Tag Archives: David Botha

Luvey ‘n Rose a unique Art and Antique Lounge!

It’s the low key openings, without fanfare, that are often the most exciting.  Luvey ‘n Rose on Rose Street in Bo Kaap opened earlier this week as a coffee shop, art gallery, antique shop, adding wines once the liquor licence has been approved, and soon to be a permanent artist’s residence too.

Owned by Ignatius Claassen, an erstwhile actuary who decided to go it alone and start a completely different business, the business is located in a historic pink painted three storey building on Rose Street.  Ignatius cannot find the date of the completion of the building, but it is sturdily built, and he does know that there was a workshop downstairs, a button factory in the middle, and that it had an apartment on the top floor.  In the early days, when Cape Town’s cobble stone streets were tarred, the building was owned by a shoe and trouser tar-protection clog manufacturer.

Ignatius grew up in Despatch in the Eastern Cape, and took art as a school subject until Std 7, and says that he can draw and paint.  In the army (he was part of the last intake) he made money from his army friends by drawing them, which portraits they sent to their girlfriends and parents, as they could not send photographs in those days. When some starting receiving what he called ‘Dear Johnny’ relationship-ending letters, they felt that the drawings were jinxed, and so a promising art career came to an end.  However, Ignatius’ interest in art never waned, and he bought works at auctions, from art galleries, and from artist friends directly in Stellenbosch, Cape Town, and in Johannesburg where he lived for part of his career.  A short-lived guest house career followed, until he sold two properties, moved to Cape Town, found the property, and put his money into art and antiques.  It was meeting up with his school friend Paul Noppe Adams that was a sign to change direction, and his children living in the Cape that made him settle in Cape Town.  He and Noppe live in the building, and Ignatius’ neat bedroom (reflecting his army training, he laughs) is open to view, as is the bathroom, as they contain art works that are for sale too.

Ignatius is quite philosophical about art, saying that one buys a work because of an emotional bond that it creates with the purchaser.  He buys works that appeal to him personally, that he would want to hang in his own home.  He will sometimes buy a piece for the concept, and not for its beauty, he said.

The first two floors are filled with art works from artists such as JH Pierneef, Walter Battiss (left), Shaney van den Bergh (photograph right, unusual in being painted on woven paper strips), Penny Siopis, Peter Clarke, Paul Emsley (once an art lecturer at the University of Stellenbosch and now lives in the UK, whose recent portrait of Kate, Duchess of Cambridge, was controversial), Wayne Barker, Stanley Pinker, and Alexandra Ross.  A table is dedicated ‘as a shrine’ to the late David Botha, with prints and drawings available for sale.   The third floor will be dedicated to the use of a studio apartment for a promising artist, and the first resident will be Johannes Phokela, a Soweto-born Masters in Painting graduate from the Royal College of Art and one of the artists chosen to represent our country at the International Venice Biennale later this year.  The view from his apartment is onto Table Bay harbour, and onto the colourful Bo Kaap, a stimulating inspiration for the artist.

The two floors are filled with an array of furniture, none matching, but forming clusters of seating, firstly available to buy, but also to invite one to sit down, to meet with friends or with clients and colleagues, over a good cup of Deluxe coffee (made in a mean-looking Sevruga coffee machine) and a Cuban cigar, with Buena Vista Social Club or Cesaria Evoria as background music.  The windows are big and let in light, uplifting in the winter months to come.  The latest newspapers are available, as are art books for one to peruse.

They are not offering a restaurant service, but have partnered with Jason’s on Bree Street, in carrying his menu.   At a R15 surcharge paid by the customer, the order is collected from them by scooter and delivered back, it taking 16 minutes from placing the order to the BAB (Bacon, Avo, and Brie) sandwich (R55) being delivered.  On the coffee table where we sat was a book called ‘No, It Is’, in which William Kentridge sketches have been printed inside over the book copy.

Luvey ‘n Rose is sure to become cult.  It is laid back, friendly, and a most unusual environment in which to meet others, or just to have a quiet moment away from others!

Luvey ‘n Rose, 21 Rose Street. Bo Kaap, Cape Town.  Cell 0835577156  Facebook page. Monday – Sunday 7h00 – 18h00 (opening times variable, to be adjusted once the liquor licence has been received).  Wifi to come.

Chris von Ulmenstein, Whale Cottage Portfolio: www,whalecottage.com Twitter: @WhaleCottage

KWV Sensorium a unique pairing of KWV wines and top SA art!

If there was one good thing about Vindaba, the wine tourism exhibition which ran alongside CapeWine 2012, it was the discovery of the innovative new KWV Sensorium at its Head Office in Paarl, which pairs highlights of the KWV Art Collection with KWV wines, and which has brought the art collection under one roof for the first time.

The creative idea came from a group think tank, curator Elsa Hoogenhout said, and has given the historic KWV Head Office interior a new and modern feel as one enters the building.  The Sensorium is believed to be the first wine and art pairing in the world.  The creativity is evident before one even enters the Sensorium, with a Reception bench made from wooden staves to which old office furniture has been affixed, being functional seating as well as expressing the differentness of the rejuvenated KWV, one of the leading and oldest (94 years) wine producers of the country, having been one of the top performers, with Nederburg, at the Veritas Awards on Saturday evening.  Using the services of two architecture firms, Albertyn Viljoen from Paarl, and Mashabane Rose from Johannesburg, the rectangular space has a central glass-encased KWV wine display and food preparation centre, with special lamps made from KWV branded crystal decanters.

Each of the 28 featured artworks out of the approximately hundred in the KWV Art Collection, which has been built up over the past sixty years, has been uniquely paired with a KWV wine, based on what the artwork represents or its colouring, a team effort between Elsa and her wine colleagues. At any given time, four of the paired artworks can be experienced by tasting the matching wines, and the four paintings and pairings will be rotated, so that one can study new paintings and taste new KWV wines each time one visits the Sensorium.  I was lucky to have Elsa telling me about each painting, and each is well described where it hangs, with five words that are uniquely descriptive of the artwork as well as of the KWV wine, not using traditional wine-speak.  The catalogue for the exhibition is informative, and contains each artwork, the wine pairing, as well as the QR code so that one can obtain more information about the wine from the KWV Sensorium website.  The paintings are hung in sections in the Sensorium, depending on their wine pairings, being white wines, red wines, and dessert wines.

The first artwork is entitled ‘The Funeral’ (of poet DJ Opperman), and is by Marjorie Wallace, showing his family in one group and his friends in another.  His family did not approve of his friends. Interesting is the seemingly contradictory pairing of the sad theme of the painting with the KWV Cathedral Cellar Cap Classique, and Elsa explained it as representing the rebellious and effervescent character of the poet.  The words associated with the wine and the artwork are: rebellion, reminiscent, icy rain, wet grass, effervescence.

This was followed by ‘Boland Bride‘ by Christo Coetzee, one of his last works, which is paired with the KWV The Mentors Viognier. Viewers of the artwork either love or hate it, Elsa said, and the reaction to Viognier is similar, she said. Yet both the artwork and the wine are complex, being layered. The five descriptive words for the wine and the artwork are: bittersweet, complex, floral, masculine, and Miss Havisham ( a character from Charles Dickens’ ‘Great Expectations’).

A work which was commissioned by the KWV is by Piet van Heerden and entitled ‘Boland Valley‘, painted from Paarl Mountain, and is an iconic painting of Paarl, and was therefore paired with the iconic KWV Roodeberg.  The words used to describe the painting and the wine are the following: legendary, rockface, vista, sunset, Kodak moment!

The pièce de résistance is the massive Irma Stern ‘Harvest’ painting, probably the largest surviving Stern artwork in South Africa, which was paired with KWV Red Muscadel, its colour matching the different shades of red and orange fruits in the painting.  The words describing the two masterpieces are the following: joyful, abundant, Garden of Eden, exotic, parable.

Other artists in the KWV Art Collection are JH Pierneef, David Botha, Gregoire Boonzaier, Carl Buchner, Frans Claerhout, Herbert Coetzee, Tinus de Jongh, Llewellyn Davies, Pranas Domsaitis, Elly Holm, Amos Langdown, Francois Krige, Erik Laubscher, Hugo Naudé, Alexander Rose-Innes, Edward Roworth, and Maurice van Essche.

Elsa wants visitors to pop in and enjoy their Nespresso coffee, cake of the day, and charcuterie platters, and taste the KWV wines. She is considering opening for longer one day a week.

At Laborie, a KWV property a little further down, off Main Road, wine is made, with Harvest Restaurant and guest accommodation too, a collection of works by Cecil Skotnes can be viewed.  The KWV commissioned Skotness to produce a number of works, his ‘Epic of Gilgamesh‘ being the best known of these, consisting of 18 hand-carved wood panels in a stinkwood and yellowwood frame, depicting the origin of wine.

The KWV Sensorium is a unique showcase of South African wine history, with old bottles of KWV wines, brandy, and even Eau-de-Cologne it once produced, uniquely paired with works of art by some of South Africa’s finest artists.

KWV Sensorium, 57 Main Street, Paarl.  R40 per person.  Tel (021) 807-3147  www.kwvsensorium.com Twitter: @KWVSensorium  Monday – Friday, 9h00 – 16h30, Saturday 9h00 – 14h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage