Tag Archives: Billecart Salmon Brut

Restaurant Review: Caffe Milano Pasticceria & Bar è deliziosa e amichevole!

My first encounter with Caffe Milano Pasticceria & Bar on Kloof Street, next door to ex hot-spot Manna, for lunch last week made me undecided as to how I felt about it, something that doesn’t happen very often.   A return visit for breakfast on Saturday morning made me a firm supporter, enjoying the good food, the good service, and extreme friendliness.

I could not help but compare the new restaurant, the fifth that restaurant mogul Giogio Nava has opened in Cape Town (his other restaurants are 95 Keerom Street, Carne, Down South Food Bar, and Mozzarella Bar, and he is soon to open an events and entertainment venue in the old Art Deco Land Bank building in Queen Victoria Street) with Cassis Paris’ Salon de Thé in Newlands.  Both restaurants focus on the patisserie side of their outlets, and both produce beautiful pastries.  While they are freshly baked on the Caffe Milano premises from about 2h00 every morning, the Cassis Paris delicacies are baked at a central factory in Montague Gardens.  The product display at Cassis Paris is more attractive, in that it has a larger pastry range, and they are neatly displayed in rows in the display cabinets, while those at Caffe Milano are placed on platters inside the display cabinet.   As I went to eat after lunchtime, a number of the Caffe Milano pastries on the platters had been sold, and were not replenished, probably waiting for the fresh load to be baked the following day.   Caffe Milano’s pastry display is inside the restaurant, whereas it is in a neighbouring shop at Cassis Paris, with no direct client connection.   The service is definitely far better at Caffe Milano, and the food, based only on two items at each, definitely was better at Caffe Milano.   Brand focus is far better at Cassis Paris.  Cassis Paris has a marketing edge on Caffe Milano, in that it started brand building three years ago.

While I was well looked after by the waitress Zoe, I felt something was missing in the restaurant, especially given the rave reviews I had read by blogging colleagues.  There is no music.  There is perhaps too much open space inside the two restaurant sections, which does not create cohesion.   The tables have wooden tops and with the wooden chairs they did not give me the feeling of the latest elegant Milanese design  (Nava’s partner in the Mozzarella Bar, Matteo Amatruda, owns a+1 in The Foundry, an interior design shop specialising in Italian furniture and lighting, and I did not see his decor hand at Caffe Milano).  The walls are painted a boring beige, and the staff tops are beige and branded, matched with brown aprons, a not very modern colour combination. Downlighters and ordinary looking round lamp shades light up the bar section and display cabinet area.   I loved the large LavAzza wall poster (on the right), and would have liked to see more of this theme inside the restaurant – unfortunately the poster is hidden from the view of most clients sitting in the entrance section of the restaurant.  I loved the cake displays in the windows.  The menu (with winelist) looks boring and old-fashioned with little brown illustrations of food items subtly printed on it, which initially made me think that it had coffee stains on it.   It also looks cheap, just being an A3 page which looks heavily used, given that the restaurant has only been open for a month.  A white paper serviette is on the side plate and the knife and fork are pedestrian.  The teaspoon is Italian designed, and looks far better quality.  Zoe brought Morgenster olive oil and balsamic vinegar to the table, the latter bottle having only a last drop in it.  A Robertson’s pepper grinder is on the table, as is an ordinary salt cellar.

Nava arrived and was active behind the counter for a while, but never appears to connect with his customers.  Vanessa Quellec is the co-owner of Caffe Milano, and the pastry chef, having previously worked at The Roundhouse.   She has worked in top restaurants in New York, and went to Germany and Italy before opening the restaurant, to learn more about bread baking.  She had left for the day, I was told, as she works with the baking staff in the early hours of the morning.  The chef in the kitchen is Brendon Stein, previously having worked at the River Café at Constantia Uitsig. The manager is Charlene van Heerden, and she was very helpful in proactively opening the pastry display cabinet, so that its glass door would not reflect in my photograph.

Breakfast is served until midday, and offers five options: Kloof Street Breakfast (bacon and eggs) at R45; Eggs Benedict R52, scrambled eggs cost R45, and R55 with bacon, and R 65 if served with salmon; French Toast made from cinnamon and pecan brioche costs R58, and a Muesli Mix with fruit and yoghurt R 55.  Breakfast pastries such as croissants filled with almonds, chocolate, apricot jam, or cream, or served plain, cannoncino, bombolone as well as sticky buns, range in price between R10 – R18.  “Filled” croissants can also be ordered, with mozzarella, parma ham or smoked Norwegian trout on them, costing R30 – R42.   The LavAzza cappuccino is excellent, and costs R15 (Nava discounts it to R10 at his Mozzarella Bar down the road).   I loved the neat LavAzza sugar sachet holder, which I have not seen elsewhere.

Lunch is served between midday and 16h00, a decent time range, and a bowl of toasted thin slices of some of the Caffe Milano breads is brought to the table.  Only eleven lunch items are available, of which five are salads (avocado, smoked mozzarella, roasted chicken, calamari, and caprese), quite expensive at R 60 – R75. I ordered the La Tartare di Mazo (R70), being ‘hand chopped raw prime fillet dressed with Morgenster olive oil, onion, egg, capers and parsley’, and served with three slices of toast, a perfect accompaniment to the tartare, one of the best I have tasted, less fine than that which one can buy at Raith Gourmet.   The presentation was rounded off by three half slices of lemon, each of these having a tiny amount of chopped onions, washed and chopped capers, and chopped parsley.   When I did not recognise the dried and chopped capers, Zoe brought before and after capers to the table, to explain how they get to look so brown when washed, dried and chopped up.   Parma ham and melon costs R95, smoked yellow fin tuna carpaccio R80, Norwegian salmon R85, beef carpaccio R70 and lasagne pasta, spinach and ricotta costs R65.  There is only one ‘Dolci’ item on the menu, which is the Il Fondente “95”, from Nava’s 95 Keerom Street restaurant, which he also serves at the Mozzarella Bar.   I suspect that most patrons will make their way to the display cabinet, and will chose a dessert from it, the selection including cannoncino (R10); mini apple tarts, lemon tarts, Sacher Torte, Coconut Daquoise, and Portuguese custard tarts costing R15, and lots more.   I had a berry pannacotta, which was served in a beautiful glass, and I savoured its creaminess, whilst chatting to an American visitor sitting at a table across from me.  

Cap Classiques on offer are Villiera (R40/R160), Graham Beck Brut (R45/R210), Graham Beck Brut Rosé (R50/R230), Steenberg Brut 1682 (R280) and Krone Borealis Brut Rosé (R270).   Taittinger Brut costs R720, and Billecart Salmon Brut Rosé R950.  No Shiraz is on the winelist, and generally the winelist is weighted to white wines.  Wines by the glass include Graham Beck Rail Road Red (R28/R110), Villiera Cabernet Sauvignon (R35/R110), Dombeya Merlot (R48/R190), Felicite Pinot Noir (R41/R165), Kleine Zalze Sauvignon Blanc (R30/R120), Graham Beck Chardonnay (R45/R180), and Kloof Street Chenin Blanc (R28/R110).

One can go home with pastries and artisanal breads under one’s arm, as well as with a beautiful LavAzza cappuccino machine, ranging in price between R2800 – R 3300, depending on the colour scheme of the machine.  LavAzza coffee pods can also be bought.

I had mixed feelings about my first visit to Caffe Milano, relative to the hype I had read, and saw no bar counter, as promised in the name of the restaurant.   Perhaps the marriage between the restaurant and the pasticceria is not there yet.  There is nothing on the menu to encourage one to peek at the pastry display cabinet, especially when one does not see it in the side room, and it would be nice to have the names of these items listed on the menu too, to see them as dessert options, and also to get to know their Italian names with English descriptions.   Given Nava’s restaurant experience, I think the restaurant can stretch itself with a greater variety of Italian dishes over time, only two dishes on the lunch menu being cooked, and I have read that it may open for dinner in future.  The pastries are good value, especially given their quality, but I felt that the lunch portion of steak tartare was expensive relative to the amount that was served.  The food quality is excellent. The main attraction is the pastry section, and perhaps it could do with being fuller for most of the day, with pastry plates refilled, and more neatly presented, as per Cassis Paris.   I will be back, and my next visit will be for breakfast.   Parking is a challenge however, the popularity of Caffe Milano making it hard to find somewhere close by to park.

I had written the above (with the exception of the first paragraph) after my first visit for lunch, and my return visit clarified some things, and changed my mind about Caffe Milano completely.  First, it was buzzing on Saturday morning, and I was lucky enough to get the last table, as well as to find a (creative) parking spot close by, so great is their popularity.   Charlene, the Manager, welcomed me back like an old friend, and the waitress Zoe took over some of the service at my table too.  The pastry display cabinet was fully packed, and all the trays were filled.  The service was fast and efficient, despite the restaurant being so full.  The scrambled egg (R48) I ordered was the most delicious and the most yellow I have ever eaten, served with lovely toasted rye bread.  When I commented on the colour of the eggs, Charlene brought me an information booklet from Spier BD (for Biodiversity) Farm, whch is their supplier of eggs, chicken and beef.  I was fascinated to read their claims that ‘pasture-fed’ animals are “freer than the free ranging” animals and birds, and therefore implies healthier to eat.  The chickens, for example, spend 21 days on the pasture in ‘predator-proof houses’.    They lay their eggs in ‘eggmobiles”.  The pastures have 19 varieties of grasses and legumes, the brochure explains, and the farming is biodynamic.  “The chickens are treated as animals, and not as production widgets”, it continues.  Slaughtering is done by hand, it says, as ‘humanely as possible’.  The chickens are not injected with brine, up to 25 % being allowed in South Africa. 

The co-owner Giorgio Nava looked very cheffy in his white chef top, and was behind the counter the whole time that I was there.  The biggest delight of all was Vanessa Quellec coming to say hello.  She is very friendly and welcoming, and I loved her two pigtails, making her very down to earth.  She kept checking that everything was in order, and showed me her new bread ‘baby’, a baguette epi (right), which she had baked for the first time that morning.   She also compiled a list of her bread styles for me, which is not in the menu.  On weekends she has a greater variety of breads available, and it includes the epi, milk bread rolls and sugar milk bread, in addition to the weekday range of ciabatta, baguettes, 60 % as well 100% rye sourdough, focaccia with sea salt and rosemary, and bialy.   Vanessa comes from Minnesota originally, and worked in some hotshot New York restaurants, where she met PJ Vadis, the chef at The Roundhouse.  He suggested that she work for Markus Farbinger at Il de Pain in Knysna, who is internationally known as one of the best bread bakers and pastry makers in the world, having worked in New York too, including at Le Cirque.   Vanessa spent a year in Knysna, and says that Farbinger has changed breadmaking in South Africa (one of his other proteges is Fritz Schoon at De Oude Bank Bakkerij in Stellenbosch).  Through her friendship with Vadis, she worked at The Roundhouse as pastry chef, until the opportunity arose to start Caffe Milano with Nava.   While she waited for the restaurant to be ready for opening, she spent time at a sourdough bread and at a roll factory in Germany, and also at a bread factory in Italy, such is the love for her craft.  She told me that she only uses the best ingredients, and recently introduced Valrhona chocolate from France to South Africa, using it for all her chocolate requirements, and also selling it in slabs.

Vanessa also told me that the menu will evolve, and this week the first additions to the menu will be introduced.   They will focus on creating greater synergy between the pastry and bread side of the business, and the restaurant side, through the menu.   Vanessa confirmed that opening in the evenings is on the cards, but not in the immediate future, as she wants her staff to be perfectly trained first.  I thought they were doing very well for having only been open for a month.

I have found a delightfully friendly new breakfast, lunch and coffee break venue in Cape Town, with relatively easy parking (except on Saturday mornings).  I will certainly be back. 

POSTSCRIPT 13/3: I went back to Caffe Milano today, and enjoyed the most beautiful Eggs Benedict.  I asked to have the bacon excluded, and Charlene spontaneously offered me avocado and mushrooms to replace it.   The restaurant was so full, that I had to wait for a table.  It had a wonderful buzz.

POSTSCRIPT 27/4: Vanessa Quellec leaves Caffe Milano in July, and is heading for Valrhona in France, where she will undergo training in the use of their chocolates.  She plans to return to Cape Town as a representative of the company.  Giorgio Nava will bring in an Italian pastry chef.

POSTSCRIPT 26/9:  The Weekend Argus reports that Caffe Milano will open for dinner from November.

Caffe Milano Pasticceria & Bar, 153 Kloof Street, Gardens, Cape Town.  Tel (021) 426-5566.  www.caffemilano.co.za (The website is still under construction). Tuesday – Sunday 7h00 – 17h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Dinner at Grande Provence a special treat

I have been to Grande Provence many times, yet have not written a review of their dinner, but have written about their High Tea,  and Chef Darren Roberts’ visit to Hong Kong late last year.   A pre-Valentine’s Day dinner on Sunday evening was a very special treat, not just in terms of the quality of the food served, but also because of the service, the beautiful interior, and extreme friendliness.

It started when Food & Beverage Manager Donovan Dreyer came towards us as we walked to the restaurant from the parking area, to welcome us.   He had called earlier in the day, to confirm the reservation, and had apologised for not being there, as he had the evening off.  He seated us, introduced us to our waitress Shasta, and was most helpful in printing the menu for me.   He then went off, after sending two glasses of sparkling wine to the table, with the compliments of Grande Provence.

Since 2005 Grande Provence (previously belonging to Count Augusta) has belonged to a Dutch consortium called The Huka Retreats, under the management of Alex van Heeren, and they also own Huka Lodge in New Zealand (usually on the Top 100 world accommodation lists) and the privately owned Dolphin Island in Fiji.  The business card describes the positioning of the company to be :”Intimate . Sensual . Elegant”.  Grande Provence supports good causes, and its highlight is the annual fundraising lunch prepared in honour of the Multiple Sclerosis Society, sponsored in its entirety by Grande Provence.  This year it will be held on 29 May, and Grande Provence Chef Darren Roberts, his Huka Lodge counterpart Michel Louws, Rudi Liebenberg of the Mount Nelson Hotel, Gregory Czarnecki of Waterkloof and Roland Gorgosilich of the Grande Roche will each prepare one of the five courses.   I have attended two of these outstanding lunches in the past.

Chef Darren has worked as a Pastry Chef at L’Heiner Konditorei in Vienna, as well as in London, Johannesburg, Melbourne and the Seychelles.  Before joining Grande Provence last year, he worked at Farncourt Hotel, and he has been a restaurant consultant.   He always makes time to come out of his kitchen to say hello.

Similarly to Delaire Graff and Glen Carlou, Grande Provence invests in art and also has an art gallery, with regularly changing exhibitions.   I love the interior decor of Grande Provence, and Virginia Fisher is the decorator to the group of properties, and is based in New Zealand.  The tasting room has a counter made from industrial steel, and the bar chairs are the cleverest I have ever seen on a wine estate, with a tractor seat, surprisingly comfortable to sit on.   In the restaurant, she used industrial steel tables, and blue chairs in the two outside rows, and the finest white leather high-back chairs in the central row.   The restaurant has a fireplace too, and is lit, even on some nights when it does not seem necessary.  The table has linen runners in white with blue stripes, which look a little like fancy drying cloths.  The wooden salt and pepper grinders look ordinary and out of place with the silver theme (same criticism as at Glen Carlou), given the stature of and price one pays for a meal at Grande Provence.  Two sets of cutlery are laid, and the glassware is excellent.  Each table has a silver side table (more attractive than the wooden ‘handbag tables’ at Mange Tout) on which the ice bucket and the water jug go, leaving the table free for the really important reason for being there, being the food!  Staff wear black ‘GP’ branded shirts, and black pants, with a grey apron. I was happy to see that the denim staff clothing has been done away with. 

The menu is in a holder made from the same fine white leather, as is the winelist.   One must have a minimum of three courses, costing R295, four courses cost R380, and five courses R 450.   Once again, a three course meal is more than adequate, as one receives an amuse bouche as well as a palate cleanser too, adding a further two courses.  While the courses listed are identifiable as starters, mains and desserts, one may choose any three on the menu, and in any order, even if one has the dessert first!  Unusual is the bold red note on the menu that one should advise the waitrons if one would like breaks between courses.  We absolutely loved the mini wholewheat loaf that was served in small slices, containing pieces of fruit, and topped with poppy and sesame seeds.    It is sold in the tasting room, and costs R15 a loaf.   An amuse bouche was brought to the table, being a mushroom tart with mushroom puree, similar to a quiche, and placed on top of the most crispy fried parma ham, and hidden under basil leaves when served.  I was impressed with how warm the plates were when they were brought from the kitchen, and I cannot recall when last I experienced a hot plate on my restaurant visits.  My starter of Tempura langoustine tail, blackened corn and tomato was brought to the table in a soup plate, and the sweet-tasting sweetcorn velouté was poured into the plate by a waiter at the table, with much more style than we had experienced at the new Planet Restaurant at the Mount Nelson Hotel.  The tempura batter was very light and not very crispy.   My partner had ordered a Green Pea and Shimeji mushroom ravioli, which he enjoyed, but felt it to be salty.  Other starters are Tom Yum prawn risotto, caramelised eel and foie gras terrine, rillettes of duck, pork and rabbit, quail, Stilton and curried pear tartlet, carpaccio of beetroot, and duck prosciutto.  A palate cleanser of plum sorbet and lemon compote was a surprise course. 

I loved the juicy Tagine of duck, served with green olives, dates, pistachio nuts, sweetcorn polenta and walnut arancini (with a R25 surcharge).   I missed Chef Darren’s colourful plating touch, as the plate only had shades of brown on it.   My partner’s Asian braised pork belly, by contrast, had colour appeal, with oranges creating a colour contrast, and was served with tatsoi, roasted onion infused mashed potato, and a hazelnut and apple crumble.  Further main courses to choose from include Baby chicken, hake, beef fillet with lobster tail, springbok and Karoo lamb neck.  Donovan had told me that the most popular dishes ordered are the Grande Provence Seafood Selection, with his own special XO broth that Chef Darren came back with from Hong Kong last year, and crème brûlée served with a strawberry salsa, and a refreshing strawberry and mint sorbet served on a spoon, which was my dessert choice.  The brûlée was soft and creamy.  My partner chose the Prince Albert Regal cheese, served with brioche and olives.  Other dessert options are chocolate calzone, summer fruit jelly and a chocolate tart.

The winelist has mainly Grande Provence (including Angel Tears) wines, and the wine prices are roughly 50 % of cost of sales, influenced by availability and awards won.   We were impressed with the generous wine quantity poured by the glass.  My reaction to the chilled (17°C) 2007 Shiraz was picked up by the waitress, and she came back with a bottle at room temperature, and allowed me to taste that one as well, and I far preferred the non-chilled glassful.  The paper in the wine list we were given seemed heavily used.   Innovative was the first page listing of all the awards that the Grande Provence wines have won.   Wines by the glass include the Grande Provence Chardonnay (R56/R180), Sauvignon Blanc (R46/R160), Viognier and Chenin Blanc blend (R42/R140), Cabernet Sauvignon  and Shiraz (both R55/R190), Pinot Noir (R60/R230) as well as Angel Tears Sauvignon Blanc (R22/R80), White (R20/R70), Red (R22/R80), Pink (R20/R70) and Blanc de Blanc MCC (R45/R200), very affordable prices.  The Grande Provence, the wine estate’s flagship wine, costs R700.  Pongracz (R185), Pierre Jourdan Belle Rosé (R44/210), Piper Heidsiek (720) and Billecart Salmon Brut Rosé (R1500) are also available.

Donovan proudly told me about the new Rosetta imported coffee range that they will be introducing soon.   Grande Provence guests will be able to order their coffee made from beans of the origin of their choice, much as one can order a type of tea.  Beans will be available from Papua New Guinea, two options from Ethiopia, Panama, Brazil, and Indonesia. The Illy coffees will remain the baseline coffee at Grande Provence.

Grande Provence has been an Eat Out Top 10 restaurant, its previous chefs Peter Tempelhoff and Jacques de Jager having been awarded this accolade.  I am convinced that Chef Darren can achieve the same, and have found him to be one of the most creative platers and food designers, especially as far his desserts go.  I felt disappointed that our dinner did not reflect enough of this talent, which I have seen on so many previous occasions, and I told Chef Darren so when he came to say hello.  Our waitress was good and attentive, but I was annoyed when she interrupted a heated discussion between my partner and I, just to ask our permission to serve the next course, an odd touch, as one is normally in the hands of the chef as far as serving timing goes. A sign of the professionalism of Grande Provence, and of F&B Manager Donovan, was his call the following day, to check if everything had been to our satisfaction, proactively requesting feedback.  It is this care and friendliness that makes me go back to Grande Provence over and over again.

Restaurant at Grande Provence, Main Road/R45, Franschhoek.  Tel (021) 876-8600.  www.grandeprovence.co.za. (The website contains the menu, a profile of Chef Darren, and a description of the restaurant interior.  Disappointingly there is no Image Gallery to display Chef Darren’s beautiful dishes).  Monday – Sunday lunch and dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

Restaurant Review: Bistro Sixteen82 recipe for success, excellent value for money

I had read about Bistro Sixteen82 at Steenberg wine estate in Constantia on Twitter, and about its Beef Tataki in particular, one of Chef Brad Ball’s signature dishes.   My first visit last week was one of wow – amazement at the wonderful setting, the amazing decor, the friendliness of the staff, the wonderful food, as well as the value for money, a perfect recipe for success.  I felt that the “Bistro” name, which Wikipedia defines as “a small bar serving moderately priced simple meals in an unpretentious setting” is completely inappropriate for this wonderful restaurant, the restaurant underselling itself, and thereby overdelivering.

Bistro Sixteen82 opened just less than a year ago, in a new building built on the historic Graham Beck Foundation-owned wine estate, which was given to Catharina, “the widow Ras” as she was known, by Simon van der Stel in exchange for (undefined) “favours”, I was told by the charming Lida van Heerden, the Cellar Door Manager.  Catharina must have been quite a lady, having had five husbands, and was the inspiration for the name of Catharina’s, the other Steenberg restaurant.   With the historical heritage of Steenberg, the modern building housing the tasting room as well as the Bistro is a surprise, but fits into the environment well, probably because the building is quite a distance away from the historic Steenberg Hotel buildings.  There is ample parking, and the building opens onto a well-kept lawn, which seems to melt into the vineyards on the mountain slope above.  There is a lovely water feature, making it very tranquil to sit outside.

When one steps into the tasting room, which one has to walk through to get to the restaurant, one notices the dominant chandelier, made from 2700 green and red resin oval shapes, depicting grapes, with pips and all!   The light was made by Carole Carr-Harris from Divali Lighting in Hermanus, and weighs a ton, needing a reinforced ceiling to hold the weight.   The tasting section is a round island in a generously sized room, from which leads a lounge, at which one can taste wines too, or just enjoy sitting at the fireplace on a wintry day.   The architect and interior decorator is Richard Perfect, and he certainly did a perfect job in creating an architecturally unique building inside and out. 

The restaurant is a large space, with tables seating 70 patrons close together, especially against the two end walls, which have a fixed seat against the wall.   The close proximity of the tables, and the fully booked restaurant, gave it a wonderful buzz and energy.  It was nice to see Jenna, the hostess, who has attended one of Food & Wine Bloggers’ Club meetings.  Chef Brad was off-duty, but kept an eye on things with his staff as soon as he had read via Twitter that I was at the restaurant, and also provided the exact details of the sauce served with the asparagus starter on Twitter, even though he had the day off!   A large structure made from branches is a decorative feature on the ceiling, and bunches of pin-cushion proteas presented in large glass vases give a flash of orange in an otherwise white-dominant restaurant interior, the same protea-filled vases being seen at the entrance to the building, from which can also see the steel vats of the winery. The comfortable chairs have a natural wood look, with what looks like a modern-day ‘riempie’ for the seat, matching the ceiling wood structure.  The vats are also visible behind the Raw Bar, and the estate’s white and red wines are cleverly displayed on two of the walls, creating a design feature.  A Raw Bar refrigerated display counter contains salamis and hams, capers as well as cheeses, with an Oyster Tank next to it.  Staff look smart and professional, with white shirts, a smart slim silver tie, with a tie clip, and black slacks and black aprons. 

The tables have white table cloths and impressive serviettes with the name of the restaurant embroidered on them.  Cutlery and glassware is of good quality.  The menu and winelist is made from black leather, and is a simple insert.  The number of choices of dishes and wines is reasonable, yet very varied, making it easy to choose.   The reasonable cost of the dishes impressed, Front of House Manager Jürgen Welp telling me that from the outset Chef Brad Ball wanted the Bistro to stand for value for money, both in terms of its food as well as the wines (the mark-up is no more than 25 % for the Steenberg wines, unlike some of its Constantia neighbours charging threefold for their estate wines, even if the tasting room is only a few steps away).  With a corkage fee of R40, it would be more expensive for a customer to do a BYO with corkage added, compared to ordering from the winelist.

Chef Brad Ball was previously at River Cafe, Olympia Café and Pastis, while Jürgen had worked at Buitenverwachting for seven years.  Both set up Bistro Sixteen82 a year ago. 

Our waitress Natalie brought the bread basket to the table, consisting of a bread stick, slices of focaccia and ciabatta, with a small platter of olives and sundried tomatoes, and olive oil and balsamic vinegar served in tiny milk jugs.  The Summer menu is divided into four sections, labeled as “Stimulate” for the starters, including smoked pork paté, pea and pancetta risotto and snails, costing R46 each, and mussels, slightly more expensive;  “Rejuvenate” contains two dishes : Beetroot tarte tine served with smoked trout mousse (R68) and the house salad (R45/R64).  “Inspire” contains the main courses, ranging from R78 for Broccoli feuillette (gorgonzola fondue) to R 120 for Franschhoek Trout and Steak au Poivre.  Other mains include a pork belly ragout, line fish, a charcuterie selection and sticky pork belly.  The “Indulge” selection contained five desserts, costing between R44 – R50, all interesting sounding, and a cheese platter at R48.

I ordered the Asparagus starter (R50), served with a truffle mousseline with parmesan, and decorated with tiny snippets of tomato, a lovely melody in green, yellow and red. The sauce was delicious, and overshadowed the steamed crispy asparagus, it was so special.   My son had the Beef Tataki, which is seared beef fillet and then thinly sliced in carpaccio style, served with soy sauce, ginger, sesame seeds, chilli, sesame oil, radish, spring onions, and lime juice. It is a unique combination of ingredients causing a taste explosion, costing R49 as a starter and R 105 as a main.  My (student) son could not finish the main course portion, it was so filling.  I ordered the entrecote steak, simply served as two thick slices, with mash (a bit stodgy, I felt, but it was my choice – normally the steak is served with potatoes and peppercorn sauce) and steamed carrots and beans.  An excellent small but effective steak knife was provided.

The Raw Bar board shows prices to be R18 for an oyster, and Gravadlax at R44.  Other options are Pink Tartar, being Norwegian salmon with chilli and lime, costing R60/R105 as starter/main course, and the Red Tartar, being a tartar of Chalmar beef served with capers and a quail egg (R56/R98).   The cappuccino was served with two pieces of home-made Turkish Delight. 

We were offered a complimentary glass of the Steenberg Brut, made from 100 % Chardonnay, the first tasting of this bubbly, crisp and dry, and a good marriage with the asparagus.   The Steenberg wine range consists of 1682 Chardonnay MCC, Sauvignon Blanc, HMS Rattlesnake Sauvignon Blanc, HMS Sphynx Chardonnay, Merlot, Shiraz, 1682 Pinot Noir, Sauvignon Blanc Reserve, Sauvignon Blanc/Semillon, Nebbiolo, Catharina, Magna Carta, and Klein Steenberg Sauvignon Blanc, Rosé and Bordeaux Blend.   The Steenberg wines understandably dominate the winelist, with almost all their wines being available by the glass.  The Klein Steenberg Bordeaux Red costs R24 for a 250 ml carafe and R70 for a bottle, and the most expensive is Steenberg Catharina 2007 at R77/R230.   It also lists a few other Constantia wine brands, keeping it proudly-Constantia.  Billecart Salmon Brut Reserve costs R 585 and the Rosé R750.  

I don’t always make a point of visiting the cloakroom, and here I saw the only aspect of the decor that came across as kitsch – the cloakroom and the toilets are covered with a wall paper that is a close-up of a vineyard, making one claustrophobic.  It is such a contrast to the good taste of the decor in the rest of the building. 

I loved my first visit at Bistro Sixteen82, and will be back again to try some of the other dishes on the Summer menu.  I felt it to be excellent value for money, and a happy and relaxed space, with very friendly staff and happy customers who did not seem to want to go home.  I am very surprised that Bistro Sixteen82 did not make the Top 20 Eat Out Restaurants shortlist, but should be sure to do so in 2011.  The Breakfasts, and the Eggs Benedict in particular, are legendary at Bistro Sixteen82 too.  

POSTSCRIPT 22/2: A visit to my accountant in Constantia was a good opportunity to make a return visit to Bistro Sixteen82.   I had an early lunch, and was served by Manager Jürgen, and was offered a glass of Steenberg Brut – I accepted a half glass. I tried two new starters on Chef Brad Ball’s menu, and absolutely loved the presentation as well as the taste of the Duck liver parfait and duck prosciutto, creating a beautiful dark/light effect underneath the mousse, and served with a small wine-poached pear.   Then I had the Capellini and truffle créme, topped with chopped tomato and a poached egg, a more simple but filling and tasty dish, beautifully paired with the Steenberg Semillon.  

Bistro Sixteen82, Steenberg wine estate, Constantia.  Tel (021) 713-2211.  www.steenberg-vineyards.co.za   Twitter :@Bistro1682.  Mondays – Sundays, Breakfast, Lunch and Dinner, 9h00 – 20h00. 

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

Restaurant Review: Reuben’s at the One&Only Cape Town is a-maze-ing!

Let me admit at the outset that I was sceptical as we set off to our dinner on Saturday evening at the new Reuben’s at the One&Only Cape Town, which opened last Wednesday.  I need not have been.  I was overwhelmed by how outstanding the food and service was, with fair prices for the food, but with generally more expensive dishes than those at Reuben’s in Franschhoek, and with very high prices for mostly exceptional wines.  Reuben’s at the One&Only Cape Town is a ‘grown-up’ and sophisticated Reuben’s, the best Reuben’s by far!

I have never written a review about Reuben’s Restaurant, despite it having been my favourite ever since I stumbled upon it in June 2004, when it first opened in Franschhoek.  Immediately I felt it was a restaurant for me, and it became my favourite, and we recommended it passionately to our Whale Cottage Franschhoek guests.  The initial service levels, which made Reuben’s the top of the Eat Out Top 10 Restaurants as well as Reuben Riffel the Top Chef six months after opening, could not be maintained, and gradually the service levels dropped, starting with the telephonic bookings, down to rude service from the then-sommelier/manager.

A review of the new Reuben’s needs to trace back the history of its opening at the One&Only Cape Town.  It is well-known that Gordon Ramsay’s maze opened at the hotel in April 2009, and that the contract with the restaurant was abruptly cancelled by the hotel at the end of July.  Reuben Riffel was tipped to open in Ramsay’s place, but Reuben denied this to us and to the media.   Clare McKeon-McLoughlin of Spill Blog confidently predicted Reuben’s appointment, even though Reuben had not yet made a final decision nor signed the contract.  We were told that her disclosure caused mayhem in the hotel, as staff at the hotel did not know about the appointment, and that the then Hotel PRO Etienne de Villiers’ supposed “endorsement” of the apppointment in the Spill blog post was untruthful, and may have led to his recent departure from the hotel.   It would appear that an Irish maze staff member, who has since returned to London, was the mole, spilling the beans to Spill.   In less than a month after the announcement of Reuben’s appointment, the restaurant has opened its doors at the One&Only Cape Town, and is confidently trading.   In terms of this controversy, Reuben says he prefers to stay out of it and remain in the kitchen!

When I made the booking on the morning of our dinner, the restaurant answered as “Restaurant at One&Only”, the interim name that the restaurant had before Reuben’s opened.   We were allowed to park in the basement of the hotel, and there is no charge.  When we walked into the restaurant, we could not help but feel that we were in maze.  I was looking for the Brasserie that Reuben had been quoted to be opening at the One&Only Cape Town, but we could not see it.  The same horrid carpet and massive orange lampshades are still there.   The furniture has not changed, although the table tops have been varnished and the Reuben’s name engraved into them.  Other than branding on the chic black and burgundy staff aprons, on the lift list, and on the menu, there is no Reuben’s branding outside or inside the restaurant.  Surprisingly, the orange/brown colouring of the maze interior matches Reuben’s rust brown colour scheme almost perfectly.   We were critical of the maze interior when we went there soon after its opening last year.  Reuben says that the interior will be amended in three stages, with the tables completed, and bistro boards with specials going up shortly.   The interior decorator that Reuben’s has used in Franschhoek and Robertson will be coming this week to see how she can soften the harsh hotel interior.

The maze and Reuben’s marriage will take some time to gel to the benefit of the new restaurant.   From maze the restaurant has inherited the decor, all the waitrons (there was no shortage of staff on the floor), managers and also kitchen staff, the outstanding sommelier Andre Bekker and his Diamond award-wining Diner’s Club Restaurant Winelist, a wine library of over 700 wines, the choice of three breads baked by the kitchen, and the waitron service standards that have been set in the past, being much higher than those of Reuben’s in Franschhoek.   From Reuben’s comes the menu, the little coarse salt pots on the tables, a far more informal style of dress (the ties of the managers have come off), a more relaxed interaction with customers, something that was not encouraged at maze, as well as new serving dishes and some cutlery.  The One&Only staff were trained by Reuben’s wife Maryke about their service standard, the menu and the food.  The staff have tasted the dishes, and are still doing so as Reuben fine-tunes the menu for the official 1 October start.   The winelist and the menu are miles apart, and need to find each other, the former being very expensive and also out of character with the Brasserie feel which Reuben’s wants to create, and with the winelists in Franschhoek and in Robertson.

The exact relationship between Reuben Riffel and the One&Only Cape Town is unclear, but the hotel employs and pays the Reuben’s kitchen and waitron staff.   The brief was for Reuben to get the best kitchen staff possible.  This reduces the risk for Reuben, and means that he is compensated for his brand name and for his time through a share of the turnover.   Having a room at the hotel is a fringe benefit the Reuben’s Franschhoek staff are enjoying when they come through to town.  The arrangement with the hotel has allowed Reuben to appoint Camil Haas, previous owner of Bouillabaisse in Franschhoek and Green Point and of Camil’s in Green Point, to substitute for him at the One&Only Cape Town and in Franschhoek from October, giving each of these two Reuben’s a heavyweight chef every day.   In addition, Maritz Jacobs, previously of Le Quartier Français and 15 on Orange hotel, is the new Head Chef at the One&Only Cape Town, meeting Reuben’s requirement for a young and energetic chef.  The Pastry Chef is René Smit.  Reuben is called the Concept Chef on the menu, as he is on the Reuben’s menus in Franschhoek and in Robertson.  Samantha Housden from Tank will be joining as the Restaurant Manager on 1 October.  Reuben recently bought out his Boekenhoutskloof partners Tim Rands and Marc Kent, who helped him set up the business six years ago.  He says this gives him new flexibility to make decisions more quickly, and to steer his business where he wants it to go.

The menu is A3 in size, and has the same format as that in Franschhoek and Robertson.  It is neatly divided into a Starters, Main Courses and Desserts section, as well as a mini Vegetarian menu of Starters and Main Courses, a Fish and Seafood section, as well as Side Orders.   In future it will also carry the names of the special suppliers of fine organic produce that Reuben’s will be sourcing.   The menu content in terms of dishes offered is vastly different at the new Reuben’s, compared to the Franschhoek branch.  The menu is being fine-tuned in the next 10 days before the official opening, and has already seen changes in the first four days of its operation.

A small bowl of olives was brought to the table, as was three types of bread: a baguette, tomato bread and black olive bread.   Butter was on the table, as was a bottle of Willowcreek olive oil.  I ordered Asparagus with a hollandaise and orange reduction (R60) as a starter from the Vegetarian section, which was topped with the most wonderful micro-herbs, being miniature coriander, basil and rocket, and adding the most wonderful taste to this dish, beautifully presented on a glass dish.   Other starters are oysters at R25 each, pickled veal tongue (R60), chilli salted baby squid and shredded duck salad at R70 each, salmon tartar and cured venison at R75 each, mussels (R80), and a white asparagus and langoustine salad (R110).

My main course was the most wonderful kingklip (R140) – a good portion of firm fish, served with the unusual combination of avocado, on a bed of mash (I chose it to be plain, but the menu specified it to be tumeric mash), and with crunchy Chinese cabbage, a mint salsa and coconut cream.   The same micro-herbs served as garnish for the dish, and again added a unique taste to round off the dish, the best kingklip I have ever eaten.  My only criticism was that a serrated knife instead of a fish knife was served.  My colleague had Karoo lamb curry (R135), served in a bowl, with sambals (yoghurt and pineapple, and chopped tomato and cucumber) and basmati rice in a tiny iron pot, presented on a separate dish.    She loved the genuine Cape Malay taste of it, and picked up garlic and ginger notes, as well as jeera, cardamom and barishap spices in her lamb stew, with dhania leaves on top.  She called it “hemelse kos”, it tasted so good!   Other Main Course options are lamb rack (R175); ostrich fillet, 180 g beef fillet and a 450 g rib-eye steak at R 170 each; quail saltimbocca (R130); 240g sirloin and pork belly at R125 each; veal tripe (R120); and Reuben’s faithful wonderful calf’s liver at R115.  Other Fish options were yellowtail (R110) and Tandoori spiced prawns (R170).   Side orders cost R 35, but all main courses come with a starch and a vegetable.

For dessert my colleague had Muskadel crème with poached hanepoot grapes, ginger crumble and raspberry ice cream, in a glass bowl and served on a slate plate.  Slate is used extensively at Jordan’s Restaurant with George Jardine, and to a lesser extent at Jardine’s.  My dessert was a fascinating Lemon and olive oil custard, to which was added cocoa crumble, a half-round thin slice of chocolate as well as Swiss chocolate mousse, finished off with edible gold paper which I thought the kitchen had forgotten to take off!   Desserts cost R65, expensive I felt, but the portions were generous.  Other desserts are a seasonal fruit compote, Amarula scented malva pudding, Tequila sundae, and a bitter chocolate fondant, the latter costing R80.  I felt, on the basis of two desserts, that the desserts needed more work.  My cappuccino did not arrive at the same time as the dessert, as requested, and was not very foamy.  It was immediately replaced with one in a bigger cup size, and was very foamy.  Petit fours were brought to the table after the dessert plates were cleared, also on a slate plate.

The sommelier Andre has been at the hotel almost since it opened, and he says that the winelist has not changed much from its impressive start.   They have added wines bought at the Nederburg and CWG auctions, as well as garagiste and boutique winery brands.   Some international wine prices have been reduced over time, and some local wine prices have increased.   The 37-page winelist will be changed, the lengthy introduction to the South African wine industry to be removed.  I disliked the division of the wines by region, and then by varietal on the maze winelist, but this will not change.  It means that if one likes drinking a Shiraz, for example, one has to check through every region’s Shirazes to check which one to order.  It could take one  a whole evening to wade through the many wines on offer, including 50 wines-by-the-glass, 32 champagnes, and 18 MCC sparkling wines, as well as wines imported from France, Spain, Italy, Portugal, Argentina, Chile, New Zealand, the USA, and Australia.   I did not like the file/folder look of the winelist, and do not remember it looking like this at maze.   Its practicality in updating vintages and prices is an obvious advantage.  The yellowish cover of the wine list does not match the Reuben’s colour scheme.   Wines-by-the-glass can be served in 50ml, 150ml and 250 ml quantities, making the expensive wines a little more affordable by reducing the quantity one drinks!  Wine flights in three’s are also available, by region or by varietal.   I chose a glass of 2006 Glen Carlou Shiraz, which cost R 72 for a 150ml glassful – 50ml cost R24, and 250ml R120.   The 2005 Luddite Shiraz prices were R37/R112/R187 per glass.  The 2007 Brampton cost R9/R28/R47.  Migliarina Shiraz 2006 cost R17/R52/R87.  A glass of 150ml of bubbly cost R260 for Ayala ‘Rose’ Majeur, R200 for Billecart Salmon Brut, R98 for Graham Beck Rosé, R49 for Graham Beck Brut, and R44 for Villiera.   It is clear that the wine prices are exceptionally high.  Andre spoilt me with a complimentary glass of dessert wine.

We felt privileged that Reuben came out of the kitchen to sit and chat with us.  He intends to come out of the kitchen a lot more in future, and having chefs working for him will allow him to do this.  Starters will be prepared behind the counters inside the restaurant in future, to allow diners to connect with the food preparation and the kitchen staff too.   Reuben is working on creating synergy in the menus for his three Reuben’s, yet having unique items on each menu that reflect what customers like in each area.  At the One&Only Cape Town the calf’s liver is extremely popular, he says, as is his Veal tripe (‘Pens en Pootjies’).   We were struck by Reuben’s humility and quiet confidence that he has made the right decision by opening his latest Reuben’s at the One&Only Cape Town.  He recognises that service levels can improve in Franschhoek, and he sees a benefit of exchanging his staff between the two locations, so that the One&Only Cape Town service standards can become those of the Franschhoek staff too.    There will be no launch function, Reuben preferring to quietly open and delivering on the expectations of a more demanding Cape Town as well as international clientele.   Reuben’s staff also prepare the hotel breakfasts.

We will recommend Reuben’s at the One&Only to our Whale Cottage Camps Bay guests with confidence, and we will return.

Reuben’s at the One&Only Cape Town, One&Only Cape Town, V&A Waterfront.  Tel (021) 431-5888. www.reubens.co.za (The new restaurant is not yet listed on the Reuben’s website, nor on the One&Only Cape Town website).  Open for breakfast, lunch and dinner, Monday – Sunday.

POSTSCRIPT 20/9: Samantha Housden’s restaurant experience includes launching London’s Level 7 Café at the Tate Modern Gallery and managing the Eyre Brother’s restaurant owned by the godfather of gastro-pub cuisine David Eyre.  She started Cilantro in Hout Bay, having been its chef too.  She has left Tank to join Reuben’s at the One&Only Cape Town.

POSTSCRIPT 25/9: We returned for dinner a week later, and met the new Restaurant Manager Samantha Housden for the first time.   She came to check on our table regularly, as did Marcus, an interim manager.  Due to a strong attempt to upsell us by a waiter, we asked for waiter Victor, who had served us the previous week, and his service was as good as ever.   The recognition by the staff from our visit a week ago was impressive – from the hostess as we arrived (I had used my son’s name for the booking this time), to the sommelier Andre and the waiter Victor remembering specific requests and likes from a week ago – in line with Reuben’s Franschhoek.   Disappointingly the food was not as good as it was a week ago – the kingklip was undercooked and did not have the lovely microherbs (but a generous portion was brought to the table when I asked about them) and the sirloin had lots of sinews.   Reuben was in the kitchen, and spontaneously came to say hello.  I was delighted to hear that sommelier Andre has heeded our feedback, and will revise the winelist, to arrange it by varietals, and to mention the regions, which will make wine selection much easier in future. 

POSTSCRIPT 14/1:   I arrived in good spirits, and was shocked at the disappointing food quality and service.   Although the telephonist tried to put through my call three times, so that I could check if I could still get a table at 22h00, no one in the restaurant answered the phone.  I decided to arrive anyway.   I was warmly received by the hostess, and discovered immediately that Manager Samantha Housden is no longer at Reuben’s.  The evening shifts were getting to her, I was told.  Kagiso Mmebe is the new Manager, and started three weeks ago, having been a lecturer in Restaurant Practice at the University of Johannesburg.  A sweet waitress Unite took my order efficiently, and that is where her service support ended.  She brought butter and olives, but never came with the bread.  I had to ask a manager for it.  It was explained to me that Unite is a runner, being trained up to be a waitress, but she wears the same colour shirt as do the waiters, so one cannot identify her lesser skills.  She is meant to work under the guidance of a waiter, but this did not happen.   I ordered the baby chicken main course (R135), which was not cooked properly, even after sending it back once.   My choice of carrots with vanilla and honey as the side-dish was an excellent one.   The wild mushroom sauce tasted strongly of an Oxo stock cube, with not a piece of mushroom to be seen.  The sauce was taken away, and mushrooms added.  I had to ask for a finger bowl.  The wine steward Tinashe Nyamudoka was wonderful, just taking my wine order and pouring the Glen Carlou Shiraz 2004 at the table, as requested.   The frozen espresso cake with a berry coulis and an odd-looking meringue was excellent (R65).   Assistant Manager Marcus Isaacs kindly took the chicken off the bill.  It was disconcerting to hear from the staff that Reuben Riffel has barely been seen at the restaurant in the past two weeks, although Marcus disagreed.   Camil Haas is not at Reuben’s One&Only at all anymore.  There is no sign of any further decor changes, after the curtains were opened.  The new summer menu, launched last week, has very understated Reuben’s branding, and does not look like a Reuben’s menu anymore, and there is no listing of the names of the chefs on it anymore – not even Reuben’s name is mentioned!  Chef Aviv Liebenberg from Reuben’s Franschhoek (and previously Robertson) has been moved to Cape Town, working with Chef Maritz.   I could not help but be concerned as to where Reuben’s in the One&Only Cape Town is heading – it certainly is no longer a-maze-ing!

Chris von Ulmenstein, Whale Cottage Portfolio : www.whalecottage.com