Tag Archives: French Oak

Blaauwklippen Zinfandel Reserve preferred to top Australian Zinfandels!

Last week Blaauwklippen hosted its sixth International Zinfandel Tasting, this year choosing to compare its Zinfandel wines against four from Australia.  The thirty or so wine writers attending judged the Blaauwklippen Zinfandel Reserve to be better than the Australian counterparts.

The tasting was led by Rolf Zeitvogel, Cellarmaster and CEO of Blaauwklippen, and passionate about Zinfandel. He said of the wine variety: “Zinfandel is a particularly demanding variety to manage both in the vineyard and the winery. The resulting unique and hedonistically rich wine makes all the hard work worthwhile”.

The four Australian Zinfandel wines we tasted, with interesting labels and some with high alcohol content, were the following:

*   Cape Mentelle 2010 – of this wine from the west coast Margaret River wine region Rolf said that it has developed a ‘cult following’ amongst Zinfandel lovers.  Their first Zinfandel was planted in 1974, to low density bush vines, and there is ‘fastidious attention to detail to ensure that only the best quality fruit is produced’, Rolf said.  The grapes are hand picked, de-stemmed, and berries sorted individually.  The must is soaked at cool temperatures prior to fermentation. Fermentation and maturation took place in oak vats, 25 % going into new French oak barrels.   Zinfandel was first planted in 1974.  Some say that this is the best Zinfandel producer in Australia.

*   Cargo Road 2010 – this is one of the older Australian Zinfandel blocks, based in Mount Canobolas, planted in 1983. It is planted northfacing at 860 m above sea level, allowing it to be un-irrigated, developing a good dark colour, and maintaining good acidity.  Its total planting of 4 ha is one of the largest in New South Wales. The crop is thinned dramatically, from a potential crop of 20 ton to 9 ton, to assure quality grapes.  This Zinfandel was not well received by the tasting panel.

*   Smallwater Estate 2009 – located in the south west, this region is proving itself as one of Australia’s most reliable wine growing areas, and the wine estate saw the opportunity to plant the Zinfandel grape in 1993 for the first time, and make a premium flagship Zinfandel.  Initially the wine estate contract-produced grapes for Cape Mentelle, but started making its own wine from 2006 onwards. The crop is thinned out in four stages, taking out bunch wings and shoots first, reducing the crop to 5 tonne per ha.  A Rosé is also made from the Zinfandel. Of the four Australian wines, this Zinfandel was liked most by the wine writers.

*   Peel Estate 2007 – produced in Karnup, 70 km south of Perth, the Zinfandel was first planted in 1974, and the first wines were made in 1980.  Being 3 km from the ocean, the grapes benefit from a Mediterranean microclimate, with mild winters and cool coastal breezes in summer.    The dry summers suit Zinfandel well.  The grapes are crushed and fermented on their skins for a week before being pressed and are then transferred to a stainless steel tank for the primary and secondary fermentation processes. Thereafter it is matured in oak for two years.  The wine writers likened this Zinfandel to a port.

The Blaauwklippen Zinfandel Reserve 2011 is made from Block Padstall1 grapes first grown in 1982, at 146 m above sea level.  They are planted on southfacing slopes in sandy duplex soil. They use a six wire trellising system, the bunches are halved, and intense canopy management is practised, to make a single vineyard wine. They get a crop of 4,5 – 5 tonnes per ha.  There is no irrigation.  Fermentation is in French Oak, for at least 18 months. Its character is described as spicy plums, raisins, rum chocolate and vanilla spice flavours with ‘whiffs of cigarbox, bitter chocolate, and English tea’. It is ideal to drink with spicy dishes, game, potjiekos, and matured cheeses.  It was best liked of all the five wines tasted, tasting like a wine, it was said, and not like a port. We tasted a tank sample, and Rolf said that the wine would be at its best in three to four years.  It costs R310 at the cellar door.

Rolf shared how difficult it is to manage the Zinfandel grapes, when asked why so few winemakers grow Zinfandel.  Blaauwklippen had wanted to pick the grapes at the end of February, but the heavy rains in early February forced them to pick overnight just after the rain, otherwise they would have lost their crop.  The wine variety is also not well known.  He shared that at a food and wine pairing evening the day before they had paired a Zinfandel 2007 with a steak served with a pepper sauce, the wine standing up well to the strongly spiced sauce.

Exciting news is that an MCC is to be launched by Blaauwklippen in 2015.

After the tasting we were spoilt with a Zinfandel-inspired lunch at the water’s edge, prepared by Radisson Blu Hotel Executive Chef Grant Kennedy. PR consultant Nicolette Waterford related how much trouble the chef had taken to prepare a well-matched menu for the function.  The amuse bouche was a beef and dried peach carpaccio, served with emerald asparagus, pomegranate hollandaise gratin, and sprinkled gems, which was paired with the Blaauwklippen White Zinfandel 2012.  The peach added a touch of colour to the dish.

The starter was a pink tuna pavé, served with gremolata fresh herb crumb, root bulb dauphinoise, a cranberry beurre noisette, and runner bean shoots, which was paired with Blaauwklippen Zinfandel 2010. This was followed by a prickly pear and grappa dash sorbet palate cleanser.  A number of the guests mistook this for granadilla, but the pips of the prickly pear are much harder and bigger, making them hard to swallow.  The main course was described as ‘Journey of Duck’, and was an excellent pairing with the Blaauwklippen Zinfandel Reserve 2011.  It was a most generous serving of Leg Confit with gooseberry jelly, a thigh and goats curd samoosa with liver parfait, delicious slow grilled breast with a naartjie la orange jus, quinoa and wild mushrooms, braised baby onions, and glazed vanilla carrots.

The dessert was also generous, with an interesting collection of raisin tea and rooibos bread and butter soufflé, an unusual avocado and bitter chocolate tart, and a coconut blackberry semi freddo, which was paired with the Blaauwklippen Zinfandel Noble Late Harvest 2011.

Sitting close to Woolworths wine buyer Allan Mullins it was interesting to hear that he became one of the first Cape Wine Masters in 1986, and started at Woolworths four years later, having been a maths teacher at SACS in his previous career.

Disclosure: We received a bottle of Blaauwklippen White Zinfandel 2010, Zinfandel Noble Late Harvest 2011, and Zinfandel 2012 with our media information.

Blaauwklippen Vineyards. R44, Stellenbosch. Tel (021) 880-0136  www.blaauwklippen.com Twitter: @Blaauwklippen Wine Tasting 10h00 – 18h30 (summer)/17h00 (winter)

Chris von Ulmenstein, Whale Cottage Portfolio:  www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Postcard Café at Stark-Condé a picturesque place!

Chef Christoph Dehosse had recommended a visit to the Postcard Café at Stark-Condé wine estate when it first opened just over a year ago, and I only managed to get to it last Friday.   Its picturesque setting in the fertile and higher rainfall Jonkershoek Valley must be one of the most exceptional in the Winelands, at the edge of a dam, with the mountains in the background.

My son and I did a tasting of the Stark-Condé wines first, in the Bali-inspired tasting venue which opened in 2010 on an island in the middle of the dam, on the Oude Nektar farm, next door to the well-known Old Nektar, belonging to 99-year old Una van der Spuy, well-known for her garden and the books she has written about it.  One can sit inside or out, and sitting outside to enjoy the spectacular view, despite the cooler and cloudy day, was a natural choice.  Rick was the winetasting host, and would not allow us to pay for the tasting, despite the board at the entrance indicating that they charge R30 for five wines tasted.  He explained that the name of the wines comes from a combination of the maiden name of the mother of owner Hans Schröder (Stark) and the husband of Schröder’s daughter Marie (Jose Condé from Kansas City), who is the winemaker.  The Stark-Condé price list introduces the wine estate as follows: “We are a small family-owned winery dedicated to making hand-crafted wines. We use traditional techniques: hand-picking, meticulous sorting of the grapes, open fermentation, hand-punchdowns, basket pressing and maturation in French oak barrels. The Stark-Condé wines are from our own estate vineyards and the Pepin Condé wines are from select vineyards outside the valley”.

Rick explained that ‘Pepin’ means short, Condé’s nickname in Spanish, coming from Columbia. The Pepin Condé range consists of a Sauvignon Blanc and Pinot Noir from Elgin, Chenin Blanc from Stellenbosch, ranging from R75 – R95, and Pinot Noir from Rowey Vineyards in Elgin (R185).  The Stellenbosch range consists of a Cabernet Sauvignon (Platter 4,5 star rating for 2008 vintage) and Syrah (Platter 4 star rating for 2008), both costing R130. The Three Pines range has a Cabernet Sauvignon (the 2009 vintage was awarded 5 stars in the latest Platter, and the 2008 vintage which we enjoyed even more was awarded 4,5 stars), and Syrah (Platter 4,5 star for the 2008), all costing R260.  The Stellenbosch and Three Pines ranges spent 22 months in French oak barrels and a further year in the bottle. Lingen is a red blend of Cabernet Sauvignon (40%), Syrah (40%), and Petit Verdot (20%), and costs R145.  Rick said the terroir of granite gives the wines spiciness and complexity, while the clay adds a soft roundedness to the wines.

As Rick did not know all the details of the family connections, he referred us to Marié Condé, who owns the Postcard Café, but she unfortunately was not at the restaurant over lunch.  We were delighted that wine estate owner Hans Schröder was around, and he came to sit down for a chat. He told us that he grew up in Namibia, but moved to South Africa.  He was in the Navy, and then in shipping for a number of years before he went to Japan to study business administration, regarding Japan as the leader on this topic at the time. He had to learn Japanese to be able to study.  He started a consultancy, guiding companies in doing business in Japan.  He could only bring his Japanese wife on holiday to South Africa, but could not live here with her in the pre-1994 apartheid era. In 1998 he returned to South Africa, and bought the farm in the Jonkershoek valley.  He enjoyed wines, but wasn’t a winemaker, and appointed my school classmate Neil Ellis to make the Neil Ellis branded wines.  The Neil Ellis tasting room and cellar was set up at their Helshoogte Pass property a year ago, but some of his wine will still be made at Oude Nektar for a year or two, Neil told me, by chance having a table next to ours on Friday, at which he was entertaining Irish clients.  Mr Schröder does the marketing of both sets of wines, going on separate Stark-Condé and Neil Ellis marketing trips to Japan, China, Korea, and Hong Kong, as well as Germany, while Neil markets his wines in the UK and Ireland.  They produce about 1,2 million Neil Ellis and 70000 Stark-Condé bottles of wine per year.

The Postcard Café is set alongside the edge of the dam, and its water lilies remind one of Renoir paintings and Japan.  Wooden tables and chairs are set up on the terrace of the restaurant, and a few steps down alongside the poplar tree forest.  A small shop sells wine cooler bags, aprons and Rozendal fynbos vinegar. There is no hostess or manager on duty, and Bella was the first waitress we asked about the table.  She was very abrupt and uncommunicative.  Having booked, our table was in the lower section. A piece of paper with the guest name is on each booked table.  There are no table cloths or placemats, cutlery is ordinary, serviettes are of paper, and a holder contained an unbranded olive oil, salt and pepper grinders, and Il Torrione balsamic vinegar.  The menu is printed on the same yellow paper as the wine price list, and contains only ten options, ranging from R54 – R 82.  There is no distinction between starters and mains. The menu options are ordinary: roasted pepper and baby marrow quiche, bacon and cheddar omelet, and a ham and cheddar toasted sandwich.  I chose the smoked trout salad with cucumber, boiled potato and a most delicious dill cream sauce, served with sourdough rye from De Oude Bank Bakkerij (owner Fritz Schoon was also enjoying lunch there on Friday). My son ordered  a cheese and preserves plate, with Brie, gruyere, blue cheese, and a chevin and dill cream cheese served with fig preserve, gooseberry jam, and sourdough rye, heavily covered with rocket.  One can also order a cold meat plate, with pork terrine, salami and ham, which come from Joostenberg Deli, served with olives and pickles, or a combination cheese and cold meat plate.  The cheeses are supplied by Get Stuffed.  In winter the lamb curry dish must be a winner.  Each of the menu items has wine recommendations.  Wines cost R27 – R35 per glass, commendable low prices, and most of the bottle prices are on a par or even cheaper than those on the tasting room price list, the first time I have seen this at a wine estate restaurant.  Water is served in a wine bottle. Our waitress Zelda looked after us well at the table, but was tardy when it came to preparing the bill.

Desserts are basic rustic apple pie, which had a sugar coasted crust and was served with cream on a Postcard Café branded plate; rustic apricot pie; baked cheesecake; dark chocolate cake; pear and blackberry crumble; chocolate pecan bars; and chilled pears in red wine syrup, most costing a very reasonable R26.  Disappointing is that no cappuccinos are served – only filter coffee is available, at R14.  A ceramic Melitta coffee filter was a plant holder on a table inside, generating a feeling of nostalgia from our family home, which had one too.

Postcard Café has the most amazing location, and its Stark-Condé wines on the estate are exceptional and very affordable. The food choice is disappointingly basic and over-dominated by rocket and greens on top of all dishes, not matching the quality of the wines. Service time between order placed and serving is exceptionally fast, making one suspect that all dishes are pre-prepared.  Most ingredients are bought in, instead of being created on the fertile farm.  The lack of a manager and a hostess to seat arriving guests and to look after the guests is a weakness.

Postcard Café, Stark-Condé, Jonkershoek Valley, Stellenbosch. Tel (021) 887-3665.   www.postcardcafe.co.za.   www.stark-conde.co.za Twitter: @StarkCondeWines Tuesday – Sunday 9h30 – 16h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Avondale’s La Luna perfect wine to celebrate lunar eclipse!

I have had a bottle of La Luna 2006 red blend standing on my desk for some time now, a gift from Avondale.  There was no more suitable night to drink it than on Wednesday evening, waiting for a glimpse of the disappearing moon during the lunar eclipse on a stormy Cape night, and in the company of knowledgeable wine lover Dusan Jelic, Social Media Manager of wine.co.za.

La Luna is a blend of organically-grown Cabernet Sauvignon (30%), Cabernet Franc (30 % ), Merlot (20%), and Petit Verdot (20%), the first three varieties identified by Dusan on taste. The wine was matured in French Oak barrels for 12 – 16 months. 

Avondale has established itself as an eco-friendly wine estate outside Paarl.  The label says that Avondale “…look to the skies to make extraordinary wines on our piece of the Earth.  The soft suppleness of this convivial Red Blend reflects the graceful ways that Avondale is attuned to cosmic influences and rhythms“.  Its Terra est Vita (soil is life) neck label reflects the sustainable and natural viticulture that is practised at Avondale.

I asked Dusan to guide me through a tasting of the wine.  He sniffed the cork, which confirmed that it wasn’t corked.   We chatted about drinking and tasting wine, and the subjectivity of the evaluation.  Dusan said that for him the company in which one tastes wine makes a huge difference to its enjoyment and memorability.  One of his favourite winetasting memories was when he and his friend read poetry, inspired by a good wine.  Wine removes the barrier between people, he said.  In Serbia, Dusan’s home-country, one would never taste wine without serving food.  He says that he has had to get used to this not always being the case in South Africa.  Dusan described the nose as being inviting. There was balance between the nose and palate.  The wine has a deep rich colour.  Dusan could taste jaminess, with a taste of raspberries, plums, prunes, and cherries, as well as chocolate.  He described the wine as smooth and polished.  Dusan slurps the wine, saying that the extra air allows one to taste the wine better.    The media release described the wine as follows: “The velvety red blend offers scents of cedar, truffles and dark fruit with subtle forest and herb undertones, while full plum and mulberry flavours and soft tannins combine for a lovely, vibrant suppleness”.

Avondale calls its unique blend of organic and biodynamic wine farming with modern science BIO-Logic.  “La Luna derives its name from the way the moon influences our living system, and reflects the biodynamic farming methodology employed by the farm.  By being attuned to the cosmic influences and rhythms, Avondale is able to fine tune its activities on the farm to be in harmony with the celestial forces”, says the Avondale media release. 

We were over the moon with the enjoyable bottle of La Luna, and Dusan tried his best to get every last drop out of the bottle when it was finished!

La Luna 2006 Red Blend, Avondale, Paarl.  Tel (021) 863-1970. www.avondalewine.co.za

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter:@WhaleCottage