Tag Archives: WMF

Restaurant Review: Cuvée is a sparkling mix of modern and Cape classics!

Cuvée Restaurant opened on Simonsig wine estate nearly three years ago, and its interior curation by Neil Stemmet put him on the map, with its unusual marriage of old and new.  Cuvée Restaurant is a sparkling complement and compliment to the Simonsig Kaapse Vonkel, celebrating its 40th anniversary this year.

Simonsig is on the Kromme Rhee Road, one I had never previously driven, connecting the two roads to Stellenbosch via Klapmuts and Joostenberg.   There is ample parking, and one sees the modern oddly shaped posters within red frames outside the tasting room and restaurant entrance.  Dirk the waiter told me that Strijdom van der Merwe, co-owner of Casparus restaurant and nature artist, had prepared the curved large metal posters on the lawns outside to commemorate the 350th anniversary of winemaking in South Africa for Simonsig last year, a very modern statement for a long established wine estate owned by the Malan family. The late Frans Malan, with Spatz Sperling of Delheim and the late Neil Joubert of Spier, was one of the trio establishing the Stellenbosch Wine Route, which itself celebrates its 40th anniversary this year.  The Simonsig 210 hectare farm has been farmed by the Malan family for ten generations, and the late Frans Malan was a pioneer in creating the first Méthode Cap Classique, being their Kaapse Vonkel.  The Malan brothers Pieter (Marketing), Francois (CEO and Viticulturist), and Johan (Winemaker) run the farm.   In addition to the Kaapse Vonkel, there is a Kaapse Vonkel Brut Rosé, Cuvée Royale, and Encore Vin Sec. Other wines in the Simonsig range include Vin de Liza noble late harvest, Chenin avec Chéne, Chardonnay, Sunbird Sauvignon Blanc, Gewürztraminer, Chenin Blanc, Tiara Bordeaux blend, Frans Malan Cape blend, Redhill Pinotage, Merindol Syrah, Labyrinth Cabernet Sauvignon, Mr Borio’s Shiraz, Pinotage, Cabernet Sauvignon Shiraz, Shiraz Mouvèdre Viognier, Sauvignon Blanc Semillon, and Cabernet Sauvignon Merlot.

The tasting room and restaurant are design extremes, the tasting room being part of the historic building, with traditional sash windows, yet it has a modern crockery and sparkling wine glass chandelier made by Jacques Erasmus of Hemelhuijs, and Tord Boordje paper curtains, one of only three establishments to have these designer curtains in Stellenbosch!  The restaurant appears to be a building addition, with more modern architecture but with classic interior touches added by Stemmet.  The room is on two levels, the lower one having a very dominant thick black and white striped wallpaper, with black, brown and white striped curtains, modern crystal chandeliers, a riempiesbank hanging from the ceiling, a red painted wall, and glass doors facing the vineyard.  A massive fireplace ‘divides’ the room into two.  The higher level appears more modern, with a raw concrete ceiling, one wall painted in a deep grey, and another left in rough brick.  At the back end, or entrance to the restaurant, is a modern black bar counter, behind which the wines are stored across the length of a wall.  Above the bar counter are large ‘Fifties style black and silver round lights.  One wall has seating as benches against the wall, and there is a small lounge area. The tables are black stained wood with glass tops.  There is a large Persian carpet in each of the sections, adding a homely touch.  Contrasting the more modern furniture is the traditional yellowood and stinkwood heritage furniture, such as a bakkis, and an amoire.  Modern perspex lamps and shades are spread around the restaurant, and there are bold white leather pouffes near the fireplace.  An interesting Ikebana tree, with coloured silk wrapped around it, is a ‘small wishing tree’, Dirk explained. Classical music chosen by Stemmet rounded off the quality impression. I would have loved to walk through the restaurant with Stemmet, to hear the ‘story’ about his curation.

Each table has a ceramic vase with a red protea, with cutlery by Arthur Krupp, and a most impressive serviette which has a crown logo and 1971 date embroidered on it, to attract attention to the October 40th anniversary celebrations of the Cap Classique at Simonsig.  The bread knife is by WMF.  Three types of bread, beautifully folded into a serviette, were brought to the table.  Coarse salt and pepper were brought in small bowls, with a spoon.  Stemmet dictated the crockery and cutlery, and it reflects class.  Staff wear black T-shirts and trousers, with a black apron.  Dirk showed me the Van Niekerk Room upstairs, a special events function room for about 20 guests, which also has strong elements of black and white stripes, with red leather chairs around a large table.  Mr van Niekerk was the father-in-law of the late Frans Malan, whose family is now at the nearby Knorhoek, on which wine estate Stemmet did the interior curation for their Towerbosch restaurant.

I met the new chef Lucas Carstens, who had moved across from Reuben’s at the One&Only Cape Town at the begining  of the month.  He has introduced some of his own dishes on the new menu, and kept other favourites.  He previously worked at Terroir restaurant and at the Kleine Zalze Lodge.  Dirk Smit, ex-Tuscany Beach, is the new Restaurant Manager, but was not on duty on Saturday.

The menu is A3 size on white board and well-presented, each item having a Simonsig wine suggestion. The Black pepper-seared tuna (R85/R140), with a Kaapse Vonkel pairing recommendation, is printed in gold, with the logo for the 40th Cap Classique celebration on it in gold too.  Starters and mains are not separated on the menu, as most dishes can be ordered as a starter or a main portion. Not listed on the menu, but offered was fresh oysters at R12,50 each.  I chose a starter portion of pan-fried kingklip, a smallish but very juicy thick piece of fish, served with asparagus (not specified on the menu and offered as a replacement for artichoke, but was served with artichoke too), braised fennel, slices of naartjie, and a most unusual citrus butter sauce.  With this was served an apple salad with a good dressing, not mentioned on the menu, making the R70 (R130 for full portion) charge good value.  Other interesting starter/main course options are Wild mushroom soup (45), Warm green bean and tomato salad (R50/R90), Tomato tartlet (R50/R90), Kleinrivier Gruyère soufflé (R85), Cape Malay butter chicken with Basmati rice (the restaurant smelt of this lovely curry when I arrived, and will be my first choice for my next visit, at R100), Grilled Mocambique prawns (R70/R140), Bobotie (R90), Joostenberg pork neck (R60/R110), Lamb shank (R140), Venison and wild mushrooms (R80/R150), and Flame-grilled beef fillet with Café de Paris sauce (R85/R160). I had the Valrhona  66% chocolate fondant with vanilla ice cream (substituted for a red wine and cherry ripple ice cream), baked in a white dish, and thick and creamy inside (R60).   Crème Brulée, pecan nut tart, malva pudding served with Amarula and rooibos ice cream, and White chocolate panna cotta cost between R45 – R55.  A South African cheeseboard with preserves sounded expensive at R150, but I did not see it to judge the price.

The winelist is a folded A3 board, listing only Simonsig wines.  Kaapse Vonkel, the Brut Rosé, and Encore Vin Sec cost R27/R135, a R45 surcharge on the bottle price in the Tasting Room.  I had a glass of the Brut Rosé, and it was a good match to the kingklip. Cuvée Royale costs R54/R270.  The Mr Borio Shiraz costs R18/R90, and the Merindol Syrah R66/R330.  No vintages are listed for the wines, but the Platter star rating and awards won are denoted.

I almost felt sorry for Cuvée that such an excellent restaurant is so hidden away in the Winelands.  It has a dramatic ‘Cape Dutch modernism’ interior, excellent food, and stands for quality in everything that it does, much like its excellent sparkling wines.  I will go back, now that I know where it is.

Cuvée Restaurant, Simonsig, Kromme Rhee Rhee Road, between R44 and R304, Stellenbosch.  Tel (021) 888-4900.  www.simonsig.co.za  (The website contains the menu and winelist, but still has details of the previous chef.  Few of the many photographs in the Image Gallery are of the food).  Tuesday – Sunday lunch, Wednesday, Friday and Saturday dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

Restaurant Review: Raphael’s Restaurant at Asara almost starting again!

The 5-star and recently accredited Relais & Chateaux Asara Hotel outside Stellenbosch has a beautiful location, with a dam at the edge of the restaurant, and the Stellenbosch mountains as a backdrop.  I had visited Asara Hotel in its early days, but had not been back in over a year.   When I was sent information about a recent refurbishment of Raphael’s Restaurant by the Hotel’s PR agency, it was a good opportunity to invite my friend Geraldine for lunch, as she lives close by.   The restaurant’s recent make-over is not only decor-wise, but also in terms of management.   The pay-off line “Ordinary is everywhere but here”, printed on the menu and which is visible on every page of the website, currently is an overpromise, in terms of what we experienced yesterday.

The Asara Hotel has belonged to Markus Rahmann, an Austrian whose Germanic hand seemed stronger in the past, for close to ten years.  The Hotel has seen a number of senior staff changes this month, with GM Horst Frehse, who was at the hotel for about a year and implemented the Relais & Chateaux accreditation, leaving ahead of his departure date of January, and he will start at the Twelve Apostles Hotel as GM in February.  No one wanted to elaborate on the early departure.  Frehse was particularly well-known as the cigar-smoking GM of the Grande Roche in Paarl, and then went to Singita, before joining Asara Hotel.   We were told that the Restaurant Manager as well as the F&B Manager had joined the hotel in the last two weeks, as has the new GM, Pete Gottgens, who has spent the last 19 years in the UK.  Gottgens comes from a hotelier family, he says, and he proudly told us that his dad was the first FEDHASA member while he was at the Edward Hotel in Durban.   Gottgens cut his teeth in South Africa, amongst others at Mike’s Kitchen in Tyger Valley and at the Heerengracht Hotel, and then left the country to open Fish Hook and Springbok Café in London.  He also was responsible for all catering for then-President Nelson Mandela when he was on state visits in the UK and Europe.   He also established a hotel in Scotland seven years ago.   A yearning to return to South Africa led him to accept Asara’s offer.  Gottgens was honest about all not being perfect at Asara, and has made some immediate marketing changes – all focus will be on the domestic market, and the R3 million international marketing budget will be redirected to domestic marketing.  He has also decided that the premium top of the range market is not what they are aiming for anymore, and he even hinted that they may drop the Relais & Chateaux accreditation when I asked him, due to the cost perception that it is associated with.   I admired Gottgens for his honesty, as he did not know who we were.  He wants to move the association with Asara from “not great value for money” to “exceptional value”.    His mantra will be to under-offer and over-deliver, the smartest approach to customer relationship development.  He understands the value of Word of Mouth, and that the local visitors will recommend Asara to international visitors if they have had a good experience.   He wants to offer Asara wines below R100 a bottle in his restaurants on the estate.   He understands the value of Social Media, and Asara is on Twitter, and Gottgens will start a blog in the new year.   Gottgens also says that too many staff were appointed (mainly from Spier and Lanzerac, when the hotel first opened), and that he will be changing this to fewer but higher quality staff.  A lovely concept he plans is the appointment of the farmworkers’ wives to start a fruit and vegetable co-operative on the estate, so that the hotel can buy all their fresh ingredients from their own workers, thereby enhancing their incomes.   Gottgens gave me a feeling of complete professionalism, and of comfort that a number of the rough edges that we observed and experienced will be taken care of and fixed.  Gottgen’s goal is to ‘improve the game by 40%’, he said.  

Raphael’s is a large space, and one can sit outsideto be close to the dam.  We had not booked, so accepted an inside table, but it was probably for the best, as the South Easter was pumping.  Crystal chandeliers dominate, and some chairs are in a deep violet upholstery.  Glass screens give some privacy to the entrance.  I saw a piano, and wondered about its use, having recently applauded the Mount Nelson Hotel for having got rid of its piano in the new Planet Restaurant.   The tables have excellent quality napery on them, and cutlery is by WMF, which is also sold in the Asara shop on the estate.   Our champagne glasses did not ‘ping’ when we toasted our getting together, and sounded like plastic, even though they were not.   The jug for my water was a very ordinary one, not in keeping with the rest of the glassware in the restaurant or in the shop.   The salt and pepper holders were tiny and ordinary.   The architect for the Asara Hotel building and its restaurants was Ray Killian, and Arctic Circle was the interior design company for Raphael’s, a name I know as the design company for Tourism Grading Council plaques.

One of our biggest problems was with waitress Martha, and even though she tried very hard, and grew on us in the three hours that we spent at Raphael’s, she reflected the lack of management in the restaurant.  She had a shirt on that was too tight, and one of the buttons had popped open.  She had a spot of dirt on the white shirt and her black apron had a big dirty mark on it.   She had been outside in the wind, we think, judging by her hair.  She told us that she had worked at Grande Roche previously, and at the end of our meal she had the confidence to tell us what every employer would fear – that Raphael’s is not five-star standard as far as the staffing goes, that there are too many inexperienced staff members working in the restaurant, who are unable to do justice to the good quality food served.  The irony was that Martha herself was an example of what she was referring to.   She also stated that ‘her’ 5-star restaurant should not be serving guests coming in with shorts, casual shirts and slip-slops, examples of which we saw, and with crying babies, which we heard too.  

As Martha handed us the leather menu holder, she matter-of-factly told us that they were out of oysters, Chateaubriand, and haloumi cheese for the Baby Leaf salad starter.  This gave us a bad feeling about the restaurant and the hotel, and its professionalism.  We were later told that the kitchen had done 120 covers for lunch (we only arrived at 13h30), had a wedding later that day, a private dinner for 60 persons, and the normal dinner service.   Geraldine and I skipped the starters, as we wanted to try the Asara ice cream sold in the shop on our departure.  Geraldine ordered the Beef Fillet (R180) and I had the Kingklip (R135). The Beef Fillet was ordered Medium and was very tender, and was topped with herb-crusted oxtail ragout, rich in taste, she said, and was served with cauliflower mash, dauphinoise potatoes and port wine jus.   My oven roasted kingklip was meant to be served with a horseradish and vanilla sauce, but was replaced with a white wine foam, with Martha’s help, and tasted slightly salty.  I enjoyed the kingklip served with baby asparagus and parsley mash.   Other main courses are Duck breast, Duo of pork, Impala, and Quail, all at R165, as well as Rack of lamb (R175).  The Chateaubriand costs R340, a 400 gram serving for two.   Wild mushroom risotto and home-made ravioli filled with ratatouille both cost R70.  A delicious sounding butternut and coconut soup costs R55.   Starters start at R45 for Chicken bobotie in rooti, up to R95 for grilled tiger prawns and scallops.  A trio of oysters costs R85, and an interesting sounding “foie gras crème brûlée and ice cream”, as well as a smoked salmon trout terrine cost R85 and R65, respectively.   Due to having the ice cream in the shop, we skipped the desserts, which cost between R45 for three scoops of ice cream to R65 for a Kaiserschmarrn Austrian soufflé.

Head Chef Carsten Härtel came to say hello, and invited us to visit his kitchen, only the third such invite I have received (Tokara and Societi Bistro), and is a special honour. The Asara kitchen is massive, and incredibly hot, so much so that we felt sorry for the 40 or so kitchen staff, of whom 23 are chefs.  Chef Carsten came to Asara directly from Germany, and has been at the hotel for two years, enjoying the good weather, even though he stays in touch with Germany via his DEUKOM German TV channel subscription.  We were impressed by the different sections in the kitchen, including the bread and roll baking, as well as the ice-cream and chocolate-making sections.  A hotel kitchen is not a romantic place at all, looks very industrial, and we saw the photographs of the chef’s plating directives per dish.    

I do not know the Asara wines, and do not recall ever drinking any.  My Platter’s 2011 does not rate them too highly, mainly around the 3-star mark, with only the Spirit of Chenin achieving a 4-star Platter rating.  The winelist is extensive, and every page has the Relais & Chateaux logo prominently displayed.  It is much more discreet on the menu.  The winelist has a leather cover too, and is an extensive document, tracing the history of Cape Vintages from 1990 until 2010;  a brief history of South African wines is sketched; a map of winegrowing areas is provided; and food and wine pairing suggestions are presented by type of food.   The Asara wine range features extensively on the winelist, especially for the wines-by-the-glass.  Five Asara white wines range in price from R28 per 175ml glass for the Ivory, up to R63 for their Chardonnay Reserve.  Seven Asara red wines are offered, starting at R33 per glass for the Cape Fusion, peaking at R110 per glass for their Bell Tower. Their Rosé costs R28, and the Noble Late Harvest R30.   We had a glass of Villiera Tradition Brut each, at R45, and Peter van Staden, the Restaurant Manager, refilled one of our glasses when it was knocked over in error, without charging extra for the refill.   Poor Peter seemed uncomfortable and very hot in his black jacket and tie.   I have never seen champagnes referred to as “Champenoise” on a winelist before, and 375 ml Laurent-Perrier costs R440 and Moet & Chandon R575.  Pommery Pop Blue costs R385 for 200ml.   A section focuses on the “Sommelier’s Rare Selection”, which starts at R135 for the Vondeling Babiana Nortiflora, up to R 655 for the Deetlefs Family Semillon; and at R185 for the Lammershoek Red Blend (R185) – R1100 for the Ernie Els Red Blend.   The Asara Sauvignon Blanc costs R140 per bottle, and Iona costs R240.  The Asara Shiraz costs R190, while that by Saronsberg costs R300.  A vertical collection of Vin de Constance is also offered, something I had seen recently on the Planet Restaurant winelist at the Mount Nelson Hotel.   A change from my last visit is that the room underneath Raphael’s is now called the “Vinoteque”, and is the area in which one can taste wines, and buy branded Asara promotional clothing, as well as order tapas dishes.

Geraldine and I ended off our long and relaxed lunch with a strong cappuccino served in an attractive cup and saucer, and was made with Genovese, a brand of coffee I have not heard of before.   We had kept the best for last, by walking through the shop, which sells WMF cutlery sets and kitchenware, Le Creuset pots in many shapes, sizes and colours, lovely hand-made chocolates, at R45 per 100 gram, and ice-cream scoops at R10 each.  One can choose between Vanilla, Stracciatella, Chocolate and Hazelnut flavours.   We sat in the courtyard, enjoying our ice cream, and watched a bridal couple being photographed.

Our food was excellent, but GM Gottgens has a huge task to almost start from scratch to train up his staff and managers to the level that is befitting the standard of the hotel, and to meet his admirable goals.   It will be interesting to see how things have improved at Asara and Raphael’s in a few months from now.

Raphael’s Restaurant, Asara Wine Estate and Hotel, Stellenbosch.  Tel (021) 888-8000.     www.asara.co.za   (The website covers all aspects of the Asara wine estate and hotel.   For Raphael’s the menu is available, but there are not many food photographs on the page.  There is no restaurant winelist on the website).  Open Monday – Sunday for Breakfast, Lunch and Dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @Whale Cottage

Restaurant Review: Delaire Graff Restaurant is friendly professionalism and class!

In the past one and a half years that the Delaire Graff Restaurant has been open, I have had two excellent and one negativeexperience, the last one unfortunately having left such an impression on me that I did not return for a year.  Last week I went back, and was blown away (almost literally by the South-Easter too) by how professional and friendly Delaire Graff and its staff are.   The restaurant is not inexpensive, and therefore it is the perfect place at which to celebrate a special event or achievement.   Its setting above the Helshoogte Pass in Stellenbosch gives it a perfect view onto the surrounding vineyards and mountains.

The wine estate must be one of the Winelands’ properties which is supported by one of the largest investments (the owner is Laurence Graff, a Switzerland-based jeweller owning 30 branches of Graff Diamonds around the world, in the news last year when one of its London stores suffered the biggest jewellery heist ever).   Graff bought the estate from John and Erica Platter, spent millions of Rands and years of time to redevelop the property, first building the Delaire Graff Restaurant, winery and winetasting centre, and earlier this year adding the Delaire Graff Lodge with Indochine restaurant.  I have written previously about the monumental artwork spread across the estate, not only in terms of the top artists whose work is displayed, but also the sheer size of many of these.   The artwork displayed is by father and son Anton and Lionel Smit, Dylan Lewis, William Kentridge (the s-shaped leather seating in the restaurant was matched in colour to the Kentridge!), Deborah Bell, Fred Schimmel, Sydney Khumalo, Cecil Skotness and Maurice van Essche.

As I entered the restaurant building I could not miss the new Lionel Smit painting in the reception hall, overshadowing even the massive Christmas tree.  The attention paid to decorating the Delaire Graff building for Christmas cannot be overlooked, with massive Christmas trees in the restaurant, reception hall and winetasting room, each decorated in a specific colour scheme, putting me into a Christmas spirit I have not experienced in a restaurant so far.   As the external gates were open when I arrived, the gatehouse could not report my arrival, so that there was no one to personally welcome me in the car park, as used to be the case.   Yet there were three staff members in the massive Reception Hall, all beaming in friendliness, but none asked where I was going and if I needed help to find my way to the restaurant.  I did note a new shop selling clothing as well as some display stands selling Graff jewellery off the Reception Hall, which had opened a few days before.  (Both the jewellery salesladies were not available when I wanted to get an idea of prices, and the clothing shop salesladies hazarded a guess at R80000 for a pair of diamond earings).

But once I had reached the restaurant, charming new Maitre’d Nadia Kotze was waiting for me.   She had reserved a table inside because of the wind, but I chose to sit in a sheltered section outside, due to my cellphone being particularly active that lunchtime.   Quickly a table was set up, a jug of ice water brought to the table, with a lovely linen serviette, WMF cutlery, and a Peugeot grinder for the pinkish Himalayan rock salt filled with lots of mineral goodness, with a matching pepper grinder.   Everything is colour matched in the restaurant, the interior designer being David Collins from London, in that the table underlay, the decorations on the Christmas tree, the menu and the winelist cover all are in shades of yellow/gold/orange.  The menu holder is stylish, with blue edging inside.   Music is piped throughout the building, and has a distinctly European feel, including French and Italian songs.

Chelsea came to introduce herself, and offered me a choice of three breads – ryebread, focaccia sprinkled with rocksalt and rosemary, and ciabatta.   Nadia pointed out the barbeque as we stepped outside, with which chef Christiaan Campbell is experimenting, she said, preparing kingklip and chicken on it on alternate days.   Staff look smart in white shirts and black pants, and a black Delaire branded apron.   Everyone coming to the table beamed, and called me “Mrs von Ulmenstein”, showing their professional touch without familiarity. Even Johann Laubser, the Delaire Graff Estate GM, came to greet me.   Nadia has only recently moved across from Zacharay’s at Pezula.  She has previously been a Food & Beverage Manager at the Liz McGrath Collection of hotels, and has done the cruiseliners.   Chef Christiaan has been at the restaurant since it opened, and must be one of the few original restaurant staff still there.   Chef Christiaan laughed when I said this to him, when he came to say hello, and said quietly that he is a loyal chef, a nice answer!   He said that they had been disappointed to receive negative feedback about the restaurant’s service levels, but had taken stock earlier this year, and have addressed the shortcomings in this regard.  The service I received was excellent.

Given that it was the chicken barbeque day, and that I sat close to the barbeque outside, I ordered the Roast chicken, confit leg deep-fried in a batter, and a smoked corn and parsnip mash.   I loved the colour the corn added to the mash, and the smoky barbeque taste of the roast chicken (R155).  Having been ill for the four days prior, my appetite was not yet back to normal, and therefore I took some of the dish home.  Starter options cost between R85 – R105, and include paprika squid, buffalo mozzarella, goat’s cheese fritters, cured beef, ceviche of red fish, and yellow fin tuna.  Main courses start at R110, for Primavera, and peak at R295 for Cape Rock Lobster.  Other main courses include fish and chips, pork belly, seared salmon trout, Waterberg beef, and line fish.   A number of sides can be ordered too.   Nadia was such a good salesperson that she persuaded me to have a refreshing fruit feast for dessert, being apricot panna cotta, with nectarine sorbet, star anise marshmallow, plum soup, with macerated apricots (R55).   Other dessert options cost R65, and include a chocolate sandwich, pistachio nougat, and strawberries.  Gelato costs R25 per scoop.  “Handcrafted cheeses” can be ordered at R95.   Interestingly, the dessert and cheese options each had a wine pairing suggestion on the menu.   I had a lovely frothy cappuccino with my dessert, expensive at R30. 

The winelist contains the Delaire wine collection, including Sauvignon Blancs (R170 – R320), Chardonnay (R210), Rosé (R140), Shiraz (R175), Red Blend (R220), Port (R320) and Semillon Noble Late Harvest (R300).  A small selection of other wine brands is offered per variety.  Champagnes are by Taittinger (R1500), Billecart-Salmon Rose NV (R1650) and Louis Roderer Cristal (R7750). Méthode Cap Classiques range from R245 (Colmant Brut Reserve) to R950 for Graham Beck Cuvee Clive.   Southern Right Sauvignon Blanc costs R170, and an imported Domaine Lafond Sancerre Sauvignon Blanc costs R620.  Pax Verbatim 2007 Shiraz costs R295, Cirrus 2006 R455, and Stark-Conde Three Pines 2007 R 550.    Wines by the glass cost R 40 – R 55, and are predominantly by Delaire, with Bon Courage Brut Reserve costing R55.

The bathrooms at Delaire Graff are the best-smelling, cleanest, and tidiest I have every experienced at any restaurant.   I had not seen the tasting room before, and saw in it not only the attractively labelled Delaire wines, branded shirts, but also the latest Platter and Rossouw’s Restaurants guides.  My eye also caught the attractively packaged Delaire Graff chocolate slabs and mini-chocolate collection packs, which looked like they could make the perfect Christmas presents, even if not inexpensive.   Michael walked me out of the building to the car park, a nice touch I remember from the early days of Delaire Graff Restaurant.

Delaire Graff Restaurant has an interesting counterpoint with the “new” Tokara Restaurant with chef Richard Carstens across the road.  I could not see any dramatic changes to the Delaire Graff Restaurant menu as a result of the “new” competitor, and the service is very much improved.   It will be interesting to see how both restaurants fare on the Eat Out Top 10 restaurant list in 2011.  

POSTSCRIPT 7/8/11:I popped in at Delaire Graff this afternoon, after lunch at the close-by de Huguenot Restaurant.  I was impressed once again with how classy and professional this wine estate is.  It was the perfect afternoon to sit outside.  I had a frothy, almost creamy, cappuccino, and a study in strawberry with it – there were dried and fresh strawberries, strawberry granite, meringue crumbs, vanilla pastry creme, black pepper shortbread, and strawberry ice cream, a refreshing and attractively presented dessert.

Delaire Graff Restaurant, Helshoogte Pass, Stellenbosch. Tel (021) 885-1270.  www.delaire.co.za  (The website contains menus for both Delaire Graff Estate restaurants, and has an Image Gallery).   Mondays – Sundays lunch, Mondays – Saturdays dinner.   Booking is advisable.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage