Tag Archives: Mullineux

Orphanage Cocktail Emporium expands, opens The Dining Room!

Earlier this week Katie and Jonny Friedman invited me to see the expansion of their Orphanage Cocktail Emporium, The Dining Room having opened in an adjacent building three weeks ago.  This is the first step of the expansion, with the Orphanage Club opening later this year.

One can enter The Dining Room directly from around the corner in Orphan Street, or via The Parlour on Bree Street, and down a flight of stairs.  The interior feel in the long rectangular space is similar to that of The Parlour, with blue and white striped upholstery on the couch seating all along the wall, and is dominated by a similar crystal and key chandelier.  The space has been cleverly used, with a bar counter, as well as an open kitchen.

The menu has evolved, and is no longer the sheet of folded brown paper, but a neatly bound menu of cocktails, wines, and food.  The food offering has grown vastly, a number of the original dishes having been retained.  The same menu is offered in the Cocktail Emporium and in The Dining Room, meaning that one can choose to eat in the relatively more quiet The Dining Room, or in the ‘clubby’ Cocktail Emporium.  The prices are good value, with none of the dishes exceeding R135. One of the new dishes is the Brewers & Union Beer Battered Linefish, which a most delicious kingklip covered in a thick tasty batter, wrapped in paper and served with crispy fries (R85).  Rui Esteves, co-owner of the brewery, Tweeted his approval of how his product has been used when he saw our Tweet: ‘Had it last night…it was good’. Katie had the new Sesame Chicken Skewers, a colourful dish (R85). The menu is divided into

*  ‘Sharing Plates’, being starter or tapas styles dishes (R50 – R85), meant to be shared with friends, including Cauli Fritters, cheese poppers, smoked snoek paté, breaded prawns, octopus crunch, spicy fish cakes, mini chicken pitas, and little lamb buns.

*   ‘Light Plates’ are meant to be eaten individually, and range from R40 – R75.  One can choose between Orphanage omelette, Gazpacho, feta and roasted butternut ciabatta or salad, corn and avocado salad, Caesar salad, and Tricolore salad.

*   ‘Main Plates’ range from R55 – R135, and include the signature crayfish on butter buns, chicken Milanese, espetadas, Quesadilla, large lamb bun, spicy meatball subs, large Wiener, Orphanage Risotto made with porcini mushrooms, Arrabiata pasta, Beef fillet Robata served with mustard aioli, springbok carpaccio, cheese slate, charcuterie, and an Orphanage Mezze platter.

*   I chose the Panna Cotta with a berry coulis from the ‘Pudding’ selection, which also offers cheesecake, a sorbet trio, and the popular molten cocoa fondant, all costing R40.  The cappuccino was made perfectly, as per my request.

Kent Scheermeyer has acted as consultant for the Orphanage house wines, the range including Chenin Blanc (R40/R150), Sauvignon Blanc (R42/R160), Chardonnay (R42/R160), Rosé (R46/R180), Red Blend (R46/R180), and Pinot Noir (R50/R195), each wine made by a different winemaker.  The Red Blend, for example, comes from Mullineux Family Wines.  An additional wine, which we enjoyed together, was Thunderchild, made for Die Herberg children’s home in Robertson, of which 5 ha on their property have been planted to vines, with the support of a number of Robertson winemakers. The wine has made by Springfield winemaker Abrie Bruwer, its maiden vintage 2008 now being available.  All the profit of the wine goes to the children’s home.

The Orphanage Club will open when they have received their licence to operate until 4h00, likely to take another six months, Katie said.  She showed me the space upstairs, above The Dining Room, which will have its own bar, and entertainers performing.  It has a terrace, with a good view over Cape Town.  Both the Orphanage Club and The Dining Room can be booked for events.

The Dining Room, Orphanage Cocktail Emporium.  Corner Bree and Orphan Street, Cape Town.  Tel (021) 422-2004. www.theorphanage.co.za Twitter: @OrphanageClub Monday – Saturday.  Occasional opening on Sundays and public holidays.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

South African wines the stars in top quality wine week!

Two magnificent events took place in what could be called Wine Week last week, CapeWine 2012 and the Nederburg Wine Auction running back to back, bringing the world’s leading wine writers, buyers, sommeliers and wine lovers to Cape Town and the Winelands. For an industry prone to criticism and politics, there was all-round applause and recognition for the hard work that Wines of South Africa (WOSA) put into organising CapeWine 2012, in making this what some called the best wine show ever held in the world!

Even the ever WOSA-critical Neil Pendock, who had begged to be invited to the opening CapeWine 2012 Green Tie Event when he was understandably left off the invitation list initially, was meek and mild in his reporting during the week, and no salvos have been fired at WOSA this past week, which is a tremendous achievement in itself, the reason for his boring repetitive attacks on WOSA not being understood by most.

German wine writer Mario Scheuermann is known as a critical writer, and wrote about the German media group’s disastrous SAA journey to CapeWine 2012, but he has waxed lyrical about his week-long visit to Cape Town and the Winelands, which included dinner at The Round House; lunch at Waterkloof; taking a leaf out of Mike Veseth’s Nederburg Wine Auction keynote address emphasising the importance of Braais in marketing South African wines, a braai was prepared by Eat Out Top 19 Restaurant Finalist George Jardine at Jordan, which he described as ‘the best Braai I ever had in my life’; a show at another Eat Out Top 19 Restaurant Finalist Bertus Basson’s AmaZink; wine tasting at Glenelly; visits to sustainable organic and biodynamic wine estates Backsberg, Avondale, and Reyneke; visits to Babylonstoren and to Leopard’s Leap; lunch at Pierneef à La Motte; and a meal at new Green Point located Café Dijon.  He highlighted the following wines/wine estates on his Facebook page: David, Paradisum, De Toren Fusion V, Philippi, Hamilton Russell Chardonnay, Mulderbosch Sauvignon Blanc, Allee Bleue Isabeau, Springfield’s Méthode Ancienne Cabernet Sauvignon and their Wild Yeast Chardonnay, and Rickety Bridge’s The Foundation Stone. Scheuermann Tweeted about the power of Social Media as follows:“Cape Wine 2012 is the first big wine fair in the world driven and powered by social media”. The cherry of praise for our country’s wine industry was the following Tweet: ‘After this 3 days of Cape Wine 2012 we must clearly say: South Africa is today the most interesting wine country in the world’!

Scheuermann’s German writing colleagues Michael Pleitgen and Angelika Deutsch have been equally complimentary, while Eckhard Supp complained about the long queues for food at the Cape Town International Convention Centre, and the meagre snacks served at a function on 25 September, consisting of a few pieces of sushi and dim sum, not enough to soak up all the wines tasted, he wrote.  The complaint about the Convention Centre food was echoed by a number of attendees at CapeWine 2012, and was the only criticism of the event.

Locally, Melvyn Minnaar described CapeWine 2012 on Grape as a ‘jolly good wine show’, which left him feeling ‘pretty upbeat about the local wine industry’.  He praised the ‘experience, talent and adventurous dynamic out there in the winelands’.  Even greater praise went to WOSA: if they ‘can organise such a fine event, we can clearly trust the team to take the business into the world’. And the final accolade: ‘Feedback from visiting journalists and agents – many who know the business pretty well – confirmed my own impression that this was a jolly smart event. Viva SA wine’!

British freelance and award-winning wine writer Rebecca Gibb praised the quality of the wines she tasted during CapeWine 2012, writing ‘I’ve been really impressed with the quality across the board’, and she highlighted our country’s Cabernet Sauvignons, and the Oldenburg 2009 in particular. She also praised the Sauvignon Blanc-Semillon blends, and Tokara Director’s Reserve 2011 in particular. The Swartland also received praise, and The Sadie Family Palladius 2010 in particular. Other wines on her ‘top 10 wines of Cape Wine 2012‘ list are Cartology 2011, The Sadie Family Pofadder Cinsaut 2011, Glenelly Lady May 2009, Mullineux Syrah 2010, Vergelegen GVB 2005, Miko Chardonnay 2009, and Porseleinberg Shiraz 2010.  She did criticise the reaction to her question about the future of Pinotage in a seminar, which waxed lyrical about Pinotage’s past rather than address its image problem and export decline.

Swedish wine writer Erica Landin described South Africa as ‘flippin’ heaven on earth’ on her blog and asked why so much of South African wine sold in Sweden is bulk wine going into ‘Bag-in-Box’. She enjoyed the Shiraz and oaked Chenin Blancs in particular. British Master of Wine writer, broadcaster and judge Sarah Jane Evans described CapeWine 2012 as ‘Best ever!‘, and Tweeted a photograph of Cartology, referring to it as ‘a wine that got everyone talking’. Swedish blogger Anders Öhman Tweeted ‘The WOSA organisation at #capewine2012 is amazing. So many guests, bags, places, buses, tours and parties. Running flawless’. Dutch wine dealer and writer Lars Daniëls Tweeted: ‘Grote complimenten aan WOSA en in bijzonder Sara Chanell voor geweldige beurs en programma!’. Award-winning UK wine blogger Jamie Goode attended the Chenin Blanc Association’s ‘Cape Chenin Unveiled’ seminar and lunch at Nobu at the One & Only Cape Town the day before CapeWine 2012 started.  He posted a number of blogposts during his stay, and no doubt there will be more. He is a great supporter of our wine industry: “Cape Wine 2012 has been brilliant. I have discovered some very exciting new wines, caught up with some cool people (and made new friends)”. He braved the crowds to attend the Hermanus Whale Festival over the weekend.

Tyler Colman, an award-winning American blogger writing as Dr Vino, praised the Western Cape, as a ‘stunningly gorgeous region that has exciting local vintners as well as an international flair’. He raved about the calibre of wine VIP’s he had bumped into in Stellenbosch prior to CapeWine 2012, including Charles Banks, Bruno Prats, and Hubert de Bouard.

WOSA’s media release praised itself in hosting its ‘best ever’ international trade exhibition, the sixth in its history, quoting its Chairman Johann Krige. The number of producers attending had increased by 15% since the last CapeWine 2008, and had the highest number of delegates ever, and especially from Asia, Eastern Europe, and other countries in Africa.  This makes CapeWine the ‘most successful international wine business show in the Southern Hemisphere’. This praise was echoed by Amorim Cork CEO Antonio Amorim of Portugal, who described the event as ‘one of the finest wine industry events in the world‘.  The South African quality wines, and its leadership in eco-sustainability and energy efficiency, has been recognised internationally, added Krige.  Kuseni Dlamini opened the CapeWine Business Seminar, and focused on South Africa’s poor infrastructure in getting to African countries, some only reachable via Europe. If there was more investment in innovation and product quality, South Africa could become the world’s top wine producing country in the world, he said.  The provincial Minister of Agriculture and Rural Development, Gerrit van Rensburg, said that 3600 wine farms have 100000 hectares of vines in the Western Cape, reported the Cape Argus.

The CapeWine 2012 website provides a break down of the show’s 3000 visitors: 588 South African trade, 464 international trade, 317 importers, 140 South African media, 106 wine educators, 80 international media, 32 MW, 31 international sommeliers/chefs, 12 hosted press buyers, and 12 press media.  The balance of attendees was ‘unclassified’.

The Nederburg Wine Auction held this past weekend was attended by some of the international CapeWine 2012 guests, but was mainly a local affair.  It raised close to R 4,7 million, down by 30% relative to 2011. Forty percent of wine sales went to international buyers, and wine buyers from African countries and Mauritius represented 22% of sales.  One third of the sales went to local supermarket groups, led by Tops at Spar.  Buyers played it safe, by buying ‘mainstream varieties’ such as Cabernet Sauvignon, and avoiding lesser-known cultivars. The star of the Auction was the case of Chateau Libertas, with 12 vintages ranging between 1959 – 1970 selling for R16000, in the year which celebrates the brand’s 80th anniversary.

There can be no doubt that CapeWine 2012 rejuvenated the local wine industry, created new challenges, identified new upcoming wine and winemaker stars, created new connections, and attracted heaps of praise for WOSA’s flawless organisation of showcasing our country’s prime wines! Vindaba, held at the same time as CapeWine 2012 in an open space opposite the wine exhibition venue, was an unfortunate failure, in what was an excellent wine week.

POSTSCRIPT 7/10: Mario Scheuermann has documented his impressions of CapeWine 2012, on his blog The Drink Tank.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Orphanage cocktail emporium key to class, quirkiness, and social responsibility!

The most unusual name for a classy cocktail bar must be that of newly opened Orphanage on Bree Street, which is on the corner with Orphan Street, a street name I had not noticed previously. I was impressed with its elegant and classy interior, unusual cocktails and other drinks, and interesting value for money food.

As I was driving to the Labia cinema last Saturday, I drove past the former Rhubarb Room space, and saw the new brown painted exterior, with candle-holders outside attracting one’s attention.  With the front door open, one could also see a massive chandelier, which runs along the length of the room.  I stopped to take a quick interior photograph, and returned after the movie, when the venue had filled up a little more, its first day of opening to the public and also the birthday of Johnny Friedman, the owner of the building and a partner in the business. Manager and co-partner Raymond Endean seemed a bit hesitant about sharing information initially and about letting me have a menu to take along for this story, but mellowed as more guests arrived and all appeared to be running smoothly.

The massive chandelier dominates the interior, almost detracting from the massive wooden bar running along the length of one wall.  On the opposite side are striped couches with coffee tables, creating sections, as well as a collection of high bar tables and stools.  More seating is available in the little courtyard, which one had not noticed before.  In the far end a DJ had set up his equipment, and played mood music, which became progressively louder, but did not overpower the conversation.  He was later joined by saxophonist Jamie Faull, and they performed together.  Jamie plays his sax on Wednesday and Sunday evenings. The staff wear amazing outfits, with waistcoats, black pants, Orphanage aprons with the key logo, and bowler hats, and are all very friendly and eager to serve.  There is low lighting, despite the chandelier, with many candles.  Cleverly the high table tops have been cut out to hold a bucket, into which a candle had been placed.  If one orders sparkling wine or white wines, it becomes an ice bucket, a clever touch, as it is space-efficient too.  A chest of drawers allows one to store one’s left over bottle for a next visit, and hence the key is the symbol printed on the brown serviettes, on the business cards, and is incorporated in the design of the menu too. The decor design was done by Inhouse architects. A large rectangular serviette contains the Inox fork and unbranded knife in a brown sleeve, with the key logo, brought to the table on a silver tray. Everything is printed on brown paper, with the key logo, and even the bill was presented in a brown sleeve. They purposely try to steer away from what everyone else does, wanting to be unique.

The first indication I had that things are different at Orphanage was when the cappuccino was served in a ‘blikbeker’, the sugar sticks being served in a smaller size.  Raymond explained that he managed Asoka Bar for seven years, and Eclipse and Caprice in Camps Bay prior to that.  The idea behind Orphanage is to go back to the time of the Prohibition, to create the feel of a ‘hidden bar’.  In deciding on a name, they were aware of their location on Orphan Street, also the home of the St Paul’s Church across the road.  A dreadful influenza epidemic swept through the region in the early 1900’s, leaving many children in the Cape orphaned.  Children would come to the church for food, giving the street its name, and Reverend Sidney Warren Lavis helped set up the first ‘orphanage for boys’ in Cape Town in 1919, called the St Francis Childrens’ Home, in Athlone. The placemat proudly shares: “ORPHANAGE are very proud supporters of the St Francis Children’s home that we derive our quirky name & rich heritage from.. because this type of tomfoolery has a social conscience too”. R15 of the ‘More Tea Vicar?’ drink of Finlandia vanilla, rooibos syrup, cranberry, and lemon, which costs R55, is donated directly to the St Francis Children’s Home. In December and January R 10 will be added to every bill, to donate to the St Francis orphanage.  The Rector of St Paul’s blessed Orphanage on its first day of opening. Raymond said that they understand that the name is controversial, as showed when we Tweeted about it.

The drinks list has a number of Orphanage branded wines, and Raymond told me that sommelier and consultant Kent Scheermeyer is helping them to source two red and two white wines, as well as a sparkling wine.  He wasn’t sure where they were coming from, but the Pinot Noir will be from De Grendel, and Mullineux will supply a red blend.  The cocktail list was compiled from a study of bar trends and 200 cocktails were evaluated. Most have a quirky name, and are served in quirky ‘vessels’ too, such as a fine Victorian tea cup.  A cucumber Martini is served with a cucumber sandwich on the side.  Interesting is that a drink is named after the police commissioner in the Western Cape, Hilton Hendricks, who arrived for the birthday party too, with his bodyguards, who (surprisingly) were very hesitant to share his first name.  Moët & Chandon costs R800, Ruinart R1000, Dom Pérignon R1800, and Krug R3600.  &Union beers, Grolsch, Peroni, and some commercial beers are available.  More than twenty cocktails, with interesting names, many related to the name of the establishment (e.g. ‘Innocent Orphan Annie’) cost between R35 and R65.

The menu will be changed every three months or so, and is restricted to only ten items at the moment. It is the domain of Chef André Hendricks, with consultant chef Mac Mulholland, who has worked with HQ, Asoka and Tank.  A kingklip carpaccio (‘Fishy on my Dishy’ – photograph right) sounded unusual, and was exceptional, drizzled with lemon and olive oil (R50).  I was less impressed with ‘Rabbit Food’, with too much rocket, and little asparagus and aged pecorino (R45). Other tapas options are Cauli-fritters (R40), ‘Crayfish Signature’ (R95), ‘Milanese Chick Chick’ (R65), ‘Octopus Crunch’ (R55), and ‘Little Lamb Buns’ (R60).  One senses that the team had great fun in coming up with the names.  One can also order platters of mezze or charcuterie (R95 each), and cheeses (R75), olives, nuts and truffle chips, or a dessert (at R35 each) of ‘pineapple thins’ or ‘Molten Coco Loaf’, which turned out to be a lovely chocolate fondant served with vanilla ice cream. The dessert and the salad were served in bowls set inside wooden blocks, again an interesting and unusual presentation.

Raymond said that they are almost purposely ‘anti-marketing’, wanting to grow their business on the basis of word-of-mouth, on the strength of their service, which was friendly and kind. I was lucky that charming and passionate co-owner Katie Friedman was at Orphanage too, and that she spent time with me to give me more background to the establishment. She has worked in marketing film production companies in the USA, and her business card describes her as the ‘House Marketeer’. She emphasised how blessed they are to have St Paul’s as their neighbours, and that they can contribute to the work that they do for the St Francis orphanage.

Orphanage cocktail emporium is a definite must-see and try, and a convenient stop before and after a night out, with ample parking at night.  It is a classy place to visit, fun and quirky, and having a drink there has a social benefit too.

POSTSCRIPT 5/4: A lovely 26°C evening, at the start of the Easter weekend, was a good opportunity to go back to Orphanage.  I couldn’t believe that it was jam packed outside, and some customers said they had come because of this review.  Co-owner Katie Friedman came to chat and thank me for the review, and told me that next summer they will do breakfast (with porridge options) and lunch too. She also said that they will be open every night of the week now. I tried their crayfish buns.

POSTSCRIPT 18/4: Talk about customer service.  On a last visit I asked if Orphanage had Bailey’s or Cape Velvet, and they told they only had Amarula.  When I went back to re-photograph the kingklip carpaccio in better light tonight, Raymond proudly showed me the Bailey’s they now stock!

Orphanage cocktail emporium, 227 Bree Street, corner Orphan Street, Cape Town.  Tel (021) 424-2004. www.TheOrphanage.co.za Twitter:@OrphanageClub  Monday – Sunday 17h00 – 2h00, Fridays from 15h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Holden Manz’s Franschhoek Kitchen has an energetic new Chef Cheyne Morrisby

Yesterday I met new The Franschhoek Kitchen Chef Cheyne Morrisby at Holden Manz in Franschhoek for the first time, not having had the opportunity to do so when he owned Cheyne’s in Bree Street before closing it down last year. I was very impressed with the tapas he prepared for lunch yesterday, and their exceptional value for money.  I also chatted to new winemaker Schalk Opperman and to Karl Lambour, the new Holden Manz wine production, marketing and sales director.

Chef Cheyne started at the Franschhoek Kitchen last Tuesday, and was busy making the tapas when I arrived. He told me that they will vary the tapas menu every week, depending on what they have available, and what the clients enjoy.  The tapas feedback will help him to develop his own menu over time, retaining those dishes that have been a particular hit at The Franschhoek Kitchen, which was started by his predecessor Chef Bjorn Dingemans. One senses that he wants to spoil his clients, and the three item tapas portions, at a mere R35, is unbelievable value.  He said that ‘the more one can enjoy, the better’, the policy he wants to offer his clients! Chef Cheyne is Cape Town born, worked at Blues for two years, and a planned one year job in London became an eleven year one, working at the Conran Group restaurants. In this time he cooked for Kate Moss, Kylie Mynogue, and Robbie Williams.  He travelled to the East, including Thailand and Indonesia, and he said that his cooking style is that of the Pacific Rim.  He loves their cooking methods, their simple approach to ingredients, and keeping food simple, fresh, clean and uncomplicated. They use base flavours to give food a good foundation.  He decided to return to Cape Town with his family, wanting them to ‘feel’ Africa, and also wanting to give back to his home country. He set up Cheyne’s on Bree Street, with a R 1½ million Miele kitchen, and one table of 20 seats, around which all his clients enjoyed his cooking.  In retrospect he is happy that he did not open a restaurant in Hout Bay, a difficult suburb in which to make restaurants survive.  He had come to scout a wedding venue for his brother, and looked at Holden Manz.  A week later he came back for an interview, and a week later he started the job.  Chef Cheyne is a very confident and energetic person, not taking any nonsense from anybody he said, and seemed at home in his new kitchen already.   Chef Cheyne lives in Hout Bay, but will spend six days a week on the wine estate to settle in.

Chef Cheyne is working with the existing kitchen team, and he will be allowing each of his chefs to develop their own signature dishes over time. The tapas menu offers six options, written up on a blackboard.  It was hard to choose between the tapas dishes, and each one was beautifully presented.  I started with a prawn tempura, with nice plump prawns, and pea risotto, delicious but a little too salty for my taste.  I had to double check with GM Wayne Buckley if the price quoted at R35 was correct for the three item tapas dish, and he confirmed it.  The beef tataki was served with Asian salad and wasabi mayo, the beef delicately rare, contrasted with the bite of the mayonnaise. The seared duck was served with a honey soy reduction and chilled watermelon, a most unusual combination. Other tapas choices were pork belly served with pea puree and topped with mange tout tempura, chilli salt squid with ponzu mayo, linefish with cucumber noodles and soy, and lamb and sushi rice balls with sesame.  Even though I had already eaten enough, I couldn’t resist trying out the chocolate brownie tapas, small slices topped with a strawberry, and served with an unusual ginger and caramel sauce.

Karl Lambour and I had been trying to meet for a while, and it was luck that he was at the restaurant too.  He lives in Camps Bay, and has a holiday home in Greyton to which he was heading back. He was excited by Chef Cheyne’s positive influence and energy.  Karl was the cellarmaster at Constantia Glen for five years, and worked at Fleur du Cap’s Bergkelder for two years prior to that.  His vision for Holden Manz is to express what the farm is capable of, in using predominantly their Franschhoek grapes and to make Franschhoek a region that becomes synonymous with excellent wines again.  He wants to focus on Holden Manz’s red wine varieties of Shiraz, Merlot, Cabernet Sauvignon, and Cabernet Franc. They will develop their iconic wine Big G even further, adding small amounts of Malbec and Petit Verdot to make the wine a true Bordeaux blend. The new Rosé is doing well. Karl is proud of their terroir, shared with their neighbours La Bri, Boekenhoutskloof, and Stoney Brook, the stony soil giving their wines complexity.  The mountain nearby stops the wind and cools down the temperature compared to other parts of Fanschhoek, where temperatures can exceed 40°C in summer.  They are also looking at what they can do differently in the restaurant, with a Shiraz-themed winemakers’ dinner planned for Wednesday, serving four courses, each paired with a Holden Manz, Mullineux, Eagle’s Nest, and AA Badenhorst Shiraz.  This is the second winemakers’ dinner they have organised.  Karl said that while he is not the winemaker, he is making two wines – a Chardonnay for which he is buying in grapes, and a special Shiraz blend.

Schalk Opperman apologised for his beard and moustache, saying that he is a member of the Franschhoek Moustache Association,  winemaker members having decided to not shave from the first day of their harvest until yesterday.  The competition was won by Jean Smit of Boekenhoutskloof, having grown the biggest moustache in this time.  He said that he originally had mixed feelings about moving to Holden Manz from Rust en Vrede, where he had a secure job for six years, but stood in the shadow of the winemaker. He was pleasantly surprised about the role which he can play in improving the grapes at Holden Manz, having a good structure, and he is working on developing the Holden Manz brand as wines to be reckoned with.   He is a Shiraz maker first and foremost, but sees making blends as a far bigger challenge for a winemaker.  He complimented Karl for his skills in wine marketing and brand building, and is happy that Karl leaves the winemaking to him, but is available to him as a sounding board. They will use their own grapes in winemaking only, only buying in a small quantity of Malbec and Petit Verdot to improve the Big G. They will use barrel fermentation in future, which was not done before, keeping the wine in the barrel for a year and in the bottle for another year.  In two years time the Holden Manz wines will show the effect of the new winemaking production techniques and winemaker, Schalk said.

It was a busy restaurant at The Franschhoek Kitchen yesterday, and the energy generated from Chef Cheyne was reflected by Karl, Schalk, Wayne and the serving staff too. Having been at the Franschhoek Kitchen a week ago, it was incredible what a change the new chef at Holden Manz has made! There is a promise of great things to come, given that this has only been Chef Cheyne’s first week.

The Franschhoek Kitchen, Holden Manz, Franschhoek.  Tel (021) 876-2729. www.holdenmanz.com Twitter:@HoldenManz01

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:WhaleCottage