Tag Archives: fine-dining

Eat Out Top 10 Restaurant Awards 2011 changes its menu!

I had heard from a chef a while ago that the Eat Out Top 10 Restaurant Awards will be changed this year, in that all the judges have been let go, and that new judging categories will be added for the annual evaluation. 

I received confirmation of the judging change directly from one of the judges, Anna Trapido telling me spontaneously that she had been “fired” from her one-year tenure as one of the four Eat Out judges.  Long-term judges Pete Goffe-Wood and Arnold Tanzer have been let go too, leaving Eat Out editor Abigail Donnelly as the sole judge to choose the elite Top 10 chefs of the country.  The problem with this of course is that every restaurant worth its salt knows what she looks like, and will be expecting her visit if they expect to be on the Top 20 shortlist.  Every restaurant kitchen probably has her photograph, in anticipation of her visit! 

The Eat Out judging change announcement was made in the Eat Out newsletter last week, and there is no mention of the ex-judges, nor is their past contribution acknowledged.  Ms Donnelly writes: “It’s a very big responsibility, but I’m looking forward to the challenge.  Through the year, I make an effort to visit restaurants more than once, so to get the most balanced view possible.  It’s also of the utmost importance for me to get to know the chefs behind the food and find out what their philosophies are”, she wrote.  What exactly she means when she writes that “I won’t be judging for my peers.  I will be judging with knowledgeable foodies in mind.  The people who are actually dining out at Top 10 restaurants on a regular basis”  is unclear. This makes one worry – was Ms Donnelly judging to satisfy her fellow judges in the past, and what would have made their taste in and evaluation of restaurants different to that of the ‘foodies’ she writes about?   This begs the question as to the comparability of the Awards outcome in November this year, compared to that of all previous years.

A further uncertainty is exactly what Ms Donnelly means when she writes about a further judging change: “…the awards are going to be much more inclusive and will celebrate the best Asian, steakhouse, Italian, bistro and country-style restaurants.  The awards are no longer only about the celebration of fine-dining establishments.  It’s very important that the fabulous specialist eateries dotted around the country are given the recognition they deserve.”  It was not clear from the newsletter if the restaurant types mentioned by her will each attract awards for the best in each category, or if all of these styles will compete with fine-dining restaurants.  One would also have liked to see recognition for the best South African-style restaurant, for the Restaurant that is most environmentally responsible in its sourcing, handling and disposal of food, and for the Restaurant with the best Menu. 

In addition to announcing the Top 10 Restaurant list, as well as the Top Restaurant, Top Chef, and Top Service, the following categories will be added: Best New Restaurant of the Year, and Most Stylish Establishment in the Country.  This could cause some compromises, as we saw in the 2009 Awards, when Bizerca won in a newly created Bistro category that year, and fell off the Top 10 list.  It also would be easier for Nobu at the One&Only Cape Town, for example, to win Top Asian restaurant, when it should really be a contender in the more competitive Top 10 Restaurant award.

To gain clarification, we sent Ms Donnelly some questions, and her response time was impressive, especially as she was ill. 

Why the change in judging?

The time to include the voices of our audiences felt right. Everything we do is informed by our network of 30+ national food critics, as well as our (very vocal) online audience of over 70 000. They deliver consistent feedback about their dining experiences throughout the year. As such it is not only my experience that will inform the top 10 list, but also the voices of these Eat Out fans.  
Does it not signal a vote of no confidence in your ex fellow judges?
No. I have great respect for their knowledge and experience and would have no hesitation to work with any of them again.

Does it allow consistency with previous awards?
Absolutely. Consistency will always be key – it’s what our brand is about. Whether the judging is done by one person or ten people, it’s a subjective process. I am however judging restaurants according to criteria and a scorecard. 

Please can you explain how you will cater for the non fine-dining restaurants in the awards?  
Our new award categories are more inclusive – and allows for more non-fine dining restaurants to be recognized. Best steakhouse, Best bistro, Best Italian restaurant, Best Asian restaurant and Best country-style restaurant along with Best new restaurant will celebrate restaurants that will probably not be categorized as fine dining. These eateries make up the bulk of our database of restaurants, as well as the places most frequented by our consumers.

How will you choose your shortlist?
I will be looking at all the specific categories and then shortlist restaurants. Together with our reviewers and online users I will determine who is consistently shining. In the Asian category, I’ll consider places serving anything from sushi to Thai, from inner city to harbour edge. In the Italian category, family-run trattorias to ultra modern pizzerias. Steakhouses to be considered might focus on serving the best-aged or grass fed meat. The best bistro will be a restaurant that is doing something more than casual but just not too fine dining. The country style eatery will be tucked away, off the beaten track, where there is cooked with care and generosity. The best new restaurant will be awarded to a restaurant that has opened its doors in 2011. Thank you so much for taking the time and interest in this. Hoping to hear your voice come through in the top 10 too!

Ms Donnelly and her Eat Out Top 10 Restaurant Awards will be closely watched, no doubt, as no restaurant likes change if it could disadvantage them.  However, it does sound as if the awards will be more inclusive than in the past, and the additional categories give a lot more restaurants a chance of winning recognition at the awards.  There will be many keen chefs holding thumbs that Ms Donnelly will grace their restaurant tables in the next few months!

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

Restaurant Review: Act Restaurant at Baxter does not have its act together yet!

It was a surprise earlier this week to discover that the buffet-style dinners at the Baxter Theatre have been discontinued, to be replaced with a fine-dining style restaurant called Act, and owned by The Forum, a catering company from Johannesburg, I was told.  I went twice this week, preceding the Beethoven Piano Concerto Festival performances.

On my first visit only six tables were available for service, those deeper in the restaurant not laid as there were construction workers working on the bathrooms.  Luckily they did so without one hearing them.  One must pre-book a table, and I did so for the second concert.  The manager found a small table for me for the first (unbooked) dinner.  The second evening was almost fully booked when I arrived, and my booked table could not be found.  I was taken deep into the restaurant, not as attractive looking as the entrance section.   A table was found for me there.   The tables have a yellow table cloth and serviette, a vase with a pink dahlia (an old-fashioned flower type not often seen, yet so pretty), a little candle, and  small containers with coarse salt and ground black pepper, one with a spoon, and the other without.  The modern cutlery is by Fortis Hotelware, and beautifully new and shiny.  The glassware is of an excellent quality.  This is where the quality ends.

With so many more tables to serve on my second visit, the service was even worse than it was on my first visit.   I quickly saw that one should only order one item from the menu to have any chance of seeing one’s show on time, even if one arrives an hour or longer before the start of a concert or show.  The service is inconsistent – on the first visit I received a basket with bread presented in a serviette, but not on my second visit. The menu is in a good quality leather holder, and easy to read.  Surprising was that the winelist was not offered on both occasions, and that I had to ask for it.

To try out the restaurant on the first visit, and due to less time available, I only ordered a green pea, spinach and watercress soup, sprinkled with bits of feta (R36).  This symphony in green was nice and thick, filling, the feta was a good marriage with the mix of three greens, and offered good value.  On my second visit I ordered organic trout on potato rosti, with vodka cream cheese, black caviar and chives (R72) – the dish sounded promising, and looked beautiful, and there were two slices of trout, in between two slices of very thin rosti, sprinkled with a little caviar.  The rest of the dish I struggled with, not tasting the chives, nor the vodka in the cream cheese.  The rosti was very dry, and the cream cheese was just a drizzle, not adding enough moisture to the rosti to make it pleasant to eat.  I felt it to be overpromised and overcharged for what one gets.  The port and peppercorn chicken liver paté (R48) was more successful, served with bruschetta, yet I could not detect the peppercorns nor the port in the taste nor the texture!  This order caused a service let-down.  When I explained that I wanted to take the paté home with me, due to a time shortage, the supervisor said they do not do take-aways. I asked him to bring me the starter, wanting to photograph it anyway, and then I would ask for a doggy bag.  I was surprised when I received the take-away container with the paté, and had to request that they plate it for the photograph, and then put it back in the container! Other starters include beetroot and apple soup (R32) and mussel pot (R55).  Main courses range from R65 for “fish and fat chips” to R145 for loin of lamb wrapped in potato rosti.  One can also order fillet; lamb shank; spinach and feta cannelloni; Thai green calamari; and chicken stuffed with truffled mushroom and Gruyere cheese.  Desserts cost around R45, and include Amarula crème brûlée, yoghurt Amaretto panna cotta, twice baked goats’ cheese and red wine pear soufflé, and chocolate fudge torte.

The serving of the two starters took an hour, but I did manage to get a weak cappuccino (R13) organised from my waitress.  Her initial response was to point upstairs, meaning that I should get it in the upstairs bar.  I asked her to oblige, which she did!  Payment by credit card was done at the table, but took time to organise. The bill was presented with a “commenting” card, the waitress asking me to provide my feedback.  I have not received a response from the restaurant to my feedback.  One of the biggest service issues is that the entrance to the restaurant, leading from the steps down to the theatre entrances, is not manned by any staff, to deal with new ‘arrivals’, mainly being Baxter ticket holders who are inquisitive about the new restaurant, distracting the staff from serving the guests who are eating there.

As an alternative, one can go upstairs to the Play Bar, have a drink and order tapas, which come from the same kitchen, probably causing some of the service issues experienced.  The tapas menu is a tiny laminated list consisting of five options: olive plate, mezze, chicken and mushroom, savouries, and cheese, ranging from R46 – R68 for two persons.   By day the Play Bar is a coffee bar, serving sandwiches and other light meals, on Mondays to Fridays, until 17h00.

The winelist is a tiny unlaminated piece of paper, almost looking like an after-thought, and its selection of four white and three red wines is far too small to match the ‘fine-dining’-style of the restaurant, and its typing errors are unforgivable.  White wines offered are Pecan Stream (R85), Remhoogte Chenin Blanc (R20/R88), Villiera Sauvignon Blanc (R25/R90) and Steenberg Sauvignon Blanc (R140).   The Beyerskloof Pinotage was unprofessionally crossed off the red wine list, leaving only a Remhoogte Aigle Noir (R20/R90) and a “Roupert & Rothchilds” (ouch, with a double typo!) Classique (R150).

Act needs a lot of hard work to improve its act, its service performance being unsatisfactory – all the staff are understandably new, but unforgivabley untrained.  The manager seemed nice, but was running in and out of the kitchen with dishes, not managing what was going on in the restaurant on both evenings.  The design of the restaurant, being a long ‘rectangular’ shaped open space, seperated by the bar in part, means that staff at the back end of the restaurant have no idea of what is happening in the front section.  Act is not cheap, and the time limit one has before the show is likely to cause service issues for its customers.  Ideally one should phone through one’s order when making the booking, especially if one is planning to order more than one course!  I am not sure if such a service exists.

POSTSCRIPT 11/4/11: I was impressed to receive the following e-mail from Glynis Hyslop, MD of The Forum, today: “Thank you for taking the time to review our new, as yet unopened restaurant. Based as I am in Johannesburg I am delighted to have a Mystery shopper who delivers such comprehensive reports! In particular thank you for your comments on the quality of the table appointments. As you correctly point out, the kitchen services both the restaurant and the tapas bar upstairs which can be difficult if both are busy. To mitigate this you will have noticed the extensive open cooking area within the restaurant. Unfortunately until this weekend this was not in use.  During our renovations we discovered that the previous restaurant’s gas installations were both illegal and leaking.  As I am sure you are aware the current regulations call for submission of plans to council and approval before new gas points are installed.   On Friday morning we received permission from the Baxter   for a further temporary installation of   gas to the front kitchen whilst we wait for council approval.  Even though this is a soft opening it has been very difficult to operate, with only 1/3 of the kitchen, but we hope to be fully operational as soon as this approval is forthcoming. We have noted the comments on the food and have changed the rosti, they will be future be made thicker which will hopefully ensure that they are not dry. Thank you for the comments re the service.   This is an issue that we are working on. I am however very perturbed to find that your comment card has not made its way to either the Exec chef, the manager of the restaurants division, or myself. The forum is committed to world class food and service and you clearly experienced neither.  I would be delighted if you could let me know when you will next be at the Baxter so that I can organize a complimentary meal for you to experience the forum as it should be.  I would also be delighted   if you could attend the opening on Thursday evening the 14th. We will be forwarding you an invitation tomorrow.”

POSTSCRIPT 12/4/11: Kim Roberts, the GM of the Restaurant Division of The Forum, has written today: I am aware that our MD has been in contact with on receiving the review you gave our soon to be opened new restaurant at the Baxter Theatre Centre, feedback is always greatly appreciated as it keeps us on our toes and ensures that we are continually working to achieve on the goals we set out.  Attached is your comment card and am in agreement with regards to the service issues not being to standard.  We are currently training staff daily to ensure better communication from our staff to our patrons.  We run a custom touch points program for all our service staff and believe once they have completed this that service levels will be where they are.  I know that you are aware that we have had limited gas supply and with the front kitchen being incomplete, the espresso machine only going in there  last Friday and staff running up and down service stairs to get a patrons coffee order has certainly compounded our service delivery.  The theatre going crowd is time poor with show starting times, but wanting a nibble, meal or a beverage before a show, we made a call to serve under not so perfect circumstances while building construction was going on,  will so I do hope you will return in a more settled time.  I am on route to Cape Town today for the re-opening of the Baxter Hospitality facilities on Thursday and am looking forward to meeting you then.  In the interim, I am now following you on twitter to see what else you are up to! “

POSTSCRIPT 14/4/11: My colleague and I attended the official opening by David Kramer of Act Restaurant and Play Bar.  I met both Kim Roberts and Glynis Hyslop from The Forum.  A proper winelist has now been compiled, I was told.

POSTSCRIPT 4/4/12: The Cape Times reported yesterday that the ACT restaurant and PLAY bar vacated the Baxter Theatre overnight last weekend, not having paid their rent for three months.  It was predictable that the restaurant and bar would not survive, their service being so exceptionally poor!

Act Restaurant, Baxter Theatre, Main Road, Rondebosch.  Tel (021) 685-3888.  www.theforum.co.za (The website has only a short reference to Act restaurant and Play Bar, and shows photographs of the renovations, as well as sketches of the new interior design. The site refers to its ‘gourmet a la carte menu’, but none is provided. The Forum positions itself boldly as follows: “The Forum company team is dedicated to delivering world-class services”!   The website also refers to Act’s ‘extensive winelist’.   I did not see any of this at Act restaurant this week).  The Forum has other projects in Johannesburg, and a second project is underway in Cape Town, but the staff could not tell me where it is.  Monday – Saturday evenings.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage