Tag Archives: Paddagang

Eat Out Top 10 Restaurant Awards 2014: Best event ever, some highs, some shocks!

Eat Out magazine cover Whale Cottage PortfolioAfter two disastrous years, New Media Publishing was brave enough to take stock earlier this year, and asked the industry what it wanted in the Eat Out Top 10 Restaurant Awards.  Last night that hard work paid off, with a new venue for the event, a slick and short presentation, new Awards introduced, and three new restaurants making the Top 10 Restaurant list.  The surprise was the emotion which the chefs expressed when receiving their plaques, challenging MasterChef SA Season 2 on tears!

We were one of the interviewees, meeting with Eat Out editor Abigail Donnelly, its GM Aileen Lamb, MD Bridget McCarney, and Director Irna van Zyl.  We were forthright in our feedback and suggestions, including that a team of judges would be needed again (we suggested Garth Stroebel, and have yet to meet him!). We fed back that the preferential relationship with Luke Dale-Roberts in TASTE magazine (also published by New Media Publishing, and of which Abigail is the Food Editor) was unfair towards all other chefs, by featuring him every month – we were told that Woolworths had a contract with him, and therefore he received the coverage in the magazine.  This contract was terminated earlier this year, which is excellent news.  Other recommendations can be read here.  Flowing from the interviews and discussions with previous Top 20 chefs and restaurant managers, owners, and suppliers, as well as media representatives and bloggers, New Media Publishing allowed restaurants to apply to be included in the Eat Out Top 500 Restaurant List, which was selected by a Continue reading →

Hotel Review: Rijk’s Country House is country kitsch, tries too hard!

I am very fond of Rijk’s Shiraz, having drunk it for the first time just after maze at the One&Only Cape Town  opened two years ago.  When I saw the name of Rijk’s Country House as the only five-star accommodation option for a wedding weekend in Tulbagh, I booked, given my positive association with the wine.  But I should have known that a five-star “Boutique Hotel”, charging R 3000 per room per night in Tulbagh, was too good to be true, even though I was offered a hospitality industry rate reduction of 50%.   The Hotel is not five star, in my evaluation, and tries too hard to please, and thereby fails.  It has a very kitsch taste in some aspects.

The reservation ran relatively smoothly with Rijk’s directly, but I did not receive a confirmation of my booking after transferring the 50 % deposit, and no response to my e-mail request for the confirmation.  I therefore called Rijk’s, but only saw the number of a central reservations line, being that of African Pride Hotels, the luxury arm of Protea Hotels, who do the marketing of and bookings for Rijk’s.  The African Pride Hotels link to Rijk’s gave me confidence in its calibre.  I was put through to the sales department, and spoke to an unfriendly ‘machine’, who was speaking too fast, and he must have got annoyed when I told him that I could not understand him, and requested that he slow down.  He responded by putting down the phone. I then found the Tulbagh number of Rijk’s lower down on the website, and called them directly.  Here too the telephonic communication was a struggle, until I was put through to Andretti, who did confirm telephonically that all was in order, and he did so by e-mail as well.

Louisa Colquhoun, the General Manager of the 15-bedroom Rijk’s Country House, called a few days before our arrival, and apologised for the problems with the interaction with African Pride Hotels, and requested more details about the person I had spoken to there.  She told me that she had been sent a link to this blog by her boss, and that her boss is a regular reader. 

Our journey was beset with delays, and we only arrived at 8.30 pm on Friday.  We had to call en route, to find the best way to drive to Tulbagh from Franschhoek, not having been sent any directions.  Here too we had communication problems, in getting clear guidelines as to how to drive to Tulbagh from Wellington.  There is no signage in Tulbagh to direct one to the town centre, or to Rijk’s  from there, so we had to call again.  When we arrived, Louisa came out to the car, to greet us, and walked us inside. Two staff members almost ‘sang’ a welcome to ‘Chris and Alex’, even before we were introduced to them, and we were ‘Chris and Alexed’ by all staff throughout our stay, a little too familiar, I felt, quite a contrast to the ‘Ms von Ulmenstein’ treatment experienced at the 5-star Taj Hotel recently.  One of the staff had a tray of welcome Rijk’s Shiraz 2004 for us, very generous in its pouring.  The other tray had towel cloths for us to use, but we did not have enough hands to take the glass and the cloth plus what we were holding already, so we could not partake of this service.  Louisa showed us the lounge, the Polo Wine Bar, where they do winetastings too, and the Que Sera dining room, where they serve breakfasts and dinner, and we stayed to have dinner immediately, without first seeing the room.  Louisa gave me the Guest Registration Form to complete, and most of its clauses would not pass the new Consumer Protection Act  with its ‘legalese’, and the waivers and indemnities.

Dinner at the 32-seater Que Sera was a hit and miss affair, mainly because we were left with a junior waitress Chantel, who was generally unknowledgeable.  We were the only guests dining.  I asked Chantel who the chef was, and she said her name is Joan.  She knew nothing more about her, other than that she had worked at Rijk’s for 21 years.  I did not realise that it had been open for so long.  She said the owners of the Rijk’s Country House are Stuart and Mason Cranswick, who lease the buildings from Neville Dorrington, the owner of the Rijk’s wine farm and Private Cellar. The staff wear a turquoise shirt and black pants and black apron. Chantel said that she has been at Rijk’s for three years already, and worked at Paddagang restaurant previously.  The lighting was very low, until we asked for it to be turned up a little.  The room walls are bare, except for two pictures over the fireplace, but did not seem to be original works of art.  The white table cloth had a runner over it, and the beige chairs were comfortable.  A vase with a carnation and a candle were on the table.  Eetrite cutlery was modern in design and functional.  A wooden board arrived with a tasty seed-topped mini-bread, olive tapenade, olive oil and balsamic vinegar.  When my son asked if the tapenade contains anchovies, the waitress confirmed this, so she found us some anchovy-less tapenade.  The menu is in a brown plastic cover, and refers to “Rijk’s Boutique Hotel”, showing some confusion as to its identity and positioning.  Each page of the menu is dominated by the blown-up Rijk’s  Country House logo, over which the menu items are printed, making it hard to read them all, especially in the low light.  My heart sank when I saw that three of the starters were served with sweet chilli sauce. 

We were warned that the Beef Wellington (served with a choice of starches, my mash topped with fresh coriander) would take 20 minutes to make, which we said was fine, given that I had ordered a nicely presented Avocado Ritz starter.  I enjoyed both dishes, except that the Beef Wellington (R120) only contained mushrooms and no chicken liver paté.  The fillet was perfectly cooked medium rare, as requested. My son was not happy with the Wild Mushroom and Thyme Risotto (R80), being completely overcooked, too salty, not containing any identifiable thyme, and tasting of a spice which made it inedible.  We sent it back, but were still charged for it, until I asked Chantel to take it off the bill, which she did.  Starter options range from R37 for calamari steak strips. Tempura prawns, peri peri chicken livers, gazpacho and a soup of the day are some other starter options. Main course prices start at R80 for the risotto, and Pan-fried Citrus Salmon Trout costs R155, expensive for Tulbagh, I felt.  Steak is served three ways, and costs R100 – R140, and one can order a 150g or 200g portion.    The menu states that one can order a salad or seasonal vegetables as part of the main course, but this option was not presented to us, and I did not see it on the menu when we were ordering.  We did not order any desserts, costing about R30, but could have had desserts from a trolley, a cheese platter (R66), fruit salad or sorbet. When I ordered a cappuccino, it took a good half an hour to get one.   The very noisy industrial-looking coffee machine is in the dining room, so we could observe the process.  It took three attempts to get a cappuccino served in a cup, and not a latte in a glass, despite our clear request to Chantel.   We were told that the coffee comes from ‘Beans for Africa’ and was called ‘Peru Organic’.  Just after the starter was served, Louisa came to check on us, and we did not see her again during the dinner, and she did not ask us later for feedback about the dinner.

The wine list also has a brown plastic cover, and no vintages are indicated.  House wines by the glass cost R28 for an unspecified white and R31 for a red wine.   Organic white and Rosé wine by the glass can be ordered at R22, but the origin of it is not identified.  Moet et Chandon costs R750, Billecart Brut R690, and Billecart Salmon Rosé R1088. Cap “Classic” sparkling wines include Krone Borealis Brut, at R120, and the Nicolas Charles Krone Marque 1 is the most expensive at R420. The winelist offers a Rijk’s wine in each variety, and is not always the cheapest one offered – in fact it was the most expensive option in most cases.  There is a heavy 50 % mark-up on the Rijk’s’ wines relative to the next-door cellar prices, the Shiraz costing R205.  A page in the winelist provided prices of wines one could buy from the Rijk’s Gift Shop, at R128 for the Rijk’s Shiraz, and even the three champagnes on the winelist can be bought at about 50 % less!

The welcome letter from Louisa introduced Tulbagh, described Rijk’s Country House as “country living at its best”, and stated that “the hotel makes use of the farms water supply and is being treated”, which I did not read on arrival, and the bottled water drinking recommendation was not explained to us verbally.  I was impressed that the letter was personalised, in referring to the wedding we were attending.  Surprising too was the invitation to enjoy a winetasting in the Rijk’s Polo Wine Bar in the Rijk’s Country House, rather than in the Rijk’s Private Cellar  tasting room.

The rooms are actually cottages away from the core reception building, so we had to drive to the cottage that we were allocated.  It is an open plan lounge and bedroom, with a large bathroom, and a separate loo.   My heart sank as soon as I saw the rug, a cheap floor decoration, and not a Persian carpet, which would have been befitting of a five star room.  Also, the windows have cheap plastic blinds with a net curtain, shouting ‘cheap and nasty’.  The end result of such ‘curtaining’ is that it let in the light at 6h00, not exactly what one wants on a precious weekend away.  The beds were requested to be twin, but the beds had been separated, so each of us had to sleep on a  precarious single bed, something I have not done in more than 30 years (in our guest houses we keep the beds together, but use single bed linen to make up the beds).  There was a nice selection of magazines, but I was surprised to find a ‘Franschhoek Style’ amongst them, marketing Franschhoek, competition to Tulbagh, especially when it comes to weddings!  Worst of all about the cottage was a sickly sweet smell in the room, probably coming from a heavy dose of Charlotte Rhys room spray that had been sprayed at turn-down, prior to our arrival!  I had to open all the windows to get the smell out of the room, and almost froze to death, not being able to sleep as a result. Spread out on the bed was a dressing gown, which may be the highlight of other visitors’ stay, but certainly is not a requirement, in my book.  On top of this was presented the turn-down ‘treat’, the most bizarre and kitschy I have ever experienced – a pink wrapped mini ‘Christmas cracker’, with silver ribbon, containing … a pink and a white marshmallow!  There is a Belgian chocolatier (Moniki) in Tulbagh, and it would have been more fitting to use their products.  I got up to write when I could not sleep for most of the night, and heard the loud staff arrival just after 6h00.   The crowning glory was that there was no water coming out of the taps the next morning, something Louisa had mentioned the night before could be a possibility.  Whilst we had bottled water for brushing our teeth, we could not have a shower or bath in the musty smelling bathroom – to open its window one has to step into the bath to get to the latch!  Water clearly is a problem at Rijk’s, as a letter from Louisa, which must have been in the room, but which I only read on our return, explained about “water shortages and other difficulties”, urging us to use the bottled water supplied for drinking and in the kettle.

When we came for breakfast, Louisa came to apologise for the water situation.  She also said that she felt that Rijk’s could not meet our requirements, and offered to refund our deposit payment. I told her that we had already booked alternative accommodation for the second night.  Whilst the water situation was inconvenient, but out of her control, I suggested to Louisa that she waive the restaurant bill of the night before as a make-good, which she accepted.  However, she wrote the following day: I spoke with my Shareholders on your departure and relayed the details of your stay.  I explained that you had declined a full refund but requested the dinner be complimentary.  They requested I get in touch with you and request your bank details as they would like to ensure the return of your deposit.  I would be grateful if you would allow us to facilitate this.  Once again we apologise that your stay did not meet your expectations and look forward to hearing from you.” 

The Breakfast was served outside on the vine-covered Iceberg Terrace, with a lovely view onto iceberg roses, the vineyards, and the Wintershoek mountains.  The colour scheme for the table runners and outdoor chair cushions is grass green and turquoise, quite ‘loud’.  The vase of fresh roses on each table was a nice touch. No breakfast buffet was laid out, but a collection of breakfast items was brought on a tray and put onto a stand next to our table, consisting of two yoghurt flavours, two cereals, a cold meat and cheese platter, fresh fruit served on a chipped plate, and a basket of muffins, scones and croissants.  I was served a perfectly made cappuccino, but was initially told that it was not possible to make one due to the water problem.  I suggested to Chantel that she use some bottled water.  As we were the only guests having breakfast, it was surprising that the service was so slow.  Chantel waited until we had finished our cereals before she asked for the egg order, and this took a good 20 minutes to be brought to the table, the eggs arriving quite some time before the toast, which I had to remind Chantel about.  The orange juice was not freshly squeezed, and came out of a bottle.   The estate handyman came to our table to also apologise for the burst water pipe, and explained that they were working on it.  The music at Rijk’s made one very nostalgic, and included ‘House of the Rising Sun’ and a ‘Whiter Shade of Pale’.   As happened  at dinner, Louisa was barely present at breakfast, and did not check on how we enjoyed it, and if there were any problems.  Understandably, she was stressed about the water situation. Her deputy did not come to our table during our breakfast.

So what can I praise: the free easy wireless (but slow) internet connection, even reaching to the cottage.  The lovely roses.  The generosity of the welcome drink.  Louisa’s apologies for things going wrong.  The good breakfast scones.  The setting and the view.  However, so many other aspects appeared amateurish and the staff poorly managed, that they spoilt the enjoyment of our stay.

Rijk’s Country House, Tulbagh.  Tel (023) 230-1006. www.rijkscountryhouse.co.za (The website refers to ‘Fine Dining’, but there is no menu nor winelist.  The Image Gallery does not contain a single food photograph.  The breakfast description includes reference to a daily newspaper, but we did not see one).

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

No crush yet on new Crush! online food and wine magazine

South Africa’s first digital food and wine magazine Crush! was launched last Friday, a long-awaited online publication under the editorship of respected food and wine guru Michael Olivier.

Olivier studied at the Cordon Bleue Cookery School in London, has done PR for the Lanzerac Hotel, has owned restaurants (Paddagang, Burgundy and Parks), has been a wine consultant to Pick ‘n Pay, has published books (including one called ‘Crush! 100 wines to drink now’), and presents wine programmes on Classic FM and on FMR radio stations.  He announced the launch of Crush! at the Food & Wine Bloggers’ Club meeting in May, with an original launch date of 3 June.  The actual publication date was a month later.

Digital magazines have been published in the United Kingdom for a number of years already, but have not made it into South Africa until now due to the lack of ample broadband capacity.   Crush! is published with software bought from Redonline, a British company which publishes GQ, Tesco, FHM and many other digital titles.  It is available for free to what is projected will be just under 1 million readers, and its production is funded by advertising, sponsorships and product placements.  The advertising rates seem reasonable, at a discounted R 7548 for a double page spread for the first three issues.

For me Crush! is a let-down, not only technically, in navigating the 26 pages of the digital magazine, but also in terms of its content:

1.   Its size is smaller than the full screen size, giving the impression of an A5 magazine, something one takes less seriously than an A4 size.

2.  One has to click to the top right hand corner of the right page to turn the pages – it will take some time for one to get used to doing this expertly, without feeling silly in turning the pages efficiently (luckily I saw a “fools’ guide” to turning the pages at the top left, which shows arrows to the right and to the left).

3.  The cover of a magazine is what sells it – I found Crush!’s cover to be unattractive and far too busy, with all sorts of electronic “nick-nacks” to attract one’s attention, seriously lacking a good design hand.

4.  I missed an “Ed’s letter”, in which Michael should explain what Crush! stands for, remind readers of his background and strengths, and detail who is in his editorial and production team.  

5.  Michael does talk on a YouTube video on the third page, but unfortunately the “play” button is on top of his face, a design problem that can easily be addressed.

6.  Crush! has little advertising, but needs advertising support to finance the venture and to pay the royalties to Redonline.  The Pepenero/Paranga/Kove/Zenzero group, Pick ‘n Pay, Old Mutual, Constantia Glen and Pongracz are direct advertisers.   I liked the more subtle advertorial feel of the Arabella wines page.   The double page spread on Warwick is the most attractive of all pages in Crush!, in my opinion, and while I am sure that it is paid-for advertorial, it is the “cleanest” page, with the fewest “gimmicks” and pop-ups of all. 

7.  Given the cost of setting up such a venture, one wonders if it is Pick ‘n Pay financing the venture, given Olivier’s relationship with them.  

8.   Having been earmarked for launch more than a month ago, most of the copy probably was written at that time.  The danger with a delay is that the information gets dated, and the page written by JP Rossouw is dated in two respects – JP Rossouw’s image has been seriously dented by the reaction to his La Mouette review (read here).  Olivier would have done better to write the page himself.   Secondly, Rossouw chose to focus on La Colombe, and Luke Dale-Roberts, just 2 days after the La Colombe chef announced that he is no longer the Executive Chef of the San Pellegrino Top 50 Restaurant in the World restaurant!  Ironically, it was Rossouw that alerted the industry to this news, but the information about Luke Dale-Roberts’ relationship with La Colombe was not updated in the two days before launching the publication.  The fact that Rossouw’s Restaurants book is offered for sale on the page commercialises the page and reduces its credibility even further.  When entering the La Colombe competition, I lost the link to the page I was on, and had to go back to the Homepage, and run through all the pages again.   In the running link it mentions, amongst others, that JP Rossouw has reviewed La Colombe, but there is no review!  The next issue of Crush! is to feature a review of a Johannesburg restaurant – while I understand that Crush! is a national publication, reviews about restaurants in other areas have little interest for Cape Town readers, a weakness Rossouw faces with his on-line reviews too.

9.   Alongside a recipe for Salmon Fishcakes, as well as on the “High Five” wine page, the labels of the bottles of the wine options suggested are unreadable.  One is encouraged to click onto each bottle to “roll it over”, but it only pops up with information about that particular wine. 

10.   A profile of Chef Liam Tomlin of the Chef’s Warehouse and Cookery School is disappointing, in that little information is provided on the page, which mainly is filled with a photograph of Tomlin.  If one clicks on a small “interview” button, Tomlin’s answers to a set of questions are provided, hardly giving one a feel for the character and personality of Tomlin, nor of his background. 

11.   Every page has a running script at the top, a little like on SkyNews and other news television stations, distracting one’s attention from the main body of the page.  

12.  The “back’ page refers to an Uwe Koetter competition, and it is not immediately clear that one does not have to do anything to stand a chance to win jewellery.

In general I found Crush! to be too superficial in that it lacks depth; it is too “thin” in terms of number of pages compared to a regular magazine; it is too hard-sell in encouraging one to buy wines via ‘Crush Cellar’ which takes one to Grapefuel, travel (never heard of Pick ‘n Pay having a travel agency), and Rossouw’s book; and it is too “busy” in terms of pop-ups, running messages and buttons one has to click to read further information.  Ultimately, a digital magazine cannot compete with a glossy printed one.  It cannot be kept for future reference, it cannot be displayed on a coffee table, one cannot tear a page out of it, and it does not offer 100 pages or so of reading joy in bed, which a magazine can do.

To read Crush!, click here.  Twitter: @Crush_online

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com

New Bloggers’ Club pairs Food and Wine Bloggers, and food and wine!

The new Food & Wine Bloggers’ Club, which has its first meeting at the Chef’s Warehouse and Cookery School in Cape Town next Wednesday 19 May from 18h00 – 20h00, will pair a Food Blogger and a Wine Blogger at each of the monthly meetings of the Club.

The Food & Wine Bloggers’ Club was formed to reflect the tremendous growth in and power of food and wine blogs in forming opinion about food, restaurants and wines.  Most bloggers do not have any formal training in blogging, and learnt from others.   The Club will give fledgling as well as experienced bloggers the opportunity to learn from each other and to share one’s knowledge with others.

Michael Olivier is the first Food Blogger (although he could equally be speaking about Wine Blogging),  writing blog Michael Olivier, to speak at the Bloggers Club.  He trained at the London Cordon Bleu Cookery School, and is a well-known Cape Food and Wine guru.   Michael was a highly regarded restaurateur (Paddagang in Tulbagh, Burgundy in Hermanus, Parks in Constantia), worked at The Lanzerac Hotel, was PR Manager for Boschendal, and has written three books: “A Restaurateur Remembers”, “crush” and “The People’s Guide – navigate the winelands in a shopping trolley”.  He has been a consultant to Pick ‘n Pay on wine retailing, and presents a daily programme on Fine Music Radio (“Michael Olivier Talking Wine”) and a weekly on-air winetasting programme on ClassicFM.   Michael’s Blog focuses on People, Places, Wine and Food. (The photograph is from Michael Olivier’s blog).

Michael will share the platform of the opening meeting of the Bloggers’ Club with Anel Grobler of SpitorSwallow, a unique “website for wine enthusiasts who visit a lot of wine farms.”   Not only is the cellar door experience rated from a winelover’s perspective, but also restaurants, weddings, accommodation and other events on wine estates are rated too.  Anel started her blog with her partner Jan Laubscher 2 years ago, and won 3rd place in the 2009 Bloggers’ Awards, in the Food & Wine Category.  The site has 650 active users, and 2000 reviews of wine estates, from which a monthly eagerly-contested Top 10 list is announced.  Anel herself has visited 260 out of the 600 wine estates in South Africa, and hopes to visit the remaining ones!   She started the www.winetimes.co.za website earlier this year, with local wine news.

Other writers that will be talking at future Bloggers Club meetings are the following:

Thursday 1 July:                  Pete Goffe-Wood of Wild Woods and Kitchen Cowboys Blog, and Pieter Ferreira of Graham Beck and Bubbles on Wine Blog

Wednesday 28 July:             The Foodie of The Foodie Blog, and Mike Ratcliffe of Warwick and Vilafonte Wines Blog

Wednesday 18 August:       Sam Wilson of Food24 Blogs, and Rob Armstrong of Haut Espoir 

Wednesday 22 September: Dax Villanueva of Relax-with-Dax Blog, and Hein Koegelenberg of La Motte and Hein Koegelenberg Blog

Wednesday 20 October:     Clare Mack of Spill Blog, and Simon Back of Backsberg Blog

Wednesday 24 November:  Jane-Anne Hobbs of Scrumptious Blog, and Emile Joubert of Wine Goggle Blog

Attendees can ask questions, and get to know fellow bloggers.   Only 20 bookings will be accepted for each meeting, on a first come, first served basis. 

Bloggers will be able to experience a pairing of the snacks prepared by internationally renowned chef Liam Tomlin, owner of the new Chef’s Warehouse and Cookery School, at 50 New Church Street in town, with the wines brought along by the wine blogging speaker.   The cost of attendance is R 150.  Bookings can be made by e-mailing info@whalecottage.com.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com