Monday – Sunday dinner, Sunday buffet. Twitter @Le_Franschhoek
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage
De Grendel wine estate must have the most beautiful view of all wine estates in the Western Cape, with its idyllic setting looking over Table Bay and onto Table Mountain. Now the wine estate owned by Sir David Graaff has opened De Grendel Restaurant in its winetasting centre, not only offering a magnificent view, but also beautiful food.
I was invited by De Grendel’s Public Relations consultant Errieda du Toit to share lunch with her a week after De Grendel Restaurant opened. I had only been to the wine estate once before, more than a year ago, with the Gastronauts, when catering had been brought in from outside. The room was transformed in collaboration with the Graaff family, blue brought into the table legs, into the upholstery fabric of some the chairs, as well as into the magnificent underplates made by ceramist Mervyn Gers (once the head of Radio Kontrei, the predecessor of Kfm). The underplates have the Graff family crest, showing a Paschal lamb, five stars representing the Southern Cross, flanked by the Boer farmer on the one side and a miner on the other, with three spades and armour. The blue pattern on the rim of the plate is repeated in bowls on the tables, and matches the Delftware in the armoire in the restaurant. Matching the underplates in quality is the most stylish, classic but modern, cutlery by Robert Welch, used in Michelin-starred restaurants, we were told by restaurant owner Jonathan Davies, which he was surprised that @Home has the agency for in South Africa. The Graaff family was awarded the baronetcy in 1911 for service rendered to the Crown in South Africa. The first Sir David had introduced the commercial cold storage and transportation of meat in South Africa, was the Mayor of Cape Town, introducing electricity to the city, helped set up the dry dock in the Cape Town harbour, and was involved in the building of the Table Mountain cableway. One wall has a collection of Graaff family photographs, including his son and politician Sir De Villiers Graaff dancing with the then Princess Elizabeth, now the Queen of England, on her Royal visit to Cape Town in 1947. The far end of the dining room has a glass window which allows one to look into the wine cellar, while the kitchen is visible behind a glass window on the opposite end. The ambiance created is to make one feel as if one is dining with the Graaff family.
The involvement of Jonathan Davies raises the cuisine bar for Cape Town, given that he owns the The Crown at Whitebrook, voted the best restaurant in Wales and one of the Top 50 restaurants in the UK, and has been awarded three AA rosettes, and one Michelin star for a number of years. He has worked at Ellerman House, and at the Ritz Carlton in Atlanta, and has been coming to South Africa for seven years, having married his Pretorian wife. He met the Graaff family via a Bishops function where the respective children and grandchildren are in the same class. The deal was struck when Sir David came to have a meal at the Welsh restaurant. Jonathan has training in both front of house and as a chef, but has decided to concentrate on the former, and has brought in Chef Ian Bergh, previously of Pure at the Hout Bay Manor, Five Flies, and La Colombe. This exciting team has created a wonderful menu of creative dishes, and one senses that they had fun in coming up with new dishes never seen before on a local menu. A classic was Jonathan telling us about his Brandy and Coke ice cream he is working on, having observed how popular this drink is in South Africa, and a guinea fowl burger is planned. Jonathan says he will offer ‘fine dining’, his definition of it being that it is ‘food prepared well and with passion’. They are also bringing the De Grendel wines into the cuisine, and are using the wines to make chocolate truffles, a weakness of Sir David, I was told.
Chef Ian brought out four dishes to give us a taste of his menu, and Jonathan brought glasses of De Grendel wines paired with each dish. We sat in the ‘Conservatory’, a smaller room alongside the main restaurant, overlooking a large dam, and the green fields of the farm, on which Arab horses are kept for an equine remedial therapy programme, helping children with impediments, and in which geese, goats, Nguni cattle, and sheep can be seen too, against the landmark backdrop of the Atlantic Ocean and Table Mountain. Grain and grapes are farmed at De Grendel.
The meal started with a slice of roast potato bread, served with home-made butter in a ceramic dish made by another top Cape Town ceramicist Lisa Firer, who also made the salt and pepper pots. The salad of fig, Buffalo Ridge mozzarella, cherry tomato and a raspberry dressing was a fresh starter, and a beautiful medley of leaves, which Jonathan paired with the 2011 De Grendel Sauvignon Blanc, the cool breeze off the sea being ideal for growing this grape variety. The Winifred blend of Chardonnay, Viognier, and Semillon was paired with a pea ravioli, free range chicken, Gorgonzola spuma, and a creamy De Grendel Chardonnay sauce. The starters range in price from R75 – R130, and other options include scallop, cob, duck liver, and squid.
The pork belly main course was superb, served with apple puree, roasted as well as pickled baby beetroot, and a sage and De Grendel Winifred jus, which Jonathan paired with the De Grendel Pinot Noir. Other main courses are Beef onglet (a French beef cut), venison, lamb, veal, and line fish, ranging from R135 – R155, and guinea fowl with foie gras (R240). The piece de resistance, that impressed with its beauty, creaminess, and simplicity, was the dessert, a basil panna cotta served with pomegranate (a special sweet taste, with a popping sound when one bites the kernels, and a beautiful deep red colour), served with strawberry and basil sprout. Given that Jonathan had told us about his Brandy and Coke dessert, a portion of it was made, which Errieda and I shared, being a malva pudding served with an apricot samoosa, a ball of Coca Cola ice cream, and a Brandy sauce.
For dinner a 6 – 8 course tasting menu is offered. The restaurant is child-friendly, and has sourced a children’s range of cutlery. Children under 3 years do not pay. Child-friendly dishes can be made, or children can order smaller portions of their parents’ dishes. High-chairs will be available for children. A range of children’s activities is planned, mainly to educate the children about vegetable growing and harvesting. They will even be able to plant their own vegetables, and would be encouraged to return to see them grow.
I didn’t look at the winelist, but Jonathan told me that the wines are sold at cellar prices, a most commendable pricing strategy! Errieda told me that the Graaffs started wine farming twelve years ago, making good wines at affordable prices. The farm is 350 meters above sea level and 7 km from the sea. Charles Hopkins is the Cellar master and Elzette du Preez the winemaker. The De Grendel wine range includes MCC, Rubaiyat, Shiraz, Merlot, Pinot Noir, Rosé, Pinot Gris, and Sauvignon Blanc. Sir David has had a wine made in honour of his wife Lady Sally, called the Winifred, her second name. They have recently launched a Sauvignon Blanc-based Noble Late Harvest. Bottled triple carbon filtered water comes from the farm, and the glass bottles are re-used. Sundays sees traditional lunch fare, and Jonathan will carve a roast or chicken for a family at the table. The Crown at Whitebrook Chef James Sommerin, who was featured in the BBC’s ‘Great British Menu’ series, will do guest visits to De Grendel Restaurant, and will showcase some of his menu items.
De Grendel Restaurant is an exciting new addition to the Cape Town gourmet collection, combining a feeling of history and tradition on the wine estate, with the modernity and creativity of the cuisine offered in its restaurant. I will definitely be returning.
De Grendel Restaurant, De Grendel wine estate, M14, Plattekloof Road, Plattekloof. Tel (021) 558-6280. www.degrendel.co.za Twitter:@DeGrendelWines. Tuesday – Sunday lunch, Tuesday – Saturday dinner.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter@WhaleCottage
The opening function, one of two, at Leopard’s Leap last night, was a welcome indication of how the gourmet bar in Franschhoek is about to be raised, with the addition of the Liam Tomlin Food Culinary Studio. Not one of the 300 guests could have left not being impressed with the architecture and decor of the building, dominated by its beautiful new chandelier, with the generosity of the hosts, and with the excellent food, served with Leopard’s Leap wines.
I have been to Leopards Leap a number of times since it opened in November, and noticed the new chandelier immediately on arrival, after entering the building on a green carpet, being offered a choice of six welcome cocktails. Flowers in massive vases lining the entrance were by creative florists Okasie in Stellenbosch. The chandelier was designed by interior decorator Christo Barnard, and he is very chuffed with how well it was executed by Pierre Cronje. The tasting room staff collected vineyard leaves, which Christo had dye cut out of stainless steel, replicating different leaf shapes, and then spray painted them in yellow, green, and red leaf colours, making a magnificent statement over the tasting counter, and bringing the vineyards into the tasting room, the vine design looking absolutely realistic.
Guests of honour were ex-President FW de Klerk, who had addressed a lunch of 40 members of the Beijing University alumni club yesterday afternoon (a lunch that made CEO Hein Koegelenberg beam, in that he signed up R1,5 million in business during the lunch, he shared with us), and Western Cape Premier Helen Zille, who looks younger and more stylish than ever before, all due to her stylist Janine Schouw, she said. Premier Zille came to say hello, and remembered us meeting at Artscape about five years ago, which makes her such a remarkable person, and such a respected and well-loved politician. It was touching to see the Premier connect with Mr de Klerk, holding hands. The mutual respect was clear to see.
Leopard’s Leap CEO Hein Koegelenberg made a short speech to welcome the guests to the new Leopard’s Leap Vineyards, housing Leopards Leap Wines and Liam Tomlin Food. He recounted that he had created the Leopard’s Leap brand twelve years ago, and he acknowledged the work of label designer Anthony Lane in developing it into an international brand, now sold in 41 countries. It had not had a consumer interface in the past, and the neighbouring farm to La Motte was ideal for a tasting room, not only due to its location on the R45 and its proximity to La Motte, but also because the grapes on it had been planted by Hein’s father, and he still looks after the garden team on the estate. Hein said that Leopard’s Leap is the most diverse wine company in the world, focusing on diversity in sourcing grapes and producing the wines in different regions.
It was the ancient marriage between wine and food that led Hein to seek the ‘perfect pairing of wine and cuisine’ with chef Liam Tomlin, who moved from Sydney to Cape Town some years ago, consulting to La Motte when its restaurant opened, and opening his own Chef’s Warehouse and Cookery School in Cape Town. Now Liam Tomlin Food offers cooking demonstration classes, upping the standard of Franschhoek’s gourmet cuisine offering. The venue was designed to blend Franschhoek’s ‘proud heritage of wine and cuisine’ with modernity and innovation, to create a world class experience for its visitors. The building was designed by architects Mokena Design Lab, Christo Barnard did the interior design (having done that of Pierneef à La Motte too), with furnishing by Pierre Cronje. The building houses offices for Leopard’s Leap Wines and Liam Tomlin Food, a state-of-the-art cooking school and demonstration area, a shop selling cooking equipment, ingredients, and utensils, a garden in which to enjoy picnics in future, and a reading lounge. Reflected in the building too is the passion the family has for the conservation of the Cape mountain leopard, which is reflected in the magnificent 9 meter high steel sculpture by Marco Cianfanelli, outside the building. Hein believes that the ‘statue will become a landmark in the Franschhoek Wine Valley’.
Chef Liam’s speech was short and sweet, and he won brownie points when he said that it was much better moving from Australia to South Africa, and not vice versa. He also said that South African wines are better than Australian ones. He told us that initially he would concentrate on establishing the cooking courses, whereafter the Food Shop will be created, eagerly awaited by locals. An organic vegetable garden has been planted, for use in his kitchen.
Different food stations were created throughout the kitchen to feed the 300 guests, a mix of food and wine writers, wine farm neighbours, and local winemakers, with trays of material serviettes and cutlery at each, and each dish labelled. Chicken roasted in the brand new rotisserie was served with a sticky soy sauce, rice wine vinegar, sesame oil and ginger, and a cucumber salad, its Thai basil giving it a sharp edge. There was sea bass served with delicate noodles. The pork belly served on a pancake with Hoisin sauce and spring onion probably was the most popular dish. A most interesting duck sausage was another hit, containing raisins, pistachio nuts, confit leg, and duck liver, served with a potato salad and duck jus. Chef Liam told us that they had ordered 150 ducks to make the duck sausage, and that their supplier had initially let them down badly, it costing them five days in time to get the sausage made as a result. A sweetcorn and basil veloute was served in an espresso cup. An interesting dish was a melted Raclette cheese served with steamed potato and bruschetta. Desserts were a lemon posset, and a Bailey’s Irish cream parfait with cocoa crunch. In tasting each of the delicacies, one could get a close look at the kitchen equipment, and Grande Provence owner Alex van Heeren spontaneously described the facilities as ‘world class’.
The clearing of plates and serving of drinks was organised by Aleit event company, and Aleit Swanepoel, the owner, and his team made each guest feel like a special VIP, bringing one drink after the other (a delicious berry Shiraz drink).
As if the hosts’ generosity had not been enough already, each guest received a magnificent presentation box with a thank you from Liam and Hein ‘for sharing this special celebration with us’, and containing a bottle of Leopard’s Leap Shiraz Mouvèdre Viognier 2008, as well as a pack of risotto rice, dried mushrooms, and a bottle of Black Truffle oil, with a recipe card for mushroom risotto.
La Motte and Leopard’s Leap are a new gourmet gateway to Franschhoek, and it would appear that further exciting developments are underway at both wine estates, from what was suggested to me last night.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage.
Cape Town received wonderful coverage in a three-part article in the UK The Guardian on Saturday, praising in particular the beauty of the city, and the gourmet and wine wealth of the near-by towns in the Winelands, which should be good for attracting visitors from the UK to our city, given the weaker Rand.
The writer of the trio of articles is Gloria Hunniford, a highly regarded mature Northern Ireland radio and TV presenter, writer (including ‘Gloria Hunniford’s Family Cookbook’,) a travel writer for The Guardian and The Telegraph, and presenter of travel guides for National Geographic. In the fineprint it is clear that the articles were sponsored by SA Tourism.
Gloria reports about her first ever visit to Cape Town, a city that she says she has never heard a bad word spoken about, and about which she had heard ‘glorious stories about the weather, the food, the wine, the people and, of course, Table Mountain’. Worried that her high expectations could be disappointed, she writes that ‘it is more beautiful, more dramatic, and more extraordinary than anything I had imagined’. She writes that she was at a loss of words on top of Table Mountain, and fell in love with a dassie.
During her visit to the Cape, Gloria saw the Twelve Apostles, Cape Point, Lion’s Head, the city centre, the floral diversity of 2000 species on Table Mountain, Chapman’s Peak (exhilaratingly experienced on the back of a Harley Davidson), and stayed at the Camps Bay Retreat. She enjoyed the Camps Bay restaurants and its strip and beach, about which she wrote: “…you would be forgiven for thinking you were on a remote, palm-fringed island, not in South Africa’s second most populous city“! She refers to Cape Town being ranked second in the Lonely Planet’s world 10 best beach cities (after Barcelona and ahead of Sydney, Rio de Janeiro, and Miami), an accolade for Cape Town I had not heard about nor seen publicised by our tourism authorities. She mentions the surfing beaches of False Bay, the ‘remote beaches’ of the South Peninsula, ‘fashionable Clifton’, and the ‘sundowner-haven of Llandudno’. She was taken to Bo-Kaap, to eat Cape Malay food at the home of Zainie. She also ate at the Cape Grace, and was served fresh fish in Camps Bay. She highlights Kirstenbosch as the perfect picnic venue, having recently been named by National Geographic as one of the top 10 places in the world to have a picnic.
In the Winelands, Gloria visited L’Omarins in Franschhoek, enjoying its Cape Dutch architecture, flower paradise, and a wine-tasting. Gloria saw a chocolate-making demonstration at Huguenot Fine Chocolates, raving generally about Franschhoek, with its ‘atmospheric shops and sampling the great food and wine on offer is a must for every visitor’s itinerary‘. She had lunch at Delaire Graff, praising it highly for its setting in the Helshoogte Pass: ‘It’s sheer bliss. To be embraced by the sheer luxury of this elegant, beautiful crafted estate, sipping on fabulous wine and indulging in the tastiest food around, is what dream holidays are made off (sic).” Then she tastes wines at Spier, calling it one of ‘South Africa’s oldest, biggest and most tourist friendly estates’, and its wines as being affordably priced and winning awards. A highlight for Gloria was stroking Hemingway, the cheetah, at Spier. She enjoyed her gourmet picnic at Warwick, writing about it: ‘Our picnic basket is filled to the brim with delicious salads, cold meats, bread, smoked salmon, and sweet treats, a far cry from the picnics I am used to…. It introduced us to more South African culinary treats, from snoek pate to biltong’.
Despite being sponsored articles, it is Gloria’s concluding paragraph that is sure to connect with potential visitors to our city, and her valuable endorsement should be of benefit to tourism to Cape Town and the Winelands: “The last few days have been happy, happy days, thanks in no small part to the people of South Africa who have been so open and friendly and made us feel so welcome. It is the people of a country who can really make an experience memorable. They are so proud of their country and it is this enthusiasm and South Africa’s sheer beauty that I will take away with me”.
POSTSCRIPT 25/10: Today Cape Town and the Winelands received further favourable coverage, this time in the Mail Online, in an interview with Suzi Perry, BBC motor sports correspondent and presenter of the Channel 5 ‘The Gadget Show’. She described her honeymoon in South Africa last year as her ‘most memorable holiday’, having stayed in Camps Bay (staying at Cape View Villa), went on Safari at Richard Branson’s lodge Ulusaba in Sabi Sands, and went winetasting in Franschhoek, staying at Rickety Bridge. She loved going up Table Mountain, recommending abseiling down it, hiked up Lion’s Head at full moon, raved about the vineyard picnics, she saw whales in Hermanus, and ‘baboons on the cape (sic)’.
POSTSCRIPT 27/10: Cape Town has been selected as runner-up as ‘Favorite City World-wide’ in the Telegraph Travel Awards announced yesterday, won by New York, and alongside Venice. La Residence in Franschhoek was a runner-up with Shangri La’s Barr Al Jissah in Oman for ‘Favorite Hotel World-Wide’, a category won by Villa d’Este at Lake Como in Italy.
POSTSCRIPT 27/10: Cape Town is basking in the spotlight, and now the New York Times has written an article “36 hours in Cape Town’, published on-line today, and to appear in print on Sunday. It opens as follows: “Cape Town overwhelms the senses. Its cultivated side, the bright lights and big buildings of the city centre, collides with its geography – the dazzle and danger of the wind-whipped mountains and the two oceans that embrace it.” Writer Elaine Sciolino writes that prices soared in the city during the World Cup, and that the ‘tourist trade since then has disappointed‘, that some businesses have closed down, and some constructions sites stand unfinished. ‘Despite the grinding poverty in the townships on the city’s outskirts, this is one of the most naturally beautiful places in the world’, she writes. Sciolino’s 36 hours in Cape Town were action-packed, and included a visit to the District Six Museum, the Kirstenbosch National Botanical Gardens, Table Mountain (stating that it is to Cape Town what the Eiffel Tower is to Paris, defining and dominating the ‘cityscape’), dinner at Marco’s African Place, followed by drinks at Café Caprice and clubbing at St Yves in Camps Bay, which has just re-opened. On Saturday it’s an ostrich burger for brunch at the Biscuit Mill, shopping at Greenmarket Square, and then off to ‘wine sipping’ at Groot Constantia, eating sushi at Sevruga in the V&A Waterfront, and then to Asoka on Kloof Street for cocktails, followed by Fiction DJ Bar and Zula Sound Bar. On Sunday morning it’s a drive to Cape Point (Cape of Good Hope), stopping at Simonstown and Boulders’ Beach on the way, returning via Chapman’s Peak. The article links to a travel guide, with accommodation (Mount Nelson and V&A Hotels strongly recommended) and restaurants (Africa Café recommended of all the 27 restaurants listed, but sadly out of date, with Jardine still listed) recommended.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage
This year the newly-named mouthful of a Eat Out DStv Food Network Restaurant Awards will see a number of changes, and hence predicting a Top 20 finalist is harder, as a number of new award categories have been introduced, including that Eat Out editor Abigail Donnelly is the sole judge, which we have written about previously. Today the Top 20 Restaurant Award finalists will be announced.
As we did last year, we have made a prediction of the Top 20 Restaurant shortlist, with a motivation, as well as indicated which restaurants will not make it this year. We apologise for the very strong Western Cape bias:
1. Tokara: I firmly believe that Tokara in the Helshoogte Pass will be the number 1 restaurant this year, given the outstanding 13-course dinner which Chef Richard Carstens prepared on 30 July, in honour of the closing down of El Bulli on that day. The chef and his team received a standing ovation, and Ms Donnelly attended, and expressed her admiration of it. Chef Richard never stands still, stretching himself and his team with new dishes.
2. The Test Kitchen: Luke Dale-Roberts’ restaurant in the Old Biscuit Mill will be a close contender for the top crown, having been a number 1 winner whilst at La Colombe, and 12th on the San Pellegrino 50 World Best Restaurant Awards last year.
3. Pierneef à La Motte: This Franschhoek restaurant, with Chef Chris Erasmus, has consistently impressed with its creative interpretation of Winelands Cuisine, in a restaurant with outstanding decor and attention to detail, and prides itself on its quest for excellence.
4. The Tasting Room: Making an annual Top 10 list appearance, and the only South African restaurant making the San Pellegrino World Best 50 Awards, this Franschhoek restaurant, with Chef Margot Janse at the helm, is what has given Franschhoek its gourmet status in the past, now challenged by Stellenbosch, as is evident from this list.
5. Overture: The Stellenbosch restaurant has a beautiful view on the Hidden Valley wine estate, and an energetic, continually renewing Chef Bertus Basson. On the Top 10 list since it opened.
6. Planet Restaurant: The refurbished and modernised ex-Cape Colony restaurant at the Mount Nelson Hotel is headed by Chef Rudi Liebenberg, a previous Eat Out Top 20 finalist.
7. The Round House: Despite its arrogance, the restaurant has two excellent foraging chefs in the kitchen, being PJ Vadas and Eric Bulpitt (ex-Jardine). The restaurant is a previous Eat Out Top 10 winner, but did not make it last year.
8. Nobu: This One&Only Cape Town restaurant’s inclusion is uncertain, as it also deserves to win the newly introduced Best Asian Restaurant Award. It is not clear whether a restaurant can be eligible for participation in both categories.
9. Bosman’s: After a long absence, this Paarl-based Grande Roche Hotel restaurant featured on the Eat Out Top 10 list last year. Great work is being done to make the restaurant more accessible, through an amazing summer special. Chef Roland Gorgosilich has been in the kitchen for a number of years.
10. The Food Barn: This Noordhoek restaurant is quietly making a good name for itself, its owner and Chef Franck Dangereux having been a Eat Out Top 10 chef in the past.
11. The Greenhouse: Reports about Chef Peter Tempelhoff’s creativity at the Cellars Hohenhort Hotel are very positive. He has featured on the Eat Out Top 10 list in the past, whilst at Grande Provence.
12. Terroir: This restaurant on the Kleine Zalze estate has been on the Eat Out Top 10 list for a number of years, with Chef Michael Broughton.
13. Jordan Restaurant with George Jardine: The Chef and owner has featured on the Eat Out Top 10 Restaurant list whilst he was at Jardine, and also last year for his new restaurant. Consistent delivery on his creative food, and baking specialist.
14. Aubergine: The only current Eat Out Top 10 restaurant in Cape Town, and owned by Chef Harald Bresselschmidt, having been on the Eat Out Top 10 list for many years, but then fell of the list for a number of years too, until last year.
15. Delaire Graff: The restaurant is known for its good service and beautiful views, and Chef Christiaan Campbell and his team quietly get on with what they are good at.
16. Waterkloof: The Somerset West restaurant, with Chef Gregory Czarnecki, has an excellent view, interesting architecture, and good presentation.
17. The Restaurant at Grande Provence: Another low key restaurant, this Franschhoek restaurant has featured on the Eat Out Top 10 list twice, with chefs Jacques de Jager and Peter Tempelhoff. Chef Darren Roberts is passionate about cooking, and creates beautifully prepared and plated fare.
18. Reuben’s One&Only Cape Town: This restaurant could also be eligible for inclusion in the Best Bistro category. At best a token inclusion on this list.
19. Hartford House: This KwaZulu-Natal delivers consistently, and has been a regular on the Eat Out Top 10 list in past years, with passionate ‘local is cool’ Chef Jackie Cameron.
20. DW Eleven-13: This Johannesburg restaurant, with Chef Marthinus Ferreira, made its first appearance on the Eat Out Top 10 list last year.
Restaurants that will not appear on the Top 20 shortlist, we believe, are the following:
1. Rust en Vrede: Due to the departure of David Higgs, the new Chef John Shuttleworth has not run the wine estate restaurant kitchen for a full year, a criterion for the award. Number 1 Eat Out Top 10 Restaurant last year.
2. La Colombe: Chef Scott Kirton probably needs some time to settle in, having worked with Luke Dale-Roberts previously.
3. Reuben’s Franschhoek: The opening of the Reuben’s One&Only Cape Town was at the expense of this restaurant, a previous Top 10, and even number 1 restaurant on the Eat Out Top 10 list.
The Eat Out DStv Food Network Restaurant Awards will be presented at the Rotunda at the Bay Hotel on 20 November. Last month the American Express Platinum Restaurant Awards were announced. JP Rossouw’s annual restaurant star award list has not been announced yet. It is interesting to hear that Spill Blog is planning to organise a new Restaurant Award next month, with potential funding by Cape Town Tourism, it is said.
POSTSCRIPT 5/10: The Top 20 Finalist list has just been announced (11h30): We had 15 of the 20 finalist correct. Our prediction of Aubergine (a surprise!), Delaire, Waterkloof, Reubens at the One&Only Cape Town, and The Food Barn were incorrect, not making the short-list. Five restaurants we did not have on our list, that are short-listed, are Azure at the Twelve Apostles, Babel at Babylonstoren, La Colombe, Roots in Gauteng, and Restaurant Mosaic at Orient in Pretoria.
POSTSCRIPT 13/10: Eat Out has presented an informative profile of each of the Top 20 chefs in its newsletter today.
POSTSCRIPT 23/10: Tony Jackman has written critically in the Weekend Argus about the Eat Out Top 20 Finalist List. He believes that new restaurants should not be included in such a list before they have not been open for two years. He questions the wisdom of not including Rust en Vrede. He believes that longevity of a restaurant should be taken into account. He is very critical about the 16 Cape restaurants on the list, compared to only 4 for the rest of the country. He wonders whether the geographical balance of the list would be the same if the publishers of Eat Out were based in Johannesburg, and says there should be more balance, given that it is a national publication. He highlights that none of the three Reuben’s are on the list. Interestingly, he questions how long Luke Dale-Roberts will stay in his current location. He raises the question as to whether great restaurants can remain great, irrespective of the chef, mentioning La Colombe and Bosman’s as examples of restaurants not influenced by who is the chef, and suggests ‘let’s lose this cult of the chef perosnality‘, adding ‘The restaurant should be the point – not the chef’. Jackman mentions every Top 20 finalist, with the following exceptions: Richard Carstens from Tokara, and Margot Janse from The Tasting Room.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage
Franschhoek understands the value of regular events, and the power they have in attracting visitors to the village. During October it is hosting its first ‘Franschhoek Art in Clay’ ceramics exhibition, Ceramics Fair, a pop-up ceramics shop, and setting up ‘pop-up’ restaurants in some of the participating galleries too. In addition, the summer season of Cook Franschhoek takes place, and a Classical Music Festival will end off the month on a high note.
The driving force behind the ‘Art in Clay’ event is David Walters, who is one of South Africa’s leading potters and has been working in Franschhoek for a number of years now. The participating galleries, and the ceramicists exhibiting their work, are the following:
Ceramics Gallery: Potter David Walters has been working in ceramics for 35 years, and now specialises in porcelain. He has started specialising in creating dinnerware for some of the top restaurants in our country, including Reuben’s. He founded the Midlands Meander. Exhibition of work by him, his daughter Sarah Walters, and by Jonathan Keep, Christo Giles, John Wilhelm, and Lindsay Scott. Reuben Riffel will prepare a lunch on 23 October (sold out already). High Tea will be served, using David Walters’ hand-made tea sets, including Wedgewood nougat and Angel biscuits, on weekends, at R50. 24 Dirkie Uys Street. Monday – Sunday 10h00 – 18h00. Tel (021) 876-4304.
Artefact: Tiny gallery with ceramics work by Vuyisa Potina, Andrea Desmond Smith, Kobus Stander, David Walters, and Sarah Walters. Daniel Hugo Street. Tel (021) 876-4304.
Ebony: Ceramics work by Clementina van der Walt, Hennie Meyer, Katherine Glenday, Lisa Ringwood, Mick and Sally Haigh, and Michael Chandler. Opening cocktail party for invited guests only, with food served by Neil Jewell on ceramicware made by the exhibitors. Franschhoek Square, Huguenot Street. Tel 082 558 2221
Gallery at Grande Provence: Ceramics works by Imiso Ceramics, Zizamele Ceramics, Michael Haig, Louise Gelderblom, and Rae Goosen. Lunches available daily next door in the Restaurant at Grande Provence. Main Road. Tel (021) 876-8600.
IS Art: Ceramics work by Hylton Nel, Ralph Johnson, Helen Vaughan, Lisa Firer, Ann Marais, Wilma Cruise, Dale Lambert, Wendy McLachlin, Sue van Rensburg, Chris Smart, Caroline Heydenrecht, Hannes van Zyl, John Wilhelm, and Rebecca Tetley. Lunch for 12 served in the gallery on 23 October by Margot Janse. Huguenot Str. Tel (021) 876-8443.
La Motte Museum: The theme if the exhibition is “Potters who are no longer with us”, paying tribute to deceassed and emigrated potters, in exhibiting the Ceramics SA exhibition at the Rust-en-Vrede Gallery, and from the Social History Collection of Iziko Museums of Cape Town. Artists’ work exhibited includes that of Barbara Jackson, Bonnie Ntshalinsthali, Hyne Rabinowitz, Esias Bosch, Tim Morris, Sonja Gerlings, and Marietjie van der Merwe. Lunches are available at Pierneef à La Motte. Tel (021) 876-8850. Tuesday – Sunday 9h00 – 17h00.
The ‘Pop-Up’ Ceramics shop will be located in The Yard (where Isabellina was, at 38 Huguenot Road, home of the Salmon Bar and Pam Golding Properties) for the month of October, including ceramics work by Heath Nash, Zizamele, Imiso Ceramics, Andy de Klerk of Cabinetworks, Urban Africa, Soulchild, and Chimpel. Under the trees outside the Dutch Reformed Church hall members of the Cape Craft & Design Institute and of Ceramics SA will display and sell their pottery on Saturday 29 October.
In honour of Franschhoek’s Gourmet status, and many potters’ crafting dinnerware for the local restaurants, the Summer season of ‘Cook Franschhoek’ takes place next weekend, from 7 – 9 October, and allows food lovers to rub shoulders with the local chefs and winemakers. On Friday Chef Chris Smit of Café BonBon will prepare beetroot risotto, beetroot chutney, and beetroot flatbread, paired with Haut Espoir wine; Chef Adrian Buchanan of Freedom Hill will demonstrate preparing grilled scallops with prawns, chorizo and pea shoot salad; Salmon Bar’s Chef Judy Sendzul will do a salmon and trout tasting, paired with Boekenhoutskloof wines; Chef Paula Johnson of Le Verger at Le Franschhoek Hotel will prepare chocolate hazelnut dacquoise, paired with La Bri wines; Chef Ryan Smith of Ryan’s Kitchen will do an ice cream, and sorbet demo, pairing with Antonij Rupert Wines; Chef Chris Erasmus of Pierneef à La Motte will demonstrate cooking meat with shiraz, chocolate spice and berries, using La Motte wines. On Saturday the Franschhoek Food Emporium’s Chef Robert Rittel will do a talk on the art of patés and terrines, pairing with Lynx Wines; Chef Shaun Schoeman of Fyndraai Restaurant will talk about veldfood flavours, pairing with Solms-Delta Winery; Chef Chris Smit of Café BonBon does a pork belly demo, pairing with Haut Espoir; Chef Ryan Smith repeats the ice cream and sorbet demo, paired with Antonij Rupert Wines; Chef Margot Janse prepares beetroot sponge, spinach and onion puree, buttermilk labne, dill and cucumber granita, paired with Haut Espoir wines; Chef Paula Johnson of Le Verger repeats her chocolate hazelnut dacqouise, paired with La Bri wines; and Chef Chris Erasmus of Pierneef à La Motte repeats his course on cooking meat with Shiraz; Chef Adrian Buchanan repeats the scallop, prawn, chorizo and pea shoot salad demo, paired with their Freedom Hill wines; and the Salmon Bat trout and salmon tasting , paired with Boekenhoutskloof wines, is repeated. On Sunday Chef Reuben Riffel will cook miso glazed Franschhoek salmon trout, paired with Boekenhoutskloof; Chef Chris Smit of Café BonBon demonstrates the making of a Christmas apple and cranberry cake, and a spice-infused milk tart, paired with Haut Espoir; and the art of patés and terrines by Chef Robert Rittel of Franschhoek Food Emporium, with wines by Lynx, is repeated.
To add a crescendo to the month-long ceramics exhibition, talented Steinway pianist Christopher Duigan has organised the 8th Classic Music Festival for the last weekend of October. The programme kicks off with a tribute to ‘The Phantom of the Opera’, with Zorada Temmingh performing in the Dutch Reformed Church, utilising a restored 1925 silent movie version of the film, with organ improvisation, on Friday 28 October. On the programme for 29 October are Claude Bolling’s suites for flute and jazz piano in the Dutch Reformed Church; a Food, Wine and Music tasting takes place in the courtyard in The Yard, outside the Salmon Bar and Taste South Africa, with cheese, charcuterie, and trout boards, a wine tasting, and music by accordionist Stanislav Angelov; and ‘Music of the Night’ with Louise Howlett and Albert Combrink at Café Bon Bon, with dinner. On Sunday Christopher Duigan will perform ‘Liszt vs Liszt’ at the Dutch Reformed Church; classical guitarist James Grace performs at Bread & Wine over lunch; and a ‘Festival Finale’ will be held at Café Bon Bon.
Franschhoek Art in Clay, Franschhoek. 1 – 30 October. Contact David Walters for more information: Tel (021) 876- 4304. For details of the Classic Music Festival: www.musicrevival.co.za For tickets for Cook Franschhoek: www.webtickets.co.za
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage
We have previously written about Cape Town Tourism embracing the ‘100 Women 100 Wines’ competition, promoting it actively, and listing it in its ‘Strategic Plan’ as a means to ‘stimulate domestic tourism demand’. The competition brought 100 women to the V&A Hotel in the Cape Town Waterfront on Saturday for one day, hardly a major boost to domestic tourism, especially as a number of the participants were from the Cape anyway! The wine industry has slated the event as ‘frivolous’, ‘patronising’, and a ‘joke’!
Sceptical as I tend to be when it comes to the marketing activities of Cape Town Tourism, I checked what information was available via Google, as we have not received information about this event as members of Cape Town Tourism. Not much was written about the competition – only two blogposts by organiser Clare “Mack” McKeon-McLoughlin (why does she not use her real surname?) of Spill Blog, a media release and two website posts by Cape Town Tourism, and three participant blogposts. Sponsors of the competition were TOPS by Spar, Newmark Hotels (V&A Hotel), Destiny magazine (with a circulation of 26128 ‘black diamonds’), and Cape Town Tourism. The aim of the competition was to generate “South Africa’s Best 100 Wines” list, a ludicrous claim made by Cape Town Tourism in its media release.
The competition premise was that 80% of women buy wines in supermarkets, thus making the brand decision, which is largely made on the basis of word of mouth recommendation by friends. On the basis of this statistic, Ms McKeon-McLoughlin devised a competition whereby 50 women could enter, by motivating by e-mail why they and a friend should be invited to be a ‘judge’ in a wine competition “where you choose and pick the wines that you prefer, wines that suit your palate and mood, and that you would be more than happy to recommend to a friend”. The ‘judging’ took place at the V&A Hotel in the Waterfront, with participants having been flown to Cape Town (if not from the Cape); attending a lunch, a cocktail party, and a gala dinner; participating in the ‘judging’; and spending the night in the V&A Hotel. About 30 % of the group of hundred women were from Cape Town and the Winelands, judging from Twitter. Cape Town Tourism refused to confirm the geographic breakdown.
The patronising media release written by Cape Town Tourism stated that ‘this event will see women from different backgrounds being empowered as opinion leaders in the field of wine, and will set in motion the debunking of the myth that this right is reserved for the connoisseurs and the ‘bourgeois” (who writes stuff like this?!). Their website post also stated that the participants reflected the South African demographic profile, but the ‘black diamonds’ dominated. Cape Town Tourism appears to have forgotten that this country has four ‘demographics’, and not just two, as is visible from their delegate photograph. Categories in which wines were selected are ‘Girls Night Out’, ‘Celebration’, ‘Sunday Lunch’, ‘Braai drinking’, ‘The in-laws are coming’, The Big date – romance is in the air’, ‘Long lunch’, ‘Mid-week easy drinking’, Posh Present, ‘Baby it’s cold outside, ‘Bubbly’, and ‘Kiss and Make Up’. Ten wines were allocated per each of the ten categories, hardly a ‘judging’, and more of a classification of the 100 wines, information not provided as to how the original list of 100 was selected! The Cape Town Tourism media release quoted its CEO Mariette du Toit-Helmbold as follows: “The innovation of food and wine is an integral part of what makes Cape Town an inspirational city. We are looking forward to welcoming 100 women from across South Africa to Cape Town, and sharing our best wines and gourmet offerings with them. Winter is the perfect time to explore our wine culture and our partnership with 100 Women 100 Wines demonstrates our commitment to unlocking Cape Town’s superb winter offering to the domestic market. We look forward to celebrating this as an annual event”! We do not believe that the event met the stated goal at all, as only the food of one hotel was experienced by the delegates, and mainly non-Cape Town wines were ‘judged’!
We asked Cape Town Tourism CEO Mariette du Toit-Helmbold two questions about her organisation’s involvement in the event: what would its benefit be for domestic tourism to Cape Town, and how much did Cape Town Tourism pay for sponsoring the event. This is the rude response we received on Twitter to our e-mails from Mrs Helmbold (she has not replied to our e-mails about the event):” For info on role in #100women event follow @CapeTownTourism‘s tweets. Event fund = R20 000″.
We question Cape Town Tourism’s sponsorship of the event, which will have gone to the organisers. If Cape Town Tourism pays R20 000 for each of the 70 local and international events (we did not know that there are so many events in Cape Town in a year) it claims to support, it would be paying a precious R1,4 million, which it could use to greater benefit to attract more tourists to Cape Town by means of fewer, more fundamental events. It is unheard of for a tourism bureau to pay a sponsorship fee, it being usual for them to just endorse an event, to give it credibility. One wonders how Cape Town Tourism could have seen so much benefit in the event that they paid for it, and had the time to handle the (poor) publicity for it! It is clear that Cape Town Tourism has little knowledge of the wine industry, and blindly endorsed an event without credibility in the wine industry, and without any tourism benefit. No local media (radio or newspaper) covered the event.
Mrs Helmbold did not attend the event at all, spending the weekend in Pringle Bay, and Cape Town Tourism’s PR Manager Skye Grove appears to have only popped in at the sponsored event. However, Mrs Helmbold was at great pains to Tweet about the event on Saturday, overstating the ‘benefits’ of the event for tourism to Cape Town as follows:
* “#100women is 1 of many good examples of how partnerships can be used to accomplish much through events without investing a lot of money”.
Cape Town Tourism Tweeted ‘comments’ from delegates about how good they felt about being in Cape Town, but these were prescheduled via Tweetdeck, and do not appear to have been ‘live’ comments from delegates, making one question their credibility. In its website post at the conclusion of the event, Cape Town Tourism wrote ‘testimonial’ comments about Cape Town, quoting senior executives who apparently had never been to Cape Town before. Some ‘justification’ Tweets were sent by them during the weekend event:
* “#100women 100 wines event proving that South African women love their friends, their wine, their food…. and Cape Town” (no delegate Tweets proved this!)
* “City Press & Sunday Times at #100women event – this is how we do business. Unlocking CapeTown’s stories through national & int (sic) media” (City Press sent only a Trainee Journalist, and the Sunday Times was represented by their wine writer Neil Pendock, who in fact was one of the organisers! There were no international media representatives).
* “We are loving the vibe at #100women 100wines. Women from all over SA falling in love with the Mother City and our food and wine offering” (not supported by delegate Tweets)
Pendock is known to be a good friend of Mrs McKeon-McLoughlin, and wrote about the event twice on his The Times ‘Pendock Uncorked’ blog in two days. He was the scorer at a previous round ‘judging’ event, as well as at the weekend event, at which the list of 100 wines was finalised. He ‘shyly’ discloses in his first blogpost that he ‘advised 100 Women 100 Wines on selection of wines for the event’, vastly understating his involvement, and he makes no disclosure of his involvement in the second blogpost. He praises the ‘seminal’ idea of the ‘revolutionary’ competition (these two descriptions seem a gross exaggeration), alliteratingly (as he is fond to do) writing that “Mack” (whose real surname is known to him) gathered ‘ordinary women’ (not ordinary at all, from the descriptions of their careers) from ‘Pretoria, Porterville and Putsonderwater’ (maybe his creativity to alliterate town/city names with Johannesburg and Stellenbosch was limited!). Pendock gives sponsors 1Time Airlines, V&A Hotel, Destiny magazine, and ‘Spar’ (not getting its bottle store brand correct) a punt in his blogpost, but does not mention sponsor Cape Town Tourism nor brand ‘Cape Town’ in his blogpost at all! Pendock is known as a very critical wine writer, and would have slated such a frivolous competition, had he not been involved in its organisation, especially as the wines were ‘judged’ sighted at the weekend event, his biggest criticism of Platter judging.
On Twitter only 55 Tweets were generated by 15 Twitterers over the two days, a poor tally. The ‘black diamond’ Destiny delegates from Johannesburg appear to not have embraced Twitter yet. Newmark Hotels probably received the best benefit of the exposure on Twitter, with some Tweets praising its V&A Hotel. The sponsors airline 1-Time, Cape Town Tourism, and Destiny, and TOPS at Spar came off worst, in receiving no acknowledgement at all from the delegates! Only eight wines out of the 100 tasted and tested, being Graham Beck MCC, Stellenrust Timeless, Warwick The First Lady, Nederburg Riesling, JC le Roux, Miss Molly, Le Bonheur Sauvignon Blanc, and De Morgenzon Sauvignon Blanc, received Twitter mentions during the tasting. Distell sponsored the wines for the dinner, and the Fleur du Cap wines appeared to receive more favourable comments on Twitter than did the wines in the 100 Wines testing collection!
Nigel Cattermole, fearless wine-knowledgeable owner of Wine @ the Mill, laughed about the event, and called it patronising and a joke. He said that most of the 100 wines in the collection were bulk mass-produced wines, being ‘mediocre to poor’. ‘There is no providence in these wines’, he added.
The ‘100 Women 100 Wines’ competition is a farce in more ways than one: The results, in generating a ‘Top 100 best wine list for women’, will hardly be an accolade winemakers would strive to achieve, not having any credibility. Cape Town Tourism’s involvement in the competition is questioned, given that its energy should be focused on attracting as many tourists to Cape Town as possible, a group of 100 (of which many were from Cape Town or Stellenbosch anyway) making only a negligible impact on tourism in our city, if any at all, given that the delegates stayed at the V&A Hotel, had all their meals and drinks there, and all activities took place at the hotel, meaning that there was little spend by them in the rest of the V&A or in Cape Town. The association with the competition is a serious dent to the credibility of Cape Town Tourism, in supporting a competition that is patronising to women; is frivolous and lacking credibility in its results; was poorly marketed; benefits the Winelands more than Cape Town; does not meet its intended goal of growing ‘domestic & intl (sic) markets’; does not meet the goal of ‘building winter brand, food/wine tourism and domestic tourism’, and makes no contribution in addressing the tourism crisis in Cape Town!
POSTSCRIPT 31/8: Cape Town Tourism has sent us a comment in reaction to this blogpost, in the name of ‘Thandiwe’, with a false e-mail address firstname.lastname@example.org, in defence of Cape Town Tourism’s sponsorship of the ‘100 Women 100 Wines’ event, using similar yet contradictory information contained in its Media blogpost and a Tweet about the event. A Google search confirmed that the only reference to ‘Thandiwe Motse’ is from two mentions on the Cape Town Tourism website. We have not allowed the false comment, and we are surprised that Cape Town Tourism’s PR department would stoop so low in trying to justify their involvement.
POSTSCRIPT 1/9: The latest Spill blogpost brags about the success of the ‘100 Women 100 Wines’ event, quoting all feedback it has received on Twitter and its blog, even from its co-organiser ‘Dr Neil Pendock’! Interestingly, the blogpost refers to ‘Thandiwe Moitse’, with a different spelling of the surname compared to the way Cape Town Tourism spells it. There are no Google entries for this business executive, on either spellings of her surname! The Cape Town Tourism spelling in its Tweets and media blogpost is the same as the spelling in the Comments posted to this blogpost!
POSTSCRIPT 3/9: A ‘judge’ of the first stage of the event, who was given a voucher for a meal at Societi Bistro by the organisers, and who expressed her dissatisfaction on Twitter with the poor quality of the meal and the service, was called by Mrs McKeon-McLoughlin and asked to remove her Tweet, as she had promised Societi Bistro that they would receive good publicity if the restaurant donated the vouchers!
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage