Tag Archives: semillon

Okamai Japanese Restaurant: Umami in the Japanese food and GlenWood wines!

One of the most unique restaurant experiences was the opening of the new Okamai (meaning ‘home-brewed hospitality’) Japanese Restaurant at GlenWood wine estate in Franschhoek on Thursday evening.  It is a unique marriage of the Umami in the delectable Japanese food created by Sensei (meaning teacher) Deon de Jongh, and the special GlenWood wines created by winemaker DP Burger.

PR consultant Erica Liebenberg and DP welcomed us at the GlenWood reception with a glass of Morena Rose Brut.  The Japanese touch was immediately evident, with Sensei Deon’s wife Rayne wearing a kimono.  We moved through to the tasting room with a welcome fireplace on a still chilly Spring evening, from which we only saw the branding on the ‘noren’ , or hanging cloth, which was the first lesson we learnt in Japanese culture, in that there are no closed doors, denoting the sacred space between the different sections of the restaurant and kitchen. The writing on the entrance noren, replicated on the serviette, was the greeting: ‘We bid you welcome’. Between the kitchen and the scullery and pantry there is another noren, visible in the photograph of Sensei Deon. I slipped into the restaurant while the others were still tasting the wines, and noticed the bonsai on a side table, a collection of ornamental swords, a decorative holder for the swords, and a picture of a Samurai ‘Grand Master long passed’, with decorative lettering written by the Emperor’s calligrapher, with wording ‘The fighting spirit through harmony and respect’, Sensei explained.  He was dressed in a black chef’s outfit, but with Japanese touches.  He has the most charming smile, looking at peace and in harmony, and reminded me of Chef Reuben Riffel. The word ‘humility’ was used a number of times at our table to describe the Sensei.

Sensei Deon studied 16th century samurai swordmanship in Japan, and lived in that country for 27 years.  Once one has passed the highest level of swordmanship, ‘they entrust you to cook’. Sensei studied the Japanese and western style of sushi creation for 15 years.  Erica told me that the Sensei has written Japanese novellas, being collections of stories related to him while he lived there.  He has also founded and run a school of martial arts in New York, is a motivational speaker and life coach, and was awarded a Nelson Mandela Momento for his contribution to social upliftment and better relations, the website states.

Alistair Wood is the owner of GlenWood, which he bought 28 years ago, and DP has been his winemaker and General Manager for 22 years. They share the same long term vision and focus.  Alistair told us that DP is a fourth generation Franschhoeker, and his great-grandfather saw the last elephant leave the Franschhoek valley in 1856. Alistair and his partner Nikki de Havilland were regular customers of the Japanese restaurant which Sensei had opened on the Franschhoek main road, and invited Sensei Deon to open his restaurant on their wine estate when he closed the village restaurant.  They were excited about the good pairing between Sensei Deon’s food and their wines, a good marriage of the umami in both, and ‘between Japanese boutique cuisine on a boutique winery‘, said Nikki.  The word ‘umami’ was mentioned a number of times, and it is the fifth sense, with sweet, sour, salty, and bitter, an element discovered by a Chinese scientist 1200 years ago, we were told.  Umami was found to be an ‘indescribable’ taste in seaweed, and described as being ‘addictive’.

The restaurant can only seat 16 customers at a time, because the Sensei prepares everything fresh, and therefore booking is recommended. However, the kitchen is open from 12h00 until closing time, so one is not restricted to only eating there at traditional lunch and dinner times.  While GlenWood wines are served, one can also order Japanese beer and sake.  ‘Oshibori’ is ‘to clean the hands for the meal one is about to receive’, and a cloth was brought to each guest, and after we returned it to a hostess, we were told that the correct way of doing so would be to roll it up as we had received it: ‘By the way it is received you will return it’, we were told.  Nikki invited us to be ‘adventurous’ in our eating.

Before the meal, Sensei spoke an appreciation ‘of the journey of the food before me’, and ‘I honour your journey and my journey for being here’, acknowledging the uniqueness of the Sensei and customer connecting at that time and space.  He also told us that the Japanese customer would meet the chef before committing to the table, to ‘get a feel of his intentions’ which could harm one if the chef has negative energy or is in a bad space. Should the customers pick up negativity in the chef, they would leave.

We started with a Miso soup (R20), and Sensei Deon taught us how to hold the bowl on the tips of our fingers, and drink from it by slurping, this being how soup is drunk by the Japanese. The Miso soup is a traditional start to the meal, keeping the Japanese healthy, and is made with Dashi stock and has chunks of tofu, and was paired with the GlenWood Sauvignon Blanc 2011.  Miso soup is a good preparation for the meal to come, and an excellent way to counter a hangover, we were told. Thereafter we were served a black Bento Box (meaning ‘lunch box’ ) with a red edging, looking very smart, and with compartments inside for the different foods.  The Bento Box contained the following:

*   ‘Edo Unadon‘, eel meal, paired with the GlenWood Unwooded Chardonnay 2011 – there is no such thing as a ‘California Roll’, Sensei said. This dish costs R62.

*   Sashimi, cut and seared salmon, which was paired with GlenWood’s flagship wooded Vigneron’s Selection Chardonnay 2011

*   The Tempura prawn was described as being high in umami, and was paired with the GlenWood Semillon 2010 (4 prawns cost R34)

*   Chicken dumplings were paired with the GlenWood Merlot 2009 (4 chicken dumplings cost R32)

*   Salmon Roses were paired with the GlenWood Shiraz 2009 – this should be made from the tail of the salmon, which contains the sweetest part, Sensei said.

Rice should be prepared a day in advance, we were told. Wasabi only has a three hour life span, and should never be bought in a tube, we were advised.  Wasabi should never be mixed with soy sauce, as it loses its health benefits.  A leaf of ginger should be eaten in-between courses to clear the palate.  Kewpie mayonnaise should be Japanese and not Chinese, being more healthy.  Sushi means ‘finger food’. The meal as we had it, with the Miso soup and Bento Box, costs R170. One can also order Temaki handrolls at R38 – R53; 6-piece Makimono at R33 – R47; 8-piece Uramaki ‘inside-out rolls’ at R55 – R68; 2-piece Nigiri at R31 – R43; 2-piece Inari R 33 – R45; salads from R40 – R48; 4-piece sashimi R50; two salmon roses at R45; and 4-piece fashion sandwiches at R43 – R55.

The dinner was concluded with a Japanese crepe containing thinly sliced strawberry and banana, and cream. We were told to close the Bento Box when we finished eating, and return it to the hostess, to prevent her from having to lean over the guest to clear the table. Traditionally, hostesses were used to ‘eavesdrop’, to obtain secrets from guests eating by overhearing their conversation, information which was used competitively in warfare.  The best time to eat Japanese food is from 13h00 – 17h00, when the digestion and metabolism are at their optimum, Sensei said.  We were advised to eat only 80% of the meal, and then take a breather before finishing the meal.

Alistair and I talked about the new wine range that will be launched, and without giving away any secrets, he shared that he is excited about an idea which came to him while travelling through France for three months in our winter, being that Franschhoek is well-suited to make a Sauternes noble rot ‘sweet wine’ in the style of Chateau d’Yquem.  Watch this GlenWood space!

Okamai is an educational experience.  It serves ‘cuisine based on ‘Wakon-yosai, an ideal of adopting and applying western learning and knowledge in confirming the native cultural traditions, creating a familiar & authentic blend of known and traditional dishes’, the Okamai website relates.  Sensei Deon is most charming, and he makes eating at Okamai a fascinating experience, given the personal attention that he can pay to his 16 guests at a time.

Disclosure: We received a bottle of GlenWood Merlot 2009 with the media kit.

POSTSCRIPT 25/1: Sensei Deon sent an e-mail this evening, announcing that he left Okamai at Glenwood on 20 January: “I trust you all are doing well and had a good festive season. I am emailing to let you know I am no longer at Okamai…I resigned January 1st 2013…and Sunday January 20th was my last day…for many reasons not known to many..and such It need remain to preserve the integrity of others and the code of samurai conduct that mandate my discreetness and reasons :-). The Very Best Regards & Care. Whereto from here?…I do not know…but shall keep you posted..at GlenWood it is business as usual as they have indicated with the employ of a new sushi cook. Thank you Deeply for your past association and support. Kiyomasu Deon Sensei. 076.997.3786”

Okamai Japanese Restaurant, GlenWood wine estate, Robertsvlei Road, Franschhoek.  Tel (021) 876-2044. www.glenwoodvineyards.co.za www.okamaijapan.com Tuesday – Sunday, from 12h00 – 21h00.  Booking advisable.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Winemaker Eben Sadie: a blend of focus, independence, passion and charisma!

Earlier this week I attended a winetasting of Sequillo wines, led by well-known and highly respected maverick Swartland winemaker Eben Sadie, at French Toast. It was the most enjoyable wine function I have ever attended, largely due to the refreshing down-to-earth three-hour tasting done by Sadie, and excellent value at R100.

The name of the winemaker leading the tasting was clearly a big drawcard, with 45 winelovers having booked.  I was introduced to Eben by Karen Visser, co-owner of French Toast, and Eben struck me as a really nice and friendly person, without any airs and graces, not what I expected at all, for a winemaker who has achieved a number of career highs, including having his winery selected as Winery of the Year, and his Sadie Family Wines Palladius selected as South Africa’s top white wine in the 2010 Platter’s South African Wine Guide.

It took some time for the tasting to get going, due to some late-comers, but we were served a Mystery wine, which we were asked to identify.   It was a Riesling, only 60 bottles made (unwooded) by Eben from grapes coming from Elgin, and not one of the attendees could identify it.  Throughout the evening, Sadie told us stories, and for him the most important role that his wines play is that they too tell stories.  He loves to play with wine, to experiment, and his greatest goal is to get locals to enjoy wine, without any fancy references to the aroma wheel (which should be burnt, he says), as it puts people off wine-tasting.  He said ‘my guava is not your guava’, explaining his controversial winetasting views.  Eben came across as the most down-to-earth, hands-on winemaker. Awards generally do not mean much to him, and he would not answer my question as to how he views the Platter’s guide.  In the introduction, French Toast co-owner John Harrison said that Eben is recognised as a ‘renegade’, who has broken all the rules of conventional winemaking.  This ‘enfant terrible’ is South Africa’s first certified celebrity winemaker’, Wikipedia writes about him.

Eben’s big passion is surfing, he studied at Elsenburg, and he started his winemaking career at Romansrivier Winery in Wolseley, moving to Charles Back and making his Spice Route wines for him.  Sadie Family Wines is a joint venture between two Sadie brothers Eben and Niko, and their older sister Delana, starting with R9000 in 1999. They grew up on a vegetable and pig farm on the West Coast, and it was grape farming, and winemaking with it, that attracted Eben to this sector of agriculture, telling me that winemaking ‘can carry a century’.  They have three wine operations, making Sadie Family Wines (a wine for weekends and special occasions) and Sequillo (a wine for weekday drinking) in the Swartland, and make wine in Priorat in Spain (Terroir Al Limit label) too. Studying winemaking in Germany, Austria, Italy, the USA, and Burgundy, Eben liked the lifestyle of the Spanish the most, choosing this country, but clearly declaring his love for the Cape. Taking a swipe at ‘molecular gastronomy’, Eben said he believes that winemaking has been ‘intellectualised’, in that wine drinkers are encouraged to sniff and spit the wine.  He said one should not bother with drinking one glass of wine only, as it was as good as drinking a glass of water!  Wine drinking must be done in volume, so that one can enjoy it, he said.

All the Sadie wines are blends, and they do not make any single varietal wines to sell.  Eben said that winemakers could make wines to the ‘100 point formula’, to tick all the judges’ boxes, but this would be an ‘intellectual wine’, made without regard for soil and climate.  It would have ‘blueberries, cigarbox, cream, and fennel on the nose, would be opaque, and have tannin’. He mentioned this dig at the ‘aroma wheel’ a number of times during the evening.  Rather, wines should be an ‘ambassador’ of the place and the climate, and that is why Eben does not irrigate his grapes anymore, to be a true representation of the climate of that vintage. To counter climate, Eben will reduce his crop by half, depending on whether there is late rain or not.  His wines have no added yeast, and only about a third of the allowed quantity of sulphur is added two days before bottling.  Very old barrels are used, adding little or no wood to the taste.  Eben said it was hard to move from conventional farming to ‘natural farming’.  He told us how they have built up the resistance of their grapes in Spain, and plough with mules there.  Mules were not suitable for the Swartland, he found, so they use horses.  We laughed when Eben said that one can read how to get onto the moon, but the internet does not guide him as to how to use horses to plough his land!

Eben became very fiery about Law 70 of 1970, which does not allow the sub-division of agricultural land. This means that Eben leases 53 blocks of land in different areas, which he tends to with his staff, driving from one piece of land to another.

Sequillo is a second label, and the name comes from the Latin, meaning ‘dry arid place of great purity’.  To introduce the Sequillo Red and White blends to us, Eben ‘deconstructed’ the wines for us, and we drank most of the individual varietals that made up each of these two blends.  The Sequillo White blend 2010 consisted of:

*   Grenache Blanc: Eben said this wine is like someone you know who is in jail, being someone you love but you cannot mention it.  This variety came from the south of France.  It is used in the blend to ‘build volume of wine’.

*   Palomino: the origin of this grape is Jerez, from which sherry is made in Spain.  It has acidity, firmness, coming from a 65 year old block in Piketberg.  It has minerality, and white peach and other stone fruit, with a lingering after-taste. There is some saltiness.

*   Verdelho:   This wine is made from grapes originating from Portugal, planted in its northern areas.  Eben said that his wine comes from 8 year old vines, the youngest vines he has.  He tested this variety’s suitability in different soil types, and it does well across a variety of these.  It does not have the prettiest bunch nor leaf, not having been to ‘finishing school’, he says in Sadie-speak, but is a great grape that is conducive to good natural farming.  Their grapes are planted in Wellington, Perdeberg, and Stellenbosch.  It has spiciness, potpourri, great nose and taste, easy to grow but hard to make in the cellar.  Presenting it to Portuguese winemakers, they were very complimentary about his wine, Eben said.

*   Viognier:  This variety comes from Croatia originally. Eben said that it was grown too ripe originally in South Africa, giving too much alcohol.

*   Grenache Noir: This is the most planted grape in the world, about tenfold of the planting of Cabernet Sauvignon. It is a Mediterranean grape, which can go to 17% alcohol, but Eben keeps his at 13.5 % by picking the grapes earlier.

*   Semillon and Roussanne are also part of this blend, but we did not taste them.

The Sequillo label design is done in-house, and is refreshingly different, changing every year.  The ‘Dorper skaap’ on the Sequillo White symbolises the hardiness of this sheep variety, like his wine, and is politically correct in being white and black, he laughed!  The Sequillo Red has a locust on it.  The Sadie wines are sold in 35 countries.  When asked how they market internationally, Eben said that he answers his e-mails!  They do not have a website for the Sadie Family Wines, and have only just created a website for Sequillo.  They will never get into Social Media, Eben said, and he probably will throw away his cellphone when the contract expires, he said.  He has no TV nor radio, and does not follow rugby.  He makes all his own wine, and does not buy any of it in.  While Eben had to keep reminding himself to ‘focus’ on the tasting, to great laughter, he explained that he is ‘semi-German’, and has ‘structure and order’, answers his e-mails, and is organised about his wine-making.

Asked which wine estates and their winemakers he admires, Eben mentioned Mullineux, Hamilton Russell, Newton Johnson, Adi Badenhorst, Neil Ellis, Boekenhoutskloof, Paul Benade, and Chamonix, and described them as mavericks too.  He told us that he used to make full-bodied heavy wines, but now he makes lighter ‘roadblock’ wines, that will get one through a traffic control! He said that the wine industry has come a long way, and that the country’s political transformation in 1994 caught the industry by surprise, not being ready to compete on an international platform initially. Eben deplored that rarer and interesting wine varieties do not sell locally.  He is focused purely on making wine, and is not there to set up pretty gardens with fountains on his wine estate!

The Sequillo Red blend 2009 is made from the following varietals:

*  Syrah is Eben’s favourite varietal, and he told us that its origin is said to be Persia or Greece.  The Australians could not pronounce its Old World ‘Syrah’ name, and called it ‘Shiraz‘. While other winemakers pick their Syrah grapes in March, Eben picks his in January, to prevent it being ‘jammy’, sweet and pruny, because of its thin skin, and the intensity of our sun, giving him 13,8% alcohol compared to 16 % for others picked later. He says it is a lunchtime wine, is well suited to the Cape, although it may be too hot, needing altitude to do well. He would not reveal where the special Syrah is grown, but hinted that the block is 60 km from the city, just above that of a very well-known wine brand. Platter’s Guide says 65% of the blend is Shiraz.

*   Mouvèdre is the most difficult wine to make, Eben said. It is great to farm, a beautiful grape and a vertical grower, but difficult to make in the cellar.  It has ‘nervous aromas’, ‘energy and electricity’, ‘is alive’ and great to use in blends, as it raises the fruit in these.  This grape variety makes the world’s greatest Rosé in Bandol in France, Eben said. He added that Rosés are cool wines now, not a ‘chick wine’ any more!

*   Cinsault is like one’s brother that is in jail and about whom cannot talk (Eben likes to use the analogy of wines and jailbirds!), being one of the greatest varietals but that has ‘suffered from human ambition’, he said, extending the analogy to say that it has been ‘framed for a murder he did not commit’, referring to its poor appeal as a variety. He says it is one of the most drinkable red wines in the world, it is seductive, and a wine he thinks about every day.

*   Grenache and Carignan are two further varietals used, but not offered for the tasting.

As if we had not had enough to taste, Eben opened a 5 litre bottle of his newly 5-star rated 2012 Platter’s (for its 2009 vintage) Columella 2007, a Rhone blend of 80 % Shiraz and 20% Mouvèdre, according to Platter’s.

Eben Sadie and his wine brands will continue to make waves, given his passion and charisma, his dedicated focus on what he loves doing best, in making wines, and his fresh anti-bureaucracy and anti-convention views.  Marc Kent of Boekenhoutskloof said of Sadie that he makes wines as an ‘artisan’, and not as a chemist or a technician!

Sequillo Cellars, Malmesbury.  Tel (022) 482-3138.  www.sequillo.com

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com,  Twitter: @WhaleCottage

Platter picks prime wines

The 2009 Platter Wine Guide has been released, and its record 33 five-star wines were announced earlier this week.    Kanonkop scooped the prestigious honour of being recognised as the best wine as well as best winery.    Only Boekenhoutskloof and De Trafford had two five-star wines in the top wine list.

 

Wine of the Year

Kanonkop Cabernet Sauvignon 2004

Winery of the Year

Kanonkop

Chenin Blanc

Ken Forrester The FMC 2006

Chardonnay

Ataraxia 2007
Jordan CWG Auction Reserve 2006
Uva Mira Single Vineyard 2007

Sauvignon Blanc

Quoin Rock The Nicobar 2007

Semillon

Constantia Uitsig 2007

White Blends

Cape Point Vineyards Isliedh 2007
Nederburg Ingenuity White 2007
Sterhuis Astra White 2006
Tokara White 2007

Pinot Noir

Meerlust 2004

Cabernet Franc

Buitenverwachting 2005

Cabernet Sauvignon

Boekenhoutskloof Winery 2006
Kanonkop 2004
Thelema The Mint 2006

Pinotage

Simonsig Redhill 2006

Red Blends

De Toren Fusion V 2006
De Trafford CWG Perspective 2005
Kaapzicht Steytler Vision 2005
Morgenster 2005
Vilafonté Series C 2006
Waterford Estate – CWG Auction Reserve 2004

Shiraz

Boekenhoutskloof Syrah 2006
De Trafford 2006
Eagle’s Nest 2006
Hartenberg The Stork 2005
Signal Hill Clos d’Oranje 2006

Dessert Wine Unfortified

Fleur du Cap – Noble Late Harvest 2007
Klein Constantia Estate – Rhine Riesling Natural Sweet 2006
Tulbagh Mountain Vineyards Vin Pi Two (NV)

Dessert Wine Fortified

Mons Ruber Estate Muscat d’Alexandrie Jerepigo 1997

Port

Boplaas Vintage Reserve 2006
De Krans Vintage Reserve 2006

Franschhoek La Vigne winemaker Ossie Sauermann has been announced as 2008 Diner’s Club Young Winemaker of the Year.   Last year Marc Kent of Boekenhoutskloof was selected as the Winemaker of the Year.