Tag Archives: interior decor

Corona Virus: Lockdown Journey Journal, Day 91 of Level 1, 30 May 2021

 

Sunday 30 May 2021, Day 91 of Level 1 😷

Corona Gratitude 🙏

#Grateful for a very foggy morning turning into such a beautiful day, perfect for the Camps Bay Community Litter clean up we did this morning; for being spoilt with tea by The 41 restaurant, our sponsor; for a safe drive to the Tyger Waterfront and back, starting with an ice cream spoil at The Dairy Den in Willowbridge; for a good Status meeting with my new client Harvest Culture Eaterie, followed by its launch function this evening; for getting home safely, despite more roadworks Continue reading →

Leopard’s Leap to make a leap into Franschhoek cuisine scene!

I have the highest regard for the passion and energy of Hein Koegelenberg, who wears a number of hats, including heading up the operation of La Motte, founder of Meridian (a local distribution and sales company for 24 leading wine brands) and Historic Wines of the Cape (a warehousing, labelling and shipping company), and co-owner of Leopard’s Leap with his wife Hannelie Rupert-Koegelenberg.   I was delighted that Hein made time last week to share the planned developments at Leopards’ Leap, which is set to open a Tasting Room as well as a Cookery School in October, next door to La Motte in Franschhoek.

On the 10 hectare farm with its 400 square meter building being built, the Leopard’s Leap brand will have its first home, having been produced at the La Motte cellars in the past.  The brand sells six times as much as La Motte in volume, a total of 600 000 cases of six bottles.   The brand was created eleven years ago, as a second label to the Rupert wine brands La Motte, Rupert & Rothschild, and L’Ormarins.  Originally the brand was made from the left-over grapes from these three properties, but now Hein and his team buy in wine from Perdeberg, Wamakersvallei, Ashton Winery, Darling Winery, Leeuwenkuil and La Motte to create Leopard’s Leap wines.  The wines have been bottled at the KWV to date.  

A recent development is that Leopard’s Leap is bulk shipped to the United Kingdom, where it is bottled under the supervision of the winemaker, to save up to half of his shipping costs, given the Rand risk, Hein said.  Almost a quarter of Leopard’s Leap production has been bottled in the UK.  This is the way in which Leopard’s Leap has reacted to changing market conditions, and Hein’s philosophy is to adapt, saying one must make things work for your business when the external environment changes.   Hein is not optimistic that the strength of the Rand will change in the next 3 – 5 years.  Having withdrawn from the American market for some time, Hein says the time is right to go back into the USA with Leopard’s Leap and La Motte, an agent just having been appointed to sell the brands there.  

The three leopards on the Leopard’s Leap label have energy, and depict the personality which Hein and his wife wish to create at their new Tasting Room.  They have therefore appointed Mokena Makeka, a ‘hot’ young architect from Cape Town, whose Makeka Design Laboratory recently re-designed the Cape Town Station for the World Cup. The interior decor will be handled by Christo Barnard, who did the decor of Pierneef à La Motte.    The design will reflect that the brand’s target market is younger, and enjoy drinking this wine at a lower price point.  The building will have a lot of glass, to bring the outside in, and a large outside sitting area too.   A tasting room, delicatessen offering picnics, and wine sales facility make up the core of the new building.

A cutting-edge demonstration kitchen with 24 state-of-the-art work stations will also be built for the Chef’s Warehouse and Cookery School  branch opening at Leopards’ Leap, with owner Liam Tomlin and his wife moving to Franschhoek.  Tomlin has worked in leading restaurants in the UK, Europe and Sydney, including Banc in Sydney, about which he wrote a book with the same name, and another entitled “Season to Taste”. He opened the Chef’s Warehouse and Cookery School in Cape Town a year ago. The Cookery School will offer a wide range of classes, presented by Tomlin as well as by top local and international chefs.  The Chef’s Warehouse will sell a wide range of kitchen products, to offer participants the tools to make at home what they have learnt at the Cookery School.

The food to be served at Leopard’s Leap will be picnics. Tomlin and Barnard are currently working on the picnic concept, to develop a unique offering relative to what is currently being served at other wine farms, to create a unique identity for Leopards’ Leap.   Hein described the Leopard’s Leap brand as ‘pastel, earthy, funky, trendy, with energy”, and this will guide the interior decor and personality of the new Leopard’s Leap building. 

The Food & Wine Bloggers’ Club  will visit Leopards’ Leap on a Saturday on Saturday 12 November.   Further details can be obtained by e-mailing whalecot@iafrica.com

Leopard’s Leap Wines: www.leopards-leap.com

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com

Restaurant Review: Dinner at Queen Victoria Hotel’s Dash is dashing!

I was invited to try out the 34-seater Dash restaurant in the Queen Victoria Hotel, which only opened in the Waterfront on Saturday, last night.   Chef Steven Tempelton is the leader of a creative team at Dash, whose food not only was visually appealing, but excellent too, and was responsible for a most dashing dinner.  Dash is one of the best fine-dining restaurants in Cape Town, and an Eat Out Top 10 Restaurant coontender for 2012.

The 35-bedroom Queen Victoria Hotel, previously the V&A Waterfront company head office, cost R53 million to transform into 5-star luxury, and the interior decor was done by master ‘craftsman’ Francois du Plessis, who has also just done Dear Me restaurant.  Cleverly, Newmark Hotels MD Neil Markovitz has arranged for the nearby Everard Read gallery to hang some if its artists’ works in the hotel, benefiting both parties. Dash has been honoured by a dominant work by Beezy Bailey.  The work is called “The Storm has passed”, and reflects the style of food created at Dash.  The back of the painting has a poem by Bailey:  “As the storm cleared/The dove escaped the cat’s claws/While the blueberry elephants passed by./As God’s tears hit the sky,/they turned into flowers”.

I was welcomed on arrival in the lobby, in which the 30-year old bonsai imported from China holds centre court, by Food & Beverage Manager Alton van Biljon, whom I had already seen in action last week, when I popped in for a tour around the hotel, led by Markovitz and the hotel’s PR consultant Ian Manley.  Alton has always been a most charming host when he worked at Balducci in the past four years, and has impressed with his knowledge of and passion for wine.  He started his career in retail. He moved into hospitality, and worked at Belthazar and Poplars before managing Balducci.

Chef Stephen Templeton grew up in Somerset West, and has been the Executive Chef at Sun City and the Mount Nelson Hotel.  He also was head of a team of 47 chefs at Harrods, the largest Food & Beverage operation in Europe, he said.  After a four year period in running Four Oaks guest house and restaurant in Montagu, he had an opportunity to sell it, and move back to Cape Town. It was in this time that he was approached by Newmark Hotels to become Group Chef, mainly responsible for their restaurants at the V&A Hotel, Dock House and Queen Victoria Hotel, all in the V&A.  Chef Stephen says that he was hands-on in the development of Dash, in sourcing its crockery, cutlery and glassware, in developing a fine winelist, and creating the unique menu.   The name for the restaurant was the result of a five hour brainstorm with the hotel’s executive team, and it was Ronan Jackson from the design agency that suggested the name, after Queen Victoria’s spaniel.  Chef Stephen and Francois du Plessis worked together to create a ‘New York sexy’ interior and menu that complement each other, and Du Plessis has said that it is the first time that his decor has been so well matched by a menu.  Chef Stephen is aiming at presenting ‘sophisticated, stylish, contemporary yet simple food’ at Dash, which he more than achieves.  He wants the food’s personality to shine through, not that of the chef.  Chef Stephen has an interesting team of nine chefs in the kitchen, with an average age of 24 years.   We laughed when we discovered that there is a Chef Jamie and a Chef Oliver in the kitchen.  I met Chef Oliver Cattermole, who created the ‘Alice in Wonderland garden’ of vegetables that is served with the beef fillet.  He worked at one-Michelin-star Novelli, and at The Ivy in London.  All staff have been taught to make coffee, and have tested the menu, to allow everyone to assist guests, as if one were in a guest house and not in a hotel, Chef Stephen said.  The waitress looking after me was Coral, and was honest in saying that she has just finished studying, and that Dash is her first job.  She was sweet, willing to execute every request, but still lacked some knowledge on how the magic is created in the kitchen.  She went to ask the kitchen all my questions. The staff wear a white shirt with the Queen Victoria Hotel logo on it, black pants and a white Dash-branded apron.

The welcome was warm, with Alton taking me through to the lounge, where I was invited to have a drink.  I chose a coffee.  Chef Stephen was happy to hear that I had starved during the day, in anticipation of the dinner.  Vegetable crisps were brought to the table as a snack.  I asked Chef Stephen what would happen if the 34-seater would run out of space in the 35-room hotel, and he assured me that they would pass the business on to the other Newmark Hotel restaurants in the Waterfront. Chef Stephen sees Dash operating in the league of The Roundhouse, The Test Kitchen and Aubergine. 

The restaurant has a black tile floor, an impressive black marble surround fireplace dividing the lounge/bar area from the restaurant, beautiful silver curtains, and a wonderful view onto Table Mountain.   The Beezy Bailey is the only colour splash in the room.  The tables are black metal, made by ‘in’ designer Gregor Jenkin I was told by Francois du Plessis, with white leather chairs.  There are no table cloths, but a good quality serviette, with very heavy and solid Sambonet cutlery imported from Germany, the first time I have seen this locally.  The glassware is excellent.  There is a little candle, and rather ordinary tiny white salt and pepper cellars, probably superfluous anyway, given the excellent food, not requiring seasoning.  The only criticism I shared with Alton was the music selection, being heavy jazz initially, and sounding hotel-like generally.  I reminded him of the great music one hears at Belthazar and Balducci.  The bar is lit with purple lighting at night, and bounces off the bar chairs, creating an interesting visual affect as one enters the bar area.  The colour of the lighting changes throughout the day.

I chose a starter of confit of crayfish on a cucumber sockle with a coriander and paw paw salad (R145).  The impressive part of its presentation was the paw paw crisp, creating a centerpiece to the starter, and tasting sweet and crispy.  Chef Stephen explained that paw paw is liquidised, then glycerine is added, it is baked for nine hours, and then thin slices are cut to create the crisp.  The cucumber was as fresh as could be, as was the salad, the paw paw in it echoing the crisp.  Sorrel foam completed the presentation.  No sauces got in the way of the natural fresh taste of the elements of the dish. No fish knife was served with this starter.  Other starter choices, ranging in price from R55 – R145, include beetroot cured salmon, oysters served on seaweed, wild mushroom ragoût, Ceasar salad, seared foie gras, and caviar (SQ).  The surprise was the most amazing sorbets that were served, and I was allowed three: I chose the Tomato Granite, to which Coral added vodka; a most refreshing Lime & Lemon; and the most amazing Rose, complete with its own rose petals dipped in egg white and crystallised.  The sorbets cost R25 for a choice of three.

The main course choice of Grilled fillet of beef with herb mash and spinach purée with vegetables and port jus (R140) has created a stir.  This menu description does not do justice to the amazing creation that arrived – three slices of fillet on mash, but it was the presentation of the vegetables that created the ‘wow’ response, dubbed by the staff as the ‘Alice in Wonderland garden’, an amazing symphony of carrot, tomato, mushrooms, orange-coloured mini corn-cob, baby radish, baby aubergine, baby turnip, sheets of cauliflower stalk, and tomadillo (tasting of tomato with the texture of aubergine, looking like a green gooseberry), so beautifully presented.  Chef Oliver called it ‘psychedelic vegetables’, and told me that he sources them from the Magic Man in the Karoo.  Main courses are reasonably priced, some being cheaper than the starters, and range from R95 to R145 for roasted sea bass, lobster tortellini, venison, tomato and beetroot tart, scallops, lamb noisette, and duck confit risotto.  The dessert list consists of four options, ranging from R50 – R70, in addition to a Cape cheeseboard (R115), and I chose the Pimms jelly, mint bavois and strawberry sauce, beautifully presented with a long elegant spoon, and well paired with a glass of Silverthorn The Green Man sparkling wine (made by Steenberg GM John Loubser in his private capacity). Other dessert options are chocolate fondant, coconut panacotta, and liquorice macaroons.  Coral brought a cappuccino made with Origin coffee to have with the dessert, and a sweet touch was a jug of extra froth, showing that Alton must have read a Tweet of mine a few days ago about the extra froth a waiter had brought me at Salt Deli, also a Newmark Hotel property.

Alton indulged my love for Shiraz, and poured a glass of Quoin Rock 2006 (R208 per bottle), with violet notes.  Coral brought tap water with an ice bucket and slices of lemon.  The winelist is impressive, bound in grey leather, with the hotel logo on it.  Champagnes and MCC sparkling wines are at the back of the winelist, normally found at the front.   Each wine variety is described, and the origin and vintage of each wine is presented, as are the tasting notes for each wine, generated from a tasting panel’s evaluation of each of the about 100 wines listed.  This is a future Diner’s Club Diamond Award winelist candidate.  The champagnes start at R 940 for Guy Charbaut Select Brut NV, going up to R3500 for Dom Perignon Vintage. Veuve Cliquot Rosé, Billecart Salmon Brut Reserve, and Pol Roger Brut Reserve are also available.  MCC’s start at R200 for Moreson Solitaire, with High Constantia Clos Andre costing R445.  Shiraz choices start at R 205 for Raka Biography, up to R 1390 for Saxenburg SSS Shiraz 2005. The wine-by-the glass policy is interesting – there are no prices for these, but one can order any wine on the list by the glass, within reason, and then Alton and his staff will try to sell the rest of the bottle to other guests.

If there is one taste at Dash that I will never forget it is that of the Rose sorbet – a taste I have never experienced before.  Dash is excellent, and perfect, and I know that the music selection will be addressed, as will the waiters’ food knowledge evolve.  They are so many items on the menu to return to, to try out.  From photographs of the other menu items it is evident that each dish is a work of art in presentation alone. The kitchen closes at about 22h30, but one can pop in at the 24-hour Dash bar for a drink, a coffee or even a dessert, ordered from the room service menu, after the kitchen has closed.  After being a loyal V&A Waterfront shopper for twenty years, it is refreshing to have such an excellent quality restaurant so close by, yet away from the hustle and bustle of the commercial Waterfront area.  I salute Newmark Hotels’ MD Neil Markovitz and his team in creating such an exceptional restaurant.

POSTSCRIPT 14/4: I went back to Dash for a quick coffee and more sorbet, and to show my colleague the Queen Victoria Hotel and Dash restaurant.  Restaurant Manager Darren looked after us, and organised the extra cappuccino foam on the side, from reading this review.  The hotel is almost booked out with delegates from Brazil attending a Tupperware conference.

POSTSCRIPT 8/5: Staying over at the invitation of the Queen Victoria Hotel presented an opportunity for me to introduce my son to Dash, which he was very impressed by.  Food & Beverage Manager Alton van Biljon was most generous in offering us a bottle of Hartenberg The Stork Shiraz 2005, knowing my love for an old-style shiraz.  The chef sent out two complimentary dishes to those we had ordered: the appetizer was a tomato, basil, and mushroom dust, served on a heavy slate plate, reminding me of the work of Eric Bulpitt, previously of Jardineand now at The Round House.  We both ordered a filling starter of wonderful wild mushroom ragout in puff pastry, served with green beans and bearnaise (R65).  Alex had the beef fillet with the ‘Alice in Wonderland vegetable garden’, while I ordered Springbok loin, carrot purée and turnip gratin (R135).   We shared a trio of Rose, Lemon and lime, and Orange and citrus sorbets (R25).   The chef sent out a complimentary pannacotta and lemon sorbet for usto share.   A wonderful evening, once again with an excellent meal, and charming and highly-impressive service by Alton.

POSTSCRIPT 15/5: I returned to Dash with Carole, my colleague in Hermanus, and we were well looked after by Restaurant Manager Darren and Chef Oliver Cattermole.  I tried the Duck Confit Risotto with citrus and herb potpourri, the potpourri containing tea, dried duck (tasting like biltong) and herbs, and served in a separate bowl, which I sprinkled over the risotto.  Carole had the Beef fillet and the ‘Alice in Wonderland’ vegetable garden.  For dessert we had the Chocolate Fondant, which oozed Valrhona chocolate sauce when we opened it, with orange ice cream, a beautiful presentation.  I had my cappuccino with a jug of extra foam, always a nice touch! It was great to meet One&Only Cape Town Hotel Executive Chef Jason Millar, who was celebrating his anniversary at Dash, and to hear a chef’s reaction to the food of another chef – he was most complimentary.  Chef Oliver Cattermole is the driving force in the Dash kitchen, in my opinion, and has created a vegetable and herb garden on the roof of Newmark Hotels’ V&A Hotel, from which he will harvest for his kitchen in future.  

POSTSCRIPT 25/5: Another lovely lunch with excellent service at Dash today, spoiling my friend Jenny to a birthday lunch.  She was surprised to receive a birthday card from the hotel, and a surprise chocolate fondant dessert with her cappuccino.  Jenny’s Beetroot cured salmon with horseradish apple slaw was beautifully presented.

POSTSCRIPT 1/7: Today I took Trevor Jordaan for a birthday lunch at Dash.  I ordered a Cape Malay butternut velouté, while Trevor had a chicory and pickled pear salad, both beautifully presented.  Happy to hear how well the restaurant is doing, and has appointed an Assistant Manager Andrea.

POSTSCRIPT 3/8: Sadly, Restaurant Manager Darren Morgan left the hotel on Monday.  F&B Manager Alton van Biljon has taken a leave of absence, and his return date is uncertain, if he returns at all.  Andrea confirmed this evening that lunch will not be served at Dash for the time being.

POSTSCRIPT 12/8: I had the Mushroom Ragout again this evening, and the pastry casing was tough, and the size of the dish has definitely shrunk.  No Andreas Shiraz was available, which I had tried at Dash for the first time a month ago, when Michael McKenzie and I popped in. The waiter asked how I enjoyed the dish.  I said I didn’t, due to the shrunk size and tough pastry, to which he confidently retorted that the perfect pastry casing is tough! Chef Jamie was in the kitchen this evening. I shared the problem with Hostess Connie, and she apologised.  The waiter told me that the kitchen was sending out a second Ragout, but Connie arrived with the bill, having taken the Ragout off it, saying that the waiter had told her I didn’t want the replacement Ragout.  I got up and left in disbelief at this comedy of errors, the first evening of serious dissatisfaction at Dash.

POSTSCRIPT 25/9: We had a ‘last supper’ at Dash this evening, one of the last nights that Chef Oliver Cattermole will be in the Queen Victoria Hotel kitchen, before he starts at What’s On Eatery on Saturday.  I chose the Foie gras with apple, excellent, but pricey as a starter at R140.  My son enjoyed his Duck risotto (R125).  The Rose sorbet no longer is dark pink, as photographed above, and doesn’t taste as amazing as I remember it. Service efficient but functional, and the personal touch has gone. Excellent Andreas Shiraz 2008 now my favourite Shiraz.  Sad to see us being only one of two tables.  Despite being told in early days that all wines on the winelist are available by the glass, the limit is that only bottles under R300 may be opened for wines by the glass.

Dash Restaurant, Queen Victoria Hotel, Portswood Close, Portswood Ridge, V&A Waterfront.   Tel (021) 418-1466.   www.queenvictoriahotel.co.za (The Dash menu and winelist are now listed on the website, but the Image Gallery does not contain enough photographs to reflect the amazing creativity of the Dash chefs).

Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com Twitter: @WhaleCottage

Wellington Wine Route: friendly wine estates

I spent the past weekend in my old hometown Wellington, and stayed at Grand Dédale Country House  on the Doolhof wine estate, at the end of the Bovlei Road.   Angelo of Grand Dédale had set up some appointments to visit the private wine estates (Nabygelegen and Klein Optenhorst).  My wine estate visits were concentrated on the Bovlei Road (4 km of it is untarred, which rattled me and the car when I first arrived, but two days later it was no longer an issue), and my impression of this first taste of the fine Wellington wineries is one of overwhelming friendliness and good neighbourliness.  I did not manage to visit all the wine estates in Wellington, and Welvanpas, Bosman Family Vineyards, Andreas, the Jorgensen Distillery (not a wine estate but producing very exciting spirits), and others will have to wait for a next visit:

Doolhof

The 380 ha wine estate lies at the end of the Bovlei Road, and while its name means labyrinth in Afrikaans, a cul de sac was also given this name.  Doolhof belongs to Dorothy and Dennis Kerrison.  Its soils are “finer, more balanced and deeper than in the surrounding countryside, with clay content evenly distributed”.  The roots are able to grow to four meters and beyond, the Room Directory informs Grand Dédale guests.   The location of the farm allows it to have cooler summers and warmer winters than the norm in Wellington.  Less than 10 % of the farm is under vine.  Sauvignon Blanc, Chardonnay, Cabernet Sauvignon, Cabernet Franc, Petit Verdot, Malbec, Merlot, Pinotage and Shiraz are grown.  The remainder of the farmland is uncultivated, and consists largely of fynbos.  The Biodiversity and Wine Initiative is supported by Doolhof, and a programme is in place to remove alien Black Wattles, and to plant indigenous wetland plants and trees.  The cellar was started in 2004, and the tasting room once was the stables on the farm.   Its architecture and interior decor reflects that of Grand Dédale Country House on the wine estate, but is less extravagant.  The Doolhof hostess used the word “elegant” to describe it perfectly.  One can sit inside the spacious airconditioned tasting room, or outside at a water feature.   One can order food as well, I was told, and an arrangement with Grand Dédale Country House to provide this service has ended, with a dedicated chef starting next week, to prepare meals for the Doolhof tasting room visitors.  

There are three Doolhof wine ranges, and their labels are equally elegant:

*   the Cape range is the entry level range, and its wines are a blend of own grapes as well as those of other estates.  Sauvignon Blanc, Cape Robin Rosé, Cape Boar (Merlot-based blend) and Cape Roan blend with Shiraz.  The price ranges from R 33 – R49.

*   the Signatures of Doolhof range is made from Doolhof grapes only, and Sauvignon Blanc (R54), Chardonnay Unwooded (R54), Chardonnay Barrel Fermented (R92), Cabernet Sauvignon (R70), Shiraz (R70), Pinotage (R86), Petit Verdot R124), Renaissance blend (R80), Merlot (R81) and Malbec (R124) is produced.  

*   the Legends of the Labyrinth range has three wines: The Minotaur is the most expensive wine sold at Doolhof, at R150, and is a blend of six grapes: Merlot, Malbec,  Petit Verdot, Pinotage, Cabernet Sauvignon and Shiraz;  Lady in Red is a Bordeaux-style blend (R70); and Dark Lady is a Pinotage with chocolate and mocha aromas (R70). 

The Doolhof Tasting Room staff are smartly dressed, in blue shirts with Doolhof branding.  Natasha was a self-confident and knowledgeable hostess, and made photocopies of more detailed notes on each wine, in colour, and for each wine a suitable food pairing suggestion is provided.  A stem tag identifies the wine one is tasting, a professional touch.  The brochure is attractive and professional looking.   One can join the ‘Denizens of Doolhof Wine Club’, a rather unfortunate name!  The wine estate is largely bottling with cork, but is planning to move more towards screwcaps in future.

It seems a shame that Grand Dédale and Doolhof do not interact more, by displaying each others brochures.  The Grand Dédale Room Directory has detailed information about the wine estate.  Both are on Twitter, and should support each other in that medium too.   The Doolhof wines dominate the Grand Dédale wine list.

Doolhof Wine Estate, Bovlei Road, Wellington.  Tel (021) 873- 6911. www.doolhof.com Monday – Saturday 10h00 – 17h00, Sunday 10h00 – 16h00

Dunstone Winery

Dunstone Boutique Winery opened in 2006, and 2,7 ha of the 4 ha is planted to vine.  The name of the winery was chosen by its owners Lee and Abbi Wallis, Dunstone being the place in the United Kingdom in which the couple got engaged.  A lot is made of the ‘stone’ part of the Dunstone name, in that the entrance wall is built from stone, there is a stone display as one walks from the tasting room to the garden, the vases with fly-deterrent branches have little stones in them, and the bill for The Stone Kitchen restaurant (separate review to come) comes with a large stone on the silver holder, to prevent it from flying away.   I felt that the wine estate is “schizophrenic”, in not knowing what character it wishes to have, judging by its entrance, building and interior.  The most beautiful stainless steel Weimaraner dog logo is erected on each of the walls at the entrance, in honour of the Wallis’ dog named Shiraz.  The stainless steel dogs lead one to expect a very high-tech winery, being so new and with its strong use of stainless steel, and also as the winery calls itself ’boutique’, but the wine tasting building is very ordinary, without a defined architectural style.   But what is even odder is the cottagey wood furniture in the tasting room, which also is the interior seating for the restaurant.  The restaurant tables and chairs look really old-fashioned, and a long table has benches with cushions on them in different colours and patterns – the material from these have been laminated, and are used as (small) place mats in the restaurant.  A lamp above the wine tasting counter has been made from a ‘wingerdstok’, and has fairy lights laced through it.  The big stainless steel vats are in the room too, as is a display fridge with chef Johan van Schalkwyk’s muffins to buy, and some of his jams and muesli mixes which he sells, as well as trays of desserts he was serving at a wedding that same evening, as he also runs a catering company called Twist.  The beautiful brochure for the winery creates even more confusion, in that it has a beautiful image of the Weimaraner logo on the stone wall, in silver, on the front cover, again giving the winery a very hi-tech image.  The Dunstone labels also have the Weimaraner logo on them, also in silver.   

Carina Stock is a friendly German wine hostess, and she will be increasingly involved in all aspects of the wine production.  She studied art and jewellery design, and spent many years at Uitkyk, in restoring wallpaintings.  She has worked at Boschendal and at DG Bellingham.  More than 11000 bottles are produced per year.   At Dunstone all vineyard work is done by hand, and tractors are not used.     Carina offered me four Dunstone wines to taste: 

Rosé 2010 (R45):   Crisp and dry, with strawberry, raspberries and plum.

Merlot 2007 (R65): Silver Medal won at Veritas Awards 2008 – full-bodied, ripe dark fruit, spices and oak, matured in French oak barrels for up to 14 months.  The Merlot 2008 (R65) is a lighter wine.

Shiraz 2009 (R120): First 5-star Platter rating for a Wellington wine, in 2010 edition, for the 2008 vintage, as well as Gold won at International Wine Challenge and Old Mutual Trophy Awards, and Double Gold at Michelangelo Awards.  2008 vintage sold out.  2009 vintage described by Jancis Robinson as “Dry, baked nose but sufficiently juicy fruit on the palate.”  The wine is matured in French, Hungarian and American oak for up to 14 months, is heavier, and “with a long finish”.     

Adi Badenhorst is the consultant winemaker.  Alli’s father Robert Frith is always on the farm during the harvest, Carina said.  He encouraged the Wallis couple to take out some of the guava trees, and plant grapes, being a garagiste in the UK.  Wine lovers are encouraged to come and help harvest the grapes and to participate in the winemaking process, even stomping the grapes, a personalised participation.  One must call to ensure that there is harvest or winemaking activity taking place on a given day.

Dunstone Winery, Bovlei Road, Wellington.  Tel (021) 873-6770. www.dunstone.co.za  Open Monday – Friday 10h00 – 17h00, Saturday 11h00 – 15h00. 

 Bovlei Cellar

As one drives out of Wellington, towards the Bain’s Kloof Pass, the Bovlei winery is on the right, a co-operative of 32 farmers producing 8000 tonnes per year.  Established in 1907, it is the oldest in Wellington (there are two others) and is the second oldest co-operative in South Africa, I was told by Tasting Room hostess Melissa van Wyk.   The wines sold at Bovlei are extremely good value, but range in Platter rating from 2 – 3,5 stars.

There are four ranges:

*   The winemakers selected specific grapes from specific members’ farms to make the Vineyard Selected Range, consisting of Cabernet Sauvignon, Merlot, Shiraz and a Shiraz/Mouvedré blend, all costing R50

*  the rest of the members’ grapes go into the making of their Lifestyle range, consisting of Sauvignon Blanc, Chenin Blanc, Chardonnay, Beaukett, Gewürztraminer and Special Late Harvest, all costing between R 22 – R25.  The reds are Pinotage, Shiraz, Merlot and Cabernet Sauvignon, at R30 a bottle.  Rosé costs R20, and a sparkling Brut R30.  The Shiraz won the Best Shiraz and Best Red in the 2010 “Quest for the Best” of Wellington competition. 

*   The Thomas Kipling range is available in Cabernet Sauvignon, Dry Red, Dry White and Cabernet/Merlot blend, made exclusively for Pick ‘n Pay, Game and other liquor outlets, starting off at R19,99.

*   The Bovlei Centenary Selection is available in a Shiraz, Pinotage, Cabernet Sauvignon and Merlot, each costing R35, a 100th birthday celebratory range made in 2007.

Bovlei Cellar, Bain’s Kloof Road, Wellington. Tel (021) 873-1567.  www.bovlei.co.za  Monday – Friday 8h00 – 17h00, Saturday 8h30 – 12h30. 

Nabygelegen: 

I was extremely fortunate to get an appointment to meet James McKenzie, from the private wine estate that is highly rated by wine writer Neil Pendock, I was told.   A misunderstanding about my expected time of arrival was quickly forgiven by James, and he patiently sat with me, doing a detailed tasting of his Nabygelegen and Snow Mountain ranges. He told me that he bought the 35ha farm (19,5ha under vine) ten years ago, having been a banker in London and Zürich.  He was so determined to become a winemaker that he studied wine making by correspondence course, and first worked on wine farms in France, Spain, New Zealand and Chile, to learn from them.  The farm dates back to 1712, and one of his wines is named after this date.  He is hands-on, harvesting, marketing, receiving journalists, wine-making, organising the use of the cottage by guests, and the planned use of the old stables as a winetasting facility and restaurant.  Johan Wiese is a consultant viticulturist for Nabygelegen.  The pricelist states that his wines are “handcrafted wines”.  The brochure states the mission of Nabygelegen to be “To create of wines character and concentration reflecting vineyard specific terroir, using environmentally sound techniques, subscribe to ethical labour practices and enthusiastically pursue upliftment in the valley”.  It recommends a suitable food type to eat with each of the wines.  James makes the Nabygelegen range, utilising grapes from his own farm, which consists of the following:

*   Sauvignon Blanc 2010 (R40) – very fruity, the best Sauvignon Blanc he has made to date, James said, and his 2010 vintage of 6000 bottles has just sold out

*   Lady Anna 2009 (R32) – a light and fruity chenin blanc, sauvignon blanc and semillion blend, named after the neighbouring farm owner Anna Lategan, who is respected for having freed her slaves a number of years ahead of the official abolition of slavery in 1815.  Her ghost is said to wander on Nabygelegen and De Compagne, the neighbouring farm!

*   Chenin Blanc 2009 (R45) – full-bodied chenin, which is barrel fermented

*   Scaramanga 2008 (R50) – the Spanish nickname for Tempranillo, and also the name of the “baddie” character in ‘The Man with the Golden Gun’ Bond movie. Tempranillo is one of the grape types from which this wine is made, with Merlot, Cabernet Sauvignon and Malbec.  It is made in the New World style, with focus on its flavour and smell. Only four wine estates grow Tempranillo in South Africa.  It is an upfront wine.

*   Merlot 2007 (R62) – sweet cherry and berry

*   Petit Verdot 2008 (R80) – intense fruit with layers of vanilla and chocolate

*   Seventeen Twelve 2006 (R90) – a classic Bordeaux Blend of Petit Verdot, Merlot and Cabernet Sauvignon,

The Snow Mountain range was launched last year, out of a need for a more pronounceable name for the English market, and it was named after Sneeukop, the highest mountain peak in Wellington.  The grapes are bought in from other Wellington farms, which are higher up, and therefore grow in a ‘continental climate’ and not a Mediterranean one, as do most other local wines, excellent for the production of the Pinot Noir in particular, he said.

*   Rosé 2009 (R30) – made in the French style, not sweet, served at Wimbledon

*   Pinot Noir 2009 (R90) – highly regarded, has been served at Kensington and Buckingham Palaces

One of James’ greatest enjoyments is the ‘number of beautiful places’ in which his wines are sold.  I asked him which these are, and his top three are the following: Librije’s in Zusje in Holland; Claridges in London; and The Green and Blue Wine Shop in London, owned by ex-South African Kate Thal.  We started tasting in the tasting room initially, tasting the whites and Rosé, then walked through the maturation cellar, which is used as a function venue, for which James’ friend Matthew Gordon from Franschhoek cooks, and tasted the Pinot Noir and reds in a most special tiny underground cellar, which has a glass window showing the soil depth and the rock formation.   I was lucky enough to be given a bottle of the Snow Mountain Shiraz 2009, which has not yet been released.

Nabygelegen, Bovlei Road, Wellington.  Tel (021) 873-7534.  www.nabygelegen.co.za  Monday – Friday 10h00 – 16h30, Saturday 9h00 – 12h30.

Klein Optenhorst

Jenny and Naas Ferriera have lived on Klein Optenhorst since 1987, on a farm that once was the home of my classmate Beverly Pywell and her family, and which I had visited for birthday parties.   A small 1 ha property has Pinot Noir grapes and the most beautiful garden, which the Ferreiras developed over time.   A gazebo with a whale weathervane has become the logo for the boutique wine estate, and caught my eye immediately.   Since 1994 the family produced Pinot Noir, but last year decided to make a Pinot Noir MCC sparkling wine instead, utilising the talents of Pieter Ferriera, whose wife Ann is the niece of Naas.   I was offered a glass of the beautiful bubbly by Ferreira daughter Jane Eedes, who is marketing the sparkling wine, a total of 1592 bottles of this maiden vintage having been produced. The inspiration for the label design by Eddy Haumann is the salvias from Jenny’s garden.  I was treated to a guided tour of the garden, and was most generously given a bottle of the Pinot Noir as well as the Pinot Noir MCC.  

Klein Optenhorst, Bovlei Road, Wellington.  Tel Jane Eedes 083 324 6855.

Diemersfontein

Located at the entrance to Wellington from the Paarl side, Diemersfontein has become a ‘residential estate’, is a wine farm, a spa, has a preparatory school, and has 30 rooms of accommodation.  I have not been to Diemersfontein for many years, and have not ever drunk their wines nor seen their wine tasting room.  I had booked a table for lunch, and had a vision of an old manor house with a big stoep, which was the original Diemersfontein homestead.  It is only used as accommodation and David Sonnenberg, the current owner, has an office there, I was told.  The Sonnenberg family (linked to Woolworths) has owned Diemersfontein since 1943, and originally apricots were the main fruit harvest.   Then export plums were farmed.      Wine has been made in the past ten years, and the property is described as a “Residential Wine Estate”.

 I was disappointed to find a modern building which houses both the restaurant Seasons (see review) and the Tasting Room.    The Tasting Room was not immediately visible, and we could not work out which door was unlocked, to allow us to enter.  It is small, compared to some of the others I visited in Wellington over the weekend, just containing a counter with bar chairs.   Aubern was friendly, and hunted down the last brochure for the wine estate.  Brett Rightford is the cellarmaster, and he is responsible for making all the Diemersfontein wines other than Pinotage, which is the responsibility of Francois Roode.

There are three ranges at Diemersfontein, for which 70 % of the grapes come from the estate, and the remainder are bought from other Wellington farms.  The Platter star rating of each wine is listed on the price list:

*   Carpe Diem is the flagship, and its wines are matured in French and American oak for 15 months as a minimum.  The Pinotage 2008 was awarded 4,5 stars by Platter, and is sold out.   Prices are on the high side, between R 89 (Chenin Blanc and Viognier) and R110 for Cabernet Sauvignon, Shiraz, and Malbec.

*   The Diemersfontein range spends 6 months in oak, and is priced at R70, only the Pinotage being slightly more expensive.  There is a Cabernet Sauvignon, Shiraz, Summer’s Lease Shiraz-based blend and a Heaven’s Eye Bordeaux-style blend.  A red blend called “For the Birds!” sells at a low price of R45, and 10 % of sales goes to the “Save our Seabirds” Fund of Birdlife South Africa 

*   The Thokozani range was launched last year, and is an empowerment project, with staff, investors and the Sonnenbergs as shareholders, and Aubern is focused on his goal to become a shareholder too.  The Chenin Blanc/Chardonnay/Viognier blend costs R49, Rosé R 39, and the Shiraz/Mourvedré/Viognier blend costs R 69.

For its good reputation, duration of wine production, and stature of wine estate, I was disappointed with the lack of marketing collateral, photocopied price list, and the ‘ordinariness’ and small size of the tasting room. Diemersfontein came across as the most ‘commercialised’ of the Wellington wine estates I visited, yet was friendly too.

Diemersfontein Wines,  Jan van Riebeeck Drive, Wellington.   Tel (021) 864-5050. www.diemersfontein.co.za  Monday – Sunday 10h00 – 17h00.

A tear-off map of Wellington’s accommodation, wine estates, restaurants and shops was printed about three years ago, but does not appear to have been updated.  It is similar to the excellent Franschhoek Wine Valley map, providing not only a location perspective, but also the contact details and tasting times.   It appears to have been replaced with a recent brochure on Wellington.   An update of the tear-off map for the wine estates would be a good idea, to encourage winelovers to visit as many wine estates as they can.   A website of the Wellington Wine Route, or even a blog, may be a consideration too.

 Chris von Ulmenstein, Whale Cottage Portfolio: www.whalecottage.com   Twitter: @WhaleCottage