Tag Archives: advertising industry

WhaleTales Tourism, Food, and Wine news headlines: 29 April

WhaleTalesTourism, Food, and Wine news headlines

*  South Africa, and the Cape specifically, has two The World’s 50 Best Restaurants on the top 100 list: The Test Kitchen at 48th position, and The Tasting Room at 72nd position.

*   A Schengen-type visa may be introduced for the Southern Africa Development Community (SADC) countries, to make travelling easier for tourists.   This suggestion is on the agenda of the WTTC Global Summit, and it is planned to increase the tourism market share of the continent to a double-digit one by 2020, from the current 4%.   Our country is pushing for such a visa, but only a handful of the other SADC countries Angola, Botswana, Congo, Lesotho, Madagascar, Malawi, Mauritius, Mozambique, Namibia, Seychelles, Swaziland, Tanzania, Zambia, and Zimbabwe is expected to sign the visa agreement initially.

*   Surprising is to read that Distell ad agency The Bester Burke Slingers Group is closing its doors in July, the partners saying that they have had enough of the advertising industry, and that they are no longer able to guide clients in their marketing.

*   SA Tourism CEO Thulani Nzima appears to know the outcome of the Oscar Pistorius case, telling journalists attending Continue reading →

MasterChef South Africa: has Season 1 been a success?

It is interesting to analyse how successful MasterChef South Africa has been, its final 19th episode being broadcast this evening, the winner of the first season being announced in the special 90 minute Grande Finale.  It would appear that the reality TV cooking program has been enjoyed by many South Africans, yet some aspects about it were disliked.

To judge the success of MasterChef SA we looked at quantitative information:

1.  Audience Ratings (ARs) are used by the South African advertising industry to quantify the success of a TV program.  ARs = Reach x Frequency, or the % of the Target Market reached.  It was explained by a media strategist that the AR statistics do not reflect viewership of M-Net repeats, and therefore they do not reflect the full number of viewers.  The AR of 0,8 achieved for MasterChef SA exceeds the expectation of 0,5 on an ‘All Adults’ target market filter, she said, and described the program as ‘world class’, ‘professional’, and with good production values.  A food TV producer felt the opposite, saying that M-Net must be very disappointed with the viewership achieved, its ultimate goal having been to sell more decoders.

2.  On Twitter the @MasterChef_SA account has grown to 11253 Followers.  One may have expected more Followers, for the stature of the programme.  When one reads the Timeline after an episode, the mix of South African Tweeters is evident, attracting commentary from male and female viewers, and from different language groups.  @RobertsonsSpice has only achieved 733 Followers, a very poor performance.  @Woolworths has 33 466 Followers, an exceptional number, but had embraced Twitter prior to its MasterChef SA sponsorship.  @Nederburg only has 1265 Followers, also disappointing for this sponsor.

3.  On Facebook the MasterChef SA page has 8511 likes, Robertsons Herbs and Spice has 1373, Nederburg 7544, and Woolworths an amazing 193676 likes!

4.  The YouTube videos of the Robertsons’ Masterclasses by Chef Reuben Riffel show the viewership, and it is understandable that some of the earlier videos would have the highest viewership.  The first Masterclass in week 1 (16 March) was for a ‘Cheesy Garlic Bread’, and has achieved 4154 views in the past four months.  ‘Stuffed Chicken Breast’ (30 April) has 3335 views to date. ‘Crepes’ (20 March) achieved 3201 views. ‘Pepper Sauce’ (19 March) was seen by 2882 viewers. ‘Chocolate Braaied Bananas’ (16 March) has achieved 2864 views. ‘Milktart’ (2 May) has 2732 views to date, and ‘Roast Chicken’ (15 May) has 2252.  The other videos have had lower viewership, some extremely low.  The viewership figures must be disappointing for Robertsons, and we could see a sharp drop-off in viewership growth two months ago, midway through the series. The dishes demonstrated by Chef Reuben were hardly of a ‘Masterclass’ stature!

5.  Arnold Tanzer was the leader of the MasterChef SA culinary team of eleven, which included Chef Vanie Padayachee from Le Quartier Français too, working behind the scenes in testing every recipe that the Finalists had to prepare, often more than once, checking the preparation times, and making sure that the challenges were ‘doable’.   Interesting was the article in the Sunday Times, detailing the quantities of food and liquid that the 19-series programme went through, supplied by Woolworths in the main: 62 kg mussels, 300 kg fish, 500 kg beef, 400 kg lamb, 165 kg chicken, 2592 free-range eggs, 250 kg of cheese, 215 kg of fresh herbs (mainly mint, thyme, and dill – there is no mention of Robertsons’ herbs and spices, which are not stocked by Woolworths), 100 kg mushrooms, 100 kg butter, 600 l Ayrshire milk, 200 kg onions, 240 l sunflower oil, 144 l olive oil, and many more ingredients.  These quantities used benefited the suppliers of these products.

6.  Twitter was a new social medium to most MasterChef SA Finalists, and they were encouraged to open Twitter accounts.  Deena Naidoo has by far the largest number of Followers at 1986, followed by Sarel Loots (1331), Jade de Waal (1254), Ilse Fourie (1019), and Lwazi Mngoma (1018). The other Finalists have very much lower Follower numbers.

Qualitatively, it was interesting to observe:

1.  Initially, no one went out on Tuesday evenings, being glued to their TV screens.  From Twitter one could see that after the first four weeks life started getting back to normal, and event organisers were not afraid to schedule functions on Tuesday evenings any longer.  The hype about MasterChef SA never reached that of the Australian series when flighted locally.

2.  Many TV viewers, especially men, were initially not interested in watching the program, but the talk on Twitter and in social circles enticed them eventually to watch the program. Towards the end of the series we saw fewer proactive Tweets about MasterChef SA, and fewer people talking about the reality series socially.

3.  Most restaurant staff were unable to watch, as they were working at the time of the program.  If they had access to a PVR, they watched a recording afterwards. Most of them do not seem to own a M-Net decoder, and seemed surprisingly uninformed about the reality TV series, or were not interested in it, most chefs seeing it as ‘amateurish’.

4.  Viewers expressed their extreme dissatisfaction with the judges’ decision to eliminate Guy Clark and not Jade de Waal in episode 9.  There was talk on Twitter about the elimination choice being a ‘production decision’, and many said that they would no longer watch the program due to the perceived rigged choices made.

5.  The program sponsorship will have benefited Woolworths and Nederburg, but the impact on Robertsons’ sales is not expected to be significant:

*   Woolworths has run superb food advertising during the MasterChef SA episodes, well matched to the theme of each episode, and creating amazing appetite appeal. In the episodes too the Woolworths Pantry was well-branded when the Finalists had to source their ingredients. Significant discounts offered to Woolworths card holders must have brought more feet into their stores. The sponsorship is said to have taken attention away from the embarrassing Frankies beverages debacle. Surprisingly the in-store branding of their sponsorship of the reality TV series was low key, with small banners at the tills.  The initial uproar caused by two recipes of the Woolworths Pantry guest food bloggers appeared to have blown over quickly.  The Woolworths sustainable seafood commercial linked to the seafood episode shot at Paternoster caused controversy, because the content of the advertisement was not reflected in its stores.

*   A media strategist interviewed for this blogpost fed back how she had started buying Nederburg wines again, now finding it trendy to do so, as a result of watching MasterChef SA. Despite the show being filmed at the wine estate, there was little Nederburg branding in the episodes.  Its commercials were less impactful than those of Woolworths, and many say that the ‘ingredient’ composition of the Nederburg wines shown in its commersials, to demonstrate the flavours of the wines, may have been taken literally, if viewers did not know better. Surprising was the low key product placement of Nederburg wines, given that the MasterChef SA kitchen was built for the show on the wine estate. A bottle of Amarula received prominence in a Mystery Box for a dessert, one episode focused on food and Nederburg wine pairing, which highlighted that Deena had little wine knowledge, and one episode featured the celebration of the harvest at Nederburg. Disappointing for Nederburg would be Deena Naidoo winning MasterChef SA tonight, as he does not appear to be a wine drinker, given that the prize includes a sommeliers’ course, and a year’s supply of their Winemasters Reserve range wines.

*   Robertsons went through the Social Media wars since MasterChef SA started in March, its endorsement by Chef Reuben Riffel having raised credibility and advertising honesty questions, and its Social Media Manager Sonia Cabano having been dismissed soon after she took on the job.  The end result is that Chef Reuben’s Robertsons’ endorsement has cost him credibility as a chef, and he appears to now be written out of the Robertsons’ advertising, only one of the five or six spice brand TV commercials featuring him in each of the last few episodes. A further blow to Chef Reuben’s credibility is his very recent endorsement of Rama margarine, also a Unilever brand. Robertsons did not manage its sponsorship well, in that registered ‘members’ of their Masterclass page were sent recipes unrelated to the previous day’s MasterChef SA episode, a marketing failure. In general, Robertsons went through a torrid time, and ‘MasterChef SA‘ must be a swearword inside its hallowed halls!  Its attempt at Social Media was a miserable failure in many respects, and appeared poorly managed, despite its use of the Liquorice social media marketing agency.

6.  The MasterChef SA series benefited sponsors Woolworths and Nederburg, jointly creating two wine brands specifically for the series (Grenache 2010, and a Sauvignon Blanc/Chardonnay blend). It also opened the door for Nederburg to sell its Winemasters Reserve range in Woolworths stores over the four month MasterChef SA broadcast period.  There was no cross-benefit between Woolworths and Robertsons, the retailer having to publicly admit on Twitter that it does not stock Robertsons spices and herbs.

7.  Initially the response to our competitions to predict the overall winner of MasterChef SA and the weekly Finalist leaving the show was surprisingly low, but increased the closer it got to the Finale, and the fewer the options for elimination and winning the grand prize became. The readership of our weekly MasterChef SA episode summary the day after the show saw an increase week by week. Restaurant staff working on Tuesday evenings, international readers, and local non-subscribers who cannot view M-Net, and surprisingly even viewers of the program, fed back that they read our MasterChef SA weekly write-ups. We got hooked onto MasterChef SA, loving writing up each episode, and will miss the Tuesday evening programmes.

8.  MasterChef SA dislikes focused strongly on the judges, particularly the expression on Chef Andrew Atkinson’s face, his dress, and his stare at the Finalists when judging their dishes. Chefs who have met him, however, say that this is not him at all, and praise his culinary skills.  Chef Pete Goffe-Wood attracted negative criticism from the second half of the series onwards. Chef Benny Masekwameng was the most loved judge by far, always kind and supportive to the Finalists. In general chefs felt that the chef judges should have worn chef outfits, and not worn earrings and piercings, to set a good example to young chefs.  Interesting is that every guest chef wore a chef’s outfit in the series.   Initial feedback at the start of the series was critical of all the chef judges being male. After Chef Margot Janse’s appearance, she was judged by Twitterers to have been an ideal judge.

9.  The program series has been criticised for the poor quality food that the Finalists prepared for many weeks, although this criticism subsided in the last few programs, when the Finalists had to replicate dishes made by top chefs Michel Roux Jnr of La Gavroche, Peter Tempelhoff of The Greenhouse, and Margot Janse of Le Quartier Français.  Linked to this is the chefs’ criticism about the prize of a year-long (now extended to two years) contract at MondeVino restaurant at Montecasino, saying it is irresponsible, as none of the Finalists could step into the shoes of a restaurant chef, who has had years of training and experience, and said that it is demeaning to their career to imply that little or no training is required.

10.   There is no doubt that MasterChef SA has stimulated an interest in cooking, and in trying out more complicated dishes.  It probably has stimulated interest in eating out at restaurants such as Terroir, The Greenhouse, Biesmiellah, Sel et Poivre, and The Tasting Room, all featured in the series.

11.  The most gratifying end result of MasterChef SA has been the growth in the Finalists’ cooking skills, in what they learnt from the judges, and the Masterclasses held by the visiting chefs. They also grew vastly in confidence. Chef Arnold Tanzer fed back in the Sunday Times that ‘you could see the change in people as the series went on, particularly how their perception of food changed‘.  He added that he was surprised that even the film crew members were excited about what they had filmed, and wanted advice on how to make some of the dishes. A number of the Finalists have made the best of their MasterChef SA participation:  Berdina Schurink has opened Bella Sophia Culinary Café in Pretoria; Thys Hattingh has changed jobs, now working at the Compass Group as a staff restaurant consultant; Guy Clark changed careers, and now is a chef for the Madame Zingara group, at Café Mozart and at Bombay Bicycle Club; Charles Canning and Samantha Nolan have a stand at the Old Biscuit Mill market on Saturdays, following in the footsteps of Chef Pete; and Lungi Nhlanhla is now deputy food editor at Drum magazine. There is not one Finalist that has not benefited from his or her participation in MasterChef SA, being a springboard to living their passion for cooking.  Tonight it will be Sue-Ann Allen or Deena Naidoo who will walk off with the MasterChef SA 2012 crown, and one of their lives will change forever!  We wish them both the best of luck.

POSTSCRIPT 28/7: A furore has been created by The Citizen, reporting yesterday that MasterChef SA winner Deena Naidoo was unhappy about the misrepresentation of his Tsogo Sun MondoVino restaurant prize, damaging the image of the reality TV series, M-Net, its sponsors, Finalists, and chef judges.

POSTSCRIPT 28/7:  Times Live has published audience figures, to highlight the success of MasterChef SA TV series: MasterChef SA had the 5th highest viewership on M-Net between its start in March and 24 July, beaten by ‘Carte Blanche’ (265939 viewers), ‘Lincoln Lawyer’ movie with Matthew McConaughey (221411), ‘CSI Miami’ (202102), and ‘Idols’ (196698).  The reality cooking show beat ‘Desperate Housewives’ and ‘Grey’s Anatomy’ on viewership.  M-Net had capitalised on the trend to viewership of cooking programs in producing the local MasterChef SA TV series.  No decision has been made about producing a Season 2 of MasterChef SA next year.

POSTSCRIPT 29/8: If the article from Channel 24 is correct (it is part of the same media group that owns M-Net), there will be a season 2 of MasterChef SA, another measure of the success of the reality TV series. M-Net has not confirmed this.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

City of Cape Town launches Cape Town Design Route

Cape Town is bidding to become the Design Capital 2014,  and already has earned a reputation for its design strengths, being the home of the highly successful annual Design Indaba, and hosting the annual advertising industry Loerie Awards event for the second year running. 

Cape Town also is known for its artisic and design talent, and therefore the City of Cape Town has created a Cape Town Design Route.  It is a wonderful asset for the city, and we question why it has not been introduced to tourism players, why it has not been packaged in the form of maps which can be handed out to visitors to the city, and why it is not being marketed by the City of Cape Town’s marketing agency Cape Town Tourism!   It is a shame too that the Design Route feature in the Hello Festive Season 2010/2011 publication contains so many errors! 

The Cape Town Design Route includes the following: 

Monkey Biz:   probably the best known of all artists and crafts, this bead project has 450 women employed as bead artists. 65 Rose Street, Bo-Kaap. Tel (021) 426-0145

Bokkie Shoes:   make shoes from 100 % cotton shew-shew print. Sold at Loud on Long, 43 Long Street.

Amulet:   Gerika Langenhoven and Elizabeth van der Merwe make hand-crafted jewellery.  14 Kloofnek Road, Tamboerskloof.  Tel (021) 426-1149

Carrol Boyes:   Also very well-known, make up-market homeware and table top items in pewter and silver.  Outlet in V&A Waterfront.  Tel (021) 424-8263

Continent Africa:   A think tank focused on learning about politics, economics and charity, T-shirt sales funding the work.  No contact details.

Cupcake Country:  Provide sewing kits to make bright crafted cupcakes.  10A Jagersfontein Lane, Oranjezicht.

freeRange Jewels:   Marele Lamprecht and her team translate objects from nature into jewellery. Cape Quarter.  Tel (021) 423-1524

Give it Bag:   Make bags from polypropylene bags, in bold fashion statements. Canterbury Studios, Unit 4, 35 Wesley Street, Gardens.  Tel (021) 465-9852

Lalesso:   a fashion brand inspired by the ‘khanga’ from Kenya.  Tel (021) 424-5565

Streetwires Artist Collective:  Make wire and bead craft-art.  Tel (021) 426-2475

Township Patterns:   Cotton bags and fabric prints made by women from Khayelitsha reflect the day-to-day life in the townships.

Urbanative Fine Jewels:   Jewellery is made and goldsmith hobby classes and workshops offered. Gold of Africa Museum, 96 Strand Street. 

African Allsorts:   handmade bead and wire artwork.   4 Briar Street, Salt River.  Tel (021) 447-6976

Design Africa:   Hand-woven baskets, textiles and adornments made from organic materials, as well as with plastic, leather and glass.

Firepetals:   Hand-crafted jewellery with contemporary South African flair. 59 Roodebloem Street, Woodstock. Tel (021) 447-2025.

Frieda Luhl Jewellery:   Frieda incorporates natural materials in her jewellery design, framed in silver. 30 Roodebloem Road, Woodstock. Tel (021) 447-5757.

Heath Nash:   creates eco-friendly items out of other people’s rubbish.  2 Mountain Road, Woodstock.  Tel (021) 447-5757.

Haldane Martin:   Furniture designer.  12 Aberdeen Street, Woodstock.  Tel (021) 448-0999.

Helen Vaughn Ceramics:   Contemporary ceramics.  10 Oxford Road, Observatory.  Tel (021) 447-3966  

The New Basket Workshop:  Baskets made in rural areas.  42 Hares Road, Woodstock.  tel (021) 448-9761

Mu & Me:   Stationery range based on a group of friends who live on Orange Hill. The Old Biscuit Mill, 373 Albert Road, Woodstock. Tel (021) 447-1413

Imiso Ceramics:   Modern Africa-inspired ceramics.  Old Biscuit Mill, 373 Albert Road, Woodstock.  tel (021) 447-7668

Moonbasket:   Make lampshades and home accessories.  Woodstock Industrial Centre, 66 Albert Road, Woodstock.  

Pedersen + Lennard:   Lighting, storage and other design.  45 Yew Street, Salt River.  Tel (021) 447-2020.

Soulchild:   Highly styled fashion brand.  30 Brabant Road, Woodstock.  Tel (021) 448-8777

Sway:   Ladies’ clothing is made from hand-drawn images silk screened onto fabric.   68 Albert Road, Woodstock.  Tel (021) 447-5999

Trademark Designs:  Picture frames made from hot-dipped galvanised iron.   Unit 13, Ravenscraig Mews, Ravenscraig Road, Woodstock.

Chris von Ulmenstein, Whale Cottage Portfolio:  www.whalecottage.com Twitter: @WhaleCottage

Vineyard Hotel Sweet and Pick’nPay Express Sour Service Awards

The Sweet Service Award goes to Rick Taylor, Group Marketing and Sales Exewcutive of the Vineyard Hotel, who came to the rescue when an ordered lamb burger had not been brought to the table at the hotel’s The Square restaurant after half an hour, the waiter coming back to say that the kitchen had run out of seeded rolls, and needed to bake more, requiring another 15 minutes.  I was not happy that the Restaurant Manager nor the F&B Manager understood how poor the service in the restaurant was, and therefore asked to speak to Rick, a friend of many moons ago, in our advertising industry past in Johannesburg. With his charm and chattiness, Rick made me forget my frustration, I stayed far longer than planned, and I left with a positive attitude towards the hotel. 

The Sour Service Award goes to Pick ‘n Pay Express in De Waterkant, the second Sour Award it has received for exactly the same reason – the problems in taking EasyPay payments.  I had brought a cheque, and wanted to pay the balance with my credit card.   It took half an hour to put through the 20 payments I was making, due to the slow Pick ‘n Pay EasyPay system.   The real challenge came when it took the manager Trevor another half an hour to try and put through the cheque payment – first he had to call for special permission to accept my cheque, and once he had received this, he did not know how to deal with a cheque payment on the till.  Trevor called the Pick ‘n Pay helpline, and they confirmed to me that the total amount can be paid by two payment methods.    I noticed that the Manager was not answering the questions the screen was asking, i.e. the branch number and the account number, questions to which the manager kept entering the amount to be paid, and therefore was getting an “input error” message each time, at least 20 times!  It took an hour to make the payments.  For a 24-hour outlet, one would expect a more competent manager to be on duty when the owners have gone home.   

The WhaleTales Sweet & Sour Service Awards are presented every Friday on the WhaleTales blog.  Nominations for the Sweet and Sour Service Awards can be sent to Chris von Ulmenstein at info@whalecottage.com.   Past winners of the Sweet and Sour Service Awards can be read on the Friday posts of this blog, and in the WhaleTales newsletters on the www.whalecottage.com website.