Tag Archives: Oldenburg

Chenin Blanc is unique in its drinkability and diversity, ideal for food and wine pairing!

On Tuesday I attended the Chenin Blanc Association Winter Showcase at Delaire Graff Estate, and was reminded by the association chairman Ken Forrester, a passionate champion for the varietal, that Chenin Blanc’s unique attributes are that it comes in a diversity of styles, and that it is the wine that can be paired with the largest range of foods.

Six months ago I had attended a first such Chenin Blanc Summer Showcase at the One&Only Cape Town, which focused on the full spectrum of Chenin Blanc styles, both light and fruity, and rich and fuller.  The association has classified chenin blanc styles on the basis of residual sugar:

*   fresh and fruity (less than 9g/litre)

*   rich and ripe – unwooded (less than 9g/litre)

*   rich and ripe – wooded (less than 9g/litre)

*   rich and ripe – slightly sweet (9 – 30g/litre)

*   sweet (30+g/litre)

*   sparkling (tank fermented or Cap Classique)

Interesting consumer research was presented at the previous Showcase, highlighting that our country’s largest grape variety is not well known at all by local wine drinkers.  The Chenin Blanc Association is focusing on changing the low level of awareness about the varietal, in hosting bi-annual showcases of Chenin Blancs which are more suitable to drink in summer (light, fresh and fruity), and those that are better suited to winter (rich and fuller).  Another goal the association has is to see more restaurant wine lists feature a Chenin Blanc category with a number of different options, instead of this varietal being lumped into an ‘Other/Blend’ category.  The association is ably managed by Ina Smith.

Ken explained the procedure for selecting the vast total of 26 Chenin Blancs we tasted, from the hundreds that are made in our country.  The 96 association members were invited to submit their wines, meeting the criteria of them being made from 30 year old bush vines or older, and having an alcohol content of 13,5 – 14,5%, which led to 30 entries being received.  Jeff Grier from Villiera and Association Vice-Chairman, and Carel van der Merwe from De Morgenzon whittled the Chenin Blanc portfolio for the Winter Showcase down to 26 wines. Grier led the tasting, which was held in the Delaire Graff restaurant, and he shared short notes about each of the wines, which were tasted in flights, it not being clear exactly what each of the seven flights had in common. I shared a tasting table with Delaire Graff GM Johann Laubser, Ken, and Orielle Berry from Bolander.

Our table particularly liked the De Morgenzon Reserve 2011, Tierhoek 2011 (grapes come from the Piekenierskloof area, also the area from which the Botanica chenin grapes are sourced), and Mullineux White Blend 2012 (with Viognier). Other Chenin Blancs we tasted included AA Badenhorst Secateurs 2012, Simonsig ‘Sur Lie’ 2012, Doran Vineyards Barrel Fermented 2012, Nederburg The Anchorman 2012, Spioenkop ‘1900’ 2011, Beaumont Hope Marguerite 2012, Graham Beck Bowed Head 2011, Sijjn 2011 (made by David Trafford), Joostenberg Fairhead 2010, Oldenburg 2012, Jordan 2012, Kleine Zalze Vineyard Selection Barrel Fermented 2012, Delaire Graff 2012, Diemersfontein Carpe Diem 2011, Bellingham The Bernhard Series Old Vine 2011, Spier 21 Gables 2011, Stellenrust ’46’ Barrel Fermented 2010, Cederberg Five Generations 2010, The FMC 2010, Kanu Kia-Ora Noble Late Harvest 2010, and Villiera Inspiration Noble Late Harvest 2010.  What was impressive is that so many of the top winemakers attended the tasting too, including Andrea Mullineux, Razvan Macici of Nederburg, Erika Obermeyer from Graham Beck Wines, David Trafford, Bruwer Raats, and Kathy Jordan.

De Morgenzon uses cement eggs for its Chenin Blanc production, these fermentation and maturation vessels having been developed in France twelve years ago.  Eben Sadie was the first South African wine maker to introduce cement eggs locally, and now they are also used by Boekenhoutskloof and Hamilton Russell.  Ken explained that winemakers follow trends too, and cement eggs are one of them.  Ken spoke about winemaking, and shared that one must make wine that the customer enjoys, even though it is not always the winemaker’s taste.

To get to Indochine, the Asian fusion restaurant at Delaire Graff, we took a short cut through winemaker Morné Vrey’s cellar, and passed Chef Christiaan Campbell’s vegetable garden.  Indochine is in the Delaire Graff Lodge & Spa building, set back from the main restaurant.  The entrance is ‘guarded’ by two Dylan Lewis cheetahs, and there are more on the lawn outside the restaurant.  The Lodge interior is dominated by art of the same contemporary artists whose work is in the main restaurant building, including Lionel Smit, Anton Smit, and Deborah Bell.  The restaurant seats about 40 patrons, and it has a view over Stellenbosch on a clear day.  It has the most impressive work of art by Lionel Smit and Andre Stead on the ceiling, called ‘Flight of the Swallows’.  The colour scheme is blue, reflected in the leather seating and the very classy looking menu and winelist folder.  The chef is Virgil Kahn.

The very efficient waiters brought fritters made from cabbage, fennel and spinach as well as bread crisps  to the table, with a black bean and sweet soy sauce, spicy tomato relish, and cucumber and mint sauce.  Johann Laubser and Delaire Graff winemaker Morné Vrey were also at the table, and I asked Morne how the Showcase would influence his Chenin Blanc wine making.  He said that he had learnt a few things he may try for the next vintage, and it had set a benchmark, but it had also helped him to define what he would not do in his Chenin Blanc making.  Johann shared that Africa’s first Graff diamond store will open in the main Delaire Graff restaurant building in September, and it is being designed by the international interior designer of all Graff stores.

The amuse bouche was an unusually presented kingklip su mai (dim sum) with a gengati gel, and a citrus and fennel emulsion, a simple fresh start to the meal.  The wine stewards and waiters offered the guests a continuous choice of the Chenin Blanc wines we had tasted.  The Thai Duck starter, with pickled radish, bamboo, the most delicious cashew nut brittle, and orange, was the favourite course of many guests.  The main course is one of the signature dishes of the restaurant, being the 7 Thai spice pork belly served with edamame beans, pickled garlic, and red pepper.  An interesting looking and very tasty black rice was served with the pork.  The dessert was a colourful mango parfait served with passion fruit, rose water ginger crumble, and raspberry.

Most of the wine writers and wine makers had not been to Indochine before, and expressed how impressed they were with the restaurant and its good service.  Both the Chenin Blanc Association and Delaire Graff were gracious and generous hosts, and Ken thanked all involved for a fabulous event.

Disclosure:  We received a bottle of Tierhoek Chenin Blanc 2011 with our media pack.  My son is the Manager of Indochine.

Chenin Blanc Association www.chenin.co.za Twitter:  @CheninBlancAsso

Indochine, Delaire Graff Lodge & Spa, Tel (021) 885-8160.  www.delaire.co.za Twitter: @DelaireGraff

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

South African wines the stars in top quality wine week!

Two magnificent events took place in what could be called Wine Week last week, CapeWine 2012 and the Nederburg Wine Auction running back to back, bringing the world’s leading wine writers, buyers, sommeliers and wine lovers to Cape Town and the Winelands. For an industry prone to criticism and politics, there was all-round applause and recognition for the hard work that Wines of South Africa (WOSA) put into organising CapeWine 2012, in making this what some called the best wine show ever held in the world!

Even the ever WOSA-critical Neil Pendock, who had begged to be invited to the opening CapeWine 2012 Green Tie Event when he was understandably left off the invitation list initially, was meek and mild in his reporting during the week, and no salvos have been fired at WOSA this past week, which is a tremendous achievement in itself, the reason for his boring repetitive attacks on WOSA not being understood by most.

German wine writer Mario Scheuermann is known as a critical writer, and wrote about the German media group’s disastrous SAA journey to CapeWine 2012, but he has waxed lyrical about his week-long visit to Cape Town and the Winelands, which included dinner at The Round House; lunch at Waterkloof; taking a leaf out of Mike Veseth’s Nederburg Wine Auction keynote address emphasising the importance of Braais in marketing South African wines, a braai was prepared by Eat Out Top 19 Restaurant Finalist George Jardine at Jordan, which he described as ‘the best Braai I ever had in my life’; a show at another Eat Out Top 19 Restaurant Finalist Bertus Basson’s AmaZink; wine tasting at Glenelly; visits to sustainable organic and biodynamic wine estates Backsberg, Avondale, and Reyneke; visits to Babylonstoren and to Leopard’s Leap; lunch at Pierneef à La Motte; and a meal at new Green Point located Café Dijon.  He highlighted the following wines/wine estates on his Facebook page: David, Paradisum, De Toren Fusion V, Philippi, Hamilton Russell Chardonnay, Mulderbosch Sauvignon Blanc, Allee Bleue Isabeau, Springfield’s Méthode Ancienne Cabernet Sauvignon and their Wild Yeast Chardonnay, and Rickety Bridge’s The Foundation Stone. Scheuermann Tweeted about the power of Social Media as follows:“Cape Wine 2012 is the first big wine fair in the world driven and powered by social media”. The cherry of praise for our country’s wine industry was the following Tweet: ‘After this 3 days of Cape Wine 2012 we must clearly say: South Africa is today the most interesting wine country in the world’!

Scheuermann’s German writing colleagues Michael Pleitgen and Angelika Deutsch have been equally complimentary, while Eckhard Supp complained about the long queues for food at the Cape Town International Convention Centre, and the meagre snacks served at a function on 25 September, consisting of a few pieces of sushi and dim sum, not enough to soak up all the wines tasted, he wrote.  The complaint about the Convention Centre food was echoed by a number of attendees at CapeWine 2012, and was the only criticism of the event.

Locally, Melvyn Minnaar described CapeWine 2012 on Grape as a ‘jolly good wine show’, which left him feeling ‘pretty upbeat about the local wine industry’.  He praised the ‘experience, talent and adventurous dynamic out there in the winelands’.  Even greater praise went to WOSA: if they ‘can organise such a fine event, we can clearly trust the team to take the business into the world’. And the final accolade: ‘Feedback from visiting journalists and agents – many who know the business pretty well – confirmed my own impression that this was a jolly smart event. Viva SA wine’!

British freelance and award-winning wine writer Rebecca Gibb praised the quality of the wines she tasted during CapeWine 2012, writing ‘I’ve been really impressed with the quality across the board’, and she highlighted our country’s Cabernet Sauvignons, and the Oldenburg 2009 in particular. She also praised the Sauvignon Blanc-Semillon blends, and Tokara Director’s Reserve 2011 in particular. The Swartland also received praise, and The Sadie Family Palladius 2010 in particular. Other wines on her ‘top 10 wines of Cape Wine 2012‘ list are Cartology 2011, The Sadie Family Pofadder Cinsaut 2011, Glenelly Lady May 2009, Mullineux Syrah 2010, Vergelegen GVB 2005, Miko Chardonnay 2009, and Porseleinberg Shiraz 2010.  She did criticise the reaction to her question about the future of Pinotage in a seminar, which waxed lyrical about Pinotage’s past rather than address its image problem and export decline.

Swedish wine writer Erica Landin described South Africa as ‘flippin’ heaven on earth’ on her blog and asked why so much of South African wine sold in Sweden is bulk wine going into ‘Bag-in-Box’. She enjoyed the Shiraz and oaked Chenin Blancs in particular. British Master of Wine writer, broadcaster and judge Sarah Jane Evans described CapeWine 2012 as ‘Best ever!‘, and Tweeted a photograph of Cartology, referring to it as ‘a wine that got everyone talking’. Swedish blogger Anders Öhman Tweeted ‘The WOSA organisation at #capewine2012 is amazing. So many guests, bags, places, buses, tours and parties. Running flawless’. Dutch wine dealer and writer Lars Daniëls Tweeted: ‘Grote complimenten aan WOSA en in bijzonder Sara Chanell voor geweldige beurs en programma!’. Award-winning UK wine blogger Jamie Goode attended the Chenin Blanc Association’s ‘Cape Chenin Unveiled’ seminar and lunch at Nobu at the One & Only Cape Town the day before CapeWine 2012 started.  He posted a number of blogposts during his stay, and no doubt there will be more. He is a great supporter of our wine industry: “Cape Wine 2012 has been brilliant. I have discovered some very exciting new wines, caught up with some cool people (and made new friends)”. He braved the crowds to attend the Hermanus Whale Festival over the weekend.

Tyler Colman, an award-winning American blogger writing as Dr Vino, praised the Western Cape, as a ‘stunningly gorgeous region that has exciting local vintners as well as an international flair’. He raved about the calibre of wine VIP’s he had bumped into in Stellenbosch prior to CapeWine 2012, including Charles Banks, Bruno Prats, and Hubert de Bouard.

WOSA’s media release praised itself in hosting its ‘best ever’ international trade exhibition, the sixth in its history, quoting its Chairman Johann Krige. The number of producers attending had increased by 15% since the last CapeWine 2008, and had the highest number of delegates ever, and especially from Asia, Eastern Europe, and other countries in Africa.  This makes CapeWine the ‘most successful international wine business show in the Southern Hemisphere’. This praise was echoed by Amorim Cork CEO Antonio Amorim of Portugal, who described the event as ‘one of the finest wine industry events in the world‘.  The South African quality wines, and its leadership in eco-sustainability and energy efficiency, has been recognised internationally, added Krige.  Kuseni Dlamini opened the CapeWine Business Seminar, and focused on South Africa’s poor infrastructure in getting to African countries, some only reachable via Europe. If there was more investment in innovation and product quality, South Africa could become the world’s top wine producing country in the world, he said.  The provincial Minister of Agriculture and Rural Development, Gerrit van Rensburg, said that 3600 wine farms have 100000 hectares of vines in the Western Cape, reported the Cape Argus.

The CapeWine 2012 website provides a break down of the show’s 3000 visitors: 588 South African trade, 464 international trade, 317 importers, 140 South African media, 106 wine educators, 80 international media, 32 MW, 31 international sommeliers/chefs, 12 hosted press buyers, and 12 press media.  The balance of attendees was ‘unclassified’.

The Nederburg Wine Auction held this past weekend was attended by some of the international CapeWine 2012 guests, but was mainly a local affair.  It raised close to R 4,7 million, down by 30% relative to 2011. Forty percent of wine sales went to international buyers, and wine buyers from African countries and Mauritius represented 22% of sales.  One third of the sales went to local supermarket groups, led by Tops at Spar.  Buyers played it safe, by buying ‘mainstream varieties’ such as Cabernet Sauvignon, and avoiding lesser-known cultivars. The star of the Auction was the case of Chateau Libertas, with 12 vintages ranging between 1959 – 1970 selling for R16000, in the year which celebrates the brand’s 80th anniversary.

There can be no doubt that CapeWine 2012 rejuvenated the local wine industry, created new challenges, identified new upcoming wine and winemaker stars, created new connections, and attracted heaps of praise for WOSA’s flawless organisation of showcasing our country’s prime wines! Vindaba, held at the same time as CapeWine 2012 in an open space opposite the wine exhibition venue, was an unfortunate failure, in what was an excellent wine week.

POSTSCRIPT 7/10: Mario Scheuermann has documented his impressions of CapeWine 2012, on his blog The Drink Tank.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Oldenburg Sweet Service and SA Tourism Sour Service Awards!

The Sweet Service Award goes to Oldenburg boutique wine estate in the Banghoek valley off the Helshoogte Pass in Stellenbosch, for their kind gift of two bottles of their delectable Cabernet Franc, which I had experienced on a previous visit to the wine estate.  I had wanted to visit their Tasting Room, and was halfway up their gravel farm road but had to turn around due to it being very muddy after extremely heavy winter rains.  Tweeting my having to turn around, for fear of getting stuck, the kind Marketing staff at Oldenburg had the wine hand-delivered to my home in Cape Town.

The Sour Service Award goes to SA Tourism, which was publicly embarrassed by memeburn when they reported that the SA Tourism website was down a number of times in July, due to the non-payment to its server provider of its hosting fees!  For it being the country’s leading tourism body, this is unacceptable, as taxpayers’ monies are paying for the marketing of the tourism industry, sorely needed in the current winter tourism crisis. While SA Tourism blamed internal administrative inefficiencies for the payment error, the report states that SA Tourism has a history of not paying its bills! Shame on you SA Tourism!

The WhaleTales Sweet & Sour Service Awards are presented every Friday on the WhaleTales blog.  Nominations for the Sweet and Sour Service Awards can be sent to Chris von Ulmenstein at info@whalecottage.com.   Past winners of the Sweet and Sour Service Awards can be read on the Friday posts of this blog, and in the WhaleTalesnewsletters on the www.whalecottage.com website.

Germans love travelling to South Africa and drinking its wines!

Whilst our tourism authorities and wine producers are actively chasing the BRICS markets, and thereby neglecting the traditional source markets of the UK, USA and Europe in their marketing, it was a welcome surprise to read in the past week that German tourists are loving South Africa as a tourism destination, as well as enjoying drinking its wines.

Cape Business News reported that the number of German tourists increased by 10% between January and November 2011 to reach 211000, Minister of Tourism Marthinus van Schalkwyk stating that Germany is the third largest tourism source country, ‘contributing 9% of GDP through tourist spend’. The Minister also said that 40 % of the German visitors had been to South Africa before, a high repeat visitor number and ‘testifies to the attractiveness of our destination’.

The Minister was speaking at the 46th ITB (Internationale Tourismusbörse), the world’s largest travel trade show with 170000 leisure visitors and 108000 trade visitors exposed to 10000 exhibitors from around the world over a five day period.  He added that the German tourist market ‘is one of the most valuable in the world’.  German tourists are increasingly price sensitive in their choice of travel destination, and seek meaningful holiday experiences, in not only seeing beautiful scenery, but to also leave a lasting legacy through their visit.  SA Tourism is working hard at marketing our country in Germany, having signed 17 joint marketing agreements with all the top German tour operators, and trained more than 2000 trade operators to encourage sales.

At ITB a number of tourism trends were evident, reports Cape Town Tourism, including:

*   International travellers are taking shorter holiday trips, for nine days on average.

*   ‘Germany is the most economically optimistic country in the Eurozone and German travelers (sic) are positive in their travel prospects’, says the oddly worded media release. Given zero growth in the UK travel market, Germany may overtake the UK as South Africa’s major source market this year.

*   ‘Travel bloggers are gaining recognition as one of the most credible sources of online travel information’, and the organisation writes that it will host the four most influential international travel bloggers later this year.

*   Half of all bookings are made on-line, with travel agents making up less than one-third

The Drink Tank reported last week that South African wine exports to Germany reached the number one slot in January, for the first time overtaking the UK market.  South African wine exports to Germany reached 81 million litres, a 13 % increase, now slightly ahead of the UK’s 80,9 million litres.  UK wine imports dropped by 23 % internationally in the past year.  China showed the largest increase in South African wine sales, by 17% in total, and by 66% in bottle sales, and has reached the 10th position in wine imports.  South African wine sales to Kenya and Nigeria are also showing good growth.  Bulk wine imports (for bottling in the import country, usually to save transport costs) have increased generally, by 19% in Germany, and by 91% to Denmark, 56% to Sweden, and 8% to UK.  South African bottle exports have decreased across the board,  with the UK showing the sharpest decline of 42%, even though it remains in top position.  We wrote about Oldenburg Wines from Stellenbosch, and their popularity in Oldenburg Germany, recently.

Germany is the strongest European country and traditional tourism source market economically, and we would like to encourage SA Tourism to increase its marketing spend in this valuable tourism source market, given its above average tourism growth, and linked South African wine drinking, based on the wine estates and brands they experience on their South African holidays.

Chris von Ulmenstein, Whale Cottage Portfolio:  www.whalecottage.com Twitter:@WhaleCottage