Tag Archives: Waterford Kevin Arnold

Restaurant Review: The Crypt Jazz Restaurant jazzes up Cape Town, service needs to be jazzed up!

A chance notice about Ike Moriz performing at the recently opened The Crypt Jazz Restaurant below St George’s Cathedral last night caught my eye, and turned out to be a most enjoyable evening, with excellent music and ambiance, live jazz being on offer five evenings a week.  The service was sadly lacking.

The termination of the lease of the coffee shop which previously operated in the space led the Dean of St George’s Cathedral to contact Mario Thompson, the first owner of Gourmet Burger, which he had sold on to the owners of the ex-Caveau around the corner.  Simultaneously the Dean had been approached by Derk Blaisse, a jazz lover from Franschhoek, and leader of the Cape Continue reading →

Restaurant Review: Bonthuys is back! Casparus unique marriage between palette and palate!

It was a Tweet by Mike Ratcliffe of Warwick on Friday that ‘announced’ the long-awaited opening of Casparus on Dorp Street, the new restaurant of both renowned (for his sauce-based food) and infamous (for his temperament) Etienne Bonthuys, who had been at Tokara restaurant for 10 years, but had left last October to make space for Richard Carstens, another iconic chef.

Being in Stellenbosch, I had called the restaurant and tried to make a booking for dinner before the start of a concert at the Endler Hall, but the person answering the phone said their dinner only starts at 7.30 pm (information which turned out to be incorrect – they open for dinner at 7 pm), putting an end to that plan, and I went to Christophe’s instead.  Not one to be put off easily, I decided to pop in after the concert, just at the 10 pm kitchen closing time, I had been told on the phone, even if it was just for a coffee.   I was most surprised when I was greeted and seated with great friendliness, and offered a menu and winelist.

At this point I was in awe – I have never seen a restaurant interior quite like this, and one quite so large, one long open-ended area, made up of numerous ex-rooms, in part looking unfinished, but so by design, an open-ended construction that opens into the open air and eventually a garden and trees, with a Bauhaus look on one side mid-way in red and blue.  Let me start at the beginning though.  The exterior of the building on DorpStreet is a 1820 historical home, and there were very tight restrictions on renovations to that part of the restaurant, so it has been kept as it was, a generously-spaced open-plan room through which one walks to get to the huge restaurant part.  A dispute with a neighbour about the approval for a window caused the long hold up in completing the building work and opening.

The entrance room has the feeling of an art gallery, and only in talking to Bonthuys’ wife Jane Moses did I understand that the new restaurant is jointly owned by Bonthuys and his friend Strijdom van der Merwe, a land artist I had to admit I had not heard of before, but whose work in tying red bows on oak trees on Dorp Street (not sure what symbolism was intended then) was well publicised in the local papers.  Bonthuys and Van der Merwehave different creative strengths, and it is evident that they feed off each other, and will continue to challenge each other. In the entrance room, a modern artwork which has become the logo, reflecting the ‘unfinished’ wooden roof ‘planks’, fills one wall, another wall is filled with photographs of the red ribbon tree project, and a third wall has the original plan of the erf, dating back to 1820, printed onto the wall!  Of course one does not appreciate any of these images until one sits down, and someone explains it all.  The first owner of the erf was Dr Casparus Termytel, and he was allocated the land in 1791, being the “Burgergeneesheer” of the Dutch East India Company, and the restaurant has been named in his honour.  The records do not show whether Dr Termytel actually erected a building at that time, having died in 1793.  The first recorded plans for a building on the erf are dated 1820.

One walks through an in-between room, which is a smaller section containing the bar, and the cash register.  It looked a little untidy, but one is so ‘distracted’ by all the artwork hanging on the left, being photographs of ‘naturescapes’ created by Van der Merwe, and presented as banners, to ‘hide’ the kitchen from view.   Bonthuys must be suffering from ‘Platzangst’, having had a massive kitchen at Tokara, and he is far more constrained in space at his new ‘home’.  Having only heard the worst about Bonthuys, and that he never ventures out of his kitchen, I asked Jane to photograph him for me.  She sweetly took me to him, and I even got a smile out of Bonthuys, yet looking rather shy and bashful. 

To continue the guided tour – beyond the kitchen the restaurant becomes very broad, and extends deeply towards the garden area, now totally modern, with a protective sheet over one of the sections, as if the building construction is not complete, and a set of planks criss-crossed above the seating area, also looking unfinished.  Looking carefully, one can see the doors that can be locked at night, but the general effect is one of a massive open space with an unfinished look above it.   On one of the walls inside the seating area a slide show runs continuously, showing lovely old historic homes of Stellenbosch, projected against one of the walls.  The slide show is one of Van der Merwe’s ‘works’ too, and is the third slide show Van der Merwe has compiled since the opening of the restaurant, and is the one that has attracted the most positive feedback, Jane told me.  The tables are all wooden, a mix of more old-fashioned ones as if coming from someone’s home, and others contemporary, and the chairs at almost every table are different, but that is probably also part of Van der Merwe’sdesign.  There is no table cloth, but a good quality material serviette, trendy Fortis cutlery, and a little table light, as the back end of the restaurant is very dark.  Jane told me that heaters and fires in drums are planned.  I saw the guests at a table next door wrapped up in blankets, provided by the restaurant. I also saw these guests smoking, which could put other guests off – the open roof makes it difficult to draw the line about the smoking/non-smoking sections, if there is such a delineation. There is seating for 60, but they can expand to 80 should they make use of the garden at a later stage, Jane said.  Bonthuys has retained most of his kitchen staff from Tokara, but most of the waiters are new, and therefore Jane was assisting.

The restaurant is a gallery too, and ideally needs a guide to explain its artworks, and the meaning of and rationale for the ‘unfinished’ construction look of the restaurant.  Jane was a wonderful ‘tour guide’, and explained all the art and action at Casparus.  I could not have wished for a better person to talk to, so as to find out more about the restaurant,its chef and the artist.  Bonthuystrained in Belgium, and started his cuisine career with Rosenfontein in Paarl in 1997, and then owned Floris Smit Huis and then Bonthuys in Cape Town.  He opened at Tokarain 2000, a massive restaurant space with a wonderful view, and a huge kitchen.  Here too there were no table cloths, and the staff were allowed to dress how they wanted to, something that surprised me then, and does at Casparus as well, where the same staff policy has been introduced.   Jane explained that Bonthuys wants the staff to look as if they are eating at the restaurant too!  She also told me that Bonthuys likes anonymity, and that is why he likes to stay in the kitchen – do not expect him to come out of his kitchen enclave to greet his guests, but Jane more than makes up for this in charm and friendliness.

The menu and wine list look neat in black leather covers. However, the pages in the menu look heavily used already, while those in the wineliststill look fresh and new. A crispy bread roll was brought to the table, with a substantial slice of butter.  When I expressed surprise about the unbelievably low prices, Jane explained that Bonthuys wants to serve a ‘bordkos’, which their customers can afford and enjoy to eat there regularly, and not be a ‘fine dining’ restaurant that customers only visit once a month or less often.   He wants Casparus to become a ‘home’, a place one can pop in to, much like I did on Saturday evening.  There are 13 starters to choose from, and Jane said that Bonthuys’ oyster starter served in a delicious sounding Cap Classique wine buttersauceis a signature dish, and is the most expensive starter at R80.  A carrot soup, and an avocado soup with a prawn, cost R30 and R35, respectively, the least expensive starters.  One can also order a Caprese salad or Salad Nicoise, hake souffle with shimejimushrooms, salmon tartare, and mushrooms in puff pastry.   I wanted to have the grilled kingklip(R90) as a main course, but it was sold out by the time I arrived. I settled for a wonderful Norwegian salmon, served witha delicious light chive sauce witha taste of mushroom, as well as superb baby potatoes and asparagus (R100).  The signature main course is beef fillet with bone marrow served in a red wine sauce, and has come to Casparus from Tokara, costing R140. Grilled springbok served with a lobster sauce is the most expensive dish, at R150, and all the other main courses cost less than R100.  One can also order linguini with prawns, tagliolini with Thai chicken, baby calamari and oxtail in a saffron sauce, as well as rump or sirloin.

The dessert selection is smaller, but the prices are unbelievable, in ranging between R30 – R45.  Most of them contain ice cream, Jane saying that Bonthuys is also known for his home-made ice creams.  On her suggestion, I tried the Meringue Negresco, praline ice cream served on a meringue and topped with Advokaat, absolutely delicious and amazing value at R30.  Other dessert options are Sabayon Surprise, a sorbet selection (raspberry and pineapple), frozen dark and white chocolate mousse with mandarin custard, a trio of ice cream (chocolate, praline and coffee), and fresh berries with mint ice cream. The cappuccino was foamy, and very strong.

The wine list details the vintage of the wines, and simply lists the brand names and prices per variety. There are wines at low, medium and higher price points. No wine-by-the-glass is indicated.  Sparkling wines are Pierre Jourdan Brut (R165) and its Cuvée Belle Rose (R200), as well as Steenberg Chardonnay Brut (R175).  Sauvignon Blancs range from R85 (Kaapzicht) to R110 (Alluvia Ilka, Neil Ellis Groenkloof and Tokara Reserve).  The cost of the eleven Shiraz wines start at R80 (Tokara Zondernaam), and Waterford Kevin Arnold is the most expensive, at R240.  AA Badenhorst Family Wines’ white blend is the most expensive wine on the list, at R435.

The newness of the waitrons showed, especially with the waiter serving me – I asked him if it was his first night working at the restaurant, as he had no idea of the ingredients of the desserts, yet he was willing to ask the kitchen everything.  His sweet yet smart reply was that “this is one of my first nights”!   Jane will need to up the training of the waiters, not only their product knowledge, but also that of the artworks and of the meaning of Van der Merwe’s interior design.  What is exciting is that Casparus will be an exciting palette, likely to be continuously changing.  One hopes Bonthuys has left all his quirks and tantrums behind at Tokara, and that his six-month wait to open the new restaurant will have helped him to find himself.  No doubt Casparus will become a talking point, for its excellent and value for money food and wine, its creative and unusual interior decor, and its art gallery.  Casparus is a new star on the Stellenbosch Restaurant Route, in the new Gourmet Capital of South Africa.  I predict that Casparus will feature on the Eat Out Top 10 Restaurant list in 2012.

POSTSCRIPT 28/3: I was in Stellenbosch today, and returned to a (closed) Casparus to photograph the building exterior.  It struck me how humble and low key the brand name is on the windows – one would never guess what an exciting restaurant is deeper inside the restaurant building, not visible from the street when closed.  I spoke to the Manager of Detail Interior Design shop across the road, asking her if she had seen it, and she had no idea that it was a restaurant.

POSTSCRIPT 30/3:  Emile Joubert has sent this background to Etienne Bonthuys, and his restaurant history: “Just a bit of Bonthuys history:  Rosenfontein opened in the late 1970s, not 1997. I was 16 yrs old when I bit into a piece of venison he cooked at Rosenfontein and had a “did the earth move for you?” moment. The late Anton Rupert used to fly business associates from Jhb to Cape Town to dine at Rosenfontein.  After Rosenfontein he had headed up the restaurant at Buitenverwachting where Bonthuys had a major impact on Cape Town’s culinary pedigree during the 1980s. Floris Smit followed, and in the early 90’s he opened up a restaurant in Belgium, returning to Cape Town in 1995 as owner/chef of Bonthuys in the CBD where Jinja used to be. Tokara followed. And I can’t wait to visit Casparus as like Elvis, Bonthuys will to me always be The King.”

POSTSCRIPT 9/4:  I had to go back!  The Oysters in Cap Classique butter (R80) beckoned, and were amazing.  I asked for a spoon to have every last bit of the sauce!  It is one of Bonthuys’ signature dishes he brought along from Tokara.  They were delicious with a glass of Pierre Jourdan Brut at R40.  I had a second starter, to allow the indulgence in one of Bonthuys’ fabulous desserts.  It was mushrooms in puff pastry with bacon, sundriedtomatoes and butternut cream (R55).   The puff pastry was very tough, even hard to cut with a knife, but its content was delicious.  The Trio of ice cream (to-die-for coffee, praline and chocolate, all made by Bonthuys) in a chocolate cup (R35) tasted even better with the glass of 2003 Cabriere Pinot Noir, which Achim von Arnimbrought to my table.  I ate the ice cream with a teaspoon, to make the enjoyment of it last even longer!  The waitress, Katrien, is the daughter of Johan Slee, the architect of Casparus and a good friend of Bonthuys and Van der Merwe.  Her service was excellent, and she was knowledgeable about the menu.  Whilst there have been complaints about slow service, I did not experience this, despite the restaurant being full.  Jane Moses came to say hello, and told me that they had their best night last night, with 78 covers.  Strijdom van der Merwe launched a new slide show today, focused on his ‘naturescapes’, and how they are made.  I have found such amazing energy at Casparus.  I chatted to the Von Arnims, as well as to Louis Nel, winemaker of Hidden Valley, Jonathan Snashall of hunter gatherer vinter blog, and Georgie Prout of Glen Carlou, adding to the enjoyment of the evening. The question on everyone’s lips was what would happen in winter, with so much of the restaurant being open-ended, so to speak.  A fire was lit, and was quite smoky initially.  The architect comes to pop in regularly, and the thinking is that he will address protection against the Cape winter weather when it comes!

POSTSCRIPT 16/4:I am Casparus-addicted, and told Etienne Bonthuys so tonight – I cannot stay away. My third visit tonight, after another concert at the Endler Hall, and it was so nice to be recognised by two waiters Pierre and Katrien, who served me last Saturday.  It was exceptionally busy at 9.45 pm when I arrived, but the waiting time for my amazing thick and creamy Avocado soup with cucumber and prawn (R35) was not long.  My bill for R120 for the soup, another lovely ice cream dessert, a glass of Kaapzicht red wine and cappuccino came to R120 – one cannot beat Casparus for value.

POSTSCRIPT 21/4:It was my first lunchtime visit today, and I missed the magic that the dark brings to the restaurant.  The slideshow by Strijdom van der Merwe cannot be projected, as it is too light.  Given the first bite of winter, some of the tables have been moved to the ‘voorkamer’, the room one enters.  The kingklip, served with the Cap Classique sauce from the Oyster starter instead of the balsamic sauce, was exceptional, and amazing value at R85.   I did not like the frozen mousse as much as I love the ice creams. 

POSTSCRIPT 30/4:  I noticed the hand of Strijdom van der Merwe in the design of the sand outside the restaurant.  It was lovely to be welcomed back to my 5th visit by three waiters who have served me previously.  I also met Martin, the winemaker of Kaapzicht, the housewine at Casparus, as well as the marketing manager of Nederburg, sitting at the neighbouring table, and to chat to Delaire Graff chef Christiaan Campbell.   The salmon in the Linguine (R85), with prawns, was the softest and tastiest I have ever eaten.   Happy 60th birthday chef Etienne Bonthuys for tomorrow.

POSTSCRIPT 13/5: A 6th visit to the restaurant followed a disappointing concert at the EndlerHall, and at 9 pm the restaurant was still full, so I was seated in the ‘lounge’ outside, withfires.  I had a lovely light clear soup withshellfish (the mussels removed, and including salmon, scallops and prawns).  Then I had sirloin steak with a delicious mushroom sauce. The steak was a little tough and fatty in sections.  The bill arrived with a R90 charge for a bottle of wine, but I had not ordered any.  The charge was quickly removed by Pierre when I pointed this out to him.  An Irish coffee was well-made.

POSTSCRIPT 21/5:  My seventh visit, and the most disappointing one – the kingklip I had before had noticeably shrunk in portion size, and the wine list had at least two wines advertised as 2007 vintages available only in 2009 – the waiter honestly told us that most of the wine vintages are out of date, unforgivable for a restaurant less than 2 months old.  When I chatted to Chef Etienne about it afterwards, he just shrugged, and I had the sinking feeling that nothing will be done about it.  The winelist is a collection of typed pages, and the vintage information can easily be rectified.  Tried the Sabayon Surprise dessert for the first time – still love the home-made ice creams more.

POSTSCRIPT 17/6:  Visit number 8!   Nice to know that Jane and Etienne are reading this blog, and read my previous comment about the winelist.  I was happy to see the winelist amended with the new vintages, on a return visit tonight.  Also loved the staff saying yes, without hesitation, to my arrival at 22h30, for a cappuccino and Bonthuys’ wonderful ice cream.

POSTSCRIPT 4/2: I have lost count of the number of times that I have been to Casparus – it remains my favourite!  The prices have increased slightly (by R5 a dessert, for example), and more main courses are over R100.  New dishes have been added, including this delicious rump of lamb with lobster sauce!

POSTSCRIPT 15/6: A colourful addition to the menu is pork loin with citrus segments, prunes, and a mandarin sauce.  Very poor service from the waitress unfortunately, bringing the credit card machine whilst we were still eating, unasked.

Casparus Restaurant, 59 Dorp Street, Stellenbosch.  Tel (021) 882-8124.  No website yet. casparus@afrihost.co.za Tuesday – Saturday lunch and dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Restaurant review: Planet Restaurant puts Mount Nelson Hotel amongst the stars!

After a closure of a few months for a complete make-over, the old Cape Colony at the Mount Nelson Hotel is no more, and what has arisen in its space is the new Planet Restaurant, based on an extension of the planetary theme of the Planet Bar, opening about three weeks ago.  It gives the restaurant, and the hotel with it, a modern feel worthy of the quality of Chef Rudi Liebenberg’s culinary skills.

For a new restaurant to have so much money thrown at it is unusual, with ads in the Sunday Times costing a fortune, even if they are in black and white, and obviously the decor changes were expensive too.  Therefore it was a surprise that when we tried to make the booking a few days prior to our dinner, it was such a struggle to make it with Emmanuel, one of the Maître d’hôtel.   Chef Rudi has been at the hotel for two years now, but the restaurant staff is refreshingly new.  Restaurant Manager Andreas van Breda moved to Cape Town after a long stint at Claridges in London.   For the first time the restaurant has a sommelier, and they could not have appointed a nicer person than Carl Habel, whom I first met at Myoga, and who remembered my love for Shiraz when he came to say hello, even though he was off duty, a reflection of how good he is at customer service.   He enthused about his new job, and his respect for Chef Rudi, whose focus is on quality produce, and on sourcing local ingredients, which makes it easy for him to pair the Planet Restaurant’s food and wine.   It is hard to believe that the Mount Nelson, one of Cape Town’s top hotels, has never had a sommelier before!   It was lovely to receive the warm welcome at the entrance to the hotel from Osnat Gropper, the concierge, and a Twitter friend.

The interior design was done by DHK Interiors, and they have used a less-is-more decor approach, removing the piano and the old-fashioned Capescape mural (excellent decisions).   As one walks down the passage from the Planet Bar, one notices the panels of strings of blue and clear glass balls, representing the planetary theme, interspersed with massive mirrors with illustrations representing the signs of the zodiac, which is carried into the restaurant itself.   Unfortunately not all twelve signs are represented, so I was disappointed to not see Sagittarius on one of the mirrors, having come for a birthday celebration.  The new restaurant is a clean crisp white space, with a central chandelier and new carpet that echo the planetary theme.  The furniture has been replaced, with brown tables, and velvet-covered cream chairs.  In the centre the seating is leather couches. The tables are covered with boring placemats (for the stature of the restaurant and the hotel it could do with a good quality tablecloth), beautiful cutlery from Hepp Exclusive, good light glassware, and a set of modern salt and pepper grinders from Peugeot, which I had also seen a few days earlier at the restaurant at Delaire Graff.  The planetary theme is extended into the sparkly covers of the winelist, the menu and the billfold, as well as on the inside first pages of the menu and winelist.  

The menu is extravagant, running to many pages, with a few items per page. It is printed on a good quality cream board.  It has an introductory statement by Chef Rudi, and is signed by him, stating: “Our kitchen is all about a journey, a journey with many new and sometimes unexpected variables and it is for this reason that we come back inspired and motivated every day. ….The foundation of our process starts with respect, respect for the ingredient, respect for the process, respect for the end product and respect for the guest.   The majority of our ingredients are sourced locally and prepared using a wide range of modern as well as classical cooking methods”.   An insert offers the “Chef’s Suggestions”.    Two tasting menu options are available, strangely a “Vegan Journey” one listed first, followed by the “Journey”, a non-vegan one, both charged at R380 per person for a minimum of two persons to order, and consisting of six courses each.   Each wine recommendation for the tasting menu is priced separately.  Thereafter the menu has a la carte menu options.   Commendably items on the menu are specially marked with a symbol, reflecting them being vegetarian, vegan and containing nuts, where relevant.

Before we could think of choosing anything,  complimentary glasses of Genevieve MCC were brought to the table, as was a small plate of canapés (duck rillette, salmon and feta, as well as ostrich tartare).  If an amuse bouche is a first presentation of the skills of the chef, then this plateful was a disappointment.   We had to ask for the bread.   Three bread options were offered – ciabatta, country bread (the waiter could not explain exactly what this bread contained) and garlic bread.  Starter options range in price from R65 for a “tomato variation, jelly, cloud, sorbet, greens, basil”, not easy to imagine what exactly is served; to R165 for crayfish ceviche and Namibian red crab remoulade.  Duck and quail terrine, smoked salmon trout, and oysters are also available.  One can also order soup and salads, including a crocodile salad (R90), a menu item from the old Cape Colony menu. 

I chose a cold asparagus soup (R85) as the starter, and it was a surprise to have the plate served with a tower of asparagus mousse topped with thin slices of cucumber.   I have seen ceremonious pouring of soup at a table, but the waiter pouring the soup out of the water glass brought from the kitchen by hand, without it being on a tray or in a prettier container, spoilt what I am sure the chef had intended for the presentation of the dish.  I found the dish very bland. It was served in an interesting soup bowl, with a hole in it for design effect.  The advertised egg yolk was left out of the dish, for no reason.   My partner had a slow-cooked free-range egg with local cured ham and mature gouda, served with a pinotage reduction, which he enjoyed, but commented on the runny egg white.   This dish was on the old Cape Colony menu too, and clearly is a hit, for it to have been retained.   For my main course I chose an extravagant abalone and crayfish dish (R295).   The abalone was tiny, making me feel guilty in having chosen something that was clearly undersized (or alternatively out of a can).   It was cut into two, cooked, coated with herbs and then sauteed in butter, but did not have a distinctive abalone taste at all, the herbs overpowering the usually distinctive taste.  A tiny crayfish tail (more guilt), as well as asparagus spears and sweet corn added colour and taste to the dish, but I missed the velouté advertised on the menu as being part of the dish.   No fish knife was served with this dish.   My partner’s flame-grilled beef fillet was butter soft, but the sautéed mushrooms, potato foam and mini fondants were so badly over-salted that he could not finish them (R170).  Other main course options are a pea risotto (R95); monkfish fillet, chicken, pork cheeks and belly, and mussels and calamari, all costing R150; Karoo lamb (R190); and springbok (R180).   For those able to eat more, there is a choice of six desserts, costing around R65, and two cheese options.   Friandises were served with the excellent foamy cappuccino (R20). 

The 24-page winelist specifies vintages and origin, and is introduced with a page of “Sommelier’s latest discoveries”, which were three Solms-Delta wines: Amalie (R60/R175), Langarm (R35/R155), and Hiervandaan (R70/R310), the serving by-the-glass specified at 175ml, making them expensive.   Five “Methode Cap Classique” 150ml wines-by-the-glass are listed, including Pierre Jourdan Brut (R45), Simonsig Brut Rosé (R50) and Genevieve Brut (R60), and surprisingly, the champagnes Billecart-Salmon Rosé (R320) and Veuve Cliquot (R210) were also listed under this heading!   Ten white and seven red wines-by-the glass, the former ranging from R35 – R65 per 175ml, and the latter ranging from R45 – R75 per glass, are offered.   I was disappointed at the small selection of red wines by the glass, and that none of them included a Shiraz.  The rest of the winelist separates white wines into “Crisp and refreshing”, Fragrant and Floral”, “Rich and Opulent” and “Signature and Cellar”.   Red wines are categorised into “Silky and Smooth”, “Elegant and Fresh”, “Rich and Concentrated”, and “The Great Reserve”.  Unique Vin de Constance and Hamilton Russell Pinot Noirvertical vintage selections are also available, but require big cheque books!   Shiraz options by the bottle include Groote Post Reserve (R270), Waterford Kevin Arnold (R430), Saronsberg (R475), Cirrus (R1020), Hartenberg Stork (R1020), Saxenberg Select (R4435), De Trafford (R760), and Fairview Beacon (R515).   Knowing my love for Shiraz, Carl recommended the Saronsberg 2007, a wine not usually available by the glass.  On tasting, it was acceptable, but it had a taste to it that I did not like, the more I drank of it.  We were not charged for the wine.

Having eaten at The Test Kitchen and Planet Restaurant on two consecutive nights, it is clear that the Planet Restaurant is more of a special occasion restaurant, with the staff smartly and professionally dressed befitting the five star status of the hotel, while the food at The Test Kitchen overall was better.  The service levels were on a par.   The Planet Restaurant still needs time to settle in, and for its quality to be consistent, whether Chef Rudi is on duty or not.  The advertising has not yet offered a return on its investment, as we were one of only five tables in what seemed to be a quiet hotel. Having been on the Eat Out top 20 restaurant shortlist whilst at The Saxon, it will be interesting to see if Chef Rudi can take the Planet Restaurant onto the star top 20 restaurant shortlist for 2011.

Planet Restaurant, Mount Nelson Hotel, 76 Orange Street, Gardens, Cape Town.  Tel (021) 483-1000 www.planetbarandrestaurant.co.za (No menu or winelist on the website, and disappointingly almost no food photographs in the Gallery).  Monday – Sunday dinner only.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage   Twitter: @WhaleCottage