Tag Archives: Pol Roger

Makaron Restaurant: The ‘model’ Eat Out Style Restaurant?!

On Friday I had lunch at Makaron Restaurant at Majeka House in Stellenbosch, which re-opened after a R10 million new construction and decor upgrade in September.  It is a huge improvement relative to my visit to the (unbranded at that time) restaurant more than a year ago.  Given that its menu was developed with input by Eat Out editor Abigail Donnelly,  it may be a good idea for chefs to analyse the Makaron Restaurant menu, if they aspire to make Eat Out Top 10 Restaurant next year.

My motivation for going to the restaurant was to try the talented new Chef Tanja Kruger’s cooking, which I had experienced at De Huguenot Restaurant, from which she moved three weeks ago, and to see the newly created Makaron Restaurant, which is now branded, in line with a recommendation we made in our review after eating Chef Anri Diener’s creations there last year, and pronounced it ‘cuisine paradise’.  Chef Tanja is a talented winner of the Chaine de Rotisseurs Young Chef of the Year 2008, and a member of the South African Culinary Olympic Team, who moved to De Huguenot Restaurant earlier this year from Hunter’s Country House in Plettenberg Bay, having worked at Lanzerac, the Radisson Hotel and Five Flies before.

Majeka House is a 5-star boutique hotel, suitably located for the accommodation establishment in the quite Stellenbosch suburb Paradyskloof, off the road to Vriesenhof.  Its location as a restaurant is less favourable, as one has to know where to find it, as minimal signage is allowed in the residential area, and the name of the establishment and not of its restaurant is signposted.  When I arrived at the gate, the security guard wanted me to ring the bell, but one does not get close enough to the intercom (or does not have an arm long enough) to ring the bell, so he obliged.  There is ample parking on the property, and staff member Jacques was at the entrance, waiting to take me inside. What was once a restaurant leading into a lounge previously, has been separated. The original restaurant has become the ‘M’ Lounge, while the restaurant is in a new space on the opposite side, off the Reception.  The designer is Etienne Hanekom, who is an art director at New Media Publishing decor magazine VISI.  The reception area has been changed around slightly and modernised, and Hanekom’s love for quirky animals, especially pigs and deerheads, dominates the ‘M’ Lounge, which is blue-lit, with very busy decor, the luxury room crammed with leather couches and other furniture.  It must look cosy at night, when it is fuller.

Opposite is Makaron restaurant, with a glass door with the restaurant branding, flanked by a glass-encased collection of fine wines.   The restaurant is far more less-is-more in design, and there is no carry-over of the decor from the ‘M’ lounge, other than the gold colour of the lamps.  As one enters through the glass door, one sees the generous and trendy Gregor Jenkin table (also at Dash and Dear Me), filled with a large container of bottles, multi-coloured menus, and vases with beautiful garden-grown roses, over which hang gold-coloured lamps.  Against the wall are golden pots filled with succulents.  The restaurant has an L-shape, of which the ‘leg’ of the L can be cordoned off via a curtain for a private function, or closed off if it is not very busy.  With the curtains closed, the restaurant seems much smaller than the 60 it can seat inside (with another 30 outside), and becomes long and thin-shaped.  I saw some gold-upholstered chairs in the cordoned off section, picking up the recurring gold colour.  The bathroom is glitzy, with a glass sliding door with sensor, and the space inside is a little tight.  The floor is glass-lit perspex, perhaps an über-design element.  Off the restaurant is a cigar lounge, and a design feature is the collection of glass ashtrays on the coffee table.

I chose to sit outside in the restaurant courtyard, on the first real Cape summer day, not realising that workmen were busy laying paving around the nearby indoor pool, with a very strong adhesive smell and resultant noise.  There was good music to cover some of it, and I picked up that the music choice has improved from my previous visit.  There are fresh roses on each table, decked with a cloth, a silver underplate, and two sets of cutlery are pre-laid, an interesting mix and match of antique sterling silver and plate, none of the elements matching, or being part of a pair, but it is impressive that the owners are spending so much money on quality.  On the table were two bowls, one with black pepper and the other with beautiful Amoleh Iranian blue salt.  I absolutely loved the menu cover design, and this was a concept from the designer too – they are made to look like book covers, some with titles too, but the front has a cut-out spoon shape, behind which is a gold background.  For me, this was the most stylish element of the design at Makaron.  The spoon logo is on the menu and on the winelist, and even on some plates.  The menu has an introduction: “We have sourced the best produce available in the country; by doing so, we keep it real and fresh – the perfect recipe for a great dining experience”, and I could not help think that these words were written by Mrs Donnelly.

While I was there, I did not yet know that the restaurant would be named on Sunday evening as the Eat Out DStv Food Network winner of the Boschendal Style Award, but I did know that it was one of 18 contenders. The Style Award for Makaron Restaurant is controversial, as far as I am concerned, in a number of respects, as I wrote yesterday about the Eat Out Awards.  First, two independent sources told me in one day, when I mentioned that I had been for lunch, that Mrs Donnelly, Eat Out editor and sole restaurant judge, is a consultant to the restaurant.  I would have thought that Makaron would have not allowed itself to be in the running for any Eat Out award as a result, or that Mrs Donnelly would have recused herself from the judging of this award category, but she did not, and did not disclose her business link to this restaurant, blowing her credibility, in my opinion.  Second, the restaurant had only been open for a month at the time that the winner had to be decided, so that photographs could be taken, and the magazine go to print.  The designer is part of the New Media Publishing staff, which could be criticised too, from an Awards perspective.  Having Tweeted that Mrs Donnelly consults to Makaron, the PR company of the restaurant replied as follows: “Get a grip. Makaron is no where to be seen on Top 20. AD (Abigail Donnelly) has assisted on a project basis to get the menu right”, confirming Mrs Donnelly’s involvement with the restaurant. One of my information sources confirmed that he had been called by her earlier in the week, about a specific food item, demonstrating a far greater involvement!  In the Eat Out 2012 magazine, the Award is motivated and described, commending its dramatic lighting, quirky details, as ‘simply beautiful and unlike anything else ever seen in South Africa’ (a dramatic overstatement, in my opinion), calm, sophisticated, with playful touches, highly contemporary, functional and cosy without a commercial feel, ‘metal meets plastic and wood’, ‘chairs are ever so comfortable, making you feel very special’, with attention to detail.  Having been there so recently, the platitudes feel overwritten.

Chretien Ploum is the F&B Manager, and he attended to me.  He has worked as part of the opening team at the Table Bay Hotel, was the owner of the Ou Pastorie in Somerset West for four years, worked on The World Resort boat, and has been a F&B consultant.  He was very informative, patiently answering my questions. The 4-course meal costs R325, but one can order a la carte too. Chef Tanja has had little or no input to the current menu, inheriting it from her predecessor (via Mrs Donnelly, it would appear), but has changed small things already, she told me, and will develop her own menu over time.  What is interesting about the menu is that each course is not only paired with a recommended wine, but with a craft beer too!  The lovely waitress Phelisa, who served me on my last visit, brought a slate plate of beautifully presented breads and lavosh, with anchovy mayonnaise (not everyone’s taste), and olives.

Starters range in price from R55 for the warm salad of duck confit and foie gras, served with cherries and blackberries, which was my choice, to R85 for pan-fried sweetbreads, a Muscadel reduction and cauliflower purée.  Other starter options are a garden pea risotto with garlic froth and smoked olive tapenade; Franschhoek cured salmon, raw trout, beetroot and asparagus; and peppered beef carpaccio, parmesan mousse and garden fennel salad.  Eight main course choices are offered, starting at R95 for duck egg ravioli, young artichoke, white asparagus and truffle, up to R180 for springbok loin with red cabbage and walnuts, and also for Asian pork belly, scallop, pickled radish cucumber salad and honey jus.  Other options are Angus beef rib eye on the bone, served with foie gras butter and fine green beans; poached prawns, salmon, truffled bisque and celeriac; a beautiful and excellently prepared kingklip served with verjuice butter, confit tomato, bean fritters and chorizo crumbs (R110); Spier chicken, ‘local foraged mushrooms’, cepes sauces and lemon broad beans; as well as quail, masala and coconut cream.  I was not planning on having a dessert, but succumbed to the description of the Strawberry jelly, rose panna cotta and fresh strawberries, quirkily served in a glass jar with lid and fresh rose petals (R50).  One can also order coffee soufflé and peanut butter ice cream; Valrhona chocolate tart, naartjie pears and grapefruit sorbet; Elgin apple tart fine and salted caramel ice cream; or a cheese plate with lavosh and plum paste.

The winelist is presented in A4 size, with the same book cover feel and spoon logo, and contains a selection of mainly Stellenbosch wines. Five sparkling wines range from R44/R139 for Villiera Tradition Brut NV to R219 for High Constantia Clos Andre, with Pol Roger Brut NV costing R485.  There is a small selection of wines per variety, and one of these comes by the glass, with very reasonable prices, ranging from R31 – R38 for the white wines, and R35 – R44 for the red wines. Shirazes offered are Edgebaston 2008 (R38/R137), Tamboerskloof 2006, Pax Verbatim 2007, Rust en Vrede 2008, and Haskell Pillars 2007.

Chef Tanja proudly showed me her newly revived herb and vegetable garden, with baby plants growing through the straw, which has been designed by the Babylonstoren designer. Fruit trees on the property are creating new opportunities for Chef Tanja, and so a harvest of peaches has led to the creation of peach fruit butter, for example.  Chef Tanja and Chretien are also looking at ways to attract more business to the restaurant (I was the only patron there on Friday), and on 1 December they are hosting the first Fine Dining and Craft Beer pairing evening, at R295, which includes 4 courses, each paired with a Boston Breweries beer and a wine. Chef Tanja brought me a taste of her specially created Pumpkin beer ice cream which she has made for the tasting evening.

It will be interesting to see how Makaron Restaurant develops in the next year.  It is clear to me that the owners of Majeka House will do everything to get to the top, which includes getting Relais & Chateaux accreditation (they did not succeed a year ago) and to make Eat Out Top 20 (my speculation).  Its only downfall is its unfavourable location.  With the talent of Chef Tanja, Makaron Restaurant will be the place to watch!

Makaron Restaurant, Majeka House, 26 – 30 Houtkapper Street, Stellenbosch.  Tel (021) 880-1549  www.majekahouse.co.za. Monday – Sunday, Breakfast, Lunch and Dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Restaurant Review: Tokara’s creative cuisine chemistry is SA’s El Bulli, Richard Carstens our Ferran Adria!

El Bulli was the world’s top S.Pellegrino World’s 50 Best Restaurants  for a number of years, and its chef/owner Ferran Adria has been saluted as one of the world’s most creative chefs, who closed his restaurant near Roses in Spain for a number of months every year, to try out new recipes in Barcelona.  Whilst he will close down his restaurant for an undefined period later this year, he remains a cuisine guru.  For Tokara chef Richard Carstens Adria has been an icon chef, and Chef Richard has been following and has been inspired by Adria since 1999, buying Adria’s recipe books that he publishes annually, yet he has never eaten at El Bulli.  After an invitation to try out Tokara’s new winter menu on Tuesday, I could not help but associate Tokara with El Bulli, and Chef Richard with Ferran Adria, always searching for a higher level of cuisine creativity.

Chef Richard showed me the five volume ‘Modernist Cuisine’, which he bought recently, and is edited by Nathan Myhrvold from America.  This chef was an academic wizard, worked for Stephen Hawking and Microsoft, and moved into cuisine, one of his passions.  The books document the newest ideas and techniques in cuisine, being modern interpretations of classical cuisine.   Chef Richard described the movements in cuisine, from Auguste Escoffier, to Nouvelle Cuisine, to Deconstruction (now renamed Techno-Emotional, Chef Richard told me!) led by Adria, to Modernist Cuisine.  Adria was the first chef to blur the definition between savoury and sweet, by creating savoury ice creams, for example.

Chef Richard has received six Eat Out Top 10 Restaurant awards in his career, whilst he was at Le Provencal (previous name of Grande Provence), Bijoux and Lynton Hall, and may have had more, had he stayed at past restaurants for longer than a year.   He seems really happy and at home at Tokara, having been given the freedom to experiment and create, whilst serving food that the Tokara guests appreciate.   Tokara Restaurant owner Wilhelm Kuhn wrote about Chef Richard: “Richard is a supremely talented chef and a real inspiration to the chefs in the kitchen.  I haven’t met such a nurturing, creative and intelligent chef before.  A lot of things that some chefs have cottoned on to recently, he was doing more than 10 years ago.  He has an encyclopediac knowledge of food, techniques and the industry, local and international.   It was overdue that someone gave him a chance to really show his mettle. I am sure he’ll be as much part of Tokara’s legacy as Etienne Bonthuys before him and winemaker Miles Mossop.”

I visited Tokara just after Kuhn and Carstens took over Tokara in October last year, and it was good to see that there were familiar waiters from then, and from Jardine, which Kuhn closed down in February.  It being a cold wintry day, I was happy to sit at the table close to the massive fireplace.  In the past few months the restaurant has had a make-over in terms of a new carpet, softening the sound in the room and the interior, and the chairs have been upholstered in an attractive blue fabric.  Each of the chairs has the name of a wine cultivar on it, bringing the wine estate into the restaurant.  New lights have been added too.  Wooden tables and chairs fill the restaurant, and I liked the design of the half-round tables placed against the glass doors, seating couples. There is no table cloth, but material serviettes, Eetrite cutlery and good stemware. The Tokara tasting room is in the same building, a large room with a massive fireplace, that was buzzing with tasters.  The cloakrooms are shared with the tasting room, and are a modern combination of stainless steel basins set in wood.

In the tasting room a specially designed William Kentridge drawing for his “The Magic Flute” opera and Tokara wine series hangs over a display of Tokara wines.  In the restaurant a Kentridge tapestry called ‘The Porter and the Bicycle’, inspired by the Second World War and hence the map of Europe forming the background to the tapestry, Manager Johan Terblanche explained, dominates the interior, the only artwork in the main restaurant.  It was specially made for Tokara owner GT Ferreira.   A Jacqueline Crewe-Brown painting is in the second room, and a second is to come.  Art is an important part of Tokara Winery, and they regularly exhibit art made from wine.  An extensive collection of art is displayed in the passages leading to the restaurant and tasting room, and even in the cloakrooms.  At the entrance to the building, a fascinating tree-shaped ‘sculpture’ attracts attention, a modern statement of what is lying inside the building.

Chef Richard came to welcome me at the table, and had prepared a special 10-course menu of small dishes to try, consisting of some of the starters, main courses and desserts on his new winter menu.  He told me that he and his team try to take the menus one step higher.  He invited me to come to the kitchen at any time, to see him and his team prepare the dishes, which offer I took up, and immediately another little dish of smoked salmon ice cream topped with caviar and served with a colourful citrus salsa was made for me to try.  After the restaurant re-opens after a week’s break from 2 – 9 May, a Chef’s Menu will be introduced, consisting of three courses plus an amuse bouche and a palate cleanser, at an excellent price of R 225 (their 8-course degustation menu cost R400 in summer). 

Staff look neat in white shirts and black pants.  They exude efficiency and all are knowledgeable about Chef Richard’s dishes, one needing a good memory to remember all the ingredients that make up his masterpieces.  Even Jaap-Henk Koelewijn, the sommelier, was perfectly at ease in explaining what was in the dishes that he brought to the table, helping the waiter Ivan on occasion.  I made Jaap-Henk’s job difficult, in limiting my wine drinking over lunch, and stating my preference for Shiraz.  He started me off with a Tokara Zondernaam Shiraz 2009,  and told me that the ‘Zondernaam’ will be phased out in future vintages, due to the improved quality of the winemaking, and all wines will be marketed under the Tokara name in future.  The wine was chilled to 16°C, quite cold for a red wine I felt, but Jaap-Henk explained that a colder temperature helps to temper the tannins in a red wine. This was followed up with a Sequillo Shiraz and Grenache blend, made by Eben Sadie.

I started with a beautifully presented and colourful hot butternut soup, thick and creamy, and served in a glass bowl, to which Chef Richard had added a smoked snoek croquette, which gave the soup an unusual distinctive taste. To this he had added shaved almonds and salted apricots, and drizzled it with coriander oil.  On the winter menu this starter costs R60.   This was followed by a calamari risotto, and its lemon velouté came through distinctly  to enhance the calamari.  It costs R65 as a starter, and was decorated with rice crisps and toasted brioche that had been dyed black with squid ink.  A beautiful autumn-inspired dish contained beetroot, and leek which had been dyed a reddish colour using beetroot juice.  It contained a number of interesting ingredients, including a Gewürztraminer-poached pear, gorgonzola balls, a ball each of yellow pepper and beetroot sorbet, pear compressed into small squares, and hazelnut.   This starter costs R65 on the winter menu.  

Another starter dish, costing R75 on the winter menu, was a chicken, crisp pancetta and prawn stack, served with an egg prepared at 62°C to get the white of the egg to set whilst keeping the yolk runny.  It also contained almonds, and was served with a Spanish Sofrito smoked paprika sauce.  This is a cold starter.  So too was the starter of fig, teriyake glazed tofu, goat’s cheese, orange slices, hazelnuts and a tatsoi sauce.  This starter does not appear on the winter menu, but was very popular on the summer menu, Chef Richard said.   A palate cleanser of rose geranium sorbet (surprisingly white but tasting heavenly, more subtle in taste than that at Dash restaurant) and a pickled ginger sorbet (surprisingly pink) was a refreshing break on my culinary journey. 

The first main course was a herb-crusted rainbow trout served on mash and wilted spinach, courgette and pine kernels, with a lovely violet beurre rouge, which costs R120 as a main course on the winter menu.  As the eighth course, I could not finish all of the peppered springbok, which Chef Richard said he sources from Graaff Reinet, and this is one of his best sellers, costing R155.  It was served on parsnip purée, with beetroot and croquettes, decorated with slices of plum, and served with an hibiscus jus.

The desserts were too delicious to refuse, and I had a wonderful strong cappuccino (R20) made from Deluxe coffee with each.  The first dessert had no colour at all other than white, unusual given Chef Richard’s colourful dishes that had preceded the desserts.  It consisted of a refreshing lemon mousse, mascarpone mousse, white chocolate sorbet, pieces of white chocolate and of meringue, and an almond financier, a type of sponge, cut into blocks.  It costs R50 on the winter menu.  The final course was a dessert (R55) made with hazelnut ice cream, pistachio sponge, aerated chocolate, coulant (a mini chocolate fondant), honeycomb and hazelnut streusel.  As if there was not enough food already, the cappuccino was served with a coconut chocolate and two mini-meringues held together with chocolate.   

The winelist and the menu are both presented in beautiful small black leather-covered holders, with the Ferreira family crest on them.  The winelist states that BYO is not allowed.  Cigars and cocktails are offered, as are 100 wines.  Wines by the glass include Colmant Brut (R55/R290), Graham Beck Brut Rosé (R85/R430), Pol Roger Brut (R180/R890), and Sterhuis Blanc de Blanc (R50/R250).  Seven red wines are offered by the glass, ranging from R60 for Hartenberg Merlot 2008 to R125 for Raats Cabernet Franc 2008.  Tokara Zondernaam Cabernet Sauvignon (2008) and Shiraz (2009) cost R35.  Ten white wines by the glass include seven Tokara ones, including Sauvignon Blanc and Chardonnay, ranging in price from R25 – R55. Billecart Salmon Brut Rosé costs R1500, its Elisabeth Salmon 1996 R3000, and its Clos Saint Hilaire 1998 R7000.  Steenberg 1682 Brut costs R290.  Five Shiraz choices are offered, starting at R135 for Tokara Zondernaam 2009, to R1400 for Hartenberg’s Gravel Hill 2005.  French wines dominate the imported wine section, with 38 choices, ranging from R600 for Château Margaux 1996, to R8500 for two wines: Chambertin Armand Rosseau 1995, and Le Musigny Comte George de Vogue 1995.  

The only downside of the lunch was the number of noisy children running around, despite the menu not catering for children at all – half-portions of the linefish of the day and of steak are served with chips for children.   I was impressed with the tolerance and patience shown to the children by the waiters, when stepping into the fireplace, for example.

Chef Richard Carstens is a definite Eat Out Top 10 Restaurant contender for 2011.  He is constantly reinventing himself, not happy to just stay with one cuisine style, but looking to challenge himself and his menu regularly.  He is hungry for new knowledge and inspiration, finding it in music, in fashion, in nature, and in books.  His food is colourful, and incredible attention is paid to creating a dish consisting of a number of unusual elements, many of them having undergone prior work to add to the palette on the plate.  When I first visited the new Tokara in October, Chef Richard sent out a carpaccio as an amuse bouche, and my son and I struggled to identify what it was made from, having quite a wild taste – we could not believe that it was made from watermelon, an idea that he had picked up from Mugaritz, now third ranked on the S.Pellegrino World’s 50 Best Restaurants, but that he had executed completely differently.  Chef Richard has a passion for his craft, commendable from a chef who has been around for longer than most in the Cape, and it shows in his creative cuisine.  I felt very privileged to have been invited by him to try his new winter menu.

Tokara Restaurant, Tokara Winery, Helshoogte Pass, Stellenbosch, Tel (021) 885-2550.  www.tokararestaurant.co.za (The website is disappointing for a top restaurant, only containing the address, telephone number, and Facebook and Twitter links.  There is no menu, no winelist nor Image Gallery.  Twitter: @Tokara_  @RichardCarstens. Tuesday – Sunday lunch, Tuesday – Saturday dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

Restaurant Review: Dinner at Queen Victoria Hotel’s Dash is dashing!

I was invited to try out the 34-seater Dash restaurant in the Queen Victoria Hotel, which only opened in the Waterfront on Saturday, last night.   Chef Steven Tempelton is the leader of a creative team at Dash, whose food not only was visually appealing, but excellent too, and was responsible for a most dashing dinner.  Dash is one of the best fine-dining restaurants in Cape Town, and an Eat Out Top 10 Restaurant coontender for 2012.

The 35-bedroom Queen Victoria Hotel, previously the V&A Waterfront company head office, cost R53 million to transform into 5-star luxury, and the interior decor was done by master ‘craftsman’ Francois du Plessis, who has also just done Dear Me restaurant.  Cleverly, Newmark Hotels MD Neil Markovitz has arranged for the nearby Everard Read gallery to hang some if its artists’ works in the hotel, benefiting both parties. Dash has been honoured by a dominant work by Beezy Bailey.  The work is called “The Storm has passed”, and reflects the style of food created at Dash.  The back of the painting has a poem by Bailey:  “As the storm cleared/The dove escaped the cat’s claws/While the blueberry elephants passed by./As God’s tears hit the sky,/they turned into flowers”.

I was welcomed on arrival in the lobby, in which the 30-year old bonsai imported from China holds centre court, by Food & Beverage Manager Alton van Biljon, whom I had already seen in action last week, when I popped in for a tour around the hotel, led by Markovitz and the hotel’s PR consultant Ian Manley.  Alton has always been a most charming host when he worked at Balducci in the past four years, and has impressed with his knowledge of and passion for wine.  He started his career in retail. He moved into hospitality, and worked at Belthazar and Poplars before managing Balducci.

Chef Stephen Templeton grew up in Somerset West, and has been the Executive Chef at Sun City and the Mount Nelson Hotel.  He also was head of a team of 47 chefs at Harrods, the largest Food & Beverage operation in Europe, he said.  After a four year period in running Four Oaks guest house and restaurant in Montagu, he had an opportunity to sell it, and move back to Cape Town. It was in this time that he was approached by Newmark Hotels to become Group Chef, mainly responsible for their restaurants at the V&A Hotel, Dock House and Queen Victoria Hotel, all in the V&A.  Chef Stephen says that he was hands-on in the development of Dash, in sourcing its crockery, cutlery and glassware, in developing a fine winelist, and creating the unique menu.   The name for the restaurant was the result of a five hour brainstorm with the hotel’s executive team, and it was Ronan Jackson from the design agency that suggested the name, after Queen Victoria’s spaniel.  Chef Stephen and Francois du Plessis worked together to create a ‘New York sexy’ interior and menu that complement each other, and Du Plessis has said that it is the first time that his decor has been so well matched by a menu.  Chef Stephen is aiming at presenting ‘sophisticated, stylish, contemporary yet simple food’ at Dash, which he more than achieves.  He wants the food’s personality to shine through, not that of the chef.  Chef Stephen has an interesting team of nine chefs in the kitchen, with an average age of 24 years.   We laughed when we discovered that there is a Chef Jamie and a Chef Oliver in the kitchen.  I met Chef Oliver Cattermole, who created the ‘Alice in Wonderland garden’ of vegetables that is served with the beef fillet.  He worked at one-Michelin-star Novelli, and at The Ivy in London.  All staff have been taught to make coffee, and have tested the menu, to allow everyone to assist guests, as if one were in a guest house and not in a hotel, Chef Stephen said.  The waitress looking after me was Coral, and was honest in saying that she has just finished studying, and that Dash is her first job.  She was sweet, willing to execute every request, but still lacked some knowledge on how the magic is created in the kitchen.  She went to ask the kitchen all my questions. The staff wear a white shirt with the Queen Victoria Hotel logo on it, black pants and a white Dash-branded apron.

The welcome was warm, with Alton taking me through to the lounge, where I was invited to have a drink.  I chose a coffee.  Chef Stephen was happy to hear that I had starved during the day, in anticipation of the dinner.  Vegetable crisps were brought to the table as a snack.  I asked Chef Stephen what would happen if the 34-seater would run out of space in the 35-room hotel, and he assured me that they would pass the business on to the other Newmark Hotel restaurants in the Waterfront. Chef Stephen sees Dash operating in the league of The Roundhouse, The Test Kitchen and Aubergine. 

The restaurant has a black tile floor, an impressive black marble surround fireplace dividing the lounge/bar area from the restaurant, beautiful silver curtains, and a wonderful view onto Table Mountain.   The Beezy Bailey is the only colour splash in the room.  The tables are black metal, made by ‘in’ designer Gregor Jenkin I was told by Francois du Plessis, with white leather chairs.  There are no table cloths, but a good quality serviette, with very heavy and solid Sambonet cutlery imported from Germany, the first time I have seen this locally.  The glassware is excellent.  There is a little candle, and rather ordinary tiny white salt and pepper cellars, probably superfluous anyway, given the excellent food, not requiring seasoning.  The only criticism I shared with Alton was the music selection, being heavy jazz initially, and sounding hotel-like generally.  I reminded him of the great music one hears at Belthazar and Balducci.  The bar is lit with purple lighting at night, and bounces off the bar chairs, creating an interesting visual affect as one enters the bar area.  The colour of the lighting changes throughout the day.

I chose a starter of confit of crayfish on a cucumber sockle with a coriander and paw paw salad (R145).  The impressive part of its presentation was the paw paw crisp, creating a centerpiece to the starter, and tasting sweet and crispy.  Chef Stephen explained that paw paw is liquidised, then glycerine is added, it is baked for nine hours, and then thin slices are cut to create the crisp.  The cucumber was as fresh as could be, as was the salad, the paw paw in it echoing the crisp.  Sorrel foam completed the presentation.  No sauces got in the way of the natural fresh taste of the elements of the dish. No fish knife was served with this starter.  Other starter choices, ranging in price from R55 – R145, include beetroot cured salmon, oysters served on seaweed, wild mushroom ragoût, Ceasar salad, seared foie gras, and caviar (SQ).  The surprise was the most amazing sorbets that were served, and I was allowed three: I chose the Tomato Granite, to which Coral added vodka; a most refreshing Lime & Lemon; and the most amazing Rose, complete with its own rose petals dipped in egg white and crystallised.  The sorbets cost R25 for a choice of three.

The main course choice of Grilled fillet of beef with herb mash and spinach purée with vegetables and port jus (R140) has created a stir.  This menu description does not do justice to the amazing creation that arrived – three slices of fillet on mash, but it was the presentation of the vegetables that created the ‘wow’ response, dubbed by the staff as the ‘Alice in Wonderland garden’, an amazing symphony of carrot, tomato, mushrooms, orange-coloured mini corn-cob, baby radish, baby aubergine, baby turnip, sheets of cauliflower stalk, and tomadillo (tasting of tomato with the texture of aubergine, looking like a green gooseberry), so beautifully presented.  Chef Oliver called it ‘psychedelic vegetables’, and told me that he sources them from the Magic Man in the Karoo.  Main courses are reasonably priced, some being cheaper than the starters, and range from R95 to R145 for roasted sea bass, lobster tortellini, venison, tomato and beetroot tart, scallops, lamb noisette, and duck confit risotto.  The dessert list consists of four options, ranging from R50 – R70, in addition to a Cape cheeseboard (R115), and I chose the Pimms jelly, mint bavois and strawberry sauce, beautifully presented with a long elegant spoon, and well paired with a glass of Silverthorn The Green Man sparkling wine (made by Steenberg GM John Loubser in his private capacity). Other dessert options are chocolate fondant, coconut panacotta, and liquorice macaroons.  Coral brought a cappuccino made with Origin coffee to have with the dessert, and a sweet touch was a jug of extra froth, showing that Alton must have read a Tweet of mine a few days ago about the extra froth a waiter had brought me at Salt Deli, also a Newmark Hotel property.

Alton indulged my love for Shiraz, and poured a glass of Quoin Rock 2006 (R208 per bottle), with violet notes.  Coral brought tap water with an ice bucket and slices of lemon.  The winelist is impressive, bound in grey leather, with the hotel logo on it.  Champagnes and MCC sparkling wines are at the back of the winelist, normally found at the front.   Each wine variety is described, and the origin and vintage of each wine is presented, as are the tasting notes for each wine, generated from a tasting panel’s evaluation of each of the about 100 wines listed.  This is a future Diner’s Club Diamond Award winelist candidate.  The champagnes start at R 940 for Guy Charbaut Select Brut NV, going up to R3500 for Dom Perignon Vintage. Veuve Cliquot Rosé, Billecart Salmon Brut Reserve, and Pol Roger Brut Reserve are also available.  MCC’s start at R200 for Moreson Solitaire, with High Constantia Clos Andre costing R445.  Shiraz choices start at R 205 for Raka Biography, up to R 1390 for Saxenburg SSS Shiraz 2005. The wine-by-the glass policy is interesting – there are no prices for these, but one can order any wine on the list by the glass, within reason, and then Alton and his staff will try to sell the rest of the bottle to other guests.

If there is one taste at Dash that I will never forget it is that of the Rose sorbet – a taste I have never experienced before.  Dash is excellent, and perfect, and I know that the music selection will be addressed, as will the waiters’ food knowledge evolve.  They are so many items on the menu to return to, to try out.  From photographs of the other menu items it is evident that each dish is a work of art in presentation alone. The kitchen closes at about 22h30, but one can pop in at the 24-hour Dash bar for a drink, a coffee or even a dessert, ordered from the room service menu, after the kitchen has closed.  After being a loyal V&A Waterfront shopper for twenty years, it is refreshing to have such an excellent quality restaurant so close by, yet away from the hustle and bustle of the commercial Waterfront area.  I salute Newmark Hotels’ MD Neil Markovitz and his team in creating such an exceptional restaurant.

POSTSCRIPT 14/4: I went back to Dash for a quick coffee and more sorbet, and to show my colleague the Queen Victoria Hotel and Dash restaurant.  Restaurant Manager Darren looked after us, and organised the extra cappuccino foam on the side, from reading this review.  The hotel is almost booked out with delegates from Brazil attending a Tupperware conference.

POSTSCRIPT 8/5: Staying over at the invitation of the Queen Victoria Hotel presented an opportunity for me to introduce my son to Dash, which he was very impressed by.  Food & Beverage Manager Alton van Biljon was most generous in offering us a bottle of Hartenberg The Stork Shiraz 2005, knowing my love for an old-style shiraz.  The chef sent out two complimentary dishes to those we had ordered: the appetizer was a tomato, basil, and mushroom dust, served on a heavy slate plate, reminding me of the work of Eric Bulpitt, previously of Jardineand now at The Round House.  We both ordered a filling starter of wonderful wild mushroom ragout in puff pastry, served with green beans and bearnaise (R65).  Alex had the beef fillet with the ‘Alice in Wonderland vegetable garden’, while I ordered Springbok loin, carrot purée and turnip gratin (R135).   We shared a trio of Rose, Lemon and lime, and Orange and citrus sorbets (R25).   The chef sent out a complimentary pannacotta and lemon sorbet for usto share.   A wonderful evening, once again with an excellent meal, and charming and highly-impressive service by Alton.

POSTSCRIPT 15/5: I returned to Dash with Carole, my colleague in Hermanus, and we were well looked after by Restaurant Manager Darren and Chef Oliver Cattermole.  I tried the Duck Confit Risotto with citrus and herb potpourri, the potpourri containing tea, dried duck (tasting like biltong) and herbs, and served in a separate bowl, which I sprinkled over the risotto.  Carole had the Beef fillet and the ‘Alice in Wonderland’ vegetable garden.  For dessert we had the Chocolate Fondant, which oozed Valrhona chocolate sauce when we opened it, with orange ice cream, a beautiful presentation.  I had my cappuccino with a jug of extra foam, always a nice touch! It was great to meet One&Only Cape Town Hotel Executive Chef Jason Millar, who was celebrating his anniversary at Dash, and to hear a chef’s reaction to the food of another chef – he was most complimentary.  Chef Oliver Cattermole is the driving force in the Dash kitchen, in my opinion, and has created a vegetable and herb garden on the roof of Newmark Hotels’ V&A Hotel, from which he will harvest for his kitchen in future.  

POSTSCRIPT 25/5: Another lovely lunch with excellent service at Dash today, spoiling my friend Jenny to a birthday lunch.  She was surprised to receive a birthday card from the hotel, and a surprise chocolate fondant dessert with her cappuccino.  Jenny’s Beetroot cured salmon with horseradish apple slaw was beautifully presented.

POSTSCRIPT 1/7: Today I took Trevor Jordaan for a birthday lunch at Dash.  I ordered a Cape Malay butternut velouté, while Trevor had a chicory and pickled pear salad, both beautifully presented.  Happy to hear how well the restaurant is doing, and has appointed an Assistant Manager Andrea.

POSTSCRIPT 3/8: Sadly, Restaurant Manager Darren Morgan left the hotel on Monday.  F&B Manager Alton van Biljon has taken a leave of absence, and his return date is uncertain, if he returns at all.  Andrea confirmed this evening that lunch will not be served at Dash for the time being.

POSTSCRIPT 12/8: I had the Mushroom Ragout again this evening, and the pastry casing was tough, and the size of the dish has definitely shrunk.  No Andreas Shiraz was available, which I had tried at Dash for the first time a month ago, when Michael McKenzie and I popped in. The waiter asked how I enjoyed the dish.  I said I didn’t, due to the shrunk size and tough pastry, to which he confidently retorted that the perfect pastry casing is tough! Chef Jamie was in the kitchen this evening. I shared the problem with Hostess Connie, and she apologised.  The waiter told me that the kitchen was sending out a second Ragout, but Connie arrived with the bill, having taken the Ragout off it, saying that the waiter had told her I didn’t want the replacement Ragout.  I got up and left in disbelief at this comedy of errors, the first evening of serious dissatisfaction at Dash.

POSTSCRIPT 25/9: We had a ‘last supper’ at Dash this evening, one of the last nights that Chef Oliver Cattermole will be in the Queen Victoria Hotel kitchen, before he starts at What’s On Eatery on Saturday.  I chose the Foie gras with apple, excellent, but pricey as a starter at R140.  My son enjoyed his Duck risotto (R125).  The Rose sorbet no longer is dark pink, as photographed above, and doesn’t taste as amazing as I remember it. Service efficient but functional, and the personal touch has gone. Excellent Andreas Shiraz 2008 now my favourite Shiraz.  Sad to see us being only one of two tables.  Despite being told in early days that all wines on the winelist are available by the glass, the limit is that only bottles under R300 may be opened for wines by the glass.

Dash Restaurant, Queen Victoria Hotel, Portswood Close, Portswood Ridge, V&A Waterfront.   Tel (021) 418-1466.   www.queenvictoriahotel.co.za (The Dash menu and winelist are now listed on the website, but the Image Gallery does not contain enough photographs to reflect the amazing creativity of the Dash chefs).

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Winestyle and TASTE crush Crush! digital food and wine magazine!

We have written about Crush!1, Crush!2 and Crush!3, Michael Olivier’s digital food and wine magazine, which he launched last year.   As other publications are being launched which embrace food and wine, both digitally and in print, I chose to evaluate Crush!4 against its competitors, putting myself in the shoes of a food and/or wine marketer, deciding where to spend a marketing budget, and as a food and wine lover, deciding where to spend my time reading.   I evaluated Winestyle, TASTE, and Crush!4, all three magazines focusing on food and wine, with a Postscript on Crush!5.

Winestyle

The first (Summer) issue of Winestyle was sent to subscribers (note one does not pay to receive the magazine) in December, and its concept is a most creative and environmentally-friendly “print on demand” one.  This saves the publishers from over-printing, saving paper and costs, and ultimately the environment.  It is published quarterly.  What makes it unique is that a weekly newsletter is sent by e-mail to each subscriber, updating them on food and wine news.  While the brand carry-over is not strong in terms of the banner design of the newsletter (initially I thought the newsletters were from wine consultant Nikki Dumas, who has a similar company name).   This builds brand awareness weekly, and bridges the quarterly print publishing period.

The 88-page magazine is larger than the standard A4 size, and has an attractive cover, although it is not photographed in a vineyard.  The paper quality is outstanding, as is the photography.  Editor Jenny Ratcliffe-Wright is from Warwick wine estate originally, where her mother Norma and brother Mike make excellent wines, and this makes Jenny well-connected to the wine industry.  In her editorial Jenny writes: “It is our intention to help everyone make full use of every wine-drinking day …. it’s your passport to all things enjoyable, to in-the-know wines, delicious and simple-to-prepare food and accessible travel – all in a large, sexy, glossy, collectible magazine”.   The theme of the Summer edition is celebration, and therefore champagnes and sparkling wines are predominantly featured.

Advertising support is impressive for a first edition, and reflects the confidence of the advertisers in the publication, and wine estates Graham Beck,  Glen Carlou, Clos Malverne, Kleine Zalze,  Nederburg, Highlands Road Estate, OBiKWA, Creation, Eikendal, Adoro Wines, Muratie, and Morgenhof have taken full-page ads.  Jenny anticipates having 2500 subscribers by the time the next issue is launched in March.

The editorial content includes a focus on sparkling wine producers in Franschhoek and Stellenbosch, including JC le Roux, Simonsig, Villiera, Morgenhof, Cabrière, Graham Beck, Anura, and Sterhuis, and recommends accommodation and restaurants in the area.  A profile on a very casual looking Jean-Philippe Colmant, making excellent bubbly in Franschhoek and importing champagnes, is written by Cape Talk’s John Maytham.  A travel feature focuses on the Champagne region, which is informative and has beautiful photographs.  A food feature focuses on Tapas, with short recipes, and amazing photography by Christoph Heierli.  A Restaurant feature recommends places offering ‘alfresco dining’ in Johannesburg, Durban, the Winelands and Cape Town.   A feature on cocktails has some that call for sparkling wine. The results of a wine-tasting, a panel comparing South African sparkling wines Silverthorn, Colmant Brut, Villiera, Jacques Bruére, and Simonsig, with champagnes Moët & Chandon, Veuve Cliquot, Piper-Heidsieck, Pol Roger and Tribaut Brut Tradition, are featured.  Joint first winners were Silverthorn the Green Man Brut and Tribaut Brut Tradition.  A tasting panel evaluation of the 2010 vintage Sauvignon Blanc of Groote Post, David Nieuwoudt Ghost Corner, Neil Joubert, Arabella, Sophie Terblance, Delaire, Diemersdal, Klein Constantia, De Grendel and Du Toitskloof ranks them in this order.  An article on cigars concludes what must be the most excellent food and wine publication available locally now.

I cannot wait for the Autumn edition.  I do recommend that there be more synergy between the magazine and the newsletter as well as its website in terms of branding and design.  Of the three magazines reviewed in this blogpost, Winestyle is the best by far, and we congratulate editor Jenny on this achievement for her maiden issue.

TASTE

Woolworths’ in-house magazine is written and published by New Media Publishing, and they have regularly won ADMag and Pica Awards for Customer Magazine of the Year for it, most recently in 2009.   It costs R20,95, is published monthly, and is sold in outlets other than Woolworths too.   It is A4 in size, with 134 pages, and does not have a statement to describe what it stands for, but its cover photograph represents food.  Wines appear to be a secondary focus.  The editor is highly regarded Sumien Brink, with Abigail Donnelly ably at her side.

Advertisers are a mixed bunch, including car retailers, liquor brands (Darling Cellars, Krone, Bombay Sapphire, Veuve Cliquot, Brand House), watch brands, kitchen suppliers, decor brands, food brands (Lancewood, Lindt), investment companies, a restaurant (Cape Town Fish Market), and accommodation, most of the brands not sold by Woolworths at all.

The editorial content of the December issue includes a Trends feature, and food related trends are featured with beautiful large photographs by Lee Malan and Jan Ras.  Where recipes are featured, they are short and sweet, and do not dominate the look of any page (something competitors House and Leisure Food can learn from).  A Foodstuff feature focuses on products that are sold at Woolworths, but most are non-branded items, and the Woolworths link is very low key. It even has an interview with and one done by Andy Fenner, who writes the JamieWho? blog, a contributor to Crush! issues 2, 3 and 4, but he has withdrawn his support, probably due to his new (not yet clearly defined) involvement with Woolworths, and not wanting to be associated with his friend David Cope’s disparaging Twitter campaign against ourselves, in retaliation to our review of Crush!3.   A chicken feature by man-of-the-moment Justin Bonello, a fish focus by Sam Woulidge, a canapé feature by Mariana Esterhuizen of Mariana’s, a feature on Dewetshof by Woolworths wine consultant Allan Mullins, and a feature on Oded Schwartz of Oded’s Kitchen and his relishes, chutneys and preserves, follow.  Christmas recipes are featured, but are few in number.  Restaurants featured are the fabulous Babel on Babylonstoren (next door to Backsberg), and the heavenly Hemelhuijs.  Blueberries are featured, with recipes, as are Summer lunch recipes.  An exclusive extract from Australian Bill Granger’s receipe book “Bill’s Basics” is featured.  A travel feature by Judy van der Walt focuses on the Dordogne region, and the magazine ends off with a month’s worth of recipes for snacks, lunches, tea time, and suppers.

I hadn’t bought a TASTE magazine for a while, and remembered it to be more attractive and impactful.  The focus may be too much on recipes, and too little on wines.   The features are written by good quality journalists, and could possibly be expanded.   I liked the way Woolworths as a brand is not ‘in your face’ when reading the magazine – in fact I wouldn’t have minded more direct brand-linkage, to know what to look for when next I shop.  There are so many organic and other quality suppliers to Woolworths of fruit and vegetables and other foods, as well as of wines, which could all be the subject of features, not necessarily linked to recipes only.  A “new Woolworths products” feature would be welcome.  For a marketer, TASTE would be an important advertising medium to consider, given its association with Woolworths, and the profile of the Woolworths shopper, with a reasonable disposable income.    There is little carry-over between the magazine and its website.

Crush!4

The digital food and wine magazine Crush! has no print partner, and is haphazard in its publishing frequency. On Twitter the editorial team hint at how busy they are in doing work for the publication, but on average it appears to take them two months or longer to publish a new issue.  The arrival of the new magazine is announced on Twitter and by e-mail, as one has to subscribe to receive a link to it, and is free of charge.

Crush!4  has 44 pages and was published early in December.  It appears to have lost its restaurant reviewer JP Rossouw, and Olivier has taken over writing the restaurant reviews, something we suggested in one of our earlier Crush! reviews.   We are delighted with another of our recommendations that Olivier adopted, which was to let (lady) bloggers participate in his magazine, and he has done so by giving highly regarded blogger Jane-Anne Hobbs from Scrumptious blog a recipe feature, and he has introduced a recipe competition, in which the recipes of bloggers Colleen Grove, Jeanne Horak-Druiff, Meeta Khurana-Wolff and Nina Timm can be evaluated by readers.

The navigation of the pages, and more particularly the content on each page, remains tedious. The front cover looks better, the copy on top of the photograph being easier to read, but it is not yet perfect, especially when one compares the ‘less is more’ covers of the two other magazines above.  Most flashing gimmicks have been removed from the front cover, and have largely been discontinued.   Advertising support is poor, and appears reduced relative to previous issues, and compared to the two other publications above, with only Hidden Valley, Pongracz, Laborie, Old Mutual and Ultra Liquors advertising.

The content consists of a wine page written by Olivier, and features premium brandy cocktails, a vineyard dog, wine finds, a wine myth and an overview of Sauvignon Blanc.  The Essentials page, as before, has products with poor brand recognition, but the names are typed alongside each product.  A Plaisir de Merle feature is a good promotion for the wine estate.  The recipe pages by Jane-Anne Hobbs have fantastic photography done by herself (perhaps she should become the Crush!photographer!), but I could only get to see three recipes (soup, dessert, gammon) – I am sure there were more, judging by the six bottles alongside the opening recipe, and Olivier recommends a wine per recipe.   The names of the wines are not typed alongside the bottles.   The JamieWho? page by Andy Fenner is blocked by a Laborie promotion box, still has silly moving balloon captions, and focuses on Absinthe, Champagne, Hangover Cures, Jardine’s Christmas cake,  and Christmas cocktails.  In two of his mini-stories the copy ends mid-sentence.  The review of Babel Restaurant at Babylonstoren is blocked by a competition box, and one does not know how to close it.  Restaurant names at the bottom of the Babel article are harder to read on the right hand side, especially ‘Cafeen’.

A seven-day recipe card feature by Carey Boucher-Erasmus (a food consultant to the Pick ‘n Pay Cookery School, according to Google) is easy to follow and read, but no information is supplied about who Carey is.  There is no consistency in the colours used for the names of white and red wines alongside the bottles, the white wine names typed in blue (High Five) or in green (Quaff Now).   Sophia Lindop does great food features, but has used herbs in the last two issues (rocket in the current issue and rosemary last time), making it hard to see dishes prepared with these, and thus to have attractive photographs, even if they are photographed by star photographer Russel Wasserfall.   David Cope outs himself as a guest house reviewer, of South Hills, presented on a messy red and white check background which is similar to that which he uses on his ‘The Foodie’ blog.  A summer picnic spead looks good enough to eat off the screen, and is prepared by Luisa Farelo, but there is no indication as to who she is (I could not find any information about her on Google).  The focus on Parlotones wines, named after the group, is fun in having their music videos, but I did struggle to get one to play properly.  I also struggled to find the way to open the Prince Albert feature by Russel Wasserfall, eventually finding it at the bottom right, in the smallest possible type size.  A feature on trendy Artisan Breads tells the Knead story, with colour photographs, and mentions the names of only five other artisanal bakeries around the country – there are that many others in Cape Town alone!  Helen Untiedt’s organic vegetable garden, and a Book Review page conclude Crush!4.

My overwhelming frustration with Crush! is the difficulty of reading it, and the struggle to move forward or to close what one has opened.  The promotional boxes blocking copy remains a problem, which cheapens the magazine and is irritating to have to close.  Perhaps Olivier and the design team can look at Opulent Living’s e-magazine, only 8 pages long but published regularly – it is easy to read, has no promotions, with beautiful photographs – a top class digital magazine!   I was interested to see the Crush! blogger recipe rating, and the low participation is a surprise (the highest vote is by only 100 readers after two months), given Olivier’s claim that the magazine would go to more than 1 million readers!     If I were a marketer, I would not advertise in Crush!, as a digital magazine cannot present a food or wine brand with the appetite appeal that a print magazine can, especially given the poor pack presentation.  I would therefore love to see a print version of Crush!, as it contains lots of good information, and could make for beautiful pages of copy and photography, something one would want to keep.

POSTSCRIPT 8/2: 

Crush!5 was launched today.  JamieWho? (Andy Fenner) has been replaced by Neil Stemmet, a talented interior designer, and he adds an Afrikaans dimension to Crush!, with all five his recipes in Afrikaans on his “Soutenpeper” page (this is causing a problem for English readers!).  David Cope has lost his name, and is only referred to as “The Foodie”, with no red and white check background to his contributions anymore, and both his article on Paternoster, and on FoodWineDesign in Johannesburg (held in November!!), are long-winded and boring, with few attractive photographs.   Jane-Anne Hobbs (unfortunately) has been replaced by Clare Bock (owner of Appetite catering company, I learnt from Google) in a food/wine matching feature – by chance I worked out how this feature works – if you click on a wine bottle, an appropriate recipe pops up, rather than finding an appropriate wine to match the recipe!   The five food bloggers in the recipe rating section are complete unknowns.  Luisa Farelo (with an introduction in this issue – she is a chef and food stylist) does another feature, this time on Sunday lunches, and the styling is good enough to eat again.  A food and wine events calendar is a good new addition, while a classifieds section probably is not, the ads being so small that one cannot read them.  A feature on The Test Kitchen, and owner and chef Luke Dale-Roberts, is good with great food photographs, as is the one on Jordan Winery, but the labels underneath the bottles are so tiny that one may not see them.  The interview with Bertus Basson of Overture (Michael is a stickler for spelling, but misspells the restaurant name in his introduction) is weird, and probably does not do him a favour.  Advertisers are Fairview, Pongracz, Old Mutual, and Avocado magazine.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: WhaleCottage