Tag Archives: Taittinger

Restaurant Review: Kitima full of spirit, Elsa’s Table has pride of place!

I was invited by Katie and Jonny Friedman to dinner at Kitima in Hout Bay, an icon of Asian cuisine in Cape Town, and winner of the Best Asian restaurant in South Africa in the Eat Out Restaurant Awards in November. It was a most interesting evening, not only experiencing the good value food, but also hearing the story about Elsa’s Table, named in honour of one of Hout Bay’s longest standing ‘residents’!

The Friedmans own Orphanage on Bree Street, and we got to know each other at their cocktail emporium when it opened earlier this year. They have done so well with Orphanage that they are linking it to a double story behind the existing building, with an entrance on Orphan Street, adding another bar downstairs, and creating the Orphanage Club upstairs in which 1920’s style jazz, blues, and other music will be performed live. Reservations must be made, and it is planned to serve canapés with the drinks, served by the bottle in this venue. The Friedmans live in Llandudno, and love Kitima, usually eating there once a week.  They were surprised that I had never been, and wanted to share one of their favourite restaurants with me.

Kitima is close to the Imizamo Yethu township in Hout Bay, but one feels very secure, as one is guided into the parking by their security staff, and shown the entrance to the building.  The old Cape Dutch building, originating from 1670 when it was a manor house on the first farm in Hout Bay, and having been a National Monument for more than 50 years, is called The Kronendal, and is a tasteful marriage of its untouched historic Dutch origin with Thai decor touches added. The building relives the history of the Cape via the Dutch East India Company, which connected Europe, the Cape, and Siam (now Thailand).  There are two generous bars, with lounge seating at one, and bar seating at the other, serving fresh ‘Thai and Western cocktails’ , which are prepared by mixologists.  I had a taste of Katie’s Strawberry Rose Martini, a delicious cocktail with a minute rose, and it was actress Halle Berry’s favourite when she ate there while filming in Cape Town two years ago. It was amusing that my simple request for a medium cream sherry appeared a more exotic order than the martinis which Katie and Jonny ordered.  There are three rooms (Bangkok, Boat, Temple) and the VIP Room, in which the restaurant patrons sit, up to 160 in winter and about 220 in summer, when they can expand outside.  Tables are placed quite close to each other, yet one does not hear the other patrons. Tables have white tablecloths, and the chairs are upholstered in a black and grey/silver fabric.

Waiting for the Friedmans to arrive, I was shown around the restaurant by host Stian, and our first stop was at Elsa’s Table in the entrance hall, the only table in this large space, and which attracted my attention with its plates of food on the table, with a glass each of red and white wine, and a vase with red roses.  It looked like a table at which a very special event was about to be celebrated, one assuming that the couple had temporarily vacated the table to go to the bar.  It was quickly explained that this is Elsa’s Table, Elsa having been the daughter of one of the first Dutch owners of the building, Sir Abraham Josias Cloete, who lived there with his family between 1835 – 1849. Elsa fell in love with a British soldier. Their union was not sanctioned by her parents, so he committed suicide at the oak tree outside the restaurant building. It is said that Elsa died of a broken heart.  Since then her ghost has regularly been seen in the building on moonlit nights, and her existence felt inside the building.  In accordance with Thai culture, the table laid for Elsa and her soldier is a blessing, and has been prepared in honour of the spirits.  Since Kitima has opened and dedicated the table to her, there has been minimal activity and no more sightings of her ghost, I was told. Our waiter was kind enough to check which dishes were served at Elsa’s Table that evening, and his list was Pad Pak Rum (seasonal vegetables wok-fried with a garlic and oyster sauce), Pla Neng Ma Nao (steamed kingklip), steamed rice, and Crêpe Suzette. The dishes served at Elsa’s Table are changed daily. The red wine was a Barista Pinotage, but the white wine was an artificial liquid, he said, and the roses plastic.  I was reprimanded for putting my handbag on one of the chairs to make a note about a piece of information, reflecting how serious the restaurant is in honouring its previous resident.

The restaurant is named after its owner Kitima Sukonpongpao, who arrived in Cape Town from Thailand ten years ago. She opened Kitima five years ago, specialising in Asian cuisine, including Japanese, Chinese, and Thai.  Ten ‘5-star Thai chefs’ run the kitchen. Chef Kent came to the table, telling us that he had just returned from Thailand, but that he was teaching students at the University of Thailand about restaurant service and food preparation, an honour to do this for the King of Thailand, only seeing his mother for two days, and barely having a break. Thai cooking is characterised by its use of herbs, and lemongrass in particular, I was told, but its true recipe to success is its service, making it unique, and therefore better than Nobu and Haiku, said the restaurant host. The restaurant is so popular that one must book ahead.  The website introduces the philosophy of the restaurant: ‘Only passions, great passions, elevate the soul to great things’.

The brown covered menu is the largest I have seen, even more extensive than that of Haiku.  It is neatly organised into Appetisers, Soups, Salads, Sushi and Sashimi, Dim Sum, Soup, Salads, Seafood, Duck and Chicken, Beef, Pork and Ostrich, Curries, Vegetables, Rice, and Noodles, each section offering a large selection of options.  The first observation was how inexpensive Kitima is, when compared to Haiku, Nobu, and Willoughby’s, for example.  The waiter told us immediately that most of the Dim Sum was not yet available, needing a few days to be prepared after the restaurant re-opened from its winter break.  When Katie wanted to order the tuna, she was told that it was out of stock too.  One is served a spoon and fork, and chopsticks, and I asked for a knife for both the starter and main course. I ordered Ebi (R40), which is a prawn, avocado and Japanese mayonnaise handroll, as a starter, beautifully presented on a stand. Appetisers include oysters (R15 each), a number of spring roll options, including duck, cheese, vegetable, and prawn, and prawn cakes cost R45 for three. The sushi selection is extensive, tuna and salmon sashimi, and prawn, tuna and salmon Nigiri costing about R15 each. Platters of eight pieces of sushi range from R38 – R55, a number of handroll and fashion sandwiches are offered, and salmon roses cost R52 for four.  Dum Sum is defined as ‘little treasures’, and include a number of ingredient combinations, including prawns, pork, shiitake mushrooms, chicken, ginger, and chives, at a price range of R33 – R40.  The well-known Thai Tom Yum Goong prawn soup with mushrooms, galangal, lemongrass and coconut milk, topped with fresh coriander (R39), and traditional Japanese Miso soup with tofu and spring onion (R25), are included in the soup list.  Numerous salad options are available, including beef, prawn, chicken, duck, fish, seared tuna, and vermicilli, costing between R50 – R70.

For the main course I tried my Haiku favourite, being Duck à L’Orange. Katie told me that the duck comes from Thailand, as they were not happy with the quality that they source locally.  The duck dishes cost R105 – R125, while the chicken dishes cost around R65.  Seafood main course options are dominated by prawns, including a prawn basket, and sweet and sour prawn.  Kingklip, salmon, and Bluenose (not on the SASSI list) can be ordered, steamed, fried with batter, or wok-fried.  All the beef, pork, and ostrich dishes are wok-fried, and cost about R75, with the exception of the ostrich, which is a little more expensive.  Red and green chicken and seafood curries, chicken and beef peanut curries, and lychee duck curry are some of the curry options. For vegetarians there are a selection of choices, including a green or red vegetable curry, costing about R55. Steamed rice costs R12, but one can also order egg fried, vegetable fried, or prawn fried (R49) rice.  Noodle dishes are served with chicken, prawns or vegetables.

For dessert Katie and I shared Crepe Suzette, which was served with ice cream (R45), and I had a cappuccino (R18) with it. The other dessert options are more Western, including Crème Brûlée, Bread and Butter pudding, deep fried bananas, chocolate or fruit spring rolls, lychees, sorbets, and ice creams, inexpensive at R28 – R45.

The Waterford Kevin Arnold Shiraz (R270) was decanted, and was a good choice for our meal.  The winelist recommends the pairing of Riesling for medium-spiced and steamed dishes; Sauvignon Blanc for chicken, fish, and seafood; Chardonnay for milder dishes and sushi; Cabernet Sauvignon and Merlot for pork, duck, and spicy beef dishes; and Pinot Noir for more subtle-flavoured beef dishes.  The rules are quite strict, with corkage costing R35 for local wines and R50 for champagne.  However, one may not bring any brands that are on the restaurant’s winelist.  Disappointing is that no vintage information is provided, and that there are typing errors, unforgivable for a restaurant that has invested in an extensive wine, spirit, and liqueur offering. A list of 13 champagnes is offered, ranging from R110/R660 per glass/bottle of Guy Charbaut Selection Brut to R3200 for Taittinger Comtes de Champagne Blanc de Blancs 1998.  Other champagne brands include Bollinger, Ayala, Veuve Clicquot, Dom Pérignon, and Billecart Salmon.  Only seven MCCs are available, starting at R35/R140 per glass/bottle of Beyerskloof Pinotage Brut Rosé, peaking at R 490 for Steenberg 1682 Pinot Noir Brut.  A wide selection of varieties is offered.  The Shiraz prices start at R33/R90 for Arabella by glass/bottle, and include the excellent Andreas, as well as Holden Manz.

For a first time visitor Kitima feels overwhelming, both in terms of its size, and its extensive winelist and menu.  One could go back week after week, as the Friedmans do, and try something different each time, the variety offered being so extensive.  The prices are unbelievably good for having received the Eat Out accolade of the best Asian restaurant in South Africa.  Service is very attentive, polite and correct, starting when one parks on the property, and one is guided by attendants. A nice touch was the chef’s visit to the table.  I will certainly be back, to try more of the menu.  I loved the story of Elsa’s Table, and the respect that is paid to this spirit.

Kitima, 140 Main Road,  Hout Bay. Tel (021) 790-8004.  www.kitima.co.za. Twitter:@_Kitima. Tuesday to Saturday dinner, Sunday buffet lunch. Booking recommended.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

I ♥ my Laundry Sweet and Sunday Times Sour Service Awards!

The Sweet Service Award goes to I my Laundry, for its invitation to lady lifestyle bloggers to attend its Taittinger Heart FM After Eden function yesterday evening.  I  my Laundry has been open for less than three months, and has already established itself as one of the most creative function venues, coming up with unusual food and beverage pairings and themes. Taittinger brand ambassador in South Africa, Mike Cox, shared that there are 20 million bottles of the champagne under maturation in Reims at any point in time, and that they produce 6 million bottles per year, with a minimum of 4 years maturation. Their product range is a Brut Reserve Non-Vintage, a Cuvé Prestige Brut Rosé, and a 2005 Brut Reserve.  The function was an opportunity for Tweeters and bloggers to connect, most not having previously met.

The Sour Service Award goes to the Sunday Times, which carried a full page advertisement last week, inviting readers to an ‘Exclusive Sunday Times movie screening’ of ‘The Romantics’, at Cinema Nouveau branches in Johannesburg, Pretoria, Durban, and at Cavendish Square in Cape Town. When they arrived at the cinema, a number of angry and very disappointed moviegoers were turned away, as the movie was fully booked.  The invitation was not subject to a ‘first come first served’ clause, nor was a number given for one to call to book a seat. All one was asked to do was to bring a coupon contained in the newspaper ad to the cinema. The manager of the Cinema Nouveau Cavendish Square absolved his cinema of any responsibility, saying that it was the fault of the Sunday Times!

The WhaleTales Sweet & Sour Service Awards are presented every Friday on the WhaleTales blog.  Nominations for the Sweet and Sour Service Awards can be sent to Chris von Ulmenstein at info@whalecottage.com. Past winners of the Sweet and Sour Service Awards can be read on the Friday posts of this blog, and in the WhaleTales newsletters on the www.whalecottage.com website.

Restaurant Review: Caffe Milano Pasticceria & Bar è deliziosa e amichevole!

My first encounter with Caffe Milano Pasticceria & Bar on Kloof Street, next door to ex hot-spot Manna, for lunch last week made me undecided as to how I felt about it, something that doesn’t happen very often.   A return visit for breakfast on Saturday morning made me a firm supporter, enjoying the good food, the good service, and extreme friendliness.

I could not help but compare the new restaurant, the fifth that restaurant mogul Giogio Nava has opened in Cape Town (his other restaurants are 95 Keerom Street, Carne, Down South Food Bar, and Mozzarella Bar, and he is soon to open an events and entertainment venue in the old Art Deco Land Bank building in Queen Victoria Street) with Cassis Paris’ Salon de Thé in Newlands.  Both restaurants focus on the patisserie side of their outlets, and both produce beautiful pastries.  While they are freshly baked on the Caffe Milano premises from about 2h00 every morning, the Cassis Paris delicacies are baked at a central factory in Montague Gardens.  The product display at Cassis Paris is more attractive, in that it has a larger pastry range, and they are neatly displayed in rows in the display cabinets, while those at Caffe Milano are placed on platters inside the display cabinet.   As I went to eat after lunchtime, a number of the Caffe Milano pastries on the platters had been sold, and were not replenished, probably waiting for the fresh load to be baked the following day.   Caffe Milano’s pastry display is inside the restaurant, whereas it is in a neighbouring shop at Cassis Paris, with no direct client connection.   The service is definitely far better at Caffe Milano, and the food, based only on two items at each, definitely was better at Caffe Milano.   Brand focus is far better at Cassis Paris.  Cassis Paris has a marketing edge on Caffe Milano, in that it started brand building three years ago.

While I was well looked after by the waitress Zoe, I felt something was missing in the restaurant, especially given the rave reviews I had read by blogging colleagues.  There is no music.  There is perhaps too much open space inside the two restaurant sections, which does not create cohesion.   The tables have wooden tops and with the wooden chairs they did not give me the feeling of the latest elegant Milanese design  (Nava’s partner in the Mozzarella Bar, Matteo Amatruda, owns a+1 in The Foundry, an interior design shop specialising in Italian furniture and lighting, and I did not see his decor hand at Caffe Milano).  The walls are painted a boring beige, and the staff tops are beige and branded, matched with brown aprons, a not very modern colour combination. Downlighters and ordinary looking round lamp shades light up the bar section and display cabinet area.   I loved the large LavAzza wall poster (on the right), and would have liked to see more of this theme inside the restaurant – unfortunately the poster is hidden from the view of most clients sitting in the entrance section of the restaurant.  I loved the cake displays in the windows.  The menu (with winelist) looks boring and old-fashioned with little brown illustrations of food items subtly printed on it, which initially made me think that it had coffee stains on it.   It also looks cheap, just being an A3 page which looks heavily used, given that the restaurant has only been open for a month.  A white paper serviette is on the side plate and the knife and fork are pedestrian.  The teaspoon is Italian designed, and looks far better quality.  Zoe brought Morgenster olive oil and balsamic vinegar to the table, the latter bottle having only a last drop in it.  A Robertson’s pepper grinder is on the table, as is an ordinary salt cellar.

Nava arrived and was active behind the counter for a while, but never appears to connect with his customers.  Vanessa Quellec is the co-owner of Caffe Milano, and the pastry chef, having previously worked at The Roundhouse.   She has worked in top restaurants in New York, and went to Germany and Italy before opening the restaurant, to learn more about bread baking.  She had left for the day, I was told, as she works with the baking staff in the early hours of the morning.  The chef in the kitchen is Brendon Stein, previously having worked at the River Café at Constantia Uitsig. The manager is Charlene van Heerden, and she was very helpful in proactively opening the pastry display cabinet, so that its glass door would not reflect in my photograph.

Breakfast is served until midday, and offers five options: Kloof Street Breakfast (bacon and eggs) at R45; Eggs Benedict R52, scrambled eggs cost R45, and R55 with bacon, and R 65 if served with salmon; French Toast made from cinnamon and pecan brioche costs R58, and a Muesli Mix with fruit and yoghurt R 55.  Breakfast pastries such as croissants filled with almonds, chocolate, apricot jam, or cream, or served plain, cannoncino, bombolone as well as sticky buns, range in price between R10 – R18.  “Filled” croissants can also be ordered, with mozzarella, parma ham or smoked Norwegian trout on them, costing R30 – R42.   The LavAzza cappuccino is excellent, and costs R15 (Nava discounts it to R10 at his Mozzarella Bar down the road).   I loved the neat LavAzza sugar sachet holder, which I have not seen elsewhere.

Lunch is served between midday and 16h00, a decent time range, and a bowl of toasted thin slices of some of the Caffe Milano breads is brought to the table.  Only eleven lunch items are available, of which five are salads (avocado, smoked mozzarella, roasted chicken, calamari, and caprese), quite expensive at R 60 – R75. I ordered the La Tartare di Mazo (R70), being ‘hand chopped raw prime fillet dressed with Morgenster olive oil, onion, egg, capers and parsley’, and served with three slices of toast, a perfect accompaniment to the tartare, one of the best I have tasted, less fine than that which one can buy at Raith Gourmet.   The presentation was rounded off by three half slices of lemon, each of these having a tiny amount of chopped onions, washed and chopped capers, and chopped parsley.   When I did not recognise the dried and chopped capers, Zoe brought before and after capers to the table, to explain how they get to look so brown when washed, dried and chopped up.   Parma ham and melon costs R95, smoked yellow fin tuna carpaccio R80, Norwegian salmon R85, beef carpaccio R70 and lasagne pasta, spinach and ricotta costs R65.  There is only one ‘Dolci’ item on the menu, which is the Il Fondente “95”, from Nava’s 95 Keerom Street restaurant, which he also serves at the Mozzarella Bar.   I suspect that most patrons will make their way to the display cabinet, and will chose a dessert from it, the selection including cannoncino (R10); mini apple tarts, lemon tarts, Sacher Torte, Coconut Daquoise, and Portuguese custard tarts costing R15, and lots more.   I had a berry pannacotta, which was served in a beautiful glass, and I savoured its creaminess, whilst chatting to an American visitor sitting at a table across from me.  

Cap Classiques on offer are Villiera (R40/R160), Graham Beck Brut (R45/R210), Graham Beck Brut Rosé (R50/R230), Steenberg Brut 1682 (R280) and Krone Borealis Brut Rosé (R270).   Taittinger Brut costs R720, and Billecart Salmon Brut Rosé R950.  No Shiraz is on the winelist, and generally the winelist is weighted to white wines.  Wines by the glass include Graham Beck Rail Road Red (R28/R110), Villiera Cabernet Sauvignon (R35/R110), Dombeya Merlot (R48/R190), Felicite Pinot Noir (R41/R165), Kleine Zalze Sauvignon Blanc (R30/R120), Graham Beck Chardonnay (R45/R180), and Kloof Street Chenin Blanc (R28/R110).

One can go home with pastries and artisanal breads under one’s arm, as well as with a beautiful LavAzza cappuccino machine, ranging in price between R2800 – R 3300, depending on the colour scheme of the machine.  LavAzza coffee pods can also be bought.

I had mixed feelings about my first visit to Caffe Milano, relative to the hype I had read, and saw no bar counter, as promised in the name of the restaurant.   Perhaps the marriage between the restaurant and the pasticceria is not there yet.  There is nothing on the menu to encourage one to peek at the pastry display cabinet, especially when one does not see it in the side room, and it would be nice to have the names of these items listed on the menu too, to see them as dessert options, and also to get to know their Italian names with English descriptions.   Given Nava’s restaurant experience, I think the restaurant can stretch itself with a greater variety of Italian dishes over time, only two dishes on the lunch menu being cooked, and I have read that it may open for dinner in future.  The pastries are good value, especially given their quality, but I felt that the lunch portion of steak tartare was expensive relative to the amount that was served.  The food quality is excellent. The main attraction is the pastry section, and perhaps it could do with being fuller for most of the day, with pastry plates refilled, and more neatly presented, as per Cassis Paris.   I will be back, and my next visit will be for breakfast.   Parking is a challenge however, the popularity of Caffe Milano making it hard to find somewhere close by to park.

I had written the above (with the exception of the first paragraph) after my first visit for lunch, and my return visit clarified some things, and changed my mind about Caffe Milano completely.  First, it was buzzing on Saturday morning, and I was lucky enough to get the last table, as well as to find a (creative) parking spot close by, so great is their popularity.   Charlene, the Manager, welcomed me back like an old friend, and the waitress Zoe took over some of the service at my table too.  The pastry display cabinet was fully packed, and all the trays were filled.  The service was fast and efficient, despite the restaurant being so full.  The scrambled egg (R48) I ordered was the most delicious and the most yellow I have ever eaten, served with lovely toasted rye bread.  When I commented on the colour of the eggs, Charlene brought me an information booklet from Spier BD (for Biodiversity) Farm, whch is their supplier of eggs, chicken and beef.  I was fascinated to read their claims that ‘pasture-fed’ animals are “freer than the free ranging” animals and birds, and therefore implies healthier to eat.  The chickens, for example, spend 21 days on the pasture in ‘predator-proof houses’.    They lay their eggs in ‘eggmobiles”.  The pastures have 19 varieties of grasses and legumes, the brochure explains, and the farming is biodynamic.  “The chickens are treated as animals, and not as production widgets”, it continues.  Slaughtering is done by hand, it says, as ‘humanely as possible’.  The chickens are not injected with brine, up to 25 % being allowed in South Africa. 

The co-owner Giorgio Nava looked very cheffy in his white chef top, and was behind the counter the whole time that I was there.  The biggest delight of all was Vanessa Quellec coming to say hello.  She is very friendly and welcoming, and I loved her two pigtails, making her very down to earth.  She kept checking that everything was in order, and showed me her new bread ‘baby’, a baguette epi (right), which she had baked for the first time that morning.   She also compiled a list of her bread styles for me, which is not in the menu.  On weekends she has a greater variety of breads available, and it includes the epi, milk bread rolls and sugar milk bread, in addition to the weekday range of ciabatta, baguettes, 60 % as well 100% rye sourdough, focaccia with sea salt and rosemary, and bialy.   Vanessa comes from Minnesota originally, and worked in some hotshot New York restaurants, where she met PJ Vadis, the chef at The Roundhouse.  He suggested that she work for Markus Farbinger at Il de Pain in Knysna, who is internationally known as one of the best bread bakers and pastry makers in the world, having worked in New York too, including at Le Cirque.   Vanessa spent a year in Knysna, and says that Farbinger has changed breadmaking in South Africa (one of his other proteges is Fritz Schoon at De Oude Bank Bakkerij in Stellenbosch).  Through her friendship with Vadis, she worked at The Roundhouse as pastry chef, until the opportunity arose to start Caffe Milano with Nava.   While she waited for the restaurant to be ready for opening, she spent time at a sourdough bread and at a roll factory in Germany, and also at a bread factory in Italy, such is the love for her craft.  She told me that she only uses the best ingredients, and recently introduced Valrhona chocolate from France to South Africa, using it for all her chocolate requirements, and also selling it in slabs.

Vanessa also told me that the menu will evolve, and this week the first additions to the menu will be introduced.   They will focus on creating greater synergy between the pastry and bread side of the business, and the restaurant side, through the menu.   Vanessa confirmed that opening in the evenings is on the cards, but not in the immediate future, as she wants her staff to be perfectly trained first.  I thought they were doing very well for having only been open for a month.

I have found a delightfully friendly new breakfast, lunch and coffee break venue in Cape Town, with relatively easy parking (except on Saturday mornings).  I will certainly be back. 

POSTSCRIPT 13/3: I went back to Caffe Milano today, and enjoyed the most beautiful Eggs Benedict.  I asked to have the bacon excluded, and Charlene spontaneously offered me avocado and mushrooms to replace it.   The restaurant was so full, that I had to wait for a table.  It had a wonderful buzz.

POSTSCRIPT 27/4: Vanessa Quellec leaves Caffe Milano in July, and is heading for Valrhona in France, where she will undergo training in the use of their chocolates.  She plans to return to Cape Town as a representative of the company.  Giorgio Nava will bring in an Italian pastry chef.

POSTSCRIPT 26/9:  The Weekend Argus reports that Caffe Milano will open for dinner from November.

Caffe Milano Pasticceria & Bar, 153 Kloof Street, Gardens, Cape Town.  Tel (021) 426-5566.  www.caffemilano.co.za (The website is still under construction). Tuesday – Sunday 7h00 – 17h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Delaire Graff Restaurant is friendly professionalism and class!

In the past one and a half years that the Delaire Graff Restaurant has been open, I have had two excellent and one negativeexperience, the last one unfortunately having left such an impression on me that I did not return for a year.  Last week I went back, and was blown away (almost literally by the South-Easter too) by how professional and friendly Delaire Graff and its staff are.   The restaurant is not inexpensive, and therefore it is the perfect place at which to celebrate a special event or achievement.   Its setting above the Helshoogte Pass in Stellenbosch gives it a perfect view onto the surrounding vineyards and mountains.

The wine estate must be one of the Winelands’ properties which is supported by one of the largest investments (the owner is Laurence Graff, a Switzerland-based jeweller owning 30 branches of Graff Diamonds around the world, in the news last year when one of its London stores suffered the biggest jewellery heist ever).   Graff bought the estate from John and Erica Platter, spent millions of Rands and years of time to redevelop the property, first building the Delaire Graff Restaurant, winery and winetasting centre, and earlier this year adding the Delaire Graff Lodge with Indochine restaurant.  I have written previously about the monumental artwork spread across the estate, not only in terms of the top artists whose work is displayed, but also the sheer size of many of these.   The artwork displayed is by father and son Anton and Lionel Smit, Dylan Lewis, William Kentridge (the s-shaped leather seating in the restaurant was matched in colour to the Kentridge!), Deborah Bell, Fred Schimmel, Sydney Khumalo, Cecil Skotness and Maurice van Essche.

As I entered the restaurant building I could not miss the new Lionel Smit painting in the reception hall, overshadowing even the massive Christmas tree.  The attention paid to decorating the Delaire Graff building for Christmas cannot be overlooked, with massive Christmas trees in the restaurant, reception hall and winetasting room, each decorated in a specific colour scheme, putting me into a Christmas spirit I have not experienced in a restaurant so far.   As the external gates were open when I arrived, the gatehouse could not report my arrival, so that there was no one to personally welcome me in the car park, as used to be the case.   Yet there were three staff members in the massive Reception Hall, all beaming in friendliness, but none asked where I was going and if I needed help to find my way to the restaurant.  I did note a new shop selling clothing as well as some display stands selling Graff jewellery off the Reception Hall, which had opened a few days before.  (Both the jewellery salesladies were not available when I wanted to get an idea of prices, and the clothing shop salesladies hazarded a guess at R80000 for a pair of diamond earings).

But once I had reached the restaurant, charming new Maitre’d Nadia Kotze was waiting for me.   She had reserved a table inside because of the wind, but I chose to sit in a sheltered section outside, due to my cellphone being particularly active that lunchtime.   Quickly a table was set up, a jug of ice water brought to the table, with a lovely linen serviette, WMF cutlery, and a Peugeot grinder for the pinkish Himalayan rock salt filled with lots of mineral goodness, with a matching pepper grinder.   Everything is colour matched in the restaurant, the interior designer being David Collins from London, in that the table underlay, the decorations on the Christmas tree, the menu and the winelist cover all are in shades of yellow/gold/orange.  The menu holder is stylish, with blue edging inside.   Music is piped throughout the building, and has a distinctly European feel, including French and Italian songs.

Chelsea came to introduce herself, and offered me a choice of three breads – ryebread, focaccia sprinkled with rocksalt and rosemary, and ciabatta.   Nadia pointed out the barbeque as we stepped outside, with which chef Christiaan Campbell is experimenting, she said, preparing kingklip and chicken on it on alternate days.   Staff look smart in white shirts and black pants, and a black Delaire branded apron.   Everyone coming to the table beamed, and called me “Mrs von Ulmenstein”, showing their professional touch without familiarity. Even Johann Laubser, the Delaire Graff Estate GM, came to greet me.   Nadia has only recently moved across from Zacharay’s at Pezula.  She has previously been a Food & Beverage Manager at the Liz McGrath Collection of hotels, and has done the cruiseliners.   Chef Christiaan has been at the restaurant since it opened, and must be one of the few original restaurant staff still there.   Chef Christiaan laughed when I said this to him, when he came to say hello, and said quietly that he is a loyal chef, a nice answer!   He said that they had been disappointed to receive negative feedback about the restaurant’s service levels, but had taken stock earlier this year, and have addressed the shortcomings in this regard.  The service I received was excellent.

Given that it was the chicken barbeque day, and that I sat close to the barbeque outside, I ordered the Roast chicken, confit leg deep-fried in a batter, and a smoked corn and parsnip mash.   I loved the colour the corn added to the mash, and the smoky barbeque taste of the roast chicken (R155).  Having been ill for the four days prior, my appetite was not yet back to normal, and therefore I took some of the dish home.  Starter options cost between R85 – R105, and include paprika squid, buffalo mozzarella, goat’s cheese fritters, cured beef, ceviche of red fish, and yellow fin tuna.  Main courses start at R110, for Primavera, and peak at R295 for Cape Rock Lobster.  Other main courses include fish and chips, pork belly, seared salmon trout, Waterberg beef, and line fish.   A number of sides can be ordered too.   Nadia was such a good salesperson that she persuaded me to have a refreshing fruit feast for dessert, being apricot panna cotta, with nectarine sorbet, star anise marshmallow, plum soup, with macerated apricots (R55).   Other dessert options cost R65, and include a chocolate sandwich, pistachio nougat, and strawberries.  Gelato costs R25 per scoop.  “Handcrafted cheeses” can be ordered at R95.   Interestingly, the dessert and cheese options each had a wine pairing suggestion on the menu.   I had a lovely frothy cappuccino with my dessert, expensive at R30. 

The winelist contains the Delaire wine collection, including Sauvignon Blancs (R170 – R320), Chardonnay (R210), Rosé (R140), Shiraz (R175), Red Blend (R220), Port (R320) and Semillon Noble Late Harvest (R300).  A small selection of other wine brands is offered per variety.  Champagnes are by Taittinger (R1500), Billecart-Salmon Rose NV (R1650) and Louis Roderer Cristal (R7750). Méthode Cap Classiques range from R245 (Colmant Brut Reserve) to R950 for Graham Beck Cuvee Clive.   Southern Right Sauvignon Blanc costs R170, and an imported Domaine Lafond Sancerre Sauvignon Blanc costs R620.  Pax Verbatim 2007 Shiraz costs R295, Cirrus 2006 R455, and Stark-Conde Three Pines 2007 R 550.    Wines by the glass cost R 40 – R 55, and are predominantly by Delaire, with Bon Courage Brut Reserve costing R55.

The bathrooms at Delaire Graff are the best-smelling, cleanest, and tidiest I have every experienced at any restaurant.   I had not seen the tasting room before, and saw in it not only the attractively labelled Delaire wines, branded shirts, but also the latest Platter and Rossouw’s Restaurants guides.  My eye also caught the attractively packaged Delaire Graff chocolate slabs and mini-chocolate collection packs, which looked like they could make the perfect Christmas presents, even if not inexpensive.   Michael walked me out of the building to the car park, a nice touch I remember from the early days of Delaire Graff Restaurant.

Delaire Graff Restaurant has an interesting counterpoint with the “new” Tokara Restaurant with chef Richard Carstens across the road.  I could not see any dramatic changes to the Delaire Graff Restaurant menu as a result of the “new” competitor, and the service is very much improved.   It will be interesting to see how both restaurants fare on the Eat Out Top 10 restaurant list in 2011.  

POSTSCRIPT 7/8/11:I popped in at Delaire Graff this afternoon, after lunch at the close-by de Huguenot Restaurant.  I was impressed once again with how classy and professional this wine estate is.  It was the perfect afternoon to sit outside.  I had a frothy, almost creamy, cappuccino, and a study in strawberry with it – there were dried and fresh strawberries, strawberry granite, meringue crumbs, vanilla pastry creme, black pepper shortbread, and strawberry ice cream, a refreshing and attractively presented dessert.

Delaire Graff Restaurant, Helshoogte Pass, Stellenbosch. Tel (021) 885-1270.  www.delaire.co.za  (The website contains menus for both Delaire Graff Estate restaurants, and has an Image Gallery).   Mondays – Sundays lunch, Mondays – Saturdays dinner.   Booking is advisable.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage