I am lucky to have become a regular recipient of the SARIE KOS supplement, which is delivered to my home every quarter. Editor Herman Lending is a young and talented chef, passionate at his job and about cooking, and is very successful at what he does. Continue reading →
Tag Archives: Krug
WhaleTales Tourism, Food, and Wine news headlines: 7 March
Tourism, Food, and Wine news headlines
* Minister of Tourism Marthinus van Schalkwyk is attending the International Toerismusboerse (ITB) Travel Expo in Berlin. The Minister said that German tourist arrivals have increased by 153% since 1994, measured at 26600 in 2012. ‘Germany is our third largest source of overseas tourists. It’s been an incredible journey in which South Africa has emerged from a wildlife destination, serving primarily a domestic market, to one of the most visible, exciting, culturally diverse and varied global tourist destinations in the world today‘, the Minister said.
* A number of bush camps as well as roads, have been closed in the Kruger National Park due to flooding caused by heavy rains, especially in the southern parts of the park.
* IATA (International Air Transport Association) figures for January 2014 show a healthy 8% increase in airline passenger demand relative to the same month in 2013.
* TripAdvisor has launched a South African domain, www.tripadvisor.co.za, and will add more local content to its site.
* The most expensive champagnes are as follows: Goût de Diamants (Taste of Diamonds, £1,2 million), Moët & Chandon Continue reading →
Shimmy Beach Club: friendly and inexpensive, sushi superb!
We were invited to try Shimmy Beach Club recently, not having had a chance to have a meal there since it opened six months ago, the restaurant, bar, and beach not being visible to visitors to the V&A Waterfront as it is hidden away in the port. Given the client profile, and the R40 million expenditure invested in the new building, we were surprised about the good value and friendly dining we experienced.
One drives to the harbour entrance near the Caltex garage, and initially signage leads the way. However, almost as one reaches a dead end, there is no further signage, until one sees a faded sign on top of a building with a guarded gate. We were told that there had been an issue with the Transnet National Port Authority about the signage, and it had to be removed. The building is adjacent to the Cape Town port authority, which regulates the shipping traffic entrance to and exit out of the port. There was enough parking, but it could be limited Continue reading →
Restaurant Review: Orphanage cocktail emporium key to class, quirkiness, and social responsibility!
The most unusual name for a classy cocktail bar must be that of newly opened Orphanage on Bree Street, which is on the corner with Orphan Street, a street name I had not noticed previously. I was impressed with its elegant and classy interior, unusual cocktails and other drinks, and interesting value for money food.
As I was driving to the Labia cinema last Saturday, I drove past the former Rhubarb Room space, and saw the new brown painted exterior, with candle-holders outside attracting one’s attention. With the front door open, one could also see a massive chandelier, which runs along the length of the room. I stopped to take a quick interior photograph, and returned after the movie, when the venue had filled up a little more, its first day of opening to the public and also the birthday of Johnny Friedman, the owner of the building and a partner in the business. Manager and co-partner Raymond Endean seemed a bit hesitant about sharing information initially and about letting me have a menu to take along for this story, but mellowed as more guests arrived and all appeared to be running smoothly.
The massive chandelier dominates the interior, almost detracting from the massive wooden bar running along the length of one wall. On the opposite side are striped couches with coffee tables, 
creating sections, as well as a collection of high bar tables and stools. More seating is available in the little courtyard, which one had not noticed before. In the far end a DJ had set up his equipment, and played mood music, which became progressively louder, but did not overpower the conversation. He was later joined by saxophonist Jamie Faull, and they performed together. Jamie plays his sax on Wednesday and Sunday evenings. The staff wear amazing outfits, with waistcoats, black pants, Orphanage aprons with the key logo, and bowler hats, and are all very friendly and eager to serve. There is low lighting, despite the chandelier, with many candles. Cleverly the high table tops have been cut out to hold a bucket, into which a candle had been placed. If one orders sparkling wine or white wines, it becomes an ice bucket, a clever touch, as it is space-efficient too. A chest of drawers 
allows one to store one’s left over bottle for a next visit, and hence the key is the symbol printed on the brown serviettes, on the business cards, and is incorporated in the design of the menu too. The decor design was done by Inhouse architects. A large rectangular serviette contains the Inox fork and unbranded knife in a brown sleeve, with the key logo, brought to the table on a silver tray. Everything is printed on brown paper, with the key logo, and even the bill was presented in a brown sleeve. They purposely try to steer away from what everyone else does, wanting to be unique.
The first indication I had that things are different at Orphanage was when the cappuccino was served in a ‘blikbeker’, the sugar sticks being served in a smaller size. Raymond explained that he managed Asoka Bar for seven years, and Eclipse and Caprice in Camps Bay prior to that. The idea behind Orphanage is to go back to the time of the Prohibition, to create the feel of a ‘hidden bar’. In deciding on a name, they were aware of their location on Orphan Street, also the home of the St Paul’s Church across the road. A dreadful influenza epidemic swept through the region in the early 1900’s, leaving many children in the Cape orphaned. Children would come to the church for food, giving the street its name, and Reverend Sidney Warren Lavis helped set up the first ‘orphanage for boys’ in Cape Town in 1919, called the St Francis Childrens’ Home, in Athlone. The placemat proudly shares: “ORPHANAGE are very proud supporters of the St Francis Children’s home that we derive our quirky name & rich heritage from.. because this type of tomfoolery has a social conscience too”. R15 of the ‘More Tea Vicar?’ drink of Finlandia vanilla, rooibos syrup, cranberry, and lemon, which costs R55, is donated directly to the St Francis Children’s Home. In December and January R 10 will be added to every bill, to donate to the St Francis orphanage. The Rector of St Paul’s blessed Orphanage on its first day of opening. Raymond said that they understand that the name is controversial, as showed when we Tweeted about it.
The drinks list has a number of Orphanage branded wines, and Raymond told me that sommelier and consultant Kent Scheermeyer is helping them to source two red and two white wines, as well as a sparkling wine. He wasn’t sure where they were coming from, but the Pinot Noir will be from De Grendel, and Mullineux will supply a red blend. The cocktail list was compiled from a study of bar trends and 200 cocktails were evaluated. Most have a quirky name, and are served in quirky ‘vessels’ too, such as a fine Victorian tea cup. A cucumber Martini is served with a cucumber sandwich on the side. Interesting is that a drink is named after the police commissioner in the Western Cape, Hilton Hendricks, who arrived for the birthday party too, with his bodyguards, who (surprisingly) were very hesitant to share his first name. Moët & Chandon costs R800, Ruinart R1000, Dom Pérignon R1800, and Krug R3600. &Union beers, Grolsch, Peroni, and some commercial beers are available. More than twenty cocktails, with interesting names, many related to the name of the establishment (e.g. ‘Innocent Orphan Annie’) cost between R35 and R65.
The menu will be changed every three months or so, and is restricted to only ten items at the moment. It is the domain of Chef André Hendricks, with consultant chef Mac Mulholland, who has worked with HQ, Asoka and Tank. A kingklip carpaccio (‘Fishy on my Dishy’ – photograph right) sounded unusual, and was exceptional, 
drizzled with lemon and olive oil (R50). I was less impressed with ‘Rabbit Food’, with too much rocket, and little asparagus and aged pecorino (R45). Other tapas options are Cauli-fritters (R40), ‘Crayfish Signature’ (R95), ‘Milanese Chick Chick’ (R65), ‘Octopus Crunch’ (R55), and ‘Little Lamb Buns’ (R60). One senses that the team had great fun in coming up with the names. One can also order platters of mezze or charcuterie (R95 each), and cheeses (R75), olives, nuts and truffle chips, or a dessert (at R35 each) of ‘pineapple thins’ or ‘Molten Coco Loaf’, which turned 
out to be a lovely chocolate fondant served with vanilla ice cream. The dessert and the salad were served in bowls set inside wooden blocks, again an interesting and unusual presentation.
Raymond said that they are almost purposely ‘anti-marketing’, wanting to grow their business on the basis of word-of-mouth, on the strength of their service, which was friendly and kind. I was lucky that charming and passionate co-owner Katie Friedman was at Orphanage too, and that she spent time with me to give me more background to the establishment. She has worked in marketing film production companies in the USA, and her business card describes her as the ‘House Marketeer’. She emphasised how blessed they are to have St Paul’s as their neighbours, and that they can contribute to the work that they do for the St Francis orphanage.
Orphanage cocktail emporium is a definite must-see and try, and a convenient stop before and after a night out, with ample parking at night. It is a classy place to visit, fun and quirky, and having a drink there has a social benefit too.
POSTSCRIPT 5/4: A lovely 26°C evening, at the start of the Easter weekend, was a good opportunity
to go back to Orphanage. I couldn’t believe that it was jam packed outside, and some customers said they had come because of this review. Co-owner Katie Friedman came to chat and thank me for the review, and told me that next summer they will do breakfast (with porridge options) and lunch too. She also said that they will be open every night of the week now. I tried their crayfish buns.
POSTSCRIPT 18/4: Talk about customer service. On a last visit I asked if Orphanage had Bailey’s or Cape Velvet, and they told they only had Amarula. When I went back to re-photograph the kingklip carpaccio in better light tonight, Raymond proudly showed me the Bailey’s they now stock!
Orphanage cocktail emporium, 227 Bree Street, corner Orphan Street, Cape Town. Tel (021) 424-2004. www.TheOrphanage.co.za Twitter:@OrphanageClub Monday – Sunday 17h00 – 2h00, Fridays from 15h00.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage
Restaurant Review: No mange tout at Mange Tout, but Trout on the menu and in the kitchen at Mont Rochelle!
I had not been to Mange Tout Restaurant at Mont Rochelle Hotel in Franschhoek for a number of years, and with the appointment of the new chef Leigh Trout seven months ago, I felt that it was time to pay the restaurant a visit again. There is no mange tout on the menu, but Chef Leigh Trout serves a good trout! Service remains a weakness in this restaurant of the five-star Mont Rochelle Hotel.
Security is an issue when one arrives at Mont Rochelle, yet it isn’t when one uses the magic password “Restaurant”, despite not having pre-booked, and the boom was lifted without question nor details taken. I was welcomed by a very confident security guard when I parked my car, and he offered his services to make my booking, as he felt that there would be a table available for me. This meant going to the receptionist, who nodded her head, and did not bother to show me the way to the restaurant (had I been a first-time guest). When asked, she said just go left and then right, and did not walk me to the restaurant. The entrance to the restaurant is not clear, and what is intended as the main entrance door is rarely used, judging by what I observed. Most guests go to the terrace, and use that door to enter.
The previous restaurant, called La Couronne (also the name of the hotel at that time), was reinvented after a renovation following a fire, when the hotel changed its name to Mont Rochelle, and the restaurant had its own stand-alone name Mange Tout for the first time.
I arrived at 19h30, and it was still light enough to see the lovely view the restaurant has on the Franschhoek mountains and the valley below. The restaurant has two sections, the view one being filled first. It was noticeable that the hotel guests (four tables) are seated at the window with the view, and the non-hotel guests were seated away from the windows. This section has a lovely fireplace, which makes the restaurant very cosy in winter. The second section of the restaurant has no view at all. The space is airy, and the thatched roof ceiling, the large tables with white table cloths and a mixture of light green and beige chairs create a light and attractive interior. Most interesting is the ‘handbag’ tables next to each table, which allows the ladies to store their bags on a place other than the floor, something only a lady could have thought of! Big candle holders are on the non-view tables, while the view tables have American-style table lamps. A large daisy is presented in a square glass container, filled with glass balls. There are candelabras and candles on the fireplace mantelpiece, creating a romantic atmosphere as the sun sets.
A massive chandelier dominates the room, as does the white piano, played by Mont Rochelle legend Alfio, for whom guests return year after year. I found the 90 minutes of continuous piano playing beyond irritating, and would not return if I knew it was still going. But I was in the minority, the mainly British guests loving it, and even starting to sing along! Alfio is such an institution that he has a sign with his name on the piano, and a dessert named after him (Alfio’s Duet). Before he started playing, Kfm-like music was ‘broadcast’, and when Alfio finished playing, there was deathly silence, relative to the piano ‘noise’, until somebody remembered to put on more of the ‘Kfm’ music. I do love listening to Kfm’s music in my car, but not at a 5-star hotel restaurant.
Despite it being over 30°C in Franschhoek, all the windows of the restaurant were closed and the airconditioner had not been switched on. It became increasingly hot, and I had to ask for a window to be opened. I was really pushing the limits when I asked for another window to be opened, and the permission of other guests had to be requested. The tables have good quality napery, contemporary cutlery – with a butter knife on the side plate – and good glassware. There are no condiments on the table, clearly signifying that the chef feels he can prepare a meal without the need for anything to be added. The menu is printed on good quality green A4 paper, with the Mange Tout name very low key on it. It contains an introduction by chef Leigh, a new trend that I have picked up: “Welcome to Mange Tout! Our Menu is an ever evolving work in progress, wherever possible focusing on the finest seasonal ingredients available. We whole heartedly (sic) endorse environmentally friendly farming practices as well as humane free range animal rearing and much of our produce used reflects this”. The last sentence seems quite a mouthful, sounding correct, but somehow artificial, in my opinion. The five course degustation menu is on the front page, while the a la carte menu is on the reverse side. The chef is flexible, and one may chop and change the items between the two menus. The tasting menu costs R430 for 5 courses, but in reality these were 7 courses, with an amuse bouche and a palate cleanser as well. The a la carte menu costs R240 for 2 courses (although not specified on the menu), R 280 for 3 courses, R360 for 4 courses and R430 for 5 courses.
The waitress brought the bread basket to the table, and rattled off the contents as being focaccia, “stick bread” and “rye bread”, the latter being ciabatta in fact. Commendably the breads were served warm, but I had a bite of each, and could not eat more, finding them so below average per se, and even more so for a fine dining restaurant. The focaccia ingredients included mushroom, olives and goat’s cheese, but I only learnt this from the manager Roelof later on, while the ciabatta was hard and tasteless. I found the quality of the waitresses far below par for a 5-star restaurant, and they come across as ‘robotised’, in rattling off a menu they had to learn but do not really understand, the Manager Roelof being the only person offering quality service, and explaining the dishes. One particularly gruff waitress, who looks intimidatingly bossy and made no attempt to make eye contact or even smile, has been at Mont Rochelle for 10 years. Another waitress I asked has been there for two years, yet was unable to explain the dishes when brought to the table, just saying “trout”, for example. I had asked for a jug of ice water, but received a glassful, and had to request it to be topped up every time. It became warm over the course of the evening, and I had to request ice to cool it down again. There is no proactive service.
I had no intention to, but landed up having the Tasting Menu, mainly because it was too hard to choose what to leave out. Chef Leigh cleverly has chosen favourite dishes for his menus, including foie gras, asparagus, kingklip, tiramisu, souffle (which I was told is a signature dish of the hotel, preceding Chef Leigh) and of course ……. trout! The amuse bouche was a rather unattractive looking dark green asparagus velouté and oyster escalope, the waitress rattled off. When I asked her what was hiding under the daisy, she had to find out from the kitchen, and said that ‘the black things’ were caviar! I am often disappointed by amuse bouches, as many chefs get them wrong, as being an opening shot at what they are capable of in the kitchen. The batter-covered fried oyster was very unusual, but the velouté was bland. 
The foie gras starter was beautifully presented, and Chef Leigh likes his greens and oranges in food colour presentation. He used peach for colour, served au natural and as a mousse, with two tiny triangles of ‘dark chocolate brioche’, not enough to have the foie gras on, so Roelof brought a few more to the table – the bread basket offering would not have been suitable to have with the foie gras at all. A chocolate bean on each foie gras slice was unusual. The steamed garden asparagus was a crispy composition in green, with fashionable micro herbs, and contrasted with two dots of yellow created with quail eggs. 
Other starter options are springbok carpaccio, cauliflower soup and “Walvisbaai Red Crab Tortellini”.
I couldn’t miss out on the seared Franschhoek Trout, and Chef Leigh did his namesake proud. My dish was served with ‘cucumber noodles’ (lovely thin strips of cucumber) and pea mousse. The palate cleanser was apple sorbet, four balls being too much for what is intended. I was looking forward to the kingklip for the main course, but was disappointed with it, having a hard crust, and the chef’s sprinkling of coarse salt on top of the fish, something one cannot see until one takes a bite, making the mouthful taste too salty. It was served with braised fennel, an unfortunate combination, I believe, as the vegetable has a very dominant taste, and it was not well washed, still having sand in it. Miniature sweet potato gnocchi was tasty, but very salty, and looked like little dog food pellets in colour and shape. Orange and miso completed the composition. 
Other main course options on the a la carte menu were lamb puttanesca, lemon chicken ballottine, and beef tenderloin.
I loved the principle of the ‘deconstructed’ Tiramisu, which consisted of marsala sabayon (tasted warm and uninteresting), the mascarpone mousse piped on the plate, a wonderfully delicious coffee and savoiardi biscuit ice cream, and the cutest mini meringues, over which was presented a work of sugar art, which was ‘overkill’, as far as I was concerned. A peppermint parfait, the soufflé, Alfio’s Duet and a Vineyard Cheese Platter are other dessert alternatives.
Somehow the colour co-ordination went terribly wrong with the winelist, given the gentle white, beige and green tones of the restaurant interior and menu, with its blood red cover. The winelist is a collection of mainly Mont Rochelle wines, and also describes the Winery, and the sister restaurant Country Kitchen. The first page lists all the Mont Rochelle wines, and these are the only ones that one can order by the glass. The Rosé costs R26/R100, and white wines include a Reserve Sauvignon Blanc (R49/R194), an Unwooded Chardonnay (R44/R173) and Barrel Fermented Chardonnay (R54/205). The Miko Chardonnay sur Iie costs R509. The red wines include a 2004 Merlot (R58/R231), Miko Cabernet Sauvignon (R546), Artemis (R56/R200) and the Syrah at R75/R289, which had the following description “smokey nose with black pepper, plumbs (sic) and black berries”. I commented on the coldness of the Syrah, and I was told that it was chilled at 14°C. I prefer a warmer red wine. An impressive list of champagnes contains sixteen options, starting at R385 for Tribaut Tradition, and peaking at R2450 for Krug Grand Cuvée. Eight MCC sparkling wines are listed, starting with Villiera (R194), while a Graham Beck Brut Rosé is charged at R310. Two to three wines from other wine estates are featured per variety, each variety broadly described. Wines from Austria, Germany and France are also available. The Shiraz section includes two Franschhoek brands: Stony Brook 2006 (R176) and Boekenhoutskloof 2008 (R546).
Roelof was receptive to my feedback about the disappointing quality of the bread (surprisingly the pastry chef comes from the One&Only Cape Town) and the waitresses, and he is aware of the problem with the latter. He is working on a programme with Chef Leigh to improve their knowledge and service. The bill arrived as duplicate slips, and I asked Roelof why that was, and he said one copy is for them. It was hard to read in the low light. The bill was ‘served’ with chocolate friandes, not very exciting.
Even though Chef Leigh tried very hard to make his food look amazingly good, it fell short on the delivery, especially the bread, kingklip, and friandises. Maybe he is trying too hard. The service deficiency relative to the quality of the food and the hotel star grading is a serious deterrent to going back, as is the piano! The restaurant has such amazing potential, but it seems as if an ‘old’ La Couronne is fighting a new Mange Tout, with old habits resisting and disturbing the good work Chef Leigh and Manager Roelof are trying to do. It was disppointing that Chef Leigh did not come out of the kitchen and greet his guests.
Mange Tout Restaurant, Mont Rochelle Hotel, Franschhoek. Tel (021) 876-2770. www.montrochelle.co.za (the website seems to be down – the restaurant has one page only, and contains the menu – which is the same one as for the evening when I dined there last Thursday – and has a few shots of the interior, but only one food shot). Wednesday – Sunday dinner, and Saturday and Sunday lunch.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage
Restaurant Review: Opal Lounge most pretentious restaurant in Cape Town
The menu and business card of the Opal Lounge claims that it is the most beautiful restaurant in Cape Town. It could more aptly be called the most arrogant and pretentious restaurant in Cape Town. This is the restaurant that, at its time of opening about a year ago, charged for tap water. A review by ‘Rossouw’s Restaurants’ quickly made the restaurant drop this policy.
The reason for trying out the restaurant was a Valentine’s promotion e-mail which had been received from the restaurant, and the menu that came with it, which looked excellent.
On arrival we were met by Conrad, who opened the glass door for us, as a gale force south-easter was blowing. Immediately we were struck by his pretentious greeting, full of airs and graces, which made us feel unwelcome. He has previously worked as a waiter at Emily’s and Ginja, as well as at overseas restaurants.
About half an hour later the manager Francois Hough introduced himself, and asked rather aggressively why I was taking notes about his menu and his winelist, who I was and where I was from. I told him that I write a blog. I told him that I had to take notes as their website is under construction. I asked him for his surname, but he refused to give it to me. He became more friendly as the evening wore on, but did not seem to know how to deal with feedback presented when he asked for it. He was previously at Paranga, Pepenero and Manolo.
The restaurant is based in a lovely house, built in 1897, on Kloof Street, and was previously the home of Manolo (not having been shy in the arrogance department either), and a restaurant with French chefs before that. The building seems to have had little staying power or luck for the previous owners. It has two lounges, one being an open plan one off the passage, where the Manolo bar and one of the dining rooms used to be. Two other rooms are used as dining rooms. The room on the right to the entrance was unbearably hot. The room we chose became hotter as the evening wore on, and the airconditioner seemed to make little headway in cooling the room to a more acceptable temperature.
The promotional letter describes The Opal Lounge as “Sophisticated yet very homely”, a contradiction in terms. “Not an ordinary restaurant, but one which has been styled with passion and attention to detail to give your guests an extraordinary dining experience“, boasts the promotional letter (its writing in bold).
The menu says “Our sincere hope is that you have a glorious experience in any one of our Lounges; that you leave happy, and in the truth that everything we endeavour to do for you on this occasion will bring you back to make this your second home” (underlining as per the menu)! Our experience was exactly the opposite.
The winelist is beautifully presented in a heavy black leather folder, and has commendable descriptions eloquently written for its extensive collection of wines, not only describing each vintage in great detail, but also each wine. This is how the Pierre Jourdan Cuvee Bella Rose is described, for example: “Bella Rose has the faintest tinge of salmon pink, a lively presentation of Pinot Noir flavours, a pleasing fine mousse and it reveals an elegant dry finish. The discreet blush of Belle Rose is emphasized in the name the “beautiful rose””. This is copywriting at its best!
Interesting was seeing that the red wines are listed before the white wines. Champagnes stocked are Veuve Cliquot, ranging between R 800 – R 1 200, Bollinger Brut at R 860, Krug at R 2 400, Pol Roger at R 800 and Moet Chandon at R 650. Cap Classiques range from R 140 for the Eikendal to R 275 for Pierre Jourdan Blanc de Blanc and Cuvee Bella Rose. Pinot Noir wines ranged in price from R 230 for the Catherine Marshall to R 645 for Hamilton Russell. The Shirazes cost between R 165 for the Neil Joubert and R 410 for Kevin Arnold. Grootte Post’s Merlot costs R 175, while that of Veenwouden and Meerlust costs R 410. Chardonnay ranges from R 165 for Eikendal and Haute Cabriere, to R 585 for one from Hamilton Russell. The Sauvignon Blanc is priced in a range from R 130 (Eikendal) to R 195 (Steenberg).
Our first problem arose when we ordered the wine, wanting the 2005 vintage of Warwick Three Ladies, as per the winelist. The vintage had run out, we were told. Another two wine choices followed, with the advertised vintages not being in stock. Our fourth choice was a Steenberg Merlot, and the 2007 vintage as per the winelist was available. Conrad offered to chill down the wine for us, something we have never been offered for a red wine before. We declined the offer, being happy with it at room temperature. The Manager came to explain that the restaurant is re-doing its winelist, and that he had worked with owner Rochelle Bushell on it that day, to update it. He promised that Rochelle would call the following day. She did not. Strangely, after being open for a year, the restaurant’s website is under construction.
The black leather menu is very descriptive, and each dish gets the copy-writing treatment but over-promises what is presented. Eight starters include a summer soup, strawberry gazpacho, prawns, Caesar salad, venison dim sum, salmon carpaccio and mushroom tortellini, ranging in price from R 45 – R 77. The mushroom tortellini is described as follows: “A medley of mushrooms combined with mild goats cheese and stuffed into pasta parcels. Served with sliced prosciutto, a fresh asparagus salad and truffle dressing. Finished with a light preserved lemon hollandaise”. The amuse bouche was a tasty wonton with beef, cottage cheese, and olive, served in a lemon hollandaise sauce. The Mushroom Tortellini did not deliver on its promise, no prosciutto being found in the dish, and the “asparagus salad” was 6 tiny slivers of asparagus used to decorate the plate.
Nine main courses are offered, including oxtail, tuna, venison, lamb, duck, beef fillet, line fish and mushroom, ranging from R 105 – R 151. The Exotic Duck is described as “An exotic dish of duck served 4 different ways. Pan seared duck breast on mange tout, confit leg on pomme de terre croquette, duck liver and thyme wonton, and finally finished off with crispy duck skin. Served with mango salsa, orange gastrique and carrot puree”. The duck skin was two tiniest 20 cent size pieces, which were shown to the waiter to illustrate the overpromise of the menu, and was not “crispy”. He did not react to this feedback. The Manager’s reaction was a lame “I’m sorry”. The fillet steak was served as tiny thin slices, with an olive oil mash, good in taste but not enough to satisfy a young student. After the main course a mango and passion fruit “palate cleanser” was served.
The dessert list offers six choices, ranging from R 45 – R 60, as well as a luxury dessert platter for two to share, with a selection of desserts, at R 95. A cheese platter is also available. The chocolate mousse dessert promised a peppermint centre, but there was none. The small slice of chocolate mousse cake was lost on the large plate that it was served on, and tiny specs of peppermint were found at the end tips of it. It was accompanied by a semi-fredo. I am a cappuccino addict, but could only manage to finish half of it, it being too milky. We were charged in full for it, even though I told the waiter that I was not happy with it.
The Head Chef at The Opal Lounge is Robert Miguiez, and the Executive Sous Chef is Steven Kruger, previously with Ginja and Portofino.
NOTE: The day after our dinner on 22 March, for which we had paid R 770, I received a call from Malcolm Bushell, who introduced himself as the husband of Rochelle Bushell and a director of the company. In the most rude, abusive and threatening manner, he told me in no uncertain terms that if my review (only written on 26 March and posted today for the first time) were to contain any “lies”, or was disparaging, he would have no hesitation to seek legal advice, and also told us to not return to the restaurant. He was not interested in hearing what the customer feedback was about the experience at the restaurant, doing the “my staff are perfect” routine, and did not allow the customer to speak. There was no “thank you” for the custom. When I told him that I would share this call experience with friends Gudrun and Barry Clark, who were also at the restaurant that evening, he said he did not care, and that they too would no longer be welcome! It is clear to see from whence the arrogance of the staff of this restaurant comes!
The Opal Lounge, 30 Kloof Street, Gardens, Cape Town. Tel 021 422 4747. www.theopallounge.co.za Open Mondays – Sundays for dinner only. Open for lunch for corporate bookings only.
Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com