Tag Archives: Anton Rupert

Restaurant Review: Bonthuys is back! Casparus unique marriage between palette and palate!

It was a Tweet by Mike Ratcliffe of Warwick on Friday that ‘announced’ the long-awaited opening of Casparus on Dorp Street, the new restaurant of both renowned (for his sauce-based food) and infamous (for his temperament) Etienne Bonthuys, who had been at Tokara restaurant for 10 years, but had left last October to make space for Richard Carstens, another iconic chef.

Being in Stellenbosch, I had called the restaurant and tried to make a booking for dinner before the start of a concert at the Endler Hall, but the person answering the phone said their dinner only starts at 7.30 pm (information which turned out to be incorrect – they open for dinner at 7 pm), putting an end to that plan, and I went to Christophe’s instead.  Not one to be put off easily, I decided to pop in after the concert, just at the 10 pm kitchen closing time, I had been told on the phone, even if it was just for a coffee.   I was most surprised when I was greeted and seated with great friendliness, and offered a menu and winelist.

At this point I was in awe – I have never seen a restaurant interior quite like this, and one quite so large, one long open-ended area, made up of numerous ex-rooms, in part looking unfinished, but so by design, an open-ended construction that opens into the open air and eventually a garden and trees, with a Bauhaus look on one side mid-way in red and blue.  Let me start at the beginning though.  The exterior of the building on DorpStreet is a 1820 historical home, and there were very tight restrictions on renovations to that part of the restaurant, so it has been kept as it was, a generously-spaced open-plan room through which one walks to get to the huge restaurant part.  A dispute with a neighbour about the approval for a window caused the long hold up in completing the building work and opening.

The entrance room has the feeling of an art gallery, and only in talking to Bonthuys’ wife Jane Moses did I understand that the new restaurant is jointly owned by Bonthuys and his friend Strijdom van der Merwe, a land artist I had to admit I had not heard of before, but whose work in tying red bows on oak trees on Dorp Street (not sure what symbolism was intended then) was well publicised in the local papers.  Bonthuys and Van der Merwehave different creative strengths, and it is evident that they feed off each other, and will continue to challenge each other. In the entrance room, a modern artwork which has become the logo, reflecting the ‘unfinished’ wooden roof ‘planks’, fills one wall, another wall is filled with photographs of the red ribbon tree project, and a third wall has the original plan of the erf, dating back to 1820, printed onto the wall!  Of course one does not appreciate any of these images until one sits down, and someone explains it all.  The first owner of the erf was Dr Casparus Termytel, and he was allocated the land in 1791, being the “Burgergeneesheer” of the Dutch East India Company, and the restaurant has been named in his honour.  The records do not show whether Dr Termytel actually erected a building at that time, having died in 1793.  The first recorded plans for a building on the erf are dated 1820.

One walks through an in-between room, which is a smaller section containing the bar, and the cash register.  It looked a little untidy, but one is so ‘distracted’ by all the artwork hanging on the left, being photographs of ‘naturescapes’ created by Van der Merwe, and presented as banners, to ‘hide’ the kitchen from view.   Bonthuys must be suffering from ‘Platzangst’, having had a massive kitchen at Tokara, and he is far more constrained in space at his new ‘home’.  Having only heard the worst about Bonthuys, and that he never ventures out of his kitchen, I asked Jane to photograph him for me.  She sweetly took me to him, and I even got a smile out of Bonthuys, yet looking rather shy and bashful. 

To continue the guided tour – beyond the kitchen the restaurant becomes very broad, and extends deeply towards the garden area, now totally modern, with a protective sheet over one of the sections, as if the building construction is not complete, and a set of planks criss-crossed above the seating area, also looking unfinished.  Looking carefully, one can see the doors that can be locked at night, but the general effect is one of a massive open space with an unfinished look above it.   On one of the walls inside the seating area a slide show runs continuously, showing lovely old historic homes of Stellenbosch, projected against one of the walls.  The slide show is one of Van der Merwe’s ‘works’ too, and is the third slide show Van der Merwe has compiled since the opening of the restaurant, and is the one that has attracted the most positive feedback, Jane told me.  The tables are all wooden, a mix of more old-fashioned ones as if coming from someone’s home, and others contemporary, and the chairs at almost every table are different, but that is probably also part of Van der Merwe’sdesign.  There is no table cloth, but a good quality material serviette, trendy Fortis cutlery, and a little table light, as the back end of the restaurant is very dark.  Jane told me that heaters and fires in drums are planned.  I saw the guests at a table next door wrapped up in blankets, provided by the restaurant. I also saw these guests smoking, which could put other guests off – the open roof makes it difficult to draw the line about the smoking/non-smoking sections, if there is such a delineation. There is seating for 60, but they can expand to 80 should they make use of the garden at a later stage, Jane said.  Bonthuys has retained most of his kitchen staff from Tokara, but most of the waiters are new, and therefore Jane was assisting.

The restaurant is a gallery too, and ideally needs a guide to explain its artworks, and the meaning of and rationale for the ‘unfinished’ construction look of the restaurant.  Jane was a wonderful ‘tour guide’, and explained all the art and action at Casparus.  I could not have wished for a better person to talk to, so as to find out more about the restaurant,its chef and the artist.  Bonthuystrained in Belgium, and started his cuisine career with Rosenfontein in Paarl in 1997, and then owned Floris Smit Huis and then Bonthuys in Cape Town.  He opened at Tokarain 2000, a massive restaurant space with a wonderful view, and a huge kitchen.  Here too there were no table cloths, and the staff were allowed to dress how they wanted to, something that surprised me then, and does at Casparus as well, where the same staff policy has been introduced.   Jane explained that Bonthuys wants the staff to look as if they are eating at the restaurant too!  She also told me that Bonthuys likes anonymity, and that is why he likes to stay in the kitchen – do not expect him to come out of his kitchen enclave to greet his guests, but Jane more than makes up for this in charm and friendliness.

The menu and wine list look neat in black leather covers. However, the pages in the menu look heavily used already, while those in the wineliststill look fresh and new. A crispy bread roll was brought to the table, with a substantial slice of butter.  When I expressed surprise about the unbelievably low prices, Jane explained that Bonthuys wants to serve a ‘bordkos’, which their customers can afford and enjoy to eat there regularly, and not be a ‘fine dining’ restaurant that customers only visit once a month or less often.   He wants Casparus to become a ‘home’, a place one can pop in to, much like I did on Saturday evening.  There are 13 starters to choose from, and Jane said that Bonthuys’ oyster starter served in a delicious sounding Cap Classique wine buttersauceis a signature dish, and is the most expensive starter at R80.  A carrot soup, and an avocado soup with a prawn, cost R30 and R35, respectively, the least expensive starters.  One can also order a Caprese salad or Salad Nicoise, hake souffle with shimejimushrooms, salmon tartare, and mushrooms in puff pastry.   I wanted to have the grilled kingklip(R90) as a main course, but it was sold out by the time I arrived. I settled for a wonderful Norwegian salmon, served witha delicious light chive sauce witha taste of mushroom, as well as superb baby potatoes and asparagus (R100).  The signature main course is beef fillet with bone marrow served in a red wine sauce, and has come to Casparus from Tokara, costing R140. Grilled springbok served with a lobster sauce is the most expensive dish, at R150, and all the other main courses cost less than R100.  One can also order linguini with prawns, tagliolini with Thai chicken, baby calamari and oxtail in a saffron sauce, as well as rump or sirloin.

The dessert selection is smaller, but the prices are unbelievable, in ranging between R30 – R45.  Most of them contain ice cream, Jane saying that Bonthuys is also known for his home-made ice creams.  On her suggestion, I tried the Meringue Negresco, praline ice cream served on a meringue and topped with Advokaat, absolutely delicious and amazing value at R30.  Other dessert options are Sabayon Surprise, a sorbet selection (raspberry and pineapple), frozen dark and white chocolate mousse with mandarin custard, a trio of ice cream (chocolate, praline and coffee), and fresh berries with mint ice cream. The cappuccino was foamy, and very strong.

The wine list details the vintage of the wines, and simply lists the brand names and prices per variety. There are wines at low, medium and higher price points. No wine-by-the-glass is indicated.  Sparkling wines are Pierre Jourdan Brut (R165) and its Cuvée Belle Rose (R200), as well as Steenberg Chardonnay Brut (R175).  Sauvignon Blancs range from R85 (Kaapzicht) to R110 (Alluvia Ilka, Neil Ellis Groenkloof and Tokara Reserve).  The cost of the eleven Shiraz wines start at R80 (Tokara Zondernaam), and Waterford Kevin Arnold is the most expensive, at R240.  AA Badenhorst Family Wines’ white blend is the most expensive wine on the list, at R435.

The newness of the waitrons showed, especially with the waiter serving me – I asked him if it was his first night working at the restaurant, as he had no idea of the ingredients of the desserts, yet he was willing to ask the kitchen everything.  His sweet yet smart reply was that “this is one of my first nights”!   Jane will need to up the training of the waiters, not only their product knowledge, but also that of the artworks and of the meaning of Van der Merwe’s interior design.  What is exciting is that Casparus will be an exciting palette, likely to be continuously changing.  One hopes Bonthuys has left all his quirks and tantrums behind at Tokara, and that his six-month wait to open the new restaurant will have helped him to find himself.  No doubt Casparus will become a talking point, for its excellent and value for money food and wine, its creative and unusual interior decor, and its art gallery.  Casparus is a new star on the Stellenbosch Restaurant Route, in the new Gourmet Capital of South Africa.  I predict that Casparus will feature on the Eat Out Top 10 Restaurant list in 2012.

POSTSCRIPT 28/3: I was in Stellenbosch today, and returned to a (closed) Casparus to photograph the building exterior.  It struck me how humble and low key the brand name is on the windows – one would never guess what an exciting restaurant is deeper inside the restaurant building, not visible from the street when closed.  I spoke to the Manager of Detail Interior Design shop across the road, asking her if she had seen it, and she had no idea that it was a restaurant.

POSTSCRIPT 30/3:  Emile Joubert has sent this background to Etienne Bonthuys, and his restaurant history: “Just a bit of Bonthuys history:  Rosenfontein opened in the late 1970s, not 1997. I was 16 yrs old when I bit into a piece of venison he cooked at Rosenfontein and had a “did the earth move for you?” moment. The late Anton Rupert used to fly business associates from Jhb to Cape Town to dine at Rosenfontein.  After Rosenfontein he had headed up the restaurant at Buitenverwachting where Bonthuys had a major impact on Cape Town’s culinary pedigree during the 1980s. Floris Smit followed, and in the early 90’s he opened up a restaurant in Belgium, returning to Cape Town in 1995 as owner/chef of Bonthuys in the CBD where Jinja used to be. Tokara followed. And I can’t wait to visit Casparus as like Elvis, Bonthuys will to me always be The King.”

POSTSCRIPT 9/4:  I had to go back!  The Oysters in Cap Classique butter (R80) beckoned, and were amazing.  I asked for a spoon to have every last bit of the sauce!  It is one of Bonthuys’ signature dishes he brought along from Tokara.  They were delicious with a glass of Pierre Jourdan Brut at R40.  I had a second starter, to allow the indulgence in one of Bonthuys’ fabulous desserts.  It was mushrooms in puff pastry with bacon, sundriedtomatoes and butternut cream (R55).   The puff pastry was very tough, even hard to cut with a knife, but its content was delicious.  The Trio of ice cream (to-die-for coffee, praline and chocolate, all made by Bonthuys) in a chocolate cup (R35) tasted even better with the glass of 2003 Cabriere Pinot Noir, which Achim von Arnimbrought to my table.  I ate the ice cream with a teaspoon, to make the enjoyment of it last even longer!  The waitress, Katrien, is the daughter of Johan Slee, the architect of Casparus and a good friend of Bonthuys and Van der Merwe.  Her service was excellent, and she was knowledgeable about the menu.  Whilst there have been complaints about slow service, I did not experience this, despite the restaurant being full.  Jane Moses came to say hello, and told me that they had their best night last night, with 78 covers.  Strijdom van der Merwe launched a new slide show today, focused on his ‘naturescapes’, and how they are made.  I have found such amazing energy at Casparus.  I chatted to the Von Arnims, as well as to Louis Nel, winemaker of Hidden Valley, Jonathan Snashall of hunter gatherer vinter blog, and Georgie Prout of Glen Carlou, adding to the enjoyment of the evening. The question on everyone’s lips was what would happen in winter, with so much of the restaurant being open-ended, so to speak.  A fire was lit, and was quite smoky initially.  The architect comes to pop in regularly, and the thinking is that he will address protection against the Cape winter weather when it comes!

POSTSCRIPT 16/4:I am Casparus-addicted, and told Etienne Bonthuys so tonight – I cannot stay away. My third visit tonight, after another concert at the Endler Hall, and it was so nice to be recognised by two waiters Pierre and Katrien, who served me last Saturday.  It was exceptionally busy at 9.45 pm when I arrived, but the waiting time for my amazing thick and creamy Avocado soup with cucumber and prawn (R35) was not long.  My bill for R120 for the soup, another lovely ice cream dessert, a glass of Kaapzicht red wine and cappuccino came to R120 – one cannot beat Casparus for value.

POSTSCRIPT 21/4:It was my first lunchtime visit today, and I missed the magic that the dark brings to the restaurant.  The slideshow by Strijdom van der Merwe cannot be projected, as it is too light.  Given the first bite of winter, some of the tables have been moved to the ‘voorkamer’, the room one enters.  The kingklip, served with the Cap Classique sauce from the Oyster starter instead of the balsamic sauce, was exceptional, and amazing value at R85.   I did not like the frozen mousse as much as I love the ice creams. 

POSTSCRIPT 30/4:  I noticed the hand of Strijdom van der Merwe in the design of the sand outside the restaurant.  It was lovely to be welcomed back to my 5th visit by three waiters who have served me previously.  I also met Martin, the winemaker of Kaapzicht, the housewine at Casparus, as well as the marketing manager of Nederburg, sitting at the neighbouring table, and to chat to Delaire Graff chef Christiaan Campbell.   The salmon in the Linguine (R85), with prawns, was the softest and tastiest I have ever eaten.   Happy 60th birthday chef Etienne Bonthuys for tomorrow.

POSTSCRIPT 13/5: A 6th visit to the restaurant followed a disappointing concert at the EndlerHall, and at 9 pm the restaurant was still full, so I was seated in the ‘lounge’ outside, withfires.  I had a lovely light clear soup withshellfish (the mussels removed, and including salmon, scallops and prawns).  Then I had sirloin steak with a delicious mushroom sauce. The steak was a little tough and fatty in sections.  The bill arrived with a R90 charge for a bottle of wine, but I had not ordered any.  The charge was quickly removed by Pierre when I pointed this out to him.  An Irish coffee was well-made.

POSTSCRIPT 21/5:  My seventh visit, and the most disappointing one – the kingklip I had before had noticeably shrunk in portion size, and the wine list had at least two wines advertised as 2007 vintages available only in 2009 – the waiter honestly told us that most of the wine vintages are out of date, unforgivable for a restaurant less than 2 months old.  When I chatted to Chef Etienne about it afterwards, he just shrugged, and I had the sinking feeling that nothing will be done about it.  The winelist is a collection of typed pages, and the vintage information can easily be rectified.  Tried the Sabayon Surprise dessert for the first time – still love the home-made ice creams more.

POSTSCRIPT 17/6:  Visit number 8!   Nice to know that Jane and Etienne are reading this blog, and read my previous comment about the winelist.  I was happy to see the winelist amended with the new vintages, on a return visit tonight.  Also loved the staff saying yes, without hesitation, to my arrival at 22h30, for a cappuccino and Bonthuys’ wonderful ice cream.

POSTSCRIPT 4/2: I have lost count of the number of times that I have been to Casparus – it remains my favourite!  The prices have increased slightly (by R5 a dessert, for example), and more main courses are over R100.  New dishes have been added, including this delicious rump of lamb with lobster sauce!

POSTSCRIPT 15/6: A colourful addition to the menu is pork loin with citrus segments, prunes, and a mandarin sauce.  Very poor service from the waitress unfortunately, bringing the credit card machine whilst we were still eating, unasked.

Casparus Restaurant, 59 Dorp Street, Stellenbosch.  Tel (021) 882-8124.  No website yet. casparus@afrihost.co.za Tuesday – Saturday lunch and dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Franschhoek Uncorked 2010 full of food, wine and fun!

I had not visited Franschhoek for a while, and decided to enjoy a full weekend of the Franschhoek Uncorked Festival,  to get to as many of the 20 wine estates as possible.  My feedback follows, focusing more on the marketing of the estate, its customer care demonstrated, and the food served (I would never have survived full days of wine tasting!):

        Starting at Plaisir de Merle, it was a big disappointment overall.  Given that the Festival was on, one wonders why the boom had to be closed and then opened for each individual car arriving and leaving.  Commendably all other wine estates kept their booms open for the occasion.  The drive up to the wine-tasting buildings is unattractive, with ditches on either side – there is no lane of trees to soften the entrance.  Plaisir de Merle is a Distell-owned wine farm, and supplies most of its grapes for the making of Nederburg, I read over the weekend.  The farm is one of the largest in the Cape, just under 1000 hectares.  We parked and approached the tables at which the tasting was being done and the food was prepared.  Seeing other guests queue, we did too, but the procedure was meant to be that we should have sat down at a table, and waited for a “waiter’ to come to us.  We gave our waiter the order, but he did not understand the word ‘crêpe’, even though it is one of the items on the menu – he asked if I meant a pancake!   We decided to place the order with the food preparers directly, and chose an apple and an orange crêpe.   They were so disappointing compared to the crêpes I have enjoyed here in previous years.   We had to ask for the bill three times, and in the end we could not be bothered, and left the money on the table.  A violinist and flautist provided a lively touch, and the hired staff wore white shirts and black pants, with a branded black beret.  The French theme of Franschhoek came through with three serviettes in red, white and blue on the kitsch silver underplates, which seemed out of place, given the history of the estate.  Bread was for sale, but nothing told one that it was baked with special flour ground in a recently renovated historic water mill.  We left having no knowledge about the wines, but did receive a summary of the wines on request, which had to be printed for us especially, with tasting notes for Sauvignon Blanc, Cabernet Franc, Malbec, and Petit Verdot.

Allee Bleue focused its Uncorked activities in its Le Grand Hall, which I had not seen since its completion in March.  It is a modern structure, with an attractive entrance, and glass stacking doors.  It can seat 300 guests, mainly for weddings and product launches, with space for a band stand and dance floor.   The security guard had the boom open, and looked very smart with his Allee Bleue blue bow tie, but spoilt the friendly impression when he answered every question I asked with “yup”!   On seeing us, the Food & Beverage Manager Desmond Spangenberg, one of the friendliest persons in the hospitality industry, walked up to us and welcomed us – you cannot beat such a personal touch!  Immediately he gave us complimentary Uncorked “passports” (Plaisir de Merle did not offer to sell us any!), a glass of the wonderful newly launched Allee Bleue Brut Rose, and their very tasty Flammkuchen, an Austrian speciality much like a thin based pizza covered with ham, cream cheese and onions.  It was far too much to have it all. I was sad to hear that the likeable chef Dane Newton had left.   The friendliness, professionalism and generosity of Allee Bleue was exceptional.

        I was looking forward to the Tasting Masterclass conducted by Graham Beck wine maker Pieter Ferreira, an expert on sparkling wine production.   This estate was by far the busiest and buzziest.  The Masterclass was held in an exclusive tasting room on the first floor, with a boardroom table set up with a Graham Beck branded sheet, which allowed for 8 tasting glasses, and a pairing plate with a slice of ham, smoked Franschhoek trout, camembert and a lovely piece of thick chocolate.   Pieter sharpened our sense of smell by making us sniff at least 20 different wine glasses, with a wide variety of flavours, e.g. vanilla, cloves, fresh strawberries, pepper, and asparagus.  These would be typical elements we should have picked up on the nose of the wines we were to taste.  We tasted 12 Graham Beck wines, and Pieter was a most patient, informative and passionate tasting leader.   He threw in many interesting bits of information:  the size of the glass does not really matter in tasting wines, as long as it is not tulip-shaped; white wine glasses do not have to be smaller than red wine ones; Riedel make 27 different types of glasses, some varietal-specific (Pieter helped them select a design for Pinotage-tasting); one does not have to drink white/red wine with white/red meat; wines should be served as cold as possible, even red wines, 15 – 18 C being ideal for reds; chocolate is a good way to clear the palate; ‘beer pour’ style is the best way to pour sparkling wine, and not into an upright glass, to retain as much of the bubble.  A lovely touch was when I received a bottle of the wonderful Graham Beck Brut Rose as a gift.  The Masterclass cost R75.

 

         I stopped at the new Maison wine estate, the newest Franschhoek wine farm, and expected a Weylandt’s interior, as it belongs to Chris Weylandt.  I was surprised to see a cute cottage, bales of hay on the lawn at which sunseekers were sitting, and a very laid-back atmosphere – even the jazz band had taken some time off.   There were two food choices – a salmon or pork belly sandwich served on a nice wooden board, quite expensive at R 50 each, but the staff assured me that they were fabulous, and the pork belly one was.   It had a lovely “fish sauce” spread on it, with rocket, served on the most wonderful rye bread from Bread & Wine.  Whilst I was catching up on Twitter, Chris Weylandt came over to have a chat, and told me that the Weylandt’s interior will be introduced in the new cellar and restaurant they are opening in the first quarter of 2011.  It will serve ‘real food’, he said.  He is very proud of the great interest shown in his estate, having only opened officially two weeks ago (and is now on Twitter @Maisonestate). Wines offered for sale are Shiraz and Chenin Blanc, as well as a limited edition Viognier.  Chris is proud of the wines made from the estate’s grapes, and that they do not buy in any grapes.  Anton Bondesia is the young winemaker, having worked in Italy, New Zealand, California, and also at Spier.  The Shiraz won the 2009 SA Young Wine Trophy.   Chris Weylandt has lived in the estate for the last six years, in the oldest barn in Franschhoek with “contemporary additions”, he said, built in 1796.  It has been featured in VISI, Elle, and international design magazines.

 

        Grande Provence was quite a contrast, not having pulled in the crowds, and therefore lacking in atmosphere.  A number of winelovers sat at the counter in the tasting room. I met up with the curator of the gallery, Johan du Plessis, and he showed me around the new enlarged gallery, with very interesting works of art.  Donovan Dreyer is another lovely Franschhoek Food & Beverage Manager, and he brought me a dessert creation from Chef Darren Roberts.  The Grande Provence Pinot Noir 2009 was launched for the Uncorked Festival.   Five tasting stations were set up on the estate, with a wine matched to a restaurant speciality (e.g. chicken liver parfait, duck with green olive and date tagine, and gravidlax with apple compote and tapenade), at R 100.  A four course meal was also on offer over the weekend, at R 375, for a Gateaux of duck and rabbit rillettes, hot and sour seafood broth, osso bucco and chocolate calzone, each course paired with a Grande Provence wine.

 

        Boekenhoutskloof  was very quiet at midday on Sunday.  I was interested in going there to enjoy Reuben’s Barbeque Extravaganza, and to catch up with Reuben Riffel before he launches his third Reuben’s restaurant at the One&Only Cape Town in just more than three weeks. He probably committed to the Festival BS (before Sol). Reuben was nowhere to be seen, but his branding was on the braai.  Some of his staff was doing steak sandwiches, the prices of his dishes written on a blackboard looking rather unprofessional – the food preparation section was untidy and did not inspire one to order food.  Empty containers left by departed visitors were left on the table. The band stand was set up, without a band.  Inside, the tasting room was busy, and I had to smile when the sweet tasting lady suggested that I rather buy the Porcupine Ridge Sauvignon Blanc at Pick ‘n Pay, as it would be cheaper there than on the estate.  Boekenhoutskloof has been one of Franschhoek most  successful wine estates as far as Platter performance goes, for its Boekenhoutskloof Syrah and Cabernet Sauvignon.  The Chocolate Block, Porcupine Ridge and The Wolftrap are secondary brands.  The massive plastic The Chocolate Block bottle outside the tasting area was the most commercialised I have ever seen the estate, which seems to pride itself on selling its wines in a low key manner, selling itself, so to speak.

       

        My final stop was at La Motte, and I was excited about my visit there, as the new Pierneef Ã  la Motte restaurant, the new tasting room, the new Rupert family museum, art gallery, Pierneef art gallery and the Farm Shop had all opened in the past few days.  I started my visit at the Farm Shop, and saw the loveliest breads (including a shiraz-based one, and some potbrood), as well as shiraz-filled chocolates in the shop. Then it was off to the galleries and museum, a building that leads one from one room to another, with less space dedicated to the Rupert family and its patriarch, the late Anton Rupert, and more to the art.  Quiet corners have been set up dedicated to the music of Hanli Rupert, who is an acclaimed opera singer, and one can choose which of her music one wants to listen to whilst sitting in comfortable chairs.  The art gallery appeared to have more modern art, but the highlight was the section displaying 18 oils and 26 other works by JH Pierneef. La Motte had recently bought the priceless Pierneef art collection from his daughter Marita, who lives in the United Kingdom.  Dr Rupert had bought 3 sets of 120 Pierneef woodcut prints each for his three children, and some of these have been used as an inspiration on the Pierneef wine labels.  They can be seen in the Tasting Room, and in various buildings on the estate.  Hein Koegelenberg, husband of Hanli Rupert, and driver of La Motte, sat with me for half an hour of his precious time, and told me about the dedication of the estate to bring this priceless art treasure back to South Africa.  The Pierneef Collection was not available for tasting over the Uncorked weekend, but will be in future.   The new wine tasting room has allowed La Motte to have two separate wine production sections in its cellar, one for whites (under winemaker Michael Langenhoven, a passionate Sauvignon Blanc lover) and one for red wines (under winemaker Edmund Terblanche, a passionate Shiraz lover).  The tasting room is managed by Werner Briedenhann, and he is passionate about his job – a confident welcome, and a firm handshake.  He explained that one could taste five wines, and these were served with some chocolate and ciabatta to clear the palate.  Long tasting tables show the fun a group of friends can have in enjoying a tasting jointly.   Everything was handled with the greatest professionalism, with only one weakness – the lady at the entrance desk told me that the new La Motte Pierneef Hanli R was made from two blends, which I promptly Tweeted, and was immediately corrected by Hein Koegelenberg on Twitter, in stating that it is made from Shiraz, Grenache, Cinsaut and Cabernet Sauvignon. La Motte dominated the Franschhoek Uncorked Experience by far this past weekend, with its beautiful new buildings, oak trees, lawns and water features.   This is now a serious wine estate, supported by serious money, but Hanlie and Hein Koegelenberg are very humble, generous and friendly. Our review of Pierneef Ã  La Motte restaurant will be published later this week.

Overall Franschhoek Uncorked is a clever way of attracting visitors to the wine estates of Franschhoek, something the Stellenbosch Wine Festival tried for the first time this year.  However, given the captive audience they have on their estates, it is disappointing that not one of the seven estates I visited made sure that the visitors left with information about their wines, and with a restaurant menu, if applicable, or with a program of events in Franschhoek for the next few months.  The Franschhoek Wine Valley Tourism Association had been more active in sending our Tweets about Franschhoek Uncorked, but stopped doing so late on Friday, with no Tweets at all over the weekend, when it was needed most!  It is so easy to pre-schedule Tweets via Hootsuite.  The clashing of the first day of Franschhoek Uncorked with the second day of the Nederburg Auction was unfortunate, and one wonders how Franschhoek could have chosen this weekend to schedule the event.

Chris von Ulmenstein, Whale Cottage Portfolio:   www.whalecottage.com

Franschhoek’s top class on the run at L’Omarins

Franschhoek’s finest vintage cars, which are showcased in the Franschhoek Motor Museum on the L’Omarins wine estate, will be put on show today and tomorrow, when the first Franschhoek Motor Museum Concours and Time Trial takes place on the wine estate.

Sixty of the approximately eighty vintage cars, dating between 1900 and 1980, in the Motor Museum’s collection will be taken through their paces on one of three routes:  up to 50 km/hr, 70 km/hr and 90 km/hr, to showcase the pedigrees and speeds of the various vintage cars. 

The Concours will showcase Africa’s finest vintage cars, a panel of judges finely examining the detail of each masterpiece, from the upholstery, the paint, to the mechanical condition of each vintage vehicle.

The Franschhoek Motor Museum was established by Johan Rupert, in honour of his father Anton Rupert, who was an avid vintage car lover.  Anton Rupert built up a museum of vintage cars in Heidelberg in the Cape, and his son Johan moved the car collection to the L’Omarins farm, which belonged to his late brother Antonij, after his father’s passing.   More than 80 vehicles, including motorcycles, bicycles and memorabilia, are showcased in four air-conditioned halls, The Motor Museum is closed on Mondays, so that all vehicles can be polished for the visitors arriving on subsequent days of the week.

The event is so popular that most accommodation in Franschhoek has been sold out for tonight.

For further details, visit Franschhoek Motor Museum www.fmm.co.za.  Tel 021 874 9000. Buy tickets at Computicket only.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com