Tag Archives: Silverthorn

MCC Franschhoek is a bubbly new showcase of MCCs of Franschhoek!

One of the cleverest ideas for a new restaurant and champagne bar is MCC Franschhoek, and it is appropriate that its opening co-incided with the Franschhoek Cap Classique & Champagne Festival this weekend.  MCC Franschhoek is a showcase of 34 Franschhoek sparkling wines of 14 Franschhoek producers.

The brainchild of Philip and Christy Harrison, previously managing De Huguenot Estate, MCC Franschhoek allowed the couple to work with a beverage they love best. Christy told me that Philip loves cooking,  having started to do so in Majorca, after studying accountancy. Both Philip and Christie owned a Weatherspoons outlet in Heathrow, but moved back to Cape Town thirteen years ago, Philip managing The Galley in Fish Hoek. They moved to the design of wedding stationery, and it is Christy who designed the stylish logo for MCC Franschhoek.  Due to the closure of the De Huguenot restaurant and Harry Q Bar at De Huguenot Estate (to be run as a wedding and event venue only in future), Philip and Christie took part of their share of the venture in kind, and therefore they have the stylish silver-upholstered chairs, black bar chairs and tables, and couches from De Huguenot restaurant, which are spread out in the courtyard of the Village Square. Each table has the MCC range and price list, and a perspex salt and pepper grinder stand.  Quality material serviettes and Fortis cutlery are stylish.

Alleé Bleue (Brut Rosé), Boschendal (MCC Le Grande Pavillion Brut Rosé, MCC Grande Cuvée Brut), Cape Chamonix (MCC Blanc de Blancs), Colmant (Brut Reserve, Brut Rosé, Brut Chardonnay), Dieu Donné (Maingard Brut, Rose MCC), Franschhoek Pass Winery (Morena Brut, Brut Rosé, Cuvée Catherine, Malabar Shiraz), Graham Beck (Brut, Brut Rosé NV and 2008, Bliss Demi Sec, Brut Blanc de Blancs, Zero), GM & Ahrens (Cap Classique), Hauté Cabriere (Pierre Jourdan Brut, Cuvée Belle Rose, Brut Sauvage, Blanc de Blancs, Cuvée Reserve), La Motte, Môreson (Miss Molly, Solitaire, Gala, Pink, One), My Wyn, Stony Brook (The Lyle), and Topiary (Blanc de Blancs Brut) sparkling wines are sold by the bottle, while a select number of bubbly brands can be bought by the glass, advertised on a blackboard.  Prices start at R110 for Miss Molly, peaking at R650 for the GM & Ahrens.  Surprisingly (given its name), a number of wines are offered too, and many are non-Franschhoek. Protea Sauvignon Blanc, Glenwood Sauvignon Blanc, Haute Cabrière Chardonnay/Pinot Noir, Beyerskloof Pinotage Rosé, Glenwood Shiraz Merlot blend, Graham Beck Game Reserve, and Guardian Peak Shiraz are all available by the glass, reasonably priced in a range from R20 – R35.

MCC Franschhoek opens from 8h00, and serves well-priced breakfasts, one paying per item (e.g. 2 eggs, bacon and toast costs R47); muesli, yoghurt and berry coulis, and a croissant with cheese and preserves cost R20 each.   There is no breakfast cut-off time.  The ‘Bites’ menu has a mix of salads (R45 – R65), sundowner platters (R50 – R75, and includes oysters, cheese, cold meats, and biltong), main courses, and desserts (R35 – R45), which can be ordered throughout the day.   I ordered a perfectly prepared Franschhoek salmon trout served with boiled potatoes, and a crispy fresh asparagus salad (R75).  Other main course options are sirloin steak and prawns in a beer batter, also costing R75.  One can also order beef lasagne, mussels, an open chicken Satay burger, and two tarts.  The menu will be updated and amended regularly.

I was impressed with the scale of the Franschhoek Cap Classique & Champagne Festival in showcasing the leading bubbly brands for sale in this country.  It is held at the Huguenot Monument, which attracted 2000 bubbly-lovers yesterday, and more are expected today between 12h00 – 17h00.  Eight champagne brands (Billecart Salmon, Champagne Guy Charbaut, Claude Beaufort, Follet-Ramillon Brut Tradition, Piper Heidsieck, Thierry Lesne, Tribaut Brut Tradition, and Veuve Clicquot) presented their precious bubbles, as did 37 local sparkling wine producers. Staff representing the local brands Allée Bleue, Avondale, Bon Courage (in beautiful Carrol Boyes coolers), Boschendal, Bramon, Chabivin, Colmant, De Wetshof, Dieu Donné, Domaine Des Dieux, Francois la Garde, Genevieve MCC, The House of GM & Ahrens, Graham Beck, Groote Post, JC le Roux, Krone, Laborie, La Motte, Nicolas Feuillate Champagne for Woolworths, Morena, Môreson, My Wyn, Namaqua Wines (Guinevere very deep pink, with 60% Pinot Noir and 40% Chardonnay, all 3000 bottles exported), Pierre Jourdan, Pongracz, Quoin Rock, Rickety Bridge (new 2010 release, 50% each Chardonnay and Pinot Noir, with only 3500 numbered bottles produced from Franschhoek grapes), Ross Gower, Saltare, Silverthorn, Simonsig, Steenberg, Sterhuis, Villiera, Weltevrede and Woolworths Wines all looked chic in their black and white outfits, the dress code of the Festival, which most attendees honoured too.  There were surprisingly few Franschhoek restaurants represented (Le Quartier Français, Mont Rochelle Country Kitchen, Haute Cabrière, Roca Restaurant, and the Salmon Bar), and the food was generally of a disappointing quality, given the theme of the Festival.  An exception was the sushi, salmon and other canapé platters made by new Le Franschhoek Hotel chef Oliver Cattermole.

MCC Franschhoek, 3 Village Square, 53 Huguenot Road, Franschhoek.  Tel 083 772 9449/083 391 3869. No website.  Twitter: @MCCFranschhoek  Wednesday – Monday, 8h00 – until late, weather dependent.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

Winestyle and TASTE crush Crush! digital food and wine magazine!

We have written about Crush!1, Crush!2 and Crush!3, Michael Olivier’s digital food and wine magazine, which he launched last year.   As other publications are being launched which embrace food and wine, both digitally and in print, I chose to evaluate Crush!4 against its competitors, putting myself in the shoes of a food and/or wine marketer, deciding where to spend a marketing budget, and as a food and wine lover, deciding where to spend my time reading.   I evaluated Winestyle, TASTE, and Crush!4, all three magazines focusing on food and wine, with a Postscript on Crush!5.

Winestyle

The first (Summer) issue of Winestyle was sent to subscribers (note one does not pay to receive the magazine) in December, and its concept is a most creative and environmentally-friendly “print on demand” one.  This saves the publishers from over-printing, saving paper and costs, and ultimately the environment.  It is published quarterly.  What makes it unique is that a weekly newsletter is sent by e-mail to each subscriber, updating them on food and wine news.  While the brand carry-over is not strong in terms of the banner design of the newsletter (initially I thought the newsletters were from wine consultant Nikki Dumas, who has a similar company name).   This builds brand awareness weekly, and bridges the quarterly print publishing period.

The 88-page magazine is larger than the standard A4 size, and has an attractive cover, although it is not photographed in a vineyard.  The paper quality is outstanding, as is the photography.  Editor Jenny Ratcliffe-Wright is from Warwick wine estate originally, where her mother Norma and brother Mike make excellent wines, and this makes Jenny well-connected to the wine industry.  In her editorial Jenny writes: “It is our intention to help everyone make full use of every wine-drinking day …. it’s your passport to all things enjoyable, to in-the-know wines, delicious and simple-to-prepare food and accessible travel – all in a large, sexy, glossy, collectible magazine”.   The theme of the Summer edition is celebration, and therefore champagnes and sparkling wines are predominantly featured.

Advertising support is impressive for a first edition, and reflects the confidence of the advertisers in the publication, and wine estates Graham Beck,  Glen Carlou, Clos Malverne, Kleine Zalze,  Nederburg, Highlands Road Estate, OBiKWA, Creation, Eikendal, Adoro Wines, Muratie, and Morgenhof have taken full-page ads.  Jenny anticipates having 2500 subscribers by the time the next issue is launched in March.

The editorial content includes a focus on sparkling wine producers in Franschhoek and Stellenbosch, including JC le Roux, Simonsig, Villiera, Morgenhof, Cabrière, Graham Beck, Anura, and Sterhuis, and recommends accommodation and restaurants in the area.  A profile on a very casual looking Jean-Philippe Colmant, making excellent bubbly in Franschhoek and importing champagnes, is written by Cape Talk’s John Maytham.  A travel feature focuses on the Champagne region, which is informative and has beautiful photographs.  A food feature focuses on Tapas, with short recipes, and amazing photography by Christoph Heierli.  A Restaurant feature recommends places offering ‘alfresco dining’ in Johannesburg, Durban, the Winelands and Cape Town.   A feature on cocktails has some that call for sparkling wine. The results of a wine-tasting, a panel comparing South African sparkling wines Silverthorn, Colmant Brut, Villiera, Jacques Bruére, and Simonsig, with champagnes Moët & Chandon, Veuve Cliquot, Piper-Heidsieck, Pol Roger and Tribaut Brut Tradition, are featured.  Joint first winners were Silverthorn the Green Man Brut and Tribaut Brut Tradition.  A tasting panel evaluation of the 2010 vintage Sauvignon Blanc of Groote Post, David Nieuwoudt Ghost Corner, Neil Joubert, Arabella, Sophie Terblance, Delaire, Diemersdal, Klein Constantia, De Grendel and Du Toitskloof ranks them in this order.  An article on cigars concludes what must be the most excellent food and wine publication available locally now.

I cannot wait for the Autumn edition.  I do recommend that there be more synergy between the magazine and the newsletter as well as its website in terms of branding and design.  Of the three magazines reviewed in this blogpost, Winestyle is the best by far, and we congratulate editor Jenny on this achievement for her maiden issue.

TASTE

Woolworths’ in-house magazine is written and published by New Media Publishing, and they have regularly won ADMag and Pica Awards for Customer Magazine of the Year for it, most recently in 2009.   It costs R20,95, is published monthly, and is sold in outlets other than Woolworths too.   It is A4 in size, with 134 pages, and does not have a statement to describe what it stands for, but its cover photograph represents food.  Wines appear to be a secondary focus.  The editor is highly regarded Sumien Brink, with Abigail Donnelly ably at her side.

Advertisers are a mixed bunch, including car retailers, liquor brands (Darling Cellars, Krone, Bombay Sapphire, Veuve Cliquot, Brand House), watch brands, kitchen suppliers, decor brands, food brands (Lancewood, Lindt), investment companies, a restaurant (Cape Town Fish Market), and accommodation, most of the brands not sold by Woolworths at all.

The editorial content of the December issue includes a Trends feature, and food related trends are featured with beautiful large photographs by Lee Malan and Jan Ras.  Where recipes are featured, they are short and sweet, and do not dominate the look of any page (something competitors House and Leisure Food can learn from).  A Foodstuff feature focuses on products that are sold at Woolworths, but most are non-branded items, and the Woolworths link is very low key. It even has an interview with and one done by Andy Fenner, who writes the JamieWho? blog, a contributor to Crush! issues 2, 3 and 4, but he has withdrawn his support, probably due to his new (not yet clearly defined) involvement with Woolworths, and not wanting to be associated with his friend David Cope’s disparaging Twitter campaign against ourselves, in retaliation to our review of Crush!3.   A chicken feature by man-of-the-moment Justin Bonello, a fish focus by Sam Woulidge, a canapé feature by Mariana Esterhuizen of Mariana’s, a feature on Dewetshof by Woolworths wine consultant Allan Mullins, and a feature on Oded Schwartz of Oded’s Kitchen and his relishes, chutneys and preserves, follow.  Christmas recipes are featured, but are few in number.  Restaurants featured are the fabulous Babel on Babylonstoren (next door to Backsberg), and the heavenly Hemelhuijs.  Blueberries are featured, with recipes, as are Summer lunch recipes.  An exclusive extract from Australian Bill Granger’s receipe book “Bill’s Basics” is featured.  A travel feature by Judy van der Walt focuses on the Dordogne region, and the magazine ends off with a month’s worth of recipes for snacks, lunches, tea time, and suppers.

I hadn’t bought a TASTE magazine for a while, and remembered it to be more attractive and impactful.  The focus may be too much on recipes, and too little on wines.   The features are written by good quality journalists, and could possibly be expanded.   I liked the way Woolworths as a brand is not ‘in your face’ when reading the magazine – in fact I wouldn’t have minded more direct brand-linkage, to know what to look for when next I shop.  There are so many organic and other quality suppliers to Woolworths of fruit and vegetables and other foods, as well as of wines, which could all be the subject of features, not necessarily linked to recipes only.  A “new Woolworths products” feature would be welcome.  For a marketer, TASTE would be an important advertising medium to consider, given its association with Woolworths, and the profile of the Woolworths shopper, with a reasonable disposable income.    There is little carry-over between the magazine and its website.

Crush!4

The digital food and wine magazine Crush! has no print partner, and is haphazard in its publishing frequency. On Twitter the editorial team hint at how busy they are in doing work for the publication, but on average it appears to take them two months or longer to publish a new issue.  The arrival of the new magazine is announced on Twitter and by e-mail, as one has to subscribe to receive a link to it, and is free of charge.

Crush!4  has 44 pages and was published early in December.  It appears to have lost its restaurant reviewer JP Rossouw, and Olivier has taken over writing the restaurant reviews, something we suggested in one of our earlier Crush! reviews.   We are delighted with another of our recommendations that Olivier adopted, which was to let (lady) bloggers participate in his magazine, and he has done so by giving highly regarded blogger Jane-Anne Hobbs from Scrumptious blog a recipe feature, and he has introduced a recipe competition, in which the recipes of bloggers Colleen Grove, Jeanne Horak-Druiff, Meeta Khurana-Wolff and Nina Timm can be evaluated by readers.

The navigation of the pages, and more particularly the content on each page, remains tedious. The front cover looks better, the copy on top of the photograph being easier to read, but it is not yet perfect, especially when one compares the ‘less is more’ covers of the two other magazines above.  Most flashing gimmicks have been removed from the front cover, and have largely been discontinued.   Advertising support is poor, and appears reduced relative to previous issues, and compared to the two other publications above, with only Hidden Valley, Pongracz, Laborie, Old Mutual and Ultra Liquors advertising.

The content consists of a wine page written by Olivier, and features premium brandy cocktails, a vineyard dog, wine finds, a wine myth and an overview of Sauvignon Blanc.  The Essentials page, as before, has products with poor brand recognition, but the names are typed alongside each product.  A Plaisir de Merle feature is a good promotion for the wine estate.  The recipe pages by Jane-Anne Hobbs have fantastic photography done by herself (perhaps she should become the Crush!photographer!), but I could only get to see three recipes (soup, dessert, gammon) – I am sure there were more, judging by the six bottles alongside the opening recipe, and Olivier recommends a wine per recipe.   The names of the wines are not typed alongside the bottles.   The JamieWho? page by Andy Fenner is blocked by a Laborie promotion box, still has silly moving balloon captions, and focuses on Absinthe, Champagne, Hangover Cures, Jardine’s Christmas cake,  and Christmas cocktails.  In two of his mini-stories the copy ends mid-sentence.  The review of Babel Restaurant at Babylonstoren is blocked by a competition box, and one does not know how to close it.  Restaurant names at the bottom of the Babel article are harder to read on the right hand side, especially ‘Cafeen’.

A seven-day recipe card feature by Carey Boucher-Erasmus (a food consultant to the Pick ‘n Pay Cookery School, according to Google) is easy to follow and read, but no information is supplied about who Carey is.  There is no consistency in the colours used for the names of white and red wines alongside the bottles, the white wine names typed in blue (High Five) or in green (Quaff Now).   Sophia Lindop does great food features, but has used herbs in the last two issues (rocket in the current issue and rosemary last time), making it hard to see dishes prepared with these, and thus to have attractive photographs, even if they are photographed by star photographer Russel Wasserfall.   David Cope outs himself as a guest house reviewer, of South Hills, presented on a messy red and white check background which is similar to that which he uses on his ‘The Foodie’ blog.  A summer picnic spead looks good enough to eat off the screen, and is prepared by Luisa Farelo, but there is no indication as to who she is (I could not find any information about her on Google).  The focus on Parlotones wines, named after the group, is fun in having their music videos, but I did struggle to get one to play properly.  I also struggled to find the way to open the Prince Albert feature by Russel Wasserfall, eventually finding it at the bottom right, in the smallest possible type size.  A feature on trendy Artisan Breads tells the Knead story, with colour photographs, and mentions the names of only five other artisanal bakeries around the country – there are that many others in Cape Town alone!  Helen Untiedt’s organic vegetable garden, and a Book Review page conclude Crush!4.

My overwhelming frustration with Crush! is the difficulty of reading it, and the struggle to move forward or to close what one has opened.  The promotional boxes blocking copy remains a problem, which cheapens the magazine and is irritating to have to close.  Perhaps Olivier and the design team can look at Opulent Living’s e-magazine, only 8 pages long but published regularly – it is easy to read, has no promotions, with beautiful photographs – a top class digital magazine!   I was interested to see the Crush! blogger recipe rating, and the low participation is a surprise (the highest vote is by only 100 readers after two months), given Olivier’s claim that the magazine would go to more than 1 million readers!     If I were a marketer, I would not advertise in Crush!, as a digital magazine cannot present a food or wine brand with the appetite appeal that a print magazine can, especially given the poor pack presentation.  I would therefore love to see a print version of Crush!, as it contains lots of good information, and could make for beautiful pages of copy and photography, something one would want to keep.

POSTSCRIPT 8/2

Crush!5 was launched today.  JamieWho? (Andy Fenner) has been replaced by Neil Stemmet, a talented interior designer, and he adds an Afrikaans dimension to Crush!, with all five his recipes in Afrikaans on his “Soutenpeper” page (this is causing a problem for English readers!).  David Cope has lost his name, and is only referred to as “The Foodie”, with no red and white check background to his contributions anymore, and both his article on Paternoster, and on FoodWineDesign in Johannesburg (held in November!!), are long-winded and boring, with few attractive photographs.   Jane-Anne Hobbs (unfortunately) has been replaced by Clare Bock (owner of Appetite catering company, I learnt from Google) in a food/wine matching feature – by chance I worked out how this feature works – if you click on a wine bottle, an appropriate recipe pops up, rather than finding an appropriate wine to match the recipe!   The five food bloggers in the recipe rating section are complete unknowns.  Luisa Farelo (with an introduction in this issue – she is a chef and food stylist) does another feature, this time on Sunday lunches, and the styling is good enough to eat again.  A food and wine events calendar is a good new addition, while a classifieds section probably is not, the ads being so small that one cannot read them.  A feature on The Test Kitchen, and owner and chef Luke Dale-Roberts, is good with great food photographs, as is the one on Jordan Winery, but the labels underneath the bottles are so tiny that one may not see them.  The interview with Bertus Basson of Overture (Michael is a stickler for spelling, but misspells the restaurant name in his introduction) is weird, and probably does not do him a favour.  Advertisers are Fairview, Pongracz, Old Mutual, and Avocado magazine.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: WhaleCottage

Restaurant Review: Bosman’s back on Top 10, fired up, much more friendly!

After having been announced as a Top 10 restaurant a month ago, a sojourn in Franschhoek gave me the opportunity to try Bosman’s for lunch on Monday, and to celebrate a special birthday at dinner last night.   I was amazed at the radical change in the “personality” of Bosman’s at the Grande Roche Hotel in Paarl, from a restaurant that was stiff and unwelcoming on my last visit, to one that bends over backwards, oozes friendliness, and has made some important changes which clearly are paying off, in that Bosman’s is back on the Eat Out Top 10 restaurant list, after a long absence, and it was the joint winner (with Zachary’s at Pezula) of the Diner’s Club of the Year Winelist Awards.   Whilst is offers excellent value for lunch, it probably is the most expensive Cape restaurant for dinner.

The person who is probably most responsible for the changes is the Food & Beverage Manager Alan Bailes, and is now also acting-GM.  He impressed when he contacted me after my last visit to Bosman’s, and was non-defensive in his reaction.   Bailes is so hands-on that he walks the floor and makes time to chat to the restaurant patrons, something I have never seen of a hotel GM before.   He laughed when I said that to him, and he said that he still is the F&B Manager, but even then these are rarely seen inside a restaurant in general.   The restaurant’s flexibility is commendable, in that I overheard Bailes telling other guests that the kitchen can prepare anything for them, with 24 hours notice.

Bailes is one of a number of new GM’s at Grande Roche, after Horst Frehse left, and told me that the most important change that they have made was to cancel their Relais & Chateaux accreditation, without dropping their standards, he emphasized.    They have chosen to use the marketing power of the Mantis Collection to attract business.   The Relais & Chateaux decision came from the unsatisfactory return received for the high cost of the accreditation.  Ironically, Horst Frehse was known as “Mr Relais & Chateaux” when he was the (cigar-smoking) GM of the Grande Roche.   I wrote about Asara Hotel’s recent Relais & Chateaux accreditation, and that it may be dropping the accreditation, having just obtained it with the help of Frehse, who has left and is heading for the Twelve Apostles Hotel as GM next month.   The only local Relais & Chateaux properties are Asara Hotel, Le Quartier Français, Cellars Hohenhort, The Marine and The Plettenberg.  The focus has also been on making the lunch far more casual, and the prices far more affordable.   Whilst the dinner menu is far different to that for lunch, and offers two Tasting menu and a la carte options, the formality has been removed, especially when the restaurant was literally moved outdoors on a lovely 30+C evening.     

The service experienced at both lunch and dinner was outstanding and attentive, Glenroy du Plessis, the Wine Steward who recently was crowned as best in the country by Diner’s Club, and who must be one of the nicest hospitality staff around, spoiling us.  Nothing is too much trouble, and he crosses the line between waiter and wine steward.   The sommelier Josephine Gutentoft recently moved across to Bosman’s, and while we clashed badly at Reuben’s, she was charm herself last night.   Raymond is another manager I know from Reuben’s.    Two German staff gave an extra dimension to service quality.   Charming Restaurant Manager Alessandro de Laco talks with a heavy Italian accent, but can speak French and German, coming from Switzerland.  He and waiter Stefan had come to the Grande Roche earlier this year due to the World Cup.   Waitress Loreen had come to the Grande Roche with her boyfriend, who works in the kitchen, and will stay until April.  Staff look smart in a white shirt and black tie, and black apron. 

There were some rough edges, like Ra-ida getting my booking wrong for the dinner, mixing up the date and the number of persons booked.   I also noticed two broken umbrellas on the lunch terrace, probably due to the wind.   A Manager should have picked this up, given that the Grande Roche is a 5-star hotel.   My pet hate is security and a boom, and while it was perfect for my arrival for lunch, the chap who was on duty in the evening mumbled something about whether we wanted a table for two, but we had made a reservation.  Yet he did not ask for the name.   They are an outsourced service.  

Lunch 3 January

My lunch was extremely relaxed, and was probably made so because of the friendly service by Glenroy and Raymond, who were both on duty, and looked after me, together with German waiter Stefan.  

The outside tables have granite tops, and underplates that have a similar look, but these plates are removed before the food is served, so are purely decorative.   Good quality serviettes are on the table, but while mine was clean, it had a stain on it.  An unusually large collection of glasses is on the table, for a lunchtime.   The cutlery shows its age, in being heavily used.  A waitress brought a lovely cool facecloth to the table, a nice way to cool down on the 30 C Paarl day.  Tokara olive oil was brought to the table with a nicely presented plate of three undescribed bread types – baguette, rye and wholewheat – wrapped in a serviette.   The menu is a narrow page, set in a red and black menu holder.   I did not see initially that the winelist was on the reverse.   As a starter I chose a delicious chilled cucumber soup, with two crispy crumbed prawns (R50).  The prawns were brought to the table first, and then a waitress came with a jug of the soup and poured it with far greater style than the asparagus soup I had at the Planet Restaurant at the Mount Nelson recently.    Other starter choices are Caesar salad with chicken leg and quail egg;  Beef Carpaccio; Salmon Trout; Braised Roma tomatoes and mozzarella, all costing R75.   Mixed baby salad with avocado, goat’s cheese and biltong costs R65; and Asian marinated yellowtail tartare costs R70.

Main courses clearly have been kept as close to R100 as possible, and makes the portions a little smaller, not a bad thing for a lunch, especially when one has more than one course.   I ordered the Pan-fried kingklip with pea risotto, beurre noisette foam, and biltong (R95), the biltong not adding anything to the fish dish, and adding a saltiness I would have preferred to do without.  The kingklipwas  firm and well prepared, and the peas in the risotto gave the dish a colourful touch.   A fish knife was served with the dish.  Other main courses choices include Seafood Bowl (R115), Pan-fried prawns with seafood ravioli and Bouillabaisse broth (R115); Linguine (R80), Asian stir fried beef fillet (R140); and Free-range chicken breast (R95).   Dessert options are “Mohr im Hemd” (rum and raisin ice cream), nougat potato ravioli and Amarula Creme Brûlée, costing around R45, and an Exotic Trio at R50, consisting of Creme Brûlée, fruit salsa, and passion fruit sorbet. 

The lunch winelist is short and sweet!  Ten wines-by-the-glass are offered, starting at R40 for Newton Johnson ‘Felicite’ Dry, and peaking at R280 for 87ml of NV Laurent Perrier Brut Rosé.   The Migliarina Shiraz seems expensive at R75 a glass.   Six white wines can be ordered by the bottle, Maison Single Vineyard Chenin Blanc costing R150, while A.A. Badenhorst’s Family White Blend costs R580.   Eight red wines start at R280 for a bottle of Rainbow’s End 2005, up to R650 for a Kanonkop Paul Sauer 2005.

Dinner 5 January

We went to celebrate my son’s birthday today with dinner last night.   The table outside was perfect, was laid with a good quality tablecloth, and three sets of knives and forks as well as a spoon.  A staff member put the serviettes on our laps, an old-fashioned touch.  There were fewer glasses on the table than at lunch.   Glenroy brought an ice bucket, and kept it filled up throughout the evening.    There are no salt and pepper containers on the table, as Chef Roland feels the kitchen should spice the food correctly.  One may request salt and pepper however.

The winelist dominates one’s impressions at Bosman’s, and obviously is the definitive one, judging by its Diner’s Club accolade.  It is a weighty document bound in a grey leather cover, and runs to 62 pages and the hotel’s wine collection exceeds 600 labels, Glenroy told us.  Unfortunately it uses pages that are hooked in, to give flexibility in terms of availability, but a number of these pages had slipped out, making the winelist look just a little unprofessional, despite its impressive collection.   Sommelier Josephine wants to increase this number, by adding smaller producers.   Similarly to the Asara winelist (Frehse probably used that of Bosman’s as the benchmark when preparing the Asara one), the Bosman’s winelist provides a history of the winemaking in this country, describes the winegrowing areas, dedicates a section to South African wine awards, and provides a map of the wine regions.   I joked and said that it would take me the whole evening to go through the winelist alone, and therefore it was recommended that the wine steward advises one about the wines, which is probably what usually happens.   Something I have never seen on a winelist is the name of the winemaker(s).   Obviously regions, vintages and descriptions are provided per wine.

The wines-by-the-glass section spans two pages, and four are MCC sparkling wines: Silverthorn Blanc de Blanes Brut (R85), Silverthorn Genie Rosé (R95), Colmant Reserve Brut (R65) and Graham Beck Bliss Demi Sec (R65).   Laurent Perrier can be ordered in a dinky at R280, and Billecart Salmon Rosé Brut costs R290.  Eight white wines are available by the glass, starting at R 48 for AA Badenhorst Family Secateurs as well as Crios Bride Sauvignon Blanc, and peaking at R70 for Scali Blanc.   The Rosé is by Newton Johnson, at R40.    Six red wines are available: starting at R70 is the Ataraxia “Serenity” and going up to R185 for a Kanonkop.    By the bottle, 25 MCC sparkling wines are offered, starting at R175 for Seidelberg’s Blanc de Blancs Brut at R175, up to R540 for La Motte’s Brut.  There are 42 Shiraz wines listed, Veenwouden “Thornhill” the best priced at R260, and Mont Destin’s Destiny the most expensive at R1150.  

A cold facecloth was brought to the table, to cool one down and to wipe one’s hands, also an old-fashioned touch, but welcome in the heat.   A young waiter came with the bread basket, and offered us a choice of seven breads, the largest choice I have ever seen, and one looked more attractive than the other.  Choices include parma ham and garlic, pumpkin seed loaf, tomato rolls, pretzel rolls and a lovely seedloaf.   Bosman’s is generous with its bread offering, and the waiter came by at least three times.   The bread is served with a collection of three trademark Bosman’s spreads – unsalted butter, lard with garlic and bacon, and cottage cheese with chives.    A gazpacho with white tomato jelly and agar was brought as an amuse bouche, the spicy soup poured out of a jug at the table.  It did not impress me, if one takes an amuse bouche to be a small taste of the chef’s skills.

The menu has a welcome by Executive Head Chef Roland Gorgosilich: “We trust you will have a relaxing and enjoyable evening with us”, the new Planet Restaurant also having such a ‘personalised’ signed touch in its menu.  Gorgosilich is Austrian, and has a low profile.  It is a shame that he does not come out of the kitchen, to chat to the guests.   One can enjoy a 9-course European-style tasting menu at R 660 per person, as well as a reduced “Harmony of the South” menu, 4-courses costing R 520, and 5-courses R580.  This menu is meant to be a representation of South African cuisine. 

For his starter my son had a hot butternut soup (R55) off the a la carte menu, despite the hot evening, which was also poured at the table over three little pieces of braised duck breast.   It was not an exceptional soup, in my opinion.   My foie gras order, billed to be served with Baumkuchentorte, and costing an extravagant R175, was a let down, as the layered cake was barely visible and could not be tasted around the slice of foie gras.   The foie gras itself was wonderful, served with a cherry, and red cabbage puree,  which did not add to the foie grasenjoyment.  Other starter choices include quail (R95); wild mushroom risotto with parma ham, which looked delicious served at neighbouring tables (R75);  poached salmon trout (R105); and poached veal fillet with pan-fried scallops (R155).  

The highlight of the dinner without a doubt was the Fillet Mignon flambee (R200).  It is usually prepared at the table inside, but due to the outsideseating, and the fire danger, we went inside to see Alessandro prepare it for us in the dining room, a most dramatic preparation, especially when the Martellbrandy was added.  The steak was butter soft.   It was served with tagliatelle and mushroom ragout, the most delicious I have had in a long time, simple and focused on providing enjoyment.   An excellent serrated steak knife was served for this dish, barely necessary due to the soft steak.   Other main course choices include Beef fillet Rossini (R285); springbok loin (R210); vanilla milk poached kingklip (R175); pan-fried hake and crayfish (R225); sole and stuffed calamari (R195) and oddly a tomato consommé at R145.  What adds class to the dinner at Bosman’s is another old-fashioned touch – presenting the main course dishes with domes, which the waiters all lift simultaneously at the table.  The waitress then reminds each diner what he/she has ordered, a nice touch.

For dessert, one is presented with a separate menu, to which is added a number of further beverage options.  Strawberry rhubarb, and an interesting sounding peach lavender soup served with chocolate ganache and peanut croquant cost R65; chocolate fondant costs R75; crepe suzetteR80; and a cheese trolley R150, presumably which can be shared.   I had arranged with Alessandro for a surprise birthday chocolate cake, which was decorated with strawberries on the side, came with a candle, and looked beautiful on a glass plate.   We were not charged for this birthday treat.   I had a good cappuccino.    

The bathroom entrance is attractive and luxurious with a beautiful orchid display.  But when one steps inside, the wooden doors are still there, not in keeping with the quality standards of the hotel.   

Bosman’s is not an everyday dinner venue, but one for a special celebration, given how expensive it is.  Yet for lunchtime visits to Paarl it is perfect, as it is affordable and and the food light.   I enjoyed both my visits to Bosman’s this week.

POSTSCRIPT 22/7: Being in Paarl, I popped in at Bosman’s for lunch today.  Once again, I had a problem with the poor quality of outsourced security staff manning the boom.  I was refused entry for lunch at the boom initially, and asked for the phone number, so that I could call.  Instead, the security person decided to call the Restaurant Manager himself, and this caused a traffic jam at the boom!  I was eventually allowed in and welcomed on arrival, and wondered why this had been necessary in the first place.  Thereafter the service was excellent.  I was happy to meet the new GM Anja Bosken,  She told me that they are working hard at increasing the awareness of the Grande Roche, and went onto Twitter last week.   They are also working on being less stiff and more friendly.  Seven members of staff were retrenched before her arrival, she said, and some staff members did not renew their fixed-term contracts.  Bosman’s is very professional, and I enjoyed a main course of kingklip and prawns, with Mediterranean vegetables and seafood ravioli (R95), followed by Apfelstrudel (R45), prices which are very reasonable for a Top 10 restaurant at a 5-star hotel. Alan Bailes and Alessandro de Laco have left the Grande Roche.

Bosman’s Restaurant, Grande Roche Hotel, Plantasie Street, Paarl.  Tel (021) 863-5100. www.granderoche.com   (The website has an Image Gallery, with few food photographs, and all the menus are listed).  Twitter: @Grande_Roche

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage

Franschhoek gets ‘bubbly’ this weekend with Cap Classique & Champagne Festival

The fifth Franschhoek Cap Classique and Champagne Festival started last night, and continues until tomorrow, celebrating the “The Magic of Bubbles”.  Leading local Cap Classiques and imported champagnes will be paired with some of the best restaurants Franschhoek has to offer.

Bubbly brands that will be on show, representing some of South Africa’s 100 or so sparkling wine brands, include Franschhoek’s first and recently-crowned Platter 5-star Blanc de Blancs Brut from Topiary Wines, and Franschhoek ‘colleagues’ Graham Beck, Colmant, Morena from Franschhoek Pass Winery, Allée Bleue, Dieu Donné, Boschendal, La Motte, My Wyn, and Pierre Jourdan.  Other bubbly brands on show are Simonsig,  Steenberg, Villiera, Krone, Avondale, Backsberg, Bon Courage, Bramon, Laborie, L’Avenir, Nitida, Pongracz, Genevieve MCC, Groote Post, Silverthorn, Sterhuis, Van Loveren, Waverley Hills and Weltevrede.  Imported champagne brands include Billecart Salmon, Laurent Perrier, Gosset, Verve Cliquot and Tribaut.

Food can be bought from the following Franschhoek restaurants at the Festival: The Restaurant at Grande Provence, Mange Tout at Mont Rochelle Hotel, La Petite Ferme, The Restaurant at L’ermitage Hotel, Monneaux, Salmon Bar, Dieu Donné, Allée Bleue and the Le Franschhoek Hotel.   The Wild Peacock is selling oysters.

Entertainment will be provided by CODA.  The dress code is “black and white”, with a prize for the best-dressed couple today and tomorrow.

Cap Classique & Champagne Festival, 3 – 5 December, 12h00 – 18h00.  Huguenot Monument, Franschhoek.  Tickets cost R180 and can be bought at www.webtickets.co.za or at the gate.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage