Tag Archives: San

World-class Summerhill Stud home to world-class Hartford House!

imageBefore visiting Hartford House in August I did not realize that it was located on one of our country’s finest heritage stud farms. I was delighted that owner Mick Goss was my guide to Summerhill Stud, showing me around his ‘largest foreign-owned horse hotel‘ with passion.

We clicked immediately, having the University of Stellenbosch as an Continue reading →

Haarlem & Hope changes its name to The Company’s Garden Restaurant!

Haarlem & Hope Table outside Whale CottageSocial activist Zackie Achmat has managed to get the name of Haarlem & Hope changed to The Company’s Garden Restaurant, three weeks after its opening earlier this month, after he complained that the original name included reference to the Haarlem ship, which brought the first slaves to the Cape!

Achmat wrote angrily: ‘I wish to register my anger and outrage against this unthinking, callous celebration of colonial power. The indigenous Khoi and San people faced genocide. Colonialism is part of our history. We can’t turn the clock back. But many white people’s failure to acknowledge the pain and injustice of colonialism, apartheid and capitalism angers me not simply because it is wrong, but because they are preparing the seeds of increased social violence‘.

The Madame Zingara Group reacted quickly on its Facebook page, posting the following statement: ‘We’ve come under fire once Continue reading →

Cape Town tourism industry puts diverse Cape Town on show at Indaba 2013!

After huge protests about the poorly run Indaba 2012, Africa’s top tourism and travel exhibition appears to have improved its organisation, and has promised a larger number of international trade visitors for Indaba 2013, taking place in Durban this weekend. SA Tourism has stated that 3000 international ‘buyers’ are attending, as are more than 13000 delegates, according to the Daily News. The majority of the delegates are involved with tourism product stands.  The country’s world heritage sites, culture, arts, design and music are on display, in addition to tourism products and services.  Cape Town’s tourism product appears unfocused and fragmented at Indaba!

Cape Town is being represented by the Western Cape government (its party headed by Alan Winde, Minister of Finance, Economic Development and Tourism); the ineffective Western Cape tourism and trade development agency Wesgro, which has not delivered at all in the first year of taking over the role of marketing tourism in the province; Cape Town Tourism, SA National Parks; the city’s Big Six attractions; the Cape Higher Education Consortium (what on earth are they doing at a tourism exhibition?); Cape Town World Design Capital 2014; and The City of Cape Town’s Arts and Culture department. Odd is that the City of Cape Town’s Tourism, Events and Marketing department is not represented in Durban.

Minister Winde said in a media statement that this year’s Indaba theme is ‘heritage and culture’, and that he ‘hoped’ that Robben Island and the San cultural landmarks of our province will be featured on the ‘South African Heritage Cultural Pavilion’, an odd comment as one would think that the Minister’s tourism department or his marketing arm Wesgro would have ensured their inclusion on the national stand! ‘Foreign visitors want to see more of what do (sic) and how we live, they want authentic local experiences. The Western Cape has a rich and diverse history and is home to iconic heritage sites such as Robben Island. The Western Cape Government is currently devising a cultural and heritage tourism strategy, which will be aligned with that of the national government. We are pleased the Tourism Indaba profiles this offering so prominently this year’, the Minister is quoted as saying!  Disappointing is that the Minister believes the misleading tourism information put out by Cape Town Tourism, in claiming that ‘the sector experienced its best ever summer season‘! The Minister clearly does not know that the last good summer season was in 2007!

The Western Cape has developed a new slogan which has not been seen before, but will be on show at Indaba, in an interactive stand showcasing the province’s top sights and activities, such as shark diving, the top restaurants, the Winelands, paragliding, and river rafting. ‘Adventurously yours…naturally ours’ appears contrived as a slogan, and there is no Western Cape branding in it!  The Western Cape World Heritage sites Robben Island, the Cape Floral Region, and the Richtersveld Cultural and Botanical Landscape will be on show on the Heritage Cultural Pavilion.

On the same Cape Town stand the City of Cape Town (according to the Cape Town Tourism media release but quoting Councillor Grant Pascoe, Mayoral Committee member for Tourism, Events, and Marketing, extensively) ‘will reflect Cape Town’s position (sic) as a value-for-money destination famed for sporting, entertainment and arts events but will also examine (sic) its focus on golf and adventure tourism, as well as Responsible Tourism‘, states yet another poorly written media release by Cape Town Tourism PR and Communications Manager Skye Grove (our underlining)!  The Councillor added that Cape Town will also focus on ‘the fastest growing markets’ (one wonders where he obtained this information, as Cape Town Tourism and Wesgro have not ever referred to them in the past) of Arts and Culture tourism, Muslim travel, youth travel, and sports tourism!

Cape Town Tourism has compiled a ‘Love Cape Town City Breaks‘ winter packages broadsheet in conjunction with Thompson Holidays, which will be handed out at the stand, on Mango flights, at Cape Town Tourism information centres, and at Cape Town events (not that there are any upcoming ones other than some soccer matches to keep the Cape Town Stadium alive, and to make Cape Town soccer lovers happy, the Liverpool friendly match against Ajax Cape Town just having been cancelled)!   Mariette du Toit-Helmbold, Cape Town Tourism CEO, said that her organisation’s role at Indaba is to represent a place that is a hot bed (sic) of experiences, hidden gems and adventures‘, not even mentioning Brand Cape Town (our underlining)!

As tourism players we know that the presence of Cape Town and Wesgro at Indaba will do little to improve what is already a very bleak winter season, which cannot even be blamed on the rain, as there has been barely any to date!

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

‘Grape’ serves crushing future for the grape and wine industry!

A book just published, entitled ‘Grape’,  and sub-titled ‘Stories of the Vineyards in South Africa’, covering the history of wine and grape farming in the period 1652 – 2011, is certain to cause discomfort to the wine and table grape industry, in its accusation that there is much room for improvement in the way this industry treats its staff, despite many changes over time, especially since 1994. The industry is asked to get its house in order, in being ethical in the treatment of its staff.  The book concludes that the future of the wine and table grape industry is a depressing one, and one that can be to the disadvantage of those workers it aims to uplift. 

A large part of the blame must be placed at the door of the Department of Labour, which does not appear to be doing its job properly in regulating working conditions for farm workers, said ‘Grape’ co-author Dr Wilmot James, a member of Parliament for the Democratic Alliance, addressing the Franschhoek Literary Festival about his book on Sunday.  Written with Professor Jakes Gerwel, Chancellor of Rhodes University, and freelance journalist Jeanne Viall, the book paints the picture of the history of labour on grape and wine farms since 1652.

In hearing Dr James speak, it felt as if he has a chip on his shoulder, as he told the audience that the book’s initial focus was the abuse of ‘Coloureds’ by the wine industry, but as he was told that this was a racist approach, and he could not define exactly what this racial label means, he and his co-authors decided to broaden the focus of the book to include all workers in the industry.  The book kicks off with a “Note on terminology”, and in it is written “it is questionable whether one can speak of the coloured people at all.  In this essentially residual category are to be found people of the most diverse descent”, including slaves from Indonesia, the San (Bushmen) and Khoikhoi.

The book documents the stories of workers on grape farms, “which is the story of South Africa, mostly that of the Gariep/Orange River area and the Western Cape”.  The book continues: “The history of workers on grape farms is a sad one; indeed, the history of farm workers in South Africa in general, and also elsewhere in the world, is often one of hardship.  But the ‘dop’ system, and its ongoing effects over many generations, adds another dimension to disempowered and marginalised grape farm communities.”  It likens the history of our wine industry to that written about by John Steinbeck in ‘The Grapes of Wrath’, first published in 1939.

The first vines were planted by Jan van Riebeeck in 1655, and four years later the first wine was produced in Wynberg – Van Riebeeck wrote: “Today, praise be to God, wine was made for the first time from Cape grapes… mostly Muscadel and other white, round grapes, very fragrant and tasty”. 

South Africa is predominantly a beer drinking nation, the book states, with 65% of the population drinking this beverage, as opposed to only 15 % drinking wine.  In 2009, 1089 million litres of wine, brandy and grape juice were produced.  Of the total of 125000 hectares planted under vines, 81 %  was used for wine production and the balance for table grapes in 2009.  The number of grape farm workers is estimated at 30000 – 50000 permanent staff, and ‘many thousands’ of seasonal workers.  Half of the 396 million liters of wine that was produced in 2009 was exported. 

The book tells the stories of interesting wine personalities:

*   Mohammed Karaan, now Dean of AgriSciences at Stellenbosch University, is quoted as saying:”The wine industry takes money. It is squandered on image and ego, these are not good values, the downside of the industry is that it destroys human capital, along with its stepbrother, the fruit industry.  I used to be astounded at how fellow students justified the ‘dop’ system.  And now they are saying that wine is good for the heart…  All politicians have a romanticism around wine, they’re intoxicated with wine.  They were going to legislate against ‘papsakke’.  Nothing happened.”

*   Spatz Sperling of Delheim was one of the driving forces in wine marketing, and the legal constraints of wine-selling locally and to overseas markets led to his pioneering marketing, often more for the benefit of the industry than for his own brand

*   Michael Back, owner of Backsberg, is the first wine farm to become carbon-neutral in South Africa, and is the third in the world

*   Professor Mark Solms, whose aim is to not lose money with his farm Solms-Delta: “Wine is not the way to make money quickly; my long-term view is that what will make it truly sustainable is doing it excellently”.  He added: “Only by delving into the social history of the farm could I properly understand it.  What needed to be done was to understand the nature of the problem in order to change it. I found things I wouldn’t have anticipated: people had no hope, no sense of the future.  They were at best fatalistic, and most were clinically depressed”.  The Solms-Delta Oesfees is written about in the book, as is the trust in which the farmworkers have ownership, with owners Mark Solms and Richard Astor. 

Interesting wine industry facts are spread throughout the book:

*  Constantia wines were acclaimed, and Vin Constance was enjoyed by royalty, including King Frederick the Great of Prussia, King George IV, King Louis-Philippe, and Napeolean Bonaparte, amongst others.

*   Muratie’s first owners, when the farm was named ‘De Driesprong’, were Lourens Campher and the freed slave Ansela van de Caab, and was handed to them by Willem Adriaan van der Stel in 1699.

*  Evidence of a Stone Age civilisation from 4000 – 6000 years ago was found when renovation work was done at Solms-Delta, after Mark Solms bought the farm in 2002.

*   One needs at least R25 million to buy a farm, and ‘the margins are paper thin for growing grapes for basic wine”, Professor Joachim Ewert from Stellenbosch University is quoted as saying.  He says it takes three generations to make money on a wine farm. Added to this, is that many foreign owners have bought wine farms, for ‘status and the snob value of your own wine label…’.  One of the main findings of the book, the writers state, “…has been a revelation to find that not only have wine farmers always struggled to survive, but that still today wine farming is marginal.” 

*   Wine farms are not always well-known for their wines, but often more for their owners, e.g. Jan Boland Coetzee, the rugby player who makes wine at Vriesenhof; Beyers Truter who has become known as ‘Mr Pinotage’, of Beyerskloof; Dr Paul Cluver is a brain surgeon; Professor Mark Solms is a neurologist.

*   Good ‘table wine’ has only been produced in the past 15 years, WOSA CEO Su Birch is quoted as saying, with only Meerlust, Delheim and Kanonkop known to make good wines before this time. 

*   The Stellenbosch Wine Route was the first route to open, in 1972, and was the brainchild of Spatz Sperling of Delheim, Frans Malan of Simonsig, and Neil Joubert of Spier, the first of now 15 wine routes in the country. 

*   Spatz Sperling of Delheim, Frans Malan from Simonsig, and Sydney Back of Backsberg got the Wine of Origin wine certification system established 

*   Distell’s Nederburg, JC le Roux and Graça, as well as Van Loveren’s Four Cousins, sell well in our ’emerging markets’ (a nice way to say ‘township’), the book states, and Nederburg Baronne in particular is known in Soweto as the ‘Coca Cola wine’. 

*   The ‘dop’ system is not South African in origin, and was probably introduced by the French Huguenots

*   South African wine production appears least likely to be affected by climate change, most wine-producing areas, other than the Northern Cape, having the lowest average increase in temperature of all wine-producing regions in the world.  Yet more costly water and climate change will influence berry ripening, and will lead to earlier harvests and to different wine styles being produced.

*  Wines were sold in supermarkets in 1966 for the first time.

*   ‘Black-owned’ wine farms include Constantia Uitsig, Bloemendal and D’Aria (Tokyo Sexwale having a part ownership) and Sexwale’s fully owned Oude Kelder in Franschhoek; Paardenkloof owned by Valli Moosa; and M’Hudi Wines, owned by the Rangaka family.

*   Empowerment schemes for grape farm workers include Malmaison near Groblershoop; Beyerskloof; Naftali Estate at Dyasonsklip; black consortia own shares in Distell and the KWV; ’empowerment’ wine brands include Epicurean Wines, Ses’fikile; LaThiThá Wines; and Thabani. 

‘Grape’ moves backwards and forwards in time in presenting an overview of far more than the labour on grape farms, and this is its weakness.  It has so much material to cover that the book loses focus in the presentation of its wealth of information. Making so much in its build up of the exploitation of mainly ‘Coloured’ farm workers on such farms, as well as the production of ‘cheap wines’ to target this population group, it is a surprise when the book’s “Last Word” paints a depressing future for the industry, which “is facing incredibly tough times”,  “soaring production costs”, “poor return on their product”, a “changing climate”, and a “strong rand”. “Very few farmers are making a profit; many wine farms are on the market”.  Given this scenario of a challenging future, one gets the feeling that the authors backed off their initial tough stance, as all these challenges that the industry faces will affect the workers on these farms, as well as their livelihoods.   For the wine and table grape industry currently survival is a greater priority than its continued transformation!

Jeanne Viall, Wilmot James & Jakes Gerwel: ‘Grape – Stories of the Vineyards in South Africa’.  Tafelberg.  2011. www.tafelberg.com

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage