Tag Archives: Pantry

MasterChef Season 2 episode 8: Cheese tasting leads to Bouillabaisse Pressure Test, Tumi Moche gets the chop!

MasterChef 2 8 Bottom 6 Pressure Test Whale Cottage PortfolioAfter chickening out in episode 7, six of the fifteen Finalists had to go into the Pressure Test, one of them having to go home, being Tumi Moche, probably a hard choice for the judges, as the Bouillabaisse that the bottom three had to prepare was praised by them.  Herman Cloete enjoyed his plating MasterClass at Restaurant Mosaic.

The Test episode started with a cheese tasting, four Woolworths cheeses presented to each of the six Finalists, to be looked at, smelt, andMasterChef 2 8 Camembert Whale Cottage Portfolio tasted. Leandri van der Wat was devastated, as she had already shared in the previous episode that she hates cheese, and never cooks with it nor eats it.  They were given cottage cheese, gorgonzola, feta, and camembert to taste and identify.  Amanda Beck, Mary Martin, and Sanet Labuschagne were released from the Pressure Test in getting most of the cheeses correct, leaving Tumi, and the sisters Leandre and Seline van der Wat, to go into the Pressure Test. Continue reading →

MasterChef South Africa cooking up an exciting Season 2!

Last week I was lucky to be the only blogger to be invited by M-Net‘s PRO Ingrid Engelbrecht (right in bottom photograph) to attend a Media Day on the set of MasterChef SA at Nederburg, to obtain a behind the scenes feel for the production of one of our country’s most successful reality TV cooking shows.  It emerged that the show management is highly organised, executing the shoot for the day and planning shoots five days in advance simultaneously. MasterChef SA Season 2 will commence flighting mid-year, and will be extended to twice-weekly broadcasts of the 26 episodes.

The media group of about 25 from Johannesburg, Cape Town, and Durban watched a cooking challenge of the contestants from the mezzanine level. Guest house duties prevented me from getting to Nederburg so early, so unfortunately I missed out on seeing the contestants, who arrived at the MasterChef SA kitchen almost three weeks ago.  It was a delight however to see judges Pete Goffe-Wood and Benny Masekwameng again, as well as to meet Andrew Atkinson for the first time, having undergone a complete change in his appearance, and particularly in his dress. Gone are the jackets and suits, and all three the judges looked far more comfortably dressed.  It is from the judges, and later from MasterChef SA Culinary Producer Arnold Tanzer, that we heard that every dish that the contestants have to prepare is tested multiple times.

The accuracy of the recipe ingredients and method of preparation is tested by four different chefs in Chef Arnold’s test kitchen.   The dishes that are prepared by the contestants are filmed for presentation, while the judges taste an additional portion prepared by each contestant, which one does not see on screen. They then taste the filmed dishes, and provide their feedback for the camera.  Chef Pete has taken to tasting the dishes during the preparation already, to get a feel for them.  The three judges are called the ‘three stooges’, and are like brothers, much like the bonding that has taken place amongst most of the Season 1 contestants, even after the end of the season. None of the judges received any screen training, and Chef Pete said that they are no longer conscious of being filmed. They have had to learn interviewing skills however. Last year Chef Arnold and Chef Pete visited the set of MasterChef Australia for two days. The bond between the crew is strong as well, 85% having shot a number of series for M-Net in addition to Season 1.  The next season of Idols will be shot soon too. Ingrid said that her job is to ‘put a pep in everyone’s step’, and to show that ‘M-Net Cares’! She also conducts the exit interviews with the departing Pressure Test contestants.  It was super to see Lungi Nhlanhla, a MasterChef SA Season 1 Finalist, and now a journalist at Drum, and it was sweet to see her sit with Chef Benny, having had a special affinity with him during Season 1. Chef Pete sat at our table, and shared that the season 2 contestants are of a higher calibre, having had the benefit of watching season 1. The contestants had also attended a Chef’s School in Randburg before the festive season, at which they were taught basic kitchen skills, such as deboning chicken and filleting fish.  About half the contestants are from the northern provinces, with one or two from Durban, and the rest from Cape Town.  For the first time the contestants will also be filmed in their House, and therefore more upmarket accommodation has been selected, to share the contestants’ interaction with each other off-set, as per MasterChef Australia, giving the show more of a three-dimensional and real element.  The House contains a large collection of cook books, and last year those by guest chefs were also part of the collection, it obviously not being known by the contestants which guest chefs would surprise them on set on a given day.  Some contestants have quit their jobs, to participate in MasterChef SA.  The top finalists will be spending about 7 weeks on the MasterChef SA set in Paarl.

We were treated to a long slow lunch at The Red Table Restaurant at Nederburg, at which I had a less than satisfactory experience just over a month ago, when it had just opened.  Chef Pete referred to the colour of the restaurant as resembling ‘Edgars Red’. The restaurant is operated independently by Dish Food & Social.  I was told that the new Restaurant Consultant Sarah Proudfoot and the German waitress that I experienced on my first visit have already left the employ of the restaurant.  An amuse bouche of tasty tomato soup was served with a pastry in an espresso cup.  It was funny to see the NOMU sea salt and black pepper grinders on the The Red Table Restaurant table (being an independent operator they may use the ingredients they want to), with Robertsons being the sponsor of the MasterChef SA kitchen just a few meters away!  The salad of duck confit, roast baby beetroot, with orange segments, and baby spinach was perfect for the hot day.  The grilled kingklip served with fondant potato, leek, a red onion salad and chili lime dressing was a massive improvement on the kingklip which I was served on my first visit to the restaurant.  While the waiter had heard my request for the dressing to be excluded, he did not pass on the same message about the red onions!  The waiter stretched right across me to place a fork on my left, from the right!  The ‘brûléed’ lemon tart was a flop, being completely runny and without the brûlée!  The mini strawberry milkshake it was served with was perfect.  Instead of a cappuccino, I requested an iced coffee, and it was perfectly made.

We felt sorry for the contestants and judges on the 35°C day in Paarl,  but they looked super cool.  Chef Pete shared that for Season 1 it was 48°C when they filmed in Zanzibar, and that the 50 crew and contestants drank 50 cases of water on the first day alone, given the heat and humidity.  The test on MasterChef SA is not so much the ability to cook than it is to deal with the pressure of preparing a dish against the clock, being asked questions by the judges, and having seven cameras focused on them.  Chef Pete said that the food of each contestant reflects the personality of that person.  We can look forward to seeing more cooking, and more contestant interaction in Season 2.  Editing is meticulous, with only 1 in 5000 seconds of filming used. The day is a long one on the MasterChef SA set, from 6h00 – 19h00, Mondays to Saturdays.

Chef Arnold (middle in photograph) showed us his test kitchen, and I saw rows of Robertson’s spice bottles, which they have to source separately, as Woolworths does not stock the co-sponsor’s brand.  Bronwen Smithers is Chef Arnold’s right hand, having worked with him for 17 years already, and is Head of Pantry, being responsible for ordering produce for each day’s production.  We saw racks of oranges, lemons, limes, apples, red onions, eggs, pineapples, potatoes, and more.   She also checks that ingredients are not too freely available, to ensure that the contestants use a good variety of ingredients in their dishes. She has a policy of not freezing any of the ingredients.  Filming off-set is a particular challenge, in planning what to take along. They also need to stock the contestants’ and judges’ Houses with food. Chef Arnold said that they need to test guest chef recipes too, as ‘chefs are notorious in not spelling and writing well”. Chef Arnold said that the amateur cook contestants are really good cooks, and that there is no objective to ‘trick them’. How they handle the pressure will make the difference on their way forward.  The fruit and vegetables last for three to four days, and what is left over and still edible is collected by the Valcare Trust, which distributes the food to a list of worthy charities in Paarl.  The contestants are taught to be responsible in their ingredient selection from the Woolworths Pantry on set, so that the minimum goes to waste.  We met Candice Tennant, the Series Producer, who co-ordinates the smooth running of all aspects of filming MasterChef SA (left in above photograph).

We spoke about MasterChef SA Chef Season 1 winner Deena Naidoo’s Aarya restaurant at Montecasino, and how busy it has been.  Season 1 Finalist Brandon Law is now working for Deena in the Aarya kitchen.

We finished off the day in the Nederburg tasting centre, and my eye caught the new Nederburg pay-off line in their product display, the MasterChef SA sponsorship clearly having influenced it.  Annetjie Hopkins led the tasting of the Winemaster’s Reserve Riesling; the Heritage Heroes range which honours Johan Graue’s son Arnold (‘The Young Airhawk‘), first Nederburg owner Philippus Wolvaardt (‘Anchorman’), well-known ex-winemaker Günter Brözel (‘The Motorcycle Marvel’),  and Johan Graue (‘The Brew Master‘); and the Winemaster’s Reserve Noble Late Harvest.

I was initially invited to attend a blogger day, but the invitation was switched to the Media Day in the last minute, as the ‘amount of bloggers originally short listed was way too many to accommodate in the episode. As such, we had to notify  almost half the list that we would no longer be needing their presence at the shoot. Of all the bloggers sadly struck from the list, you are the only person to whom we extended an invitation to the Media Day tomorrow’, wrote Ms Engelbrecht.  Andy Fenner must have been invited too, and then uninvited, if his Tweet of 11 January refers to MasterChef SA: ‘I get invited to be on a local TV food show, I ask about provenance of the meat. I get uninvited’!

MasterChef SA Season 2, M-Net, starts cooking mid 2013. www.masterchefsa.dstv.com Twitter: @MasterChef_sa

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Dear Me is green and blooming impressive!

I was not sure what to expect from Dear Me restaurant, which opened about three weeks ago in the city centre, from its name.  When it got a thumbs up from Michael McKenzie, whose judgement I value, we decided to have lunch there last week. 

From outside on Longmarket Street one cannot appreciate what creativity is inside the three storey building, having a demure canopy with the Dear Me branding on the outside, and that is it.  One enters a spacious open plan restaurant, which leads to a small deli space as well as the counter on which the coffees are made by barista Nash.  The overall colour scheme is green, with green plastic moulded chairs, and a fun green flower pattern running from the bottom of the wall, even painted over mirror tiles.  Magazine and newspaper holders have been erected onto the columns, a clever use of space.   Even more interesting are the herb holders attached to the ceiling, each holder with a different herb, which can be pulled down, and watered every 10 days or so, the holders being cleverly designed in that they have their own irrigation system.  Similarly chef Vanessa Marx can cut some herbs for her dishes from these holders.  This clearly is a ‘green’ restaurant in more ways than one.  The wall alongside the staircase is a rough brick one, the unplastered effect adding an unusual dimension to the restaurant.

Dear Me and its upstairs bar Tjing Tjing belong to ex-accountant Ilze Koekemoer, very humble about her ownership of this beautifully restored 181 year-old building, which is predominantly painted in grey.  Ilse utilised South Africa’s übermaster interior decorator Francois du Plessis (he does all Newmark Hotel properties, for example, the Queen Victoria Hotel being his latest project).  Ilze says she always wanted to have a restaurant.  She said that she can cook, but that Vanessa does it better.   On the second floor is a little seating area with couches, as well as a boardroom table, with chairs as well as a couch around it for seating, over which a collection of plates has been hung. A large function room in white, including the flooring, the curtaining and walls, leads off the landing.  It is used for Thursday evening dinners, and for events such as wine tastings and art exhibitions.  I loved the crispness of the green chairs, the same as in the restaurant, in contrast to the white.  On this level is a most impressive large painting by Matthew Hindley, which one sees as one comes up the staircase.  Hindley is a graduate of the Michaelis School of Fine Art, and spends time in Berlin regularly.  He has been a disciple of ‘Gesamtkunst’, combining painting, sculpture and drawing, writes Wikipedia.   I was particularly impressed by a smaller painting by the same artist, which was hung in an alcove which was unpainted and looked unfinished, but so by design, and brought out the best of the painting.  On the third level is the Chinese-inspired Tjing Tjing bar, which opens at 16h00, and at which tapas dishes are served when the roller doors of Dear Me have closed after the lunch service.  Clients access the bar from the restaurant entrance, by going upstairs.  The Tokyo wall in this room attracts attention, filled with photographs of a recent visit to Tokyo by Ilze and her husband, and over a part of which the designer has placed a logo.  This loft room is open plan, and has an interesting wood ceiling.  It opens to an outside balcony, with pizza oven, and here one can sit on warm evenings.  The name Tjing Tjing is a ‘South Africanised’ version of the words one uses to toast one’s friends when having a drink, Ilse explained.

There is a strong presence of ex-staff from Caveau in Newlands: Chef Vanessa’s ex-link to this restaurant is a surprise, given the poor image Caveau has, and her wonderful creativity at Dear Me.  She worked for Pete Goffe-Wood previously at his PGW Eat and Kitchen Cowboys, and then worked in Europe as well as in London.  Returning to Cape Town, she worked at Cassia on Nitida wine estate, before joining Caveau.  What is interesting is that Vanessa is a diabetic too, and is working closely with the Netcare Christiaan Barnard Memorial Hospital just up the road in the setting up of a Diabetes Unit.  What was impressive is that the menu offers Dear Me guests vegan, lactose-free, gluten-free and starch-free options, and diabetics can be catered for as well, if Vanessa is informed.   The very efficient waitress Rumby, and the very knowledgeable wine hostess Ronel, are from Caveau Newlands too.  The waitress wore a grey overall with yellow piping and pockets, a refreshing break from the black and white waitress dress one normally sees.  I liked Ilze’s pants, fitting into the decor theme both in terms of design and colour.

The menu feels crisp and new, and this is because the menu is changed daily, with the date identified.  It has a full page introduction of its ethos: “Our aim is to provide you with high quality food reflecting our core values of integrity, respect and diversity in an informal and accessible environment”.  Recognising that not all patrons have the same requirements in what they eat, Dear Me states that “our menu is designed to be flexible enough to always provide options for individual dietary requirements and our kitchen has a can-do flexible attitude”, which we experienced on our visit.  Only fresh and seasonal produce is used, and they follow “artisanal principles and will prepare all our food naturally to ensure maximum benefit to our customers”, preserving nutrients and ensuring goodness of the food that is served.   Dear Me has chosen smaller suppliers who share the commitment of Ilse and Vanessa to ‘sustainable and ethical food production practices’.  The sustainability extends to another ‘green’ side of the restaurant, and it is conscious of its carbon footprint and impact it may have on the environment, and “wherever and whenever we can, we reduce, reuse and recycle our waste”.

The last sentence in the introduction explains the origin of the unusual name of the restaurant: “You should be able to eat with us every day and never feel guilty about compromising your personal food value and beliefs – the ideal was the inspiration for our name, Dear Me”.

The wooden tables have no table cloths, but quality material serviettes.  The cutlery is by Pintino from Italy.  I loved the presentation of the wholewheat and sourdough bread, wrapped in a napkin and held together with an old-fashioned wooden peg, presented on a beautiful green lotus-shaped plate. Nine main courses were offered, and six of these could be ordered as starter portions too.  Each item on the menu, bar the soup, had a wine suggestion, with a bottle and wine-by-the-glass price. Six of the dishes were indicated as having a health alternative.  Michael ordered the roast sweet potato, caramelised onion and goats chevre tart (R45) as a starter portion, very creamy, and the salad served with it had a good dressing, while I had organic Elgin tomato soup, basil and pecerino croute (R35) to start, perfect for a rainy day. 

For his main course Michael had grilled spatchcock quail (R110), and proclaimed it to be delicious, to be full of flavour, and none of the flavours jarred, he said.  I had slow roasted free-range pork loin served with butternut fritters, wilted greens, crispy sage and cooked apples (R98), the pork being somewhat chewy.  It was served with a very serious looking knife.   Other menu options were organic baby fig and shaved bresoula salad (R58/R78); home-cured trout gravadlax (R65/R85); grilled aubergine, curried split pea vinaigrette and feta salad (R46/R66); seared Lourensford trout (R105); and Chalmar beef sirloin (R125).

I could not resist trying the desserts, even though they are relatively expensive compared to the good value starter/main course prices.  I managed to encourage Michael to share a quince and apple crumble topped with shaved almonds, with almond milk ice cream and walnut praline (R50).  We were surprised to be generously served a dessert each, but to be charged for one only, mine coming with diabetes-friendly ice cream, proactively organised by Chef Vanessa, without us having asked for it.  I found the crumble to be a little dry, but liked the quince and apple combination to which raisins had been added, and the ice cream tasted as good as that which Michael would have been served.  Other dessert options were a chocolate torte (R60), lemon posset (R45), rhubarb soft-serve (R35), a selection of local cheeses (R65), and chocolate truffles can be ordered at R10 each.  Nash came to our table once I received my cappuccino (R16), and he spontaneously talked to us about the coffee, which comes from the Espresso Lab at the Old Biscuit Mill, where he did his barista training.  My cappuccino was made from a blend of organic coffee beans from Ethiopia, Brazil and Panama.   He said that the blend makes a full-bodied, distinctive tasting coffee, as the beans are not over-roasted, comparing it to food that should not be overcooked.  There are no additives or pesticides used in the production of the coffee beans, Nash assured us.

The two-page Breakfast menu looks wonderful, and is presented on a pay-for-what-you-choose basis, which is innovative and rarely offered.  Different muesli options, including the wonderful Bircher muesli, cost R 30, and one can add fruit (R18), and/or lactose-free or low lactose yoghurts at R8 each.  A fruit plate costs R35.  Porridge costs R18, to which can be added seeds or nuts (R8), or fruit (R18). French Toast comes in three options, ranging from R35 – R50. Boiled eggs and soldiers cost R22, to which can be added bacon and vegetables, costing R18 each.  Poached eggs cost R45, to which can be added hollandaise sauce (R8). Eggs Benedict, Eggs Florentine and truffled scrambled eggs are also available, the latter costing R70.  Plain scrambled/boiled/poached/fried eggs cost R10 only, while a basic omelette costs R15, to which one can add bacon, charcuterie, smoked trout, anchovies, mushrooms, spinach, capers, avocado and more, the cost of each specified.

Dear Me offers its patrons free filtered tap water.  I liked the wine storage area underneath the staircase, and the attractive impactful storage containers. The wine prices range from R20/R77 for Cape Atlantic Sauvignon Blanc 2010, to R68/R270 for Glen Carlou Pinot Noir 2009 on the menu.  The winelist is bound in a leather holder, and looks impressive.  Each page has the Dear Me logo on it.  There are eight MCC’s, ranging from R43/R170 for Simonsig Kaapse Vonkel to R455 for the Cederberg Blanc de Blanc.  Graham Beck Brut Rosé (R49/R195) and Colmant Brut Reserve (R65/R260) are also served by the glass. There are five Shiraz choices, Rickety Bridge costing R42/R165 and Migliarina R300.  Tamboerskloof Shiraz is also available by the glass, at R49/R195.

Dear Me is one of a number of new exciting restaurants to open, where the focus is strongly on the interior, making a strong visual impression, and allowing one to escape from a busy and stressful outside world.   There was nothing to fault at Dear Me at all, and one could not believe that the restaurant had only been open for two weeks when we ate there.  While it is the type of brasserie at which one would want to pop in regularly, parking (or lack of) during the week is a deterrent, but one is advised to park in the Netcare hospital parking garage on Loop Street.  Dear Me is refreshingly different, admirably green, admirably health-conscious, good value for money, and very friendly and welcoming.

POSTSCRIPT 4/4: I returned to Dear Me today, to finalise the winelist and Breakfast write-up, which I had missed last week, probably in talking too much!   I have added it above.  I had Chef Vanessa’s refreshing Caprese Salad starter portion, with Buffalo Mozzarella and fresh basil (R55).

POSTSCRIPT 14/4: I returned for Thursday dinner, with my colleague Marianna, so that she can recommend it to our guests.  Interior designer Francois du Plessis was having dinenr there, and came for a chat. He told me that Gregor Jenkins made the dining table upstairs, and he also crafted the tables at Dash restaurant at the Queen Victoria Hotel.  One pays R 240 for three courses, which is excellent value, as an amuse bouche and a palate cleanser are brought to the table as well, making it a five-course meal in fact.  If wine is added per course, it costs R 350.  Five courses cost R 350, and R 480 paired with wine.  Ronel looked after us most of the time, the first time that I had met her. Four choices of starter and main course are offered, and three desserts.  For her starter Marianna had the Tataki of yellow-fin tuna with pickled cucumber and ginger, oshi toshi and soy, while I chose the Wild mushroom risotto with parmesan and truffle oil, both outstanding.  The palate cleanser was a thick and creamy ginger and fig sorbet.  Marianna’s main course was Asian broth, kob, shitake mushrooms, noodles, lemongrass, ginger and chilli, a colourful and tasty dish.  I was most impressed with my Chalmar beef fillet, tender to cut, loved the crisp green beans and sand-less spinach with the most unusual glühwein-poached pears.  I didn’t like the gorgonzola cream on the steak, finding it too overpowering and rich.  Marianna had Buttermilk panna cotta with roasted rhubarb compote for dessert, while I chose the cheese platter, which I was less happy with, mainly due to the very dry and hard Melba toast.  I enjoyed a glass of Rickety Bridge’s Shiraz 2008 for R42, and had a small taste of port with the cheese, with the compliments of the restaurant.   The service was attentive and informative. A surprise was the noisiness of the downstairs restaurant, which Francois said he is working on to contain.

POSTSCRIPT 16/2: I have received an e-mail, announcing a new Pantry addition to Dear Me, with home-made breads, also available in wheat-free and gluten free variations, diabetic-friendly treats, relishes, cookies, buttermilk rusks, muffins, almond torte, and macaroons

Dear Me restaurant, 165 Longmarket Street, Cape Town.  Tel (021)  422- 4920. www.dearme.co.za (The website reflects the green interior design theme, and contains the most current menu.  There is no Image Gallery to reflect Chef Vanessa’s lovely food.  The winelist is not on the website.  There is no information about the Tjing Tjing Bar).   Twitter: @DearMeFoodWorld.  Monday – Friday 7h00 – 15h00, dinner on Thursday evenings.  Tjing Tjing opens at 16h00, until late.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.comTwitter: @WhaleCottage