Tag Archives: Muratie

Restaurant Review: There are no Koi at KOI Bantry Bay! Poor service, faux Asian!

KOI Entrance Whale Cottage PortfolioThe opening of KOI Bantry Bay at The Ambassador Hotel has been eagerly awaited, after it was announced that Salt Restaurant would be replaced with a Gauteng-based group restaurant, KOI restaurants already operating in Sandton, Rosebank, and in Pretoria. The KOI restaurants are sister restaurants to the Wakame (with Wafu) restaurant group in Cape Town, which was founded 15 years ago, and is headed up by co-directors Stewart Bond and Rory Jossel.  There are no koi at KOI, and other than a logo on a business card, there is no representation of the decorative carp in the restaurant.  The website defines the KOI name as being Japanese for ‘Come, Love, Fish‘.

Always on the lookout for a good restaurant on the Atlantic Seaboard, a rarity, I was looking forward to seeing how the restaurant group would give the hotel restaurant space new life. Despite having the most magnificent location, ideal to see sunsets as it faces west over the Atlantic Ocean, the restaurants at The Ambassador just do not seem to have staying power, and neither do their chefs and staff for that matter!   Some decor changes have been made, wooden grids guiding one to the end of the passage, with only one entrance now, the previous entrance to the lounge KOI Interior Whale Cottage Portfolioand bar area having been closed. The lounge area now is restaurant seating too, with space for a total of about 100 patrons the Manager Chris Somhohlo said. Wood dominates the decor style (Chris couldn’t remember the name of the decorator), with wooden table tops, wooden chairs with woven seats, and the woven grid theme picked up in the visual display covering an entire wall, in the new ceiling lighting, and in the lampshades too.  The Continue reading →

Babylonstoren the centre of ‘Simonsberg Wine Route’ in its new wine tasting centre!

Even though it shouldn’t have been a surprise, it was a most impressive visit to the new wine tasting center at Babylonstoren, not only offering a tasting of its own four wines, but also offering for sale two wines from each of the wine estates surrounding the Simonsberg, as well as gorgeous produce in its cheesery, bakery, and charcuterie, which opened two months ago.

One enters the tasting centre, housed in the original smithery and stable on the farm, which has been beautifully restored by owner Karen Roos and her GM Terry de Waal, to keep the building as authentic as possible. Flooring which looks weathered and as if it has been there for ever, comes from the old Dietman piano factory in Wellington.  The walls are part raw brick and part plastered and painted.  As Ms Roos has shown on the estate, she is a ‘less is more’ decorator, giving the tasting room a spacious feel, with only a central table displaying the Babylonstoren wines and one other Simonsberg wine, as well as a cheese of the day to taste. A small wooden table with a bench on one side is the only seating in the room, beautifully ‘decorated’ with a box of just picked and washed vegetables, including carrots and purple potatoes. From the central room the cheesery and charcuterie are on the right, behind modern glass doors, and the bakery is to the left.

Koos Bekker, husband of Ms Roos, has a passion for the terroir of the Simonsberg, and came up with the idea of a ‘home’ on his wine estate for the wines produced at the wine estates on the ‘inner circle’ surrounding the mountain.  When Babel restaurant opened on the wine estate over a year ago, it served wines from the neighbouring wine farms when it had not yet made its own wine, a commendable service. A ‘map’ showing the ‘Simonsberg Wine Route’ is painted onto a tile collage on the wall, showing where each of the 27 wine estates, being Vuurberg, Zorgvliet, Thelema, Tokara, Neil Ellis, Rustenburg, Glenelly, Morgenhof, Remhoogte, Quion Rock, Knorhoek, Muratie, Delheim, Uitkyk, Kanonkop, Natte Valleij, Marianne, Mt Vernon, Anura, Glen Carlou, Neil Joubert, Backsberg, Noble Hill, Rupert & Rothschild, Vrede & Lust, Plaisir de Merle, and Babylonstoren, is located.  A shelving unit stores the wines of the other Simonsberg estates, and as they are lying, it is difficult to see the estate names. Each is price marked, and sold at the cellar door price of each wine estate. Because the ‘Simonsberg Wine Route’ is not a formal one, there are no maps, no price list, nor information about any of the wines, including the Babylonstoren ones, a surprise, given the marketing and advertising background of Mr Bekker (Y&R, M-Net/Multichoice/MWeb, Naspers).  None of the four Babylonstoren wines have their 2011 vintage indicated on their bottles, and the staff could not explain this unusual strategy. They called winemaker Charl Coetzee to come over for a chat, and he seemed to think it odd that I was asking questions about this, only mentioning that they were matured in tanks (with the exception of 20% of the Viognier, which was matured in barrel). He was generally cagey about providing information about the Shiraz, Viognier, Mourvèdre Rosé, and Chenin Blanc.  He explained that there is no price list, as the two wines sold per Simonsberg wine estate will change over time, depending on their customers’ interest in them.  He referred to the launch of their flagship Chardonnay and Shiraz in September, and these will have the vintages on them, having been matured in barrels.  He was previously at Clos Malverne and Kaapzicht, and has been at Babylonstoren for about eighteen months. He said that he personally loves Pinotage, but this grape variety is not grown on the estate.  Grapes were on the farm when it was bought by the Bekkers, and the vines are 14 years old. This is the first winemaking on the farm. The wine side is so new to the wine estate that it is not even on their website yet, he said.  In the upstairs section there is a private winetasting and wine storage area, with minimal decor.

Having got stuck on the wine information, Karen ‘Bread’ Pretorius came to my rescue before the winemaker could be found, and she was extremely friendly and informative. She is in charge of the tasting centre, and also doubles up as the baker, having previously worked in the Babel kitchen. The breads baked vary every day, cost R25 each, and include baguettes; a 50% Rye, with Rooibos and raisins; and a tomato relish on a white loaf.  All are baked with Eureka stoneground flour in their wood-fired oven, which looks like it has been there for ever.  Karen is not formally trained in breadmaking, she said honestly, learning through ‘trial and error’, and ‘stealing with my eyes’, describing herself as a passionate breadmaker.  She was the Head Chef at Umami in Stellenbosch previously, and praised Maranda Engelbrecht for what she has learnt at Babel.  The Charcuterie is a large room, and its painting of a duck, bull’s head, and a pig onto the white brick wall, which is visible from the tasting room, reminds one of the bull painted on the Babel restaurant wall. The meats are supplied by Jason Lucas’ Jamon from Prince Albert, who also was the thatcher of the building roof.  They sell pre-packed portions of Black Forest, Parma ham, Pancetta, and Coppa hams, salami, Kalbsleberwurst, and biltong.  The cheeses come from nearby Dalewood predominantly, but also from Kleinrivier and Nuwehoogte.  The cheeses are displayed in fridges, and also in the airconditioned cheese room, which opens into the charcuterie.  Karen told me that they have a close relationship with their suppliers, all having passion for their products in common with Babylonstoren, being chemical-free, MSG-free, and healthier.

Babylonstoren is bound to come up with further surprises in future.  A Loyalty Card is in the pipeline.  A visit to see their extensive vegetable and fruit garden, to eat at Babel restaurant or at the Babel Tea House, to try their wines in the winetasting centre, and shopping at their bakery, charcuterie, and cheesery is highly recommended.  As the tasting centre is only two months old, there were some information deficiencies amongst the staff, which Karen will fix through training.  A coffee machine may be in the pipeline for the tasting centre too, as Babel does not serve coffees only, and the Babel Tea House is a long walk away.

Babylonstoren Tasting Centre, Bakery, Charcuterie, and Cheesery, R45, Franschhoek. Tel (021) 863-3852. www.babylonstoren.com Twitter: @Babylonstoren.  Cellar Tour 12h00 Wednesday – Sunday, must be booked ahead as they only take 12 – 15 persons, R100. 10h00 – 16h00 for tasting centre. R10 per person entry fee to the wine estate.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

A lot of wine from Oldenburg Stellenbosch is sold in Oldenburg Germany!

Last week I popped in at Oldenburg Vineyards in the Banhoek Valley, at the foot of the Helshoogte Pass, and the very friendly Sales and Marketing Manager Ina Basson told me that the bulk of their wines are sold in Germany generally, and in Oldenburg (near Bremen) specifically!

The farm previously consisted of Rondekop (after the hill with this name) and Ivy Know, and its previous German owner Helmut Hohman amalgamated the two farms and gave them the name Oldenburg,  in honour of the town in which he had a stake in a printing business.  As it is a regional name, the name cannot be registered locally.

The farm was bought in 2003 by Adrian Vanderspuy, a local lad who had been brought up in Australia, and who had initially dismissed the quality of South African wines, until he tasted Thelema’s Cabernet Sauvignon 1999, which he regarded to be excellent.  Both his grandmothers had past connections to the farm (Una van der Spuy, the well-known horticulturist, is one of them). The Oldenburg property was for sale, and before he made an offer, he had extensive soil tests done to evaluate the potential of the terroir.  He had the vines completely replanted in 2004, and in 2010 their first vintage was bottled. The emphasis is purely on quality, and three times a year wine maker and viticulturist Simon Thomson (previously with Tokara and Muratie) and his staff of 18 cut out the grapes that are not needed, giving them 3 – 8 tons per hectare compared to the more usual average of about 10 tons per hectare, Ina told me.  The property’s terroir is ideal for wine growing, being 300 – 450 meters above sea level, and its cooler climate due this height gives it a later harvest time compared to the neighbouring farms. Ina told me that their ‘Bio Viticulture’ approach to wine-making is a combination of Biodiversity, organic, and sustainability.  They work with what nature gave them, and try to intervene as little as possible, she said.

The winery has won a number of international awards, including a Gold at the International Wine Challenge 2011 for the Chenin Blanc, and a Gold at the Syrah Du Monde 2011 for the Syrah 2008.

The Tasting Room only opened three months ago, and was designed by architect Simon Beerstecher, a Stellenboscher now living in the United Kingdom, and who has also designed the Glen Carlou and Rustenburg buildings. The brief to the architect was to design a building focused on the view surrounding it, and not to overshadow the view. The interior decor was designed by Kelly Hoppen, a local from Cape Town who now lives in the UK.  Minimalism rules inside, with two artworks, of rhinos and elephants, by Nic Brandt. All decor items are sourced locally, and colours are natural and neutral. Chairs are made from leather, around a large tasting table, with a tasting counter and striking back-lit shelving displaying the wines.

In addition to tasting the wines, one can order Dalewood Fromage cheese platters, at R40 for one (150 gram) or R75 for two persons (250 gram), containing a selection of five of their cheeses, including Camembert, Brie and Huguenot.  The wines are not inexpensive, at R118 for the Chenin Blanc 2011 and Chardonnay 2010. Cabernet Sauvignon 2009, Cabernet Franc 2009, and Syrah 2009 cost R182.  I am a Shiraz lover, but the Oldenburg Cabernet Franc had the smokiness I love in older-style Syrahs.   There has been no marketing to date of Oldenburg’s wines, but a small sign on the Helshoogte Pass road is attracting German tasters to the farm, said Ina.  Agents are selling Oldenburg Wines in Germany, Bulgaria, and the United Kingdom in the main.

Oldenburg Vineyards, Zevenrivieren Road, Banhoek, Stellenbosch.  Tel (021) 885-1618.  www.oldenburgvineyards.com Twitter:@OldenburgWines Monday – Friday, and on Saturdays and public holidays by appointment.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

‘Grape’ serves crushing future for the grape and wine industry!

A book just published, entitled ‘Grape’,  and sub-titled ‘Stories of the Vineyards in South Africa’, covering the history of wine and grape farming in the period 1652 – 2011, is certain to cause discomfort to the wine and table grape industry, in its accusation that there is much room for improvement in the way this industry treats its staff, despite many changes over time, especially since 1994. The industry is asked to get its house in order, in being ethical in the treatment of its staff.  The book concludes that the future of the wine and table grape industry is a depressing one, and one that can be to the disadvantage of those workers it aims to uplift. 

A large part of the blame must be placed at the door of the Department of Labour, which does not appear to be doing its job properly in regulating working conditions for farm workers, said ‘Grape’ co-author Dr Wilmot James, a member of Parliament for the Democratic Alliance, addressing the Franschhoek Literary Festival about his book on Sunday.  Written with Professor Jakes Gerwel, Chancellor of Rhodes University, and freelance journalist Jeanne Viall, the book paints the picture of the history of labour on grape and wine farms since 1652.

In hearing Dr James speak, it felt as if he has a chip on his shoulder, as he told the audience that the book’s initial focus was the abuse of ‘Coloureds’ by the wine industry, but as he was told that this was a racist approach, and he could not define exactly what this racial label means, he and his co-authors decided to broaden the focus of the book to include all workers in the industry.  The book kicks off with a “Note on terminology”, and in it is written “it is questionable whether one can speak of the coloured people at all.  In this essentially residual category are to be found people of the most diverse descent”, including slaves from Indonesia, the San (Bushmen) and Khoikhoi.

The book documents the stories of workers on grape farms, “which is the story of South Africa, mostly that of the Gariep/Orange River area and the Western Cape”.  The book continues: “The history of workers on grape farms is a sad one; indeed, the history of farm workers in South Africa in general, and also elsewhere in the world, is often one of hardship.  But the ‘dop’ system, and its ongoing effects over many generations, adds another dimension to disempowered and marginalised grape farm communities.”  It likens the history of our wine industry to that written about by John Steinbeck in ‘The Grapes of Wrath’, first published in 1939.

The first vines were planted by Jan van Riebeeck in 1655, and four years later the first wine was produced in Wynberg – Van Riebeeck wrote: “Today, praise be to God, wine was made for the first time from Cape grapes… mostly Muscadel and other white, round grapes, very fragrant and tasty”. 

South Africa is predominantly a beer drinking nation, the book states, with 65% of the population drinking this beverage, as opposed to only 15 % drinking wine.  In 2009, 1089 million litres of wine, brandy and grape juice were produced.  Of the total of 125000 hectares planted under vines, 81 %  was used for wine production and the balance for table grapes in 2009.  The number of grape farm workers is estimated at 30000 – 50000 permanent staff, and ‘many thousands’ of seasonal workers.  Half of the 396 million liters of wine that was produced in 2009 was exported. 

The book tells the stories of interesting wine personalities:

*   Mohammed Karaan, now Dean of AgriSciences at Stellenbosch University, is quoted as saying:”The wine industry takes money. It is squandered on image and ego, these are not good values, the downside of the industry is that it destroys human capital, along with its stepbrother, the fruit industry.  I used to be astounded at how fellow students justified the ‘dop’ system.  And now they are saying that wine is good for the heart…  All politicians have a romanticism around wine, they’re intoxicated with wine.  They were going to legislate against ‘papsakke’.  Nothing happened.”

*   Spatz Sperling of Delheim was one of the driving forces in wine marketing, and the legal constraints of wine-selling locally and to overseas markets led to his pioneering marketing, often more for the benefit of the industry than for his own brand

*   Michael Back, owner of Backsberg, is the first wine farm to become carbon-neutral in South Africa, and is the third in the world

*   Professor Mark Solms, whose aim is to not lose money with his farm Solms-Delta: “Wine is not the way to make money quickly; my long-term view is that what will make it truly sustainable is doing it excellently”.  He added: “Only by delving into the social history of the farm could I properly understand it.  What needed to be done was to understand the nature of the problem in order to change it. I found things I wouldn’t have anticipated: people had no hope, no sense of the future.  They were at best fatalistic, and most were clinically depressed”.  The Solms-Delta Oesfees is written about in the book, as is the trust in which the farmworkers have ownership, with owners Mark Solms and Richard Astor. 

Interesting wine industry facts are spread throughout the book:

*  Constantia wines were acclaimed, and Vin Constance was enjoyed by royalty, including King Frederick the Great of Prussia, King George IV, King Louis-Philippe, and Napeolean Bonaparte, amongst others.

*   Muratie’s first owners, when the farm was named ‘De Driesprong’, were Lourens Campher and the freed slave Ansela van de Caab, and was handed to them by Willem Adriaan van der Stel in 1699.

*  Evidence of a Stone Age civilisation from 4000 – 6000 years ago was found when renovation work was done at Solms-Delta, after Mark Solms bought the farm in 2002.

*   One needs at least R25 million to buy a farm, and ‘the margins are paper thin for growing grapes for basic wine”, Professor Joachim Ewert from Stellenbosch University is quoted as saying.  He says it takes three generations to make money on a wine farm. Added to this, is that many foreign owners have bought wine farms, for ‘status and the snob value of your own wine label…’.  One of the main findings of the book, the writers state, “…has been a revelation to find that not only have wine farmers always struggled to survive, but that still today wine farming is marginal.” 

*   Wine farms are not always well-known for their wines, but often more for their owners, e.g. Jan Boland Coetzee, the rugby player who makes wine at Vriesenhof; Beyers Truter who has become known as ‘Mr Pinotage’, of Beyerskloof; Dr Paul Cluver is a brain surgeon; Professor Mark Solms is a neurologist.

*   Good ‘table wine’ has only been produced in the past 15 years, WOSA CEO Su Birch is quoted as saying, with only Meerlust, Delheim and Kanonkop known to make good wines before this time. 

*   The Stellenbosch Wine Route was the first route to open, in 1972, and was the brainchild of Spatz Sperling of Delheim, Frans Malan of Simonsig, and Neil Joubert of Spier, the first of now 15 wine routes in the country. 

*   Spatz Sperling of Delheim, Frans Malan from Simonsig, and Sydney Back of Backsberg got the Wine of Origin wine certification system established 

*   Distell’s Nederburg, JC le Roux and Graça, as well as Van Loveren’s Four Cousins, sell well in our ’emerging markets’ (a nice way to say ‘township’), the book states, and Nederburg Baronne in particular is known in Soweto as the ‘Coca Cola wine’. 

*   The ‘dop’ system is not South African in origin, and was probably introduced by the French Huguenots

*   South African wine production appears least likely to be affected by climate change, most wine-producing areas, other than the Northern Cape, having the lowest average increase in temperature of all wine-producing regions in the world.  Yet more costly water and climate change will influence berry ripening, and will lead to earlier harvests and to different wine styles being produced.

*  Wines were sold in supermarkets in 1966 for the first time.

*   ‘Black-owned’ wine farms include Constantia Uitsig, Bloemendal and D’Aria (Tokyo Sexwale having a part ownership) and Sexwale’s fully owned Oude Kelder in Franschhoek; Paardenkloof owned by Valli Moosa; and M’Hudi Wines, owned by the Rangaka family.

*   Empowerment schemes for grape farm workers include Malmaison near Groblershoop; Beyerskloof; Naftali Estate at Dyasonsklip; black consortia own shares in Distell and the KWV; ’empowerment’ wine brands include Epicurean Wines, Ses’fikile; LaThiThá Wines; and Thabani. 

‘Grape’ moves backwards and forwards in time in presenting an overview of far more than the labour on grape farms, and this is its weakness.  It has so much material to cover that the book loses focus in the presentation of its wealth of information. Making so much in its build up of the exploitation of mainly ‘Coloured’ farm workers on such farms, as well as the production of ‘cheap wines’ to target this population group, it is a surprise when the book’s “Last Word” paints a depressing future for the industry, which “is facing incredibly tough times”,  “soaring production costs”, “poor return on their product”, a “changing climate”, and a “strong rand”. “Very few farmers are making a profit; many wine farms are on the market”.  Given this scenario of a challenging future, one gets the feeling that the authors backed off their initial tough stance, as all these challenges that the industry faces will affect the workers on these farms, as well as their livelihoods.   For the wine and table grape industry currently survival is a greater priority than its continued transformation!

Jeanne Viall, Wilmot James & Jakes Gerwel: ‘Grape – Stories of the Vineyards in South Africa’.  Tafelberg.  2011. www.tafelberg.com

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage