Tag Archives: artisanal breads

Restaurant Review: Fairview’s Goatshed is an unfriendly tourist trap!

An outing yesterday to Paarl, to try out the Laborie Wines Lazy Days weekly market, led me to Fairview in Agter Paarl, probably because I had chatted to the friendly representatives at the Eat In  Produce Award’s Night Market on Thursday, and I had promised them a visit.   I was disappointed about the extreme unfriendliness displayed by the Fairview Goatshed Manager Shannon Riley and her assistant Portia, and felt that it has become a non-caring tourist destination, which is expensive food-wise but offers good value wines.

I have not been to Fairview in years, and definitely not since the Goatshed opened five years ago.  A sign at the door commands one to wait to be seated.  The problem, however, is that the desk behind which the managers stand, doubling up as the payment desk, faces inward, so all staff have their backs to the new arriving guests.   I stood for some time before Portia bothered to come to me.  There was no welcome, just a ‘machine’ asking my preference for inside/outside and smoking/non-smoking seating, without interest.  When I asked her where the deli was, not having been to the tasting room and cheese shop at that time yet, she looked at me as if I had lost it, and as if she did not know what the word ‘deli’ meant.  I remembered a long restaurant building with a counter from which one could buy cheese, breads and other deli items, which I did not see in the Goatshed, nor in the ‘supermarket’ type cheese shop later.  She did not show me a table when we got outside, seemingly having lost interest in me already. 

Luckily Yolandy came to the rescue, and was efficient in bringing a glass of water.  I asked for a foamy cappuccino, but was brought a flat white.  I reminded Yolandy of my request, and she told me that it is only made flat, but that she would speak to the barista.  Then I asked her if I could have a slice of rye or wholewheat bread instead of the ciabatta with the duck liver paté, and I was told that it only comes with the ciabatta, and if I wanted any other bread served with it, I would have to buy one of their loaves, and then they would cut two slices for me and serve it!  I had to laugh out loud.  Thereafter Shannon presented herself, and asked me rudely what the problems were.  She confirmed that the cappuccino could only be made flat, on the basis of which I declined it, but showed some flexibility on the bread request.   Surprisingly, soon thereafter a beautiful foamy cappuccino arrived, but Yolandy told me to not think of ever ordering one like that again, as they are not made that way at Fairview!  I did not see Shannon again.

The restaurant interior is large, but very dark inside, so I preferred to sit outside on the terrace.  There were tables alongside the terrace as well, and in total the restaurant can seat 320 guests.  The outside tables are made from wood and look well used.  Each table has a wire basket, containing a bottle each of Fairview olive oil and balsamic vinegar, a salt and a pepper grinder, and cutlery rolled into orange paper serviettes.  A heavily used tear-off pad is also in the holder, and is the order form for cheeses.  However, one is not advised of the list, and what it is for.   There is no tablecloth nor placemat.  The restaurant was heaving with customers when I arrived at about 14h30, and I heard Italian spoken by guests leaving, and there were Americans sitting close by.

The duck liver paté is the starter I ordered, and is expensive at R74.   It was topped with olive tapenade, an odd combination, and served with two big slices of toasted 70 % rye bread, but is usually served with crostini.  The menu does state that the portion is to share, but it is still expensive, given the serving size.  I found it very dry and crumbly.  I liked the clever plate decoration, which was a vine leaf, on which was placed some grapes, apple slices, peach slices, peppadews, and a lovely whole slice orange preserve.    Other starter choices are a spinach, feta and bacon quiche; snoek and trout fish cakes; stir-fried springbok; and a vegetable and goat’s chevin salad, costing between R 48 – R84.  Main courses include Sunday roast, chicken pie, lamb curry, seared trout fillet, Earl Grey infused Subu duck, pork spare ribs, and linefish, costing between R 68 – R165.  One can order 8 cheeses for one person, at R60, and 10 cheeses for two persons at R66.  Foccacia with parma ham and mozzarella, or smoked trout and Fairview cream cheese, costs R56.

I had a dessert which took me to back to my childhood, being Rote Grütze, a most delicious red berry compote, with a ball of ice cream.   Alternative desserts range in price from R36 – R48, and include cheesecake, pecan nut croquant parfait on pineapple carpaccio, chocolate brownie and ice cream, crème brûlee, and coconut panna cotta.  Breakfast is served from 9h00 – 11h30, and these prices look very reasonable, a health breakfast with muesli costing R28, as do scrambled eggs on a croissant.  When salmon is added, it costs R46, being the price for eggs and bacon, as well as smoked trout with Fairview cream cheese, too.

I was interested in the educational message in the menu, on its first page, which is a note to parents, explaining why, in a roundabout manner, they do not have a children’s menu with “fries, bangers, fish fingers and carbonated sugar-laden drinks” – only two of the menu items have a reduced children’s price, and therefore one must order from the standard menu for children.  “All Goatshed meals are freshly prepared using wholesome ingredients.  A healthy lifestyle starts in early childhood”, the menu stated.  “Thank you for understanding and co-operating in fighting diabetes and obesity amongst children”, it continued.  I was not sure how parents would react to this ‘lecture’.   I was also interested to see how few of the dishes on the menu contain cheese, this being one of the products that are synonymous with Fairview (as is its wine, of course).  The menu also contains a glossary of food and wine terms, such as dukkha, chakalaka, sobu (an Asian buckwheat flour noodle), hummus, and coulis.

Something else that appeared impressive in the menu was the special notes about the breads at Fairview and their coffee.  The ‘artisanal’ breads are baked by bakers from ‘the community’, the menu explains, and the bread range includes ciabatta, sour dough, and rye, as well as Danishes and croissants, and their ‘unique signature breads’.  All the breads had sold out at the counter in the restaurant, and most in the cheese shop too.   There seemed to be only a small space allocated to the bread sales in the cheese shop, surprising, given the attention that is drawn to the breads, and one’s ability to buy them, in the menu.  It was also written that Johan Sörberg, who owns the two top bakeries in Stockholm, has trained the Fairview bakers, and returns regularly.   The menu also proudly states about their coffees: “Our baristas strive to bring you the best in every cup”.  Klaus Thomsen, the ‘World Barista Champion’ in 2006, has travelled from Denmark to train the Fairview baristas in “the art of brewing world quality coffee”, and he returns regularly too, the menu states.  The coffee beans come from Beans for Africa, Yolandy found out for me.  

The wines are very well-priced, and only Fairview-owned wines, being Fairview, Goats Do Roam and Spice Route, are served.  Every dish on the menu has a wine recommendation.  The Spice Route wines are from Malmesbury, and belong to Fairview owner Charles Back too.    The Fairview Cabernet Sauvignon, Merlot, Mouvèdre, Pinotage, Pinotage Viognier, Shiraz and Chardonnay all cost R27 per glass and R65 per bottle.  Riesling costs R16/R35, Darling Chenin Blanc R18/R45, Sauvignon Blanc R22/R50, and Viognier R28/R70.   Surprisingly for a wine estate, there are no vintages on the list of wines.  The availability of Jack Black beer is very visible on the menu.  I met the nice tasting room manager Neil du Plessis, and I liked the interesting lamps over the tasting counters, which looked like vine branches with lights in them.    I asked about next-door farm Seidelberg, which Back bought recently, and Yolandy thought it would be business as usual there in terms of their Cape Malay restaurant.  She was not sure what would happen on the wine side of things.   

The cheese shop has a supermarket feel, a large space selling twenty Fairview cheeses, including camembert, brie, Bleu and Blanc, Blue Rock, Feta, White Rock with cranberries, Havarti, Chevin traditional, and with different herbs, four varieties of cream cheeses, La Beryl, crottin, and a Vineyard Cheddar. Surprisingly, one cannot taste the cheeses.   There was no staff in the cheese section to answer questions, or to proactively provide information, as they have in the tasting room, which is just around the corner.  The camembert and brie cost R 16, not much less than one would pay in a supermarket.

Cyril is the chef, but I could not get a surname nor his track record from Yolandy (nor from Shannon, when I called to verify this – she said Cyril has a long surname).  However, the Goatshed website states that Andreas Küng is the chef.   My final poor impression of the restaurant was when the bill arrived in a Diner’s Club billfold, that must be as old as the restaurant is, and was falling apart, a poor reflection on the image of the Goatshed.  Yolandy told me three times that I had to pay the bill at the counter inside, as they do not have a ‘cordless credit card machine’, she said.  The payment taker at the counter did just that, and there is no farewell or thanks to send one on the road with.  There also is no attempt to encourage one to visit the cheese shop or the tasting room, as the entrance is not visible from the restaurant.     I went to the ‘Nanny Goat’ cloak room, with  ‘portable’ toilets, with open top and bottom.  The toilets are cleaned continuously, and are functional, but do not add to the Fairview experience – they just reinforced that Fairview is an expensive mass tourist destination, and that building a relationship with any of its visitors is completely unimportant – not the impression one would want tourists or locals to experience!   

Fairview Goatshed, Fairview wine estate, Agter Paarl.   Tel (021) 863-3609. www.goatshed.co.za  (The menu is on the website, and the website has a clever but restricted slide show with good photographs.  However, there is no Image Gallery.  The photograph of the bread collection does not reflect what is available in the shop and the restaurant).  Twitter: @FairviewWine  Monday – Sunday 9h00 – 17h00.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: @WhaleCottage

Winestyle and TASTE crush Crush! digital food and wine magazine!

We have written about Crush!1, Crush!2 and Crush!3, Michael Olivier’s digital food and wine magazine, which he launched last year.   As other publications are being launched which embrace food and wine, both digitally and in print, I chose to evaluate Crush!4 against its competitors, putting myself in the shoes of a food and/or wine marketer, deciding where to spend a marketing budget, and as a food and wine lover, deciding where to spend my time reading.   I evaluated Winestyle, TASTE, and Crush!4, all three magazines focusing on food and wine, with a Postscript on Crush!5.

Winestyle

The first (Summer) issue of Winestyle was sent to subscribers (note one does not pay to receive the magazine) in December, and its concept is a most creative and environmentally-friendly “print on demand” one.  This saves the publishers from over-printing, saving paper and costs, and ultimately the environment.  It is published quarterly.  What makes it unique is that a weekly newsletter is sent by e-mail to each subscriber, updating them on food and wine news.  While the brand carry-over is not strong in terms of the banner design of the newsletter (initially I thought the newsletters were from wine consultant Nikki Dumas, who has a similar company name).   This builds brand awareness weekly, and bridges the quarterly print publishing period.

The 88-page magazine is larger than the standard A4 size, and has an attractive cover, although it is not photographed in a vineyard.  The paper quality is outstanding, as is the photography.  Editor Jenny Ratcliffe-Wright is from Warwick wine estate originally, where her mother Norma and brother Mike make excellent wines, and this makes Jenny well-connected to the wine industry.  In her editorial Jenny writes: “It is our intention to help everyone make full use of every wine-drinking day …. it’s your passport to all things enjoyable, to in-the-know wines, delicious and simple-to-prepare food and accessible travel – all in a large, sexy, glossy, collectible magazine”.   The theme of the Summer edition is celebration, and therefore champagnes and sparkling wines are predominantly featured.

Advertising support is impressive for a first edition, and reflects the confidence of the advertisers in the publication, and wine estates Graham Beck,  Glen Carlou, Clos Malverne, Kleine Zalze,  Nederburg, Highlands Road Estate, OBiKWA, Creation, Eikendal, Adoro Wines, Muratie, and Morgenhof have taken full-page ads.  Jenny anticipates having 2500 subscribers by the time the next issue is launched in March.

The editorial content includes a focus on sparkling wine producers in Franschhoek and Stellenbosch, including JC le Roux, Simonsig, Villiera, Morgenhof, Cabrière, Graham Beck, Anura, and Sterhuis, and recommends accommodation and restaurants in the area.  A profile on a very casual looking Jean-Philippe Colmant, making excellent bubbly in Franschhoek and importing champagnes, is written by Cape Talk’s John Maytham.  A travel feature focuses on the Champagne region, which is informative and has beautiful photographs.  A food feature focuses on Tapas, with short recipes, and amazing photography by Christoph Heierli.  A Restaurant feature recommends places offering ‘alfresco dining’ in Johannesburg, Durban, the Winelands and Cape Town.   A feature on cocktails has some that call for sparkling wine. The results of a wine-tasting, a panel comparing South African sparkling wines Silverthorn, Colmant Brut, Villiera, Jacques Bruére, and Simonsig, with champagnes Moët & Chandon, Veuve Cliquot, Piper-Heidsieck, Pol Roger and Tribaut Brut Tradition, are featured.  Joint first winners were Silverthorn the Green Man Brut and Tribaut Brut Tradition.  A tasting panel evaluation of the 2010 vintage Sauvignon Blanc of Groote Post, David Nieuwoudt Ghost Corner, Neil Joubert, Arabella, Sophie Terblance, Delaire, Diemersdal, Klein Constantia, De Grendel and Du Toitskloof ranks them in this order.  An article on cigars concludes what must be the most excellent food and wine publication available locally now.

I cannot wait for the Autumn edition.  I do recommend that there be more synergy between the magazine and the newsletter as well as its website in terms of branding and design.  Of the three magazines reviewed in this blogpost, Winestyle is the best by far, and we congratulate editor Jenny on this achievement for her maiden issue.

TASTE

Woolworths’ in-house magazine is written and published by New Media Publishing, and they have regularly won ADMag and Pica Awards for Customer Magazine of the Year for it, most recently in 2009.   It costs R20,95, is published monthly, and is sold in outlets other than Woolworths too.   It is A4 in size, with 134 pages, and does not have a statement to describe what it stands for, but its cover photograph represents food.  Wines appear to be a secondary focus.  The editor is highly regarded Sumien Brink, with Abigail Donnelly ably at her side.

Advertisers are a mixed bunch, including car retailers, liquor brands (Darling Cellars, Krone, Bombay Sapphire, Veuve Cliquot, Brand House), watch brands, kitchen suppliers, decor brands, food brands (Lancewood, Lindt), investment companies, a restaurant (Cape Town Fish Market), and accommodation, most of the brands not sold by Woolworths at all.

The editorial content of the December issue includes a Trends feature, and food related trends are featured with beautiful large photographs by Lee Malan and Jan Ras.  Where recipes are featured, they are short and sweet, and do not dominate the look of any page (something competitors House and Leisure Food can learn from).  A Foodstuff feature focuses on products that are sold at Woolworths, but most are non-branded items, and the Woolworths link is very low key. It even has an interview with and one done by Andy Fenner, who writes the JamieWho? blog, a contributor to Crush! issues 2, 3 and 4, but he has withdrawn his support, probably due to his new (not yet clearly defined) involvement with Woolworths, and not wanting to be associated with his friend David Cope’s disparaging Twitter campaign against ourselves, in retaliation to our review of Crush!3.   A chicken feature by man-of-the-moment Justin Bonello, a fish focus by Sam Woulidge, a canapé feature by Mariana Esterhuizen of Mariana’s, a feature on Dewetshof by Woolworths wine consultant Allan Mullins, and a feature on Oded Schwartz of Oded’s Kitchen and his relishes, chutneys and preserves, follow.  Christmas recipes are featured, but are few in number.  Restaurants featured are the fabulous Babel on Babylonstoren (next door to Backsberg), and the heavenly Hemelhuijs.  Blueberries are featured, with recipes, as are Summer lunch recipes.  An exclusive extract from Australian Bill Granger’s receipe book “Bill’s Basics” is featured.  A travel feature by Judy van der Walt focuses on the Dordogne region, and the magazine ends off with a month’s worth of recipes for snacks, lunches, tea time, and suppers.

I hadn’t bought a TASTE magazine for a while, and remembered it to be more attractive and impactful.  The focus may be too much on recipes, and too little on wines.   The features are written by good quality journalists, and could possibly be expanded.   I liked the way Woolworths as a brand is not ‘in your face’ when reading the magazine – in fact I wouldn’t have minded more direct brand-linkage, to know what to look for when next I shop.  There are so many organic and other quality suppliers to Woolworths of fruit and vegetables and other foods, as well as of wines, which could all be the subject of features, not necessarily linked to recipes only.  A “new Woolworths products” feature would be welcome.  For a marketer, TASTE would be an important advertising medium to consider, given its association with Woolworths, and the profile of the Woolworths shopper, with a reasonable disposable income.    There is little carry-over between the magazine and its website.

Crush!4

The digital food and wine magazine Crush! has no print partner, and is haphazard in its publishing frequency. On Twitter the editorial team hint at how busy they are in doing work for the publication, but on average it appears to take them two months or longer to publish a new issue.  The arrival of the new magazine is announced on Twitter and by e-mail, as one has to subscribe to receive a link to it, and is free of charge.

Crush!4  has 44 pages and was published early in December.  It appears to have lost its restaurant reviewer JP Rossouw, and Olivier has taken over writing the restaurant reviews, something we suggested in one of our earlier Crush! reviews.   We are delighted with another of our recommendations that Olivier adopted, which was to let (lady) bloggers participate in his magazine, and he has done so by giving highly regarded blogger Jane-Anne Hobbs from Scrumptious blog a recipe feature, and he has introduced a recipe competition, in which the recipes of bloggers Colleen Grove, Jeanne Horak-Druiff, Meeta Khurana-Wolff and Nina Timm can be evaluated by readers.

The navigation of the pages, and more particularly the content on each page, remains tedious. The front cover looks better, the copy on top of the photograph being easier to read, but it is not yet perfect, especially when one compares the ‘less is more’ covers of the two other magazines above.  Most flashing gimmicks have been removed from the front cover, and have largely been discontinued.   Advertising support is poor, and appears reduced relative to previous issues, and compared to the two other publications above, with only Hidden Valley, Pongracz, Laborie, Old Mutual and Ultra Liquors advertising.

The content consists of a wine page written by Olivier, and features premium brandy cocktails, a vineyard dog, wine finds, a wine myth and an overview of Sauvignon Blanc.  The Essentials page, as before, has products with poor brand recognition, but the names are typed alongside each product.  A Plaisir de Merle feature is a good promotion for the wine estate.  The recipe pages by Jane-Anne Hobbs have fantastic photography done by herself (perhaps she should become the Crush!photographer!), but I could only get to see three recipes (soup, dessert, gammon) – I am sure there were more, judging by the six bottles alongside the opening recipe, and Olivier recommends a wine per recipe.   The names of the wines are not typed alongside the bottles.   The JamieWho? page by Andy Fenner is blocked by a Laborie promotion box, still has silly moving balloon captions, and focuses on Absinthe, Champagne, Hangover Cures, Jardine’s Christmas cake,  and Christmas cocktails.  In two of his mini-stories the copy ends mid-sentence.  The review of Babel Restaurant at Babylonstoren is blocked by a competition box, and one does not know how to close it.  Restaurant names at the bottom of the Babel article are harder to read on the right hand side, especially ‘Cafeen’.

A seven-day recipe card feature by Carey Boucher-Erasmus (a food consultant to the Pick ‘n Pay Cookery School, according to Google) is easy to follow and read, but no information is supplied about who Carey is.  There is no consistency in the colours used for the names of white and red wines alongside the bottles, the white wine names typed in blue (High Five) or in green (Quaff Now).   Sophia Lindop does great food features, but has used herbs in the last two issues (rocket in the current issue and rosemary last time), making it hard to see dishes prepared with these, and thus to have attractive photographs, even if they are photographed by star photographer Russel Wasserfall.   David Cope outs himself as a guest house reviewer, of South Hills, presented on a messy red and white check background which is similar to that which he uses on his ‘The Foodie’ blog.  A summer picnic spead looks good enough to eat off the screen, and is prepared by Luisa Farelo, but there is no indication as to who she is (I could not find any information about her on Google).  The focus on Parlotones wines, named after the group, is fun in having their music videos, but I did struggle to get one to play properly.  I also struggled to find the way to open the Prince Albert feature by Russel Wasserfall, eventually finding it at the bottom right, in the smallest possible type size.  A feature on trendy Artisan Breads tells the Knead story, with colour photographs, and mentions the names of only five other artisanal bakeries around the country – there are that many others in Cape Town alone!  Helen Untiedt’s organic vegetable garden, and a Book Review page conclude Crush!4.

My overwhelming frustration with Crush! is the difficulty of reading it, and the struggle to move forward or to close what one has opened.  The promotional boxes blocking copy remains a problem, which cheapens the magazine and is irritating to have to close.  Perhaps Olivier and the design team can look at Opulent Living’s e-magazine, only 8 pages long but published regularly – it is easy to read, has no promotions, with beautiful photographs – a top class digital magazine!   I was interested to see the Crush! blogger recipe rating, and the low participation is a surprise (the highest vote is by only 100 readers after two months), given Olivier’s claim that the magazine would go to more than 1 million readers!     If I were a marketer, I would not advertise in Crush!, as a digital magazine cannot present a food or wine brand with the appetite appeal that a print magazine can, especially given the poor pack presentation.  I would therefore love to see a print version of Crush!, as it contains lots of good information, and could make for beautiful pages of copy and photography, something one would want to keep.

POSTSCRIPT 8/2

Crush!5 was launched today.  JamieWho? (Andy Fenner) has been replaced by Neil Stemmet, a talented interior designer, and he adds an Afrikaans dimension to Crush!, with all five his recipes in Afrikaans on his “Soutenpeper” page (this is causing a problem for English readers!).  David Cope has lost his name, and is only referred to as “The Foodie”, with no red and white check background to his contributions anymore, and both his article on Paternoster, and on FoodWineDesign in Johannesburg (held in November!!), are long-winded and boring, with few attractive photographs.   Jane-Anne Hobbs (unfortunately) has been replaced by Clare Bock (owner of Appetite catering company, I learnt from Google) in a food/wine matching feature – by chance I worked out how this feature works – if you click on a wine bottle, an appropriate recipe pops up, rather than finding an appropriate wine to match the recipe!   The five food bloggers in the recipe rating section are complete unknowns.  Luisa Farelo (with an introduction in this issue – she is a chef and food stylist) does another feature, this time on Sunday lunches, and the styling is good enough to eat again.  A food and wine events calendar is a good new addition, while a classifieds section probably is not, the ads being so small that one cannot read them.  A feature on The Test Kitchen, and owner and chef Luke Dale-Roberts, is good with great food photographs, as is the one on Jordan Winery, but the labels underneath the bottles are so tiny that one may not see them.  The interview with Bertus Basson of Overture (Michael is a stickler for spelling, but misspells the restaurant name in his introduction) is weird, and probably does not do him a favour.  Advertisers are Fairview, Pongracz, Old Mutual, and Avocado magazine.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: WhaleCottage

Restaurant Review: De Oude Bank Bakkerij brings Ile de Pain to Stellenbosch!

A quaint and very unusual new restaurant, called De Oude Bank Bakkerij, has opened in an alley off Church Street in Stellenbosch, and challenges conventional restaurant operations.   It sells the most delicious artisanal breads baked on the property, by owner Fritz Schoon, who worked at Ile de Pain in Knysna for 18 months to learn from the best breadmaker, he says.

Fritz has Dutch roots stretching far back, and that is why he chose the Dutch name for his bakery and restaurant.  It is an unusual space, and feels like a covered courtyard to a building which opens onto the Dorp Street Gallery and a crystal glass shop, the former on Church Street and the latter on Bird Street.   The building previously was the offices of the District Bank.  Individual square tables with very uncomfortable heavy metal chairs, as well as shared long wooden tables with benches, fill the space.  One wall looks like a cosy lounge, with shelves filled with books.

As one enters, one sees the Lucas Jamon ham, from Prince Albert, hanging over the counter, with the freshly baked breads on display for sale behind it.   It has a cosy ‘untidiness’, making it homely. It is also a deli, selling the breads, wines, coffee, jams and tapenades.  The deli counter, and place to pay, is unusual, in being a piece of wood on top of stacked logs.

Fritz is cute, with beautiful eyes, a young entrepreneur who seems to be in his baking element in the shop.   He is so hands-on that his apron is full of flour dust.  He is so proud of what he is doing that he has put up photographs of all his suppliers.  He has taken special care to source wines and other supplies from suppliers who are small and artisanal too.  His wines come from mainly unfamiliar wine estates such as Berry Box, Noble Savage, Rainbow’s End, Bartinney, Marklew, Topaz, and Clouds, all from Stellenbosch, and his coffee comes from the Conti micro-roastery in Kuilsriver.  Beer on tap comes from Birkenhead in Stanford, at R20 for 330ml and R55 for 900ml. The wine-by-the-glass cost ranges from R20 – R40, and R60 – R190 per bottle.

Fritz comes from Kempton Park, studied quantity surveying, and worked on a building site, supplying food to the construction workers on the sites he worked at.  He enjoyed artisanal baking, and therefore decided to train at Ile de Pain in Knysna, regarding Markus Farbinger one of the best artisanal bakers.  He also uses stoneground flour and allows the natural fermentation of his dough to make and bake his breads, just as Ile de Pain does.   The breads made at the De Oude Bank Bakkerij are French Ciabatta, Baguette, Sourdough, Dark Rye Sourdough, as well as salted seed and rustic olive sticks.

What is even more unusual about the restaurant is that the menu is the cheapest possible to produce – a handwritten photocopied menu that itemises every item one may wish to order, on the principle that one only pays for what one gets.  Everything is priced, and the customers at each table fill in the quantity per item they wish to order, minimising order errors.   I would normally have been critical of the menu, but it is such a surprise, and in keeping with the character of the restaurant, that Fritz can get away with it – it must be the little hearts that are drawn on the menu!   He has written the following on the menu, to explain his restaurant philosophy: “Pain de vie is the bread of life. This is what I hope to create here.  The opportunity to break bread with friends and family.  I believe that this is what fuel (sic) our daily existence, our life purpose.  Sit. Talk. Laugh. Debate… and eat more BREAD!”  I love it!

Some of the “Condiments” one can order with 2 slices of bread, costing R5 – 7 for two, are farm butter (R4), schmaltz (R6), mustard glaze (R5), olive tapenade (R6), roasted black olives (R10), and a most delicious shitake mushroom pesto (R8).   Jams cost R5, and include olive marmalade, “nastergal jam”, rasberry (sic) jam, and bluegum honey (R6).   Cheese brands are specified, Ganzvlei matured cheddar costs R10, Forest Hill brie R8, and Witzenberger Kimilili R8.  On the meat side, Coppa ham costs R8, as does Smoked Pork, Beef salami and Black Forrest (sic) Ham.  Namib beef biltong is R10, and Lucas Jamon costs R30.

I ordered the ‘creamy scrambled eggs with bacon on sourdough toast’ at a mere R 25, the yellowest egg dish I have ever eaten – these must be specially sourced free-range eggs for sure.  Gourmet sandwiches can also be ordered, at R25 – R30, depending on the topping.  A slice of Butterkuchen costs R12.  Organic teas are offered at R10 and less, and a cappuccino costs R14.   Six coffee styles are offered.  My cappuccino was brought to the table in a wooden cup, on a wooden saucer, with a long wood handle spoon, which was far too long for the saucer, but just added to the natural wood feel of the restaurant.  The bread is served on wooden boards, with wood-handle cutlery – the knives are uncomfortable to use.    We saw three patrons share a wooden tray filled with a selection of bread slices and lots of little portions on the “Condiments” list, looking like a delicious tapas feast.

I loved the differentness of De Oude Bank Bakkerij, and loved the way Fritz has turned many restaurant conventions on their head, by creating a special and unusual, yet simple, restaurant.   I am definitely going back.

De Oude Bank Bakkerij, 7 Church Street, Stellenbosch.  Tel (021) 883-2187 (phone not always answered).  No website.  On Facebook.  Twitter: @OudeBankBakery  Open Tuesday – Friday 8h00 – 15h00, Saturdays from 9h00 – 15h00, and Sundays from 9h00 – 13h00.  On Wednesday and Saturday evenings pizza, beer and wine are served from 18h30 – 22h00.   On the Stellenbosch Restaurant Route.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage