Tag Archives: Sterhuis

MCC Franschhoek is a bubbly new showcase of MCCs of Franschhoek!

One of the cleverest ideas for a new restaurant and champagne bar is MCC Franschhoek, and it is appropriate that its opening co-incided with the Franschhoek Cap Classique & Champagne Festival this weekend.  MCC Franschhoek is a showcase of 34 Franschhoek sparkling wines of 14 Franschhoek producers.

The brainchild of Philip and Christy Harrison, previously managing De Huguenot Estate, MCC Franschhoek allowed the couple to work with a beverage they love best. Christy told me that Philip loves cooking,  having started to do so in Majorca, after studying accountancy. Both Philip and Christie owned a Weatherspoons outlet in Heathrow, but moved back to Cape Town thirteen years ago, Philip managing The Galley in Fish Hoek. They moved to the design of wedding stationery, and it is Christy who designed the stylish logo for MCC Franschhoek.  Due to the closure of the De Huguenot restaurant and Harry Q Bar at De Huguenot Estate (to be run as a wedding and event venue only in future), Philip and Christie took part of their share of the venture in kind, and therefore they have the stylish silver-upholstered chairs, black bar chairs and tables, and couches from De Huguenot restaurant, which are spread out in the courtyard of the Village Square. Each table has the MCC range and price list, and a perspex salt and pepper grinder stand.  Quality material serviettes and Fortis cutlery are stylish.

Alleé Bleue (Brut Rosé), Boschendal (MCC Le Grande Pavillion Brut Rosé, MCC Grande Cuvée Brut), Cape Chamonix (MCC Blanc de Blancs), Colmant (Brut Reserve, Brut Rosé, Brut Chardonnay), Dieu Donné (Maingard Brut, Rose MCC), Franschhoek Pass Winery (Morena Brut, Brut Rosé, Cuvée Catherine, Malabar Shiraz), Graham Beck (Brut, Brut Rosé NV and 2008, Bliss Demi Sec, Brut Blanc de Blancs, Zero), GM & Ahrens (Cap Classique), Hauté Cabriere (Pierre Jourdan Brut, Cuvée Belle Rose, Brut Sauvage, Blanc de Blancs, Cuvée Reserve), La Motte, Môreson (Miss Molly, Solitaire, Gala, Pink, One), My Wyn, Stony Brook (The Lyle), and Topiary (Blanc de Blancs Brut) sparkling wines are sold by the bottle, while a select number of bubbly brands can be bought by the glass, advertised on a blackboard.  Prices start at R110 for Miss Molly, peaking at R650 for the GM & Ahrens.  Surprisingly (given its name), a number of wines are offered too, and many are non-Franschhoek. Protea Sauvignon Blanc, Glenwood Sauvignon Blanc, Haute Cabrière Chardonnay/Pinot Noir, Beyerskloof Pinotage Rosé, Glenwood Shiraz Merlot blend, Graham Beck Game Reserve, and Guardian Peak Shiraz are all available by the glass, reasonably priced in a range from R20 – R35.

MCC Franschhoek opens from 8h00, and serves well-priced breakfasts, one paying per item (e.g. 2 eggs, bacon and toast costs R47); muesli, yoghurt and berry coulis, and a croissant with cheese and preserves cost R20 each.   There is no breakfast cut-off time.  The ‘Bites’ menu has a mix of salads (R45 – R65), sundowner platters (R50 – R75, and includes oysters, cheese, cold meats, and biltong), main courses, and desserts (R35 – R45), which can be ordered throughout the day.   I ordered a perfectly prepared Franschhoek salmon trout served with boiled potatoes, and a crispy fresh asparagus salad (R75).  Other main course options are sirloin steak and prawns in a beer batter, also costing R75.  One can also order beef lasagne, mussels, an open chicken Satay burger, and two tarts.  The menu will be updated and amended regularly.

I was impressed with the scale of the Franschhoek Cap Classique & Champagne Festival in showcasing the leading bubbly brands for sale in this country.  It is held at the Huguenot Monument, which attracted 2000 bubbly-lovers yesterday, and more are expected today between 12h00 – 17h00.  Eight champagne brands (Billecart Salmon, Champagne Guy Charbaut, Claude Beaufort, Follet-Ramillon Brut Tradition, Piper Heidsieck, Thierry Lesne, Tribaut Brut Tradition, and Veuve Clicquot) presented their precious bubbles, as did 37 local sparkling wine producers. Staff representing the local brands Allée Bleue, Avondale, Bon Courage (in beautiful Carrol Boyes coolers), Boschendal, Bramon, Chabivin, Colmant, De Wetshof, Dieu Donné, Domaine Des Dieux, Francois la Garde, Genevieve MCC, The House of GM & Ahrens, Graham Beck, Groote Post, JC le Roux, Krone, Laborie, La Motte, Nicolas Feuillate Champagne for Woolworths, Morena, Môreson, My Wyn, Namaqua Wines (Guinevere very deep pink, with 60% Pinot Noir and 40% Chardonnay, all 3000 bottles exported), Pierre Jourdan, Pongracz, Quoin Rock, Rickety Bridge (new 2010 release, 50% each Chardonnay and Pinot Noir, with only 3500 numbered bottles produced from Franschhoek grapes), Ross Gower, Saltare, Silverthorn, Simonsig, Steenberg, Sterhuis, Villiera, Weltevrede and Woolworths Wines all looked chic in their black and white outfits, the dress code of the Festival, which most attendees honoured too.  There were surprisingly few Franschhoek restaurants represented (Le Quartier Français, Mont Rochelle Country Kitchen, Haute Cabrière, Roca Restaurant, and the Salmon Bar), and the food was generally of a disappointing quality, given the theme of the Festival.  An exception was the sushi, salmon and other canapé platters made by new Le Franschhoek Hotel chef Oliver Cattermole.

MCC Franschhoek, 3 Village Square, 53 Huguenot Road, Franschhoek.  Tel 083 772 9449/083 391 3869. No website.  Twitter: @MCCFranschhoek  Wednesday – Monday, 8h00 – until late, weather dependent.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter:@WhaleCottage

The Mussel Bar: ‘musseling’ in on Camps Bay’s Platinum Mile!

My colleague Charmaine and I were invited by The Bay Hotel’s Sarah Martin to try the newly opened Mussel Bar in Camps Bay on Friday, and we did so in the interest of being able to inform our Whale Cottage Camps Bay guests about it, even though we both do not eat mussels.  While the small menu is very focused on mussels, there is enough to enjoy if one does not eat them, and more non-mussel items will be added to the menu over time.

The Mussel Bar space has been a street bar over the years, and attempts to be a ‘tourism bureau’ too, but it does not have any official accreditation.  The Bay Hotel belongs to Maree Brink, who also owns the large network of Village & Life properties in Camps Bay, the V&A Waterfront, Mouille Point, and De Waterkant, and therefore The Mussel Bar is one way of attracting new business.  In its favour counts the bus stop directly across the road for the Hop On Hop Off bus, and therefore we saw mainly tourists sitting there.  Bicycles are available for rent, and the operators of the cycle rentals sit at a table, hoping for business.

A water wall adds to the summery feel of the restaurant, and there are white tables and grey plastic chairs. Each table has an interesting magazine, including TIME, art magazines, etc.  A surprise was the disposable cutlery with a paper serviette.  The music was the only aspect of The Mussel Bar that we did not like, being very loud and heavy rock, not matching the light summery feel of the restaurant.

Despite not eating mussels anymore, I liked the focus of the menu on mussels, and the simple but fun menu with a large mussel, printed in black on thick brown board.  Quite simply, one can order snacks (biltong, nuts, olives and vegetable chips), at R15 – R18, and 500 gram (R75) or 1 kg (R150) of mussels.  The mussels are served with a beer sauce, hand cut fries, rosemary salt and aioli, on beautiful circular wood platters. Chef Laetitia Essau has been at the Bay Hotel for eleven years, and bakes the most delicious herb bread daily, and this costs R16, the idea being to dip the bread into the sauce.  Not listed on the menu is a daily cake and other sweet treats, which were Hertzoggies jam-packed with apricot jam and coconut, still warm as they came fresh out of the oven.

Cocktails cost R40 – R50, and we enjoyed a ‘virgin’ Strawberry Daiquiri, making it feel that we were on holiday.  Castle Lite, Windhoek and Heineken are sold for around R18, Darling Slow Beer costs R38, and five &Union Beers cost R32 – R38.  Sterhuis sparkling wine costs R40/R170.  White wines range from R30/R95 for Lands End Sauvignon Blanc – R 40/R170 for Teddy Hall Chenin Blanc; the red wine choice is Sgt Pepper Red Blend (R33/R100) and Hidden Valley Pinotage (R35/R120).  Coffee is by Origin, and The Mussel Bar staff have been for barista training.

It is becoming trendy for chefs to become consultants (Chef Reuben Riffel is a past master at this), and Chef Bertus Basson, a friend of Brink, was a consultant to the development of the Mussel Bar.  Chef Brian Smit, who started at Tides Restaurant a month ago and helped set up the Noisy Oyster in Paternoster five years ago, came to say hello, and brought us sample menus of the restaurant, which he changes daily. The Manager Carolyn was very efficient, coming to the tables all the time, checking that all is well.  She has worked at numerous restaurants, including the Sand Bar and La Vie.

The Mussel Bar, Bay Hotel, 69 Victoria Road, Camps Bay, Cape Town.  Tel (021) 438-4612. www.themusselbar.co.za Twitter: @MusselBar  Monday  – Sunday, 11h00 – 23h00

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

‘Celebrating Méthode Cap Classique’ a sparkling success!

A most beautiful as well as informative coffee table book about South Africa’s sparkling wine industry has just been published.  ‘Celebrating Méthode Cap Classique’ has been written by Di Burger, and is the first complete bubbly book.

The book traces the history of champagne to South Africa’s sparkling wine industry, which innovated with Cap Classique forty years ago, being a bottle-fermented bubbly made in the traditional French style.  Kaapse Vonkel was made for the first time by pioneer winefarmer Frans Malan at Simonsig in 1971, while ‘Cap Classique’ wines were made for the first time in 1992.  Chairman of the Cap Classique Association, Pieter ‘Bubbles’ Ferreira of Graham Beck Wines, writes in the introduction to the book that ‘South Africa has the oldest grape growing soils in the world’.  Combined with its bountiful sunshine, the Western Cape is a perfect location for growing grapes of excellent quality for the production of Cap Classique. 

Méthode Cap Classique (MCC) is the term which describes the South African bottle-fermented production of sparkling wines in the French méthode Champenoise style.  They are dry, with less than 12 grams of sugar per litre.

The book includes profiles of the major sparkling wine producers (Simonsig, Boschendal, Graham Beck, JC le Roux, Pongrácz, Villiera, Haute Cabrière, The House of Krone, Laborie, Backsberg Estate, Avondale, Bon Courage Estate, Van Loveren, De Wetshof, High Constantia Wine Cellar, Steenberg Vineyards, La Motte, Morena MCC, Saronsberg, Colmant, Veenwouden Private Cellar,  Mooiplaas, Quoin Rock Winery, Chabivin, Klasiek by Catherine, Namaqua Wines, MC Square, Domaine des Dieux, Lourensford, Old Vines Wine Cellars, Neil Joubert, Teddy Hall, Welteverede Wine Estate, Charles Fox, Francois La Garde, Longridge, Silverthorn Wines, Genevieve, LovanE Boutique Wine Estate, Saltare Wines, Tanzanite Wines, Ros Gower Wines, Wonderfontein, Cederberg Private Cellar, Riebeek Cellars, Groot Constantia, Dieu Donné Vineyards, Roodezandt, Aurelia MCC, Bramon, Viljoensdrift Wines,  Sterhuis, Perdeberg Winery, Véraison MCC, and Allée Bleue Estate). 

The book describes four styles of making sparkling wines: the ‘impregnation method’ (injecting carbon dioxide into vats of still wine); the ‘tank method’ (second fermentation in tank instead of in the bottle); the ‘transfer method’ (second fermentation in bottles, the cloudy wine is sucked out of the bottle through a filter to remove the sediment); and ‘Méthode Cap Classique’ (second fermentation in the bottle, with a solution of sugar syrup, yeast and aged wine added to create carbon dioxide and alcohol in the bottle, aged on the lees for 18 months – 5 years).  In total, there are 90 sparkling wine producers in South Africa, of which 53 are featured in the book.  Grape cultivars used most often in the production of sparkling wines are Chardonnay and Pinot Noir.  Beautiful photographs by Riehan Bakkes reflect the vineyards, cellars, and products of the wine estates producing sparkling wines. 

Woolworths’ Allan Mullins recommends serving a glass of bubbly at the start of a function, to ‘awaken the taste buds’.  Food and Cap Classique pairings for breakfast, lunch and dinner are included in the book, and recipes by TASTE and Eat Out editor Abigail Donnelly are featured, as are recipes from Simonsig’s Cuvée restaurant, The Salmon Bar, David Grier, and Terra Mare Restaurant.  Pairings with Lindt chocolate desserts, and cheese are also featured, as are cocktail recipes with sparkling wine, created by the Cape Grace Hotel.

‘Celebrating Méthode Cape Classique’,  Stacked Publications, www.stackedpublications.co.za. Tel (021) 685-2146.   R300. 

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: @WhaleCottage

Restaurant Review: Tokara’s creative cuisine chemistry is SA’s El Bulli, Richard Carstens our Ferran Adria!

El Bulli was the world’s top S.Pellegrino World’s 50 Best Restaurants  for a number of years, and its chef/owner Ferran Adria has been saluted as one of the world’s most creative chefs, who closed his restaurant near Roses in Spain for a number of months every year, to try out new recipes in Barcelona.  Whilst he will close down his restaurant for an undefined period later this year, he remains a cuisine guru.  For Tokara chef Richard Carstens Adria has been an icon chef, and Chef Richard has been following and has been inspired by Adria since 1999, buying Adria’s recipe books that he publishes annually, yet he has never eaten at El Bulli.  After an invitation to try out Tokara’s new winter menu on Tuesday, I could not help but associate Tokara with El Bulli, and Chef Richard with Ferran Adria, always searching for a higher level of cuisine creativity.

Chef Richard showed me the five volume ‘Modernist Cuisine’, which he bought recently, and is edited by Nathan Myhrvold from America.  This chef was an academic wizard, worked for Stephen Hawking and Microsoft, and moved into cuisine, one of his passions.  The books document the newest ideas and techniques in cuisine, being modern interpretations of classical cuisine.   Chef Richard described the movements in cuisine, from Auguste Escoffier, to Nouvelle Cuisine, to Deconstruction (now renamed Techno-Emotional, Chef Richard told me!) led by Adria, to Modernist Cuisine.  Adria was the first chef to blur the definition between savoury and sweet, by creating savoury ice creams, for example.

Chef Richard has received six Eat Out Top 10 Restaurant awards in his career, whilst he was at Le Provencal (previous name of Grande Provence), Bijoux and Lynton Hall, and may have had more, had he stayed at past restaurants for longer than a year.   He seems really happy and at home at Tokara, having been given the freedom to experiment and create, whilst serving food that the Tokara guests appreciate.   Tokara Restaurant owner Wilhelm Kuhn wrote about Chef Richard: “Richard is a supremely talented chef and a real inspiration to the chefs in the kitchen.  I haven’t met such a nurturing, creative and intelligent chef before.  A lot of things that some chefs have cottoned on to recently, he was doing more than 10 years ago.  He has an encyclopediac knowledge of food, techniques and the industry, local and international.   It was overdue that someone gave him a chance to really show his mettle. I am sure he’ll be as much part of Tokara’s legacy as Etienne Bonthuys before him and winemaker Miles Mossop.”

I visited Tokara just after Kuhn and Carstens took over Tokara in October last year, and it was good to see that there were familiar waiters from then, and from Jardine, which Kuhn closed down in February.  It being a cold wintry day, I was happy to sit at the table close to the massive fireplace.  In the past few months the restaurant has had a make-over in terms of a new carpet, softening the sound in the room and the interior, and the chairs have been upholstered in an attractive blue fabric.  Each of the chairs has the name of a wine cultivar on it, bringing the wine estate into the restaurant.  New lights have been added too.  Wooden tables and chairs fill the restaurant, and I liked the design of the half-round tables placed against the glass doors, seating couples. There is no table cloth, but material serviettes, Eetrite cutlery and good stemware. The Tokara tasting room is in the same building, a large room with a massive fireplace, that was buzzing with tasters.  The cloakrooms are shared with the tasting room, and are a modern combination of stainless steel basins set in wood.

In the tasting room a specially designed William Kentridge drawing for his “The Magic Flute” opera and Tokara wine series hangs over a display of Tokara wines.  In the restaurant a Kentridge tapestry called ‘The Porter and the Bicycle’, inspired by the Second World War and hence the map of Europe forming the background to the tapestry, Manager Johan Terblanche explained, dominates the interior, the only artwork in the main restaurant.  It was specially made for Tokara owner GT Ferreira.   A Jacqueline Crewe-Brown painting is in the second room, and a second is to come.  Art is an important part of Tokara Winery, and they regularly exhibit art made from wine.  An extensive collection of art is displayed in the passages leading to the restaurant and tasting room, and even in the cloakrooms.  At the entrance to the building, a fascinating tree-shaped ‘sculpture’ attracts attention, a modern statement of what is lying inside the building.

Chef Richard came to welcome me at the table, and had prepared a special 10-course menu of small dishes to try, consisting of some of the starters, main courses and desserts on his new winter menu.  He told me that he and his team try to take the menus one step higher.  He invited me to come to the kitchen at any time, to see him and his team prepare the dishes, which offer I took up, and immediately another little dish of smoked salmon ice cream topped with caviar and served with a colourful citrus salsa was made for me to try.  After the restaurant re-opens after a week’s break from 2 – 9 May, a Chef’s Menu will be introduced, consisting of three courses plus an amuse bouche and a palate cleanser, at an excellent price of R 225 (their 8-course degustation menu cost R400 in summer). 

Staff look neat in white shirts and black pants.  They exude efficiency and all are knowledgeable about Chef Richard’s dishes, one needing a good memory to remember all the ingredients that make up his masterpieces.  Even Jaap-Henk Koelewijn, the sommelier, was perfectly at ease in explaining what was in the dishes that he brought to the table, helping the waiter Ivan on occasion.  I made Jaap-Henk’s job difficult, in limiting my wine drinking over lunch, and stating my preference for Shiraz.  He started me off with a Tokara Zondernaam Shiraz 2009,  and told me that the ‘Zondernaam’ will be phased out in future vintages, due to the improved quality of the winemaking, and all wines will be marketed under the Tokara name in future.  The wine was chilled to 16°C, quite cold for a red wine I felt, but Jaap-Henk explained that a colder temperature helps to temper the tannins in a red wine. This was followed up with a Sequillo Shiraz and Grenache blend, made by Eben Sadie.

I started with a beautifully presented and colourful hot butternut soup, thick and creamy, and served in a glass bowl, to which Chef Richard had added a smoked snoek croquette, which gave the soup an unusual distinctive taste. To this he had added shaved almonds and salted apricots, and drizzled it with coriander oil.  On the winter menu this starter costs R60.   This was followed by a calamari risotto, and its lemon velouté came through distinctly  to enhance the calamari.  It costs R65 as a starter, and was decorated with rice crisps and toasted brioche that had been dyed black with squid ink.  A beautiful autumn-inspired dish contained beetroot, and leek which had been dyed a reddish colour using beetroot juice.  It contained a number of interesting ingredients, including a Gewürztraminer-poached pear, gorgonzola balls, a ball each of yellow pepper and beetroot sorbet, pear compressed into small squares, and hazelnut.   This starter costs R65 on the winter menu.  

Another starter dish, costing R75 on the winter menu, was a chicken, crisp pancetta and prawn stack, served with an egg prepared at 62°C to get the white of the egg to set whilst keeping the yolk runny.  It also contained almonds, and was served with a Spanish Sofrito smoked paprika sauce.  This is a cold starter.  So too was the starter of fig, teriyake glazed tofu, goat’s cheese, orange slices, hazelnuts and a tatsoi sauce.  This starter does not appear on the winter menu, but was very popular on the summer menu, Chef Richard said.   A palate cleanser of rose geranium sorbet (surprisingly white but tasting heavenly, more subtle in taste than that at Dash restaurant) and a pickled ginger sorbet (surprisingly pink) was a refreshing break on my culinary journey. 

The first main course was a herb-crusted rainbow trout served on mash and wilted spinach, courgette and pine kernels, with a lovely violet beurre rouge, which costs R120 as a main course on the winter menu.  As the eighth course, I could not finish all of the peppered springbok, which Chef Richard said he sources from Graaff Reinet, and this is one of his best sellers, costing R155.  It was served on parsnip purée, with beetroot and croquettes, decorated with slices of plum, and served with an hibiscus jus.

The desserts were too delicious to refuse, and I had a wonderful strong cappuccino (R20) made from Deluxe coffee with each.  The first dessert had no colour at all other than white, unusual given Chef Richard’s colourful dishes that had preceded the desserts.  It consisted of a refreshing lemon mousse, mascarpone mousse, white chocolate sorbet, pieces of white chocolate and of meringue, and an almond financier, a type of sponge, cut into blocks.  It costs R50 on the winter menu.  The final course was a dessert (R55) made with hazelnut ice cream, pistachio sponge, aerated chocolate, coulant (a mini chocolate fondant), honeycomb and hazelnut streusel.  As if there was not enough food already, the cappuccino was served with a coconut chocolate and two mini-meringues held together with chocolate.   

The winelist and the menu are both presented in beautiful small black leather-covered holders, with the Ferreira family crest on them.  The winelist states that BYO is not allowed.  Cigars and cocktails are offered, as are 100 wines.  Wines by the glass include Colmant Brut (R55/R290), Graham Beck Brut Rosé (R85/R430), Pol Roger Brut (R180/R890), and Sterhuis Blanc de Blanc (R50/R250).  Seven red wines are offered by the glass, ranging from R60 for Hartenberg Merlot 2008 to R125 for Raats Cabernet Franc 2008.  Tokara Zondernaam Cabernet Sauvignon (2008) and Shiraz (2009) cost R35.  Ten white wines by the glass include seven Tokara ones, including Sauvignon Blanc and Chardonnay, ranging in price from R25 – R55. Billecart Salmon Brut Rosé costs R1500, its Elisabeth Salmon 1996 R3000, and its Clos Saint Hilaire 1998 R7000.  Steenberg 1682 Brut costs R290.  Five Shiraz choices are offered, starting at R135 for Tokara Zondernaam 2009, to R1400 for Hartenberg’s Gravel Hill 2005.  French wines dominate the imported wine section, with 38 choices, ranging from R600 for Château Margaux 1996, to R8500 for two wines: Chambertin Armand Rosseau 1995, and Le Musigny Comte George de Vogue 1995.  

The only downside of the lunch was the number of noisy children running around, despite the menu not catering for children at all – half-portions of the linefish of the day and of steak are served with chips for children.   I was impressed with the tolerance and patience shown to the children by the waiters, when stepping into the fireplace, for example.

Chef Richard Carstens is a definite Eat Out Top 10 Restaurant contender for 2011.  He is constantly reinventing himself, not happy to just stay with one cuisine style, but looking to challenge himself and his menu regularly.  He is hungry for new knowledge and inspiration, finding it in music, in fashion, in nature, and in books.  His food is colourful, and incredible attention is paid to creating a dish consisting of a number of unusual elements, many of them having undergone prior work to add to the palette on the plate.  When I first visited the new Tokara in October, Chef Richard sent out a carpaccio as an amuse bouche, and my son and I struggled to identify what it was made from, having quite a wild taste – we could not believe that it was made from watermelon, an idea that he had picked up from Mugaritz, now third ranked on the S.Pellegrino World’s 50 Best Restaurants, but that he had executed completely differently.  Chef Richard has a passion for his craft, commendable from a chef who has been around for longer than most in the Cape, and it shows in his creative cuisine.  I felt very privileged to have been invited by him to try his new winter menu.

Tokara Restaurant, Tokara Winery, Helshoogte Pass, Stellenbosch, Tel (021) 885-2550.  www.tokararestaurant.co.za (The website is disappointing for a top restaurant, only containing the address, telephone number, and Facebook and Twitter links.  There is no menu, no winelist nor Image Gallery.  Twitter: @Tokara_  @RichardCarstens. Tuesday – Sunday lunch, Tuesday – Saturday dinner.

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com  Twitter: @WhaleCottage