Tag Archives: cellar

‘Reflections on the Future’ design trends: orange is the new black!

I Love my Laundry Bree Street table Whale Cottage PortfolioThe brief to address trendtalk #7 at the Plascon Auditorium last week led to three speakers in the Cape Town design industry approach design trendspotting from three very different perspectives, addressing  the theme of  ‘Reflections on the Future’.   Attending the Bloggers’ evening at the new I ♥ my Laundry branch on Bree Street last night, I saw how their bold use of orange is spot on trend, a colour they already chose when they opened on Buitengracht Street 19 months ago. Orange was described as a bright and cheerful colour which does not overwhelm and which works well in ‘dark moody spaces’.

#trendtalk was conceptualised by Lauren Shantall of Inhouse Brand Architects, and four design and decor trend talks are held in the Cape Town city centre per year.

1.  Laurence Brick, co-founder of Loads of Living, spoke mainly about trends in interior home design, reflecting that consumers evolve, and feed each other with creative ideas, mainly seen on Social Media:

*   The kitchen is the new lounge, where one entertains friends and gathers as a family.  The design of the kitchen matches the artisanal fresh food which is on trend.

*   Textiles chosen for interiors have texture, and reflect honesty and integrity in how they are made.

*   Lighting has become very industrial and sculptural, ‘as good as art‘, with bare Continue reading →

Neil Ellis Wines moves to new Helshoogte Pass Tasting Room

The Helshoogte Pass area has become an interesting destination, with strong restaurants (Delaire Graff Restaurant, Indochine and Tokara), and even more so with the opening just over a month ago of the new Neil Ellis Wines tasting room and cellar, at the start of the pass which links Stellenbosch and Franschhoek, and which is already home to the Delaire Graff, Clouds, Thelema, Alluvia, Camberley and Tokara wine estates.   A visit to the tasting room a week ago was disappointing, the staff seeming hesitant to provide information.

I was particularly interested in visiting the Tasting Room, when I noticed the brown tourism sign, as I had the luck of being in the same class as Neil at Huguenot High School in Wellington many moons ago.  He was the quietest person in our class, and we never would have guessed that Neil would become the best-known class member one day!

The Tasting Room and cellar is a generous sized building, rather industrial and functional looking from outside, quite unlike most other such facilities.  Ample parking is available.   One can see the effect of the strong southeaster on the plants outside the building, and although chosen to be hardy, many have perished due to the wind.

On the 40°C day, the airconditioning inside was wonderfully cool.   The interior space is extremely large, with a tasting desk in an L-shape, which leads one down the passage to a large tasting room.   The high chairs around the tasting desk are made from a Scandinavian-looking wood, with interesting red mesh seating.  The many awards won are displayed on a wall.   Behind the tasting desk is an interesting ‘drawing’ painted on the wall itself, running almost the full length of the wall, by Lorenzo Nassimbeni, and depicts the mountain and the Neil Ellis Wines building.   

I asked for a brochure and more information, and the two ladies on duty seemed quite hesitant about providing it, blaming this on their move to the Tasting Room about 6 weeks ago.   Previously the tasting facility was on a property in Jonkershoek, which belongs to Hans-Peter Schröder.  Neil Ellis started making wines in 1986, and his association with Schröder started in 1993, with the establishment of Neil Ellis Wines.   The new tasting venue and cellar is on another Schröder property.   To make his wines, Neil sources grapes from Stellenbosch, Elgin, Darling and Somerset West, and I did learn that he was the first winemaker in South Africa to source grapes from other regions.  Neil’s son Warren is the viticulturist and is following in his dad’s footsteps as a winemaker.

At the tasting room one can taste out of a selection of seven wines at R25.   These are the red range – Neil Ellis Aenigma 2007, Shiraz 2009, and Cabernet Sauvignon Merlot 2008, all costing R90, and Cabernet Sauvignon 2008 (R120).   The white range available for tasting and buying is Groenekloof Sauvignon Blanc 2010 (R75), Stellenbosch Chardonnay 2010 (R85), and Elgin Chardonnay 2009 (R120).  Neil Ellis Werner Näkel, a partnership with a German winemaker, selling for R200, was marked as sold out.    Other wines to buy, but not available to taste, are the Neil Ellis Vineyard Selection Cabernet Sauvignon 2006, Syrah 2006 and Pinotage 2008, all costing R200, and the Sauvignon Blanc 2009, at R120.   Some export wine brands are also made, called Left Bank, a Bordeaux Blend exported to the USA; Inglewood, exported to Europe; and Sincerely, also exported to the USA.   Mr Schröder does the international marketing of Neil Ellis Wines, I was told.

If I was just a visitor driving in due to the signage, and did not know better about the calibre of the wines Neil Ellis makes and his stature in the wine industry, I would have found the visit disappointing due to the lack of energy of the staff in providing information or in encouraging me to taste the wines.  

Neil Ellis Wines, Helshoogte Pass, Stellenbosch.  Tel (021) 887-0649.   www.neilellis.com  Open  Monday – Friday 9h30 – 16h30, Saturday 10h00 – 14h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: @WhaleCottage

Restaurant Review: There is no cellar at Sotano by Caveau!

Sotano by Caveau Mediterranean restaurant opened officially today in the newly renovated funky La Splendida Hotel on Beach Road in Mouille Point, near the lighthouse.  Its name has caused confusion on Twitter, as it has been referred to both as Sotano (meaning ‘cellar’ in Spanish) and Sontano (the till slip spells it this way).  Given that the name is to link to Caveau (‘cellar’ in French), the spelling must be the former.  However, there is no cellar visible or accessible to patrons at Sotano!

The restaurant is operated by Caveau, a Wine Bar and Deli in Heritage Square on Bree Street, and At the Mill in Newlands.   The owners are the trio of Jean-Yves Muller, Brendon Crew and Marc Langlois.   It is a surprise that Newmark Hotels, who operate the new hotel, has chosen to contract out the running of the restaurant to Caveau, when it has restaurant interests in OYO (in its V&A Hotel) and Salt Restaurant (in its Ambassador Hotel).   Talk on the street is that Caveau has lost its charm and attraction, and lots of its good staff.  

General Manager of the restaurant is Bruce Philemon, who has worked at Buitenverwachting as Restaurant Manager, at Steenberg as Food & Beverage Manager, and as sommelier on cruise ships, he told me.  Chef Philip Myburgh was previously at Caveau, and before that at 48 on Hout Street, which no longer exists.  He was enthusiastic about his focus on ‘authentic Mediteranean’ food that will be served at Sotano, with an emphasis on seafood and shellfish.  

The wooden deck leading to the pavement, covered to protect patrons from the sun and wind (the south-easter can pump in that corner of Cape Town), with wooden chairs and tables locally made from “French wine barrels”, the imprint on each says, is clearly the most popular space on a good summer’s day.  The problem with the outside seating is that non-smokers have to endure the smoking habits of others.  The beauty of the interior design could be lost to those patrons sitting outside, Inhouse Interiors having constructed a fascinating bar in white with coloured bar stools.  The restaurant section caters for a substantial number of patrons inside, on rainy and windy days.   For ambiance, the restaurant could have done with music.

The restaurant opens at 7h00 every morning and will be serving breakfast until 11h00 every morning.  There are eleven breakfast options, and they seem expensive, but the prices can only be judged on portion sizes.   A health breakfast of muesli, yoghurt and honey costs R50; a charcuterie and cheese platter sounds an interesting breakfast option, at R 55; a salmon bagel with chive cream cheese and smoked salmon costs R60; French toast with fruit and mascarpone (R 55); full English breakfast costs R65; Eggs Benedict R60; and omelettes range from R58 – R70.   After 11h00 the blackboards offer snacking, as well as lunch and dinner options, until 23h00 every day of the week.  The staff are neatly dressed in white branded golf shirts and in grey aprons, with either Anthonij Rupert or Paul Cluver branding.

The Mediterranean menu is written onto two blackboards, and the writing is not easy to read for all menu items.   My eye caught the expensive Caprese salad at R 82 immediately, and in general the prices seem on the high side.  Chef Philip explained that the mozzarella has been sourced from an Italian in Cape Town, who makes the mozzarella from cow’s milk, and the full 100g ball is served in the salad.   Greek salad costs R58.  Oysters cost R 18 each.  Vitello tomato costs (R65), Beef carpaccio (R60), Tomato salad (R60), Fish soup (R70) and Gazpacho (R40).   The Gazpacho was spicy, and consisted of raw tomatoes, baguette slices, red and yellow pepper, as well as herbs, red wine vinegar and lemon juice blended together to make a thick refreshing summer’s day soup, a little on the oily side.   Mains range between R98 (chicken supreme) and R125 (for grilled salmon and poached egg), seafood paella and crumbed veal being the only other options.  One can order flat bread at R20, with hummus (R10) or Tzatziki (R8).   An avocado and feta pizza costs R70.   For dessert one can order fresh watermelon, a summertime treat one rarely sees on a menu (R25), as well as nougat glaze (R28) or lemon tart (R30).

Teething problems were the Cappuccino machine not working yesterday (although the hotel has a 70 % occupancy, and has been open since last week, and invitations on Twitter encouraged one to try the restaurant ahead of its official opening), and the toilet paper running out without any spare supplies.  Waiter training was happening in front of patrons.  A group of four next to me wanted to order a bottle of Pierre Jourdan Brut Rosé (R232), but the waiter offered to bring it by the glass, and the manager had to be called for assistance.   The winelist is not yet ready, but information on the winelist will be added to this review after it is finalised tomorrow.

POSTSCRIPT 16/11:  I went back to Sotano by Caveau this evening, to finalise the winelist information for this blogpost.  When I looked for a table on the deck, I was blocked by Caveau/Sotano by Caveau Operations Manager Ross Stillford, who told me that the three owners of Caveau have decided that I am not allowed to eat at Sotano by Caveau, nor at Caveau, ever again because of the review I wrote about Sotano by Caveau.  To add insult to injury, co-owner Brendon Crew Tweeted about this incident, referred to me as a “bitch” in a Tweet, and continued in disparaging and defamatory vein in subsequent Tweets.  Not a good start to a restaurant that has only officially been open for less than 24 hours!

POSTSCRIPT 22/11:  I have managed to obtain details of the Sotano by Caveau winelist.  Seperated into “Bubbles, Whites, Rose, Reds, Desserts”, it details vintages but not region of origin.   Two sparkling wines (Graham Beck Brut – R49/R195 and Pierre Jourdan Brut – R 38/R150) are offered by the glass.  No champagnes are served.   About ten options per variety are offered, and each variety offers wines-by-the-glass.  Sauvignon Blancs range from R28/R110 for Haut Espoir to R51/R205 for the Warwick Professor Black.  I was interested to see the name of a wine (Parlotones Push me to the Floor), a white blend sold at R116, I had not heard of before, and its red blend ‘sister’ Parlotones Giant Mistake.   Shiraz options range from R25/R110 to R620 for De Trafford CWG 1999.  Magnums are available for Vriesenhof Grenache 2007 (R650), Jordan Cobblers Hill 2000 (R1000) and Meerlust Rubicon 2001 (R1250).

POSTSCRIPT 2/12:  Neil Markovitz, the owner of the La Splendida Hotel in which Sotana by Caveau is located, was most apologetic about the Sotano/Brendon Crew incident when I saw him at the Newmark Hotels function two days ago.  

POSTSCRIPT 4/12: Today we went to have breakfast at Caveau, to try out the restaurant, given the many negative comments it attracted to this blog post.  We were served by the charming Lilly, who brought the breakfast board to the table, and took our order of scrambled eggs (R19) and cappuccino.  The prices were most reasonable, and the coffee was served in Origin-branded cups I have not seen anywhere else.   We were shocked at how run-down the place looked on the outside, with paint peeling off the walls, the chairs wobbly, the tables and chairs not having been varnished for ages, and the Vin d’Orrance umbrellas dirty.  It generally smacked of neglect.   Before we could be served our egg orders, we were asked to leave by the Caveau Operations Manager Ross Stillford, but not before we paid for our coffees!      

Sotano by Caveau, 121 Beach Road, Mouille Point, Cape Town.  Tel 0711962660    www.sotanobycaveau.co.za (website under construction)  Monday – Sunday.   7h00 – 23h00

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: @WhaleCottage

Crush!3 food and wine digital magazine remains unexciting, tries too hard!

We have been critical of Crush!1 and Crush2!,  the new food and wine digital magazine under the editorship of Michael Olivier, respected food and wine guru, as he calls himself on Twitter.   Our opinion has not changed after seeing Crush!3  We are heartened to see that our feedback is being acknowledged and implemented up to a point.   The overwhelming feeling is that the designers are trying too hard to add design ‘bells and whistles’ which distract rather than add to the magazine. This was reflected in the following Tweet on Twitter earlier this week:  “luv your magazine idea but the technology you using is not user friendly. Why don’t you do trad website?”  

We are sad that Michael, a friend for many years, has taken our feedback about the magazines so personally that he has chosen to not comment on our blogposts at all, no longer acknowledges my presence at functions, and has blocked us on Twitter, a rather unprofessional reaction from what we have always believed to be a mature gentleman.

Our review of Crush3! is as follows:

1.   The cover page has appetite appeal, but a new design feature is to show the cover shot change into a dirty used plate, not looking appetising at all.   The photography of this plate of food, from a feature on rosemary, does not come near the beautiful shot which was used for the cover of Crush2!   The type relating to the content runs over the photograph, making most of it unreadable.

2.   We are delighted that the video button has been taken off Micheal’s face on the Introduction page, our complaint of the previous two issues.   Michael also talks on the video without any clanging kitchen noises, as was the case in Crush2!  The Content listing is an improvement.

3.   Advertisers Old Mutual, The Kovensky Quartet of restaurants, Pick ‘n Pay, Pongracz, Arumdale and Welmoed remain faithful, with new advertiser Avontuur.  Arabella wines is no longer advertising.

4.   When reading the Chenin Blanc sub-page on the “Michael says” page, the page rolls down too quickly when one clicks onto the arrow, for one to be able to read the page.  

5.   On the ‘Essentials’ page there are no distracting flashes, and the brand names are typed at each product, but brand and pack recognition for Dalla Cia, Imhoff Jams, Fairview Chevin and Madécasse Chocolates is poor.

6.   The Morgenhof advertorial is visually intriguing but totally spoilt by the Uwe Koetter ring competition block, spoiling the appeal of this page.   The promotional box stays open when one clicks onto one of the four editorial boxes, making it impossible to read the windows about the restaurant, the coffee shop, the cellar and the owner, defeating the object of the exercise.

7.   The double page spread on snoek pate has five beverage bottles on it too, and one can only recognise the brand name of Steph Weiss beer.  Even when “rolling” over the pics of the bottles of Danie de Wet Cape Muscadel, Klein Constantia Rhine Riesling, Douglas Green Fino No 1, and Mullineaux one cannot read their labels.

8.   Andy Fenner’s “Jamie Who?'” page looks as it did in the previous issue, but the flashes are no longer petal-shaped, now being balloons.  The content of these is boring.   One bubble opens onto ‘After Work Drinks’, and three are meant to be featured, but only Harvey’s Bar is visible.   The balloon bubbles flash even when one opens the balloon, giving it a tacky feel.

8.   The “High Five” page is blocked by a promotion “Share the High Five with your friends”.   The Table Bay MCC Brut brand name is barely legible, being light blue.

9.  JP Rossouw has been overseas, so there is no review by him in this issue.  Michael has taken over the role, and has done a feature on La Motte, but once again a competition block blocks the photograph of the grounds and buildings of the “new” La Motte.  One cannot see how to close this block, which incorrectly spells the wine estate as ‘Lamotte’.   The competition does not call the reader to action – it leaves one feeling confused as to how to enter the competition. Whilst the La  Motte pages have three La Motte wines on the page, with unreadable brand names, the placement of the Pongracz ad on the same page seems to be an error of judgement, especially given that La Motte recently launched its own sparkling wine!

10.  The ‘Quick & Delicious’ page is also blocked with a “make sure you are subscribed” block over the week’s recipe cards.  A tiny packshot of Bisquit Cognac is barely readable and when one clicks onto it, it is yet another attempt to get one to subscribe.

11.  The “Cellar for later” page is fine and all wine brand names are clearly readable below the packs.  However, on the “Quaff for now” page, the brand names of the white wines are typed in green, making them barely legible. 

12.   A dreadful old-fashioned burlesque-type typeface is used for the main food feature, being “4 Ways with Rosemary”.  As it is an ingredient, it is not visible in the food shots, other than in its subtle use in the styling.   The information about each of the four recipes in respect of baking time and the number of persons that the recipe serves is barely readable.   This food feature is nowhere as yummy as the Lindt chocolate one was in the previous issue.

13.   David Cope’s “The Foodie” page looks much better than in Crush2!, and has some brand carry-over from his blog with the red tablecloth.  The “Midlands roadtripping” story has little interest to the mainly Cape Town readers.   There are tiny links at the bottom of the page that are barely visible, being so small.

14.   On the “Fresh Summer Food” one dish for Thai prawn cakes can be seen, yet a flash highlights ‘five delicious recipes’.  When one clicks onto that flash, it just enlarges it, and does not reveal the other four recipes.

15.   The feature on The Kitchen restaurant has a collection of photographs to the left, but one cannot see that they are linked to the restaurant story.

16.  The endlessly long “We love Real Beer” feature is blocked by yet another subscription sign-up block!

The design team clearly still tries too hard, making Crush! off-putting to read.  It is also too hard-sell, in pushing its free subscription (most readers would not be reading the magazine if they had not subscribed to it)!  Pushing its competitions at the expense of its own features or of advertisers’ brands is off-putting too, and reduces the value of their brands.   Our invitation to Michael to comment, issued in each of our reviews, still stands.  To read Crush!3, click here. (page 1 of the magazine has not been loading for a week now).

POSTSCRIPT 17/10: We are shocked that Michael Olivier, as editor of Crush!, can endorse a malicious campaign against us on Twitter as of last night, born out of a dinner of the Crush! editorial team, which included Michael Olivier, Sophia Lindop, Andy Fenner (Jamie Who?) and David Cope, in reaction to our three reviews of Crush!.  The driver of the campaign appears to be David Cope (the so-called ‘The Foodie’).  This is a most childish and unprofessional reaction, that one would not have expected from the once highly regarded Michael Olivier. 

POSTSCRIPT 18/10:   David Cope has taken great exception to having been outed, and is now hurling abuse at this writer via e-mail.  Surprisingly Michael Olivier has done nothing to protect his honour and that of his publication.  His broken page 1 has also not been fixed. 

POSTSCRIPT 4/11:  Andy Fenner (JamieWho?) has announced his exit from Crush!  He bases the decision on a collaboration with Woolworths, which has just been signed.   He may be smart in using this as a way out of Crush! to save his reputation, as he was part of the Crush! editorial team that launched the Twitter smear campaign, and is David Cope’s best friend.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage